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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06BDD9 it is the complementary color #F94226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06BDD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06BDD9 shade: #0BBDD4, #1CCFE7, #2DE1FA, #3EF3FF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06BDD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06BDD9 shade: #06BDD9, #00ABC6, #0099B3, #0087A0 and #00758D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06BDD9 shade: #05BEDA, #0585DA, #054BDA, #0512DA and #3205DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06BDD9 shade: #05BEDA, #0585DA, #054BDA, #0512DA and #0505DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06BDD9 shade matches the following richer shades: #05BEDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06BDD9 shade: #05BEDA, #17B1C8, #29A3B6, #3C96A4 and #4E8992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06BDD9 shade: #05DA81, #05DABA, #05C1DA, #0589DA and #0550DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06BDD9 shade: #03788A, #049BB2, #05BEDA, #10DAF8 and #38E0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06BDD9 shade: #06BDD9, #4905DA and #DA9E05

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06BDD9 shade: #06BDD9, #DA05C1 and #C1DA05

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06BDD9 shade: #06BDD9, #4905DA, #DA1E05 and #97DA05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06BDD9 shade: #06BDD9, #8905DA, #DA1E05 and #57DA05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 13 / 0 / 15

HEX #06BDD9

RGB 6 189 217

HSL 187.96, 0.95%, 0.44%

LAB 70.49, -29.36, -25.15

 

Complementary color

CMYK 0 / 73 / 85 / 2

HEX #F94226

RGB 249 66 38

HSL 7.96, 0.95%, 0.56%

LAB 56.26, 67.43, 56.38

 

CMYK 95 / 11 / 0 / 17

HEX #0BBDD4

RGB 11 189 212

HSL 186.87, 0.9%, 0.44%

LAB 70.33, -30.85, -22.65

 

CMYK 88 / 10 / 0 / 9

HEX #1CCFE7

RGB 28 207 231

HSL 187.09, 0.81%, 0.51%

LAB 76.46, -32.75, -23.59

 

CMYK 82 / 10 / 0 / 2

HEX #2DE1FA

RGB 45 225 250

HSL 187.32, 0.95%, 0.58%

LAB 82.55, -34.31, -24.43

 

CMYK 76 / 5 / 0 / 0

HEX #3EF3FF

RGB 62 243 255

HSL 183.73, 1%, 0.62%

LAB 88.13, -39.69, -18.57

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 97 / 13 / 0 / 15

HEX #06BDD9

RGB 6 189 217

HSL 187.96, 0.95%, 0.44%

LAB 70.49, -29.36, -25.15

 

CMYK 100 / 14 / 0 / 22

HEX #00ABC6

RGB 0 171 198

HSL 188.18, 1%, 0.39%

LAB 64.32, -26.91, -24.13

 

CMYK 100 / 15 / 0 / 30

HEX #0099B3

RGB 0 153 179

HSL 188.72, 1%, 0.35%

LAB 58.07, -24.24, -23.06

 

CMYK 100 / 16 / 0 / 37

HEX #0087A0

RGB 0 135 160

HSL 189.38, 1%, 0.31%

LAB 51.69, -21.49, -21.98

 

CMYK 100 / 17 / 0 / 45

HEX #00758D

RGB 0 117 141

HSL 190.21, 1%, 0.28%

LAB 45.15, -18.65, -20.9

 

CMYK 98 / 13 / 0 / 15

HEX #05BEDA

RGB 5 190 218

HSL 187.89, 0.96%, 0.44%

LAB 70.82, -29.55, -25.19

 

CMYK 98 / 39 / 0 / 15

HEX #0585DA

RGB 5 133 218

HSL 203.94, 0.96%, 0.44%

LAB 53.89, 1.53, -51.65

 

CMYK 98 / 66 / 0 / 15

HEX #054BDA

RGB 5 75 218

HSL 220.28, 0.96%, 0.44%

LAB 38.07, 38.54, -77.3

 

CMYK 98 / 92 / 0 / 15

HEX #0512DA

RGB 5 18 218

HSL 236.34, 0.96%, 0.44%

LAB 28.19, 66.72, -93.69

 

CMYK 77 / 98 / 0 / 15

HEX #3205DA

RGB 50 5 218

HSL 252.68, 0.96%, 0.44%

LAB 29.03, 70.13, -92.24

 

CMYK 98 / 13 / 0 / 15

HEX #05BEDA

RGB 5 190 218

HSL 187.89, 0.96%, 0.44%

LAB 70.82, -29.55, -25.19

 

CMYK 98 / 39 / 0 / 15

HEX #0585DA

RGB 5 133 218

HSL 203.94, 0.96%, 0.44%

LAB 53.89, 1.53, -51.65

 

CMYK 98 / 66 / 0 / 15

HEX #054BDA

RGB 5 75 218

HSL 220.28, 0.96%, 0.44%

LAB 38.07, 38.54, -77.3

 

CMYK 98 / 92 / 0 / 15

HEX #0512DA

RGB 5 18 218

HSL 236.34, 0.96%, 0.44%

LAB 28.19, 66.72, -93.69

 

CMYK 98 / 98 / 0 / 15

HEX #0505DA

RGB 5 5 218

HSL 240, 0.96%, 0.44%

LAB 27.3, 69.44, -95.16

 

CMYK 98 / 13 / 0 / 15

HEX #05BEDA

RGB 5 190 218

HSL 187.89, 0.96%, 0.44%

LAB 70.82, -29.55, -25.19

 

CMYK 98 / 13 / 0 / 15

HEX #05BEDA

RGB 5 190 218

HSL 187.89, 0.96%, 0.44%

LAB 70.82, -29.55, -25.19

 

CMYK 89 / 12 / 0 / 22

HEX #17B1C8

RGB 23 177 200

HSL 187.8, 0.79%, 0.44%

LAB 66.36, -28.37, -22.1

 

CMYK 77 / 10 / 0 / 29

HEX #29A3B6

RGB 41 163 182

HSL 188.09, 0.63%, 0.44%

LAB 61.69, -25.78, -19.18

 

CMYK 63 / 9 / 0 / 36

HEX #3C96A4

RGB 60 150 164

HSL 188.08, 0.46%, 0.44%

LAB 57.51, -22.13, -15.3

 

CMYK 47 / 6 / 0 / 43

HEX #4E8992

RGB 78 137 146

HSL 187.94, 0.3%, 0.44%

LAB 53.59, -16.71, -10.81

 

CMYK 98 / 0 / 41 / 15

HEX #05DA81

RGB 5 218 129

HSL 154.93, 0.96%, 0.44%

LAB 77.14, -64.47, 31.57

 

CMYK 98 / 0 / 15 / 15

HEX #05DABA

RGB 5 218 186

HSL 170.99, 0.96%, 0.44%

LAB 78.3, -51.53, 3.27

 

CMYK 98 / 11 / 0 / 15

HEX #05C1DA

RGB 5 193 218

HSL 187.04, 0.96%, 0.44%

LAB 71.71, -31.01, -23.81

 

CMYK 98 / 37 / 0 / 15

HEX #0589DA

RGB 5 137 218

HSL 202.82, 0.96%, 0.44%

LAB 55.06, -0.86, -49.79

 

CMYK 98 / 63 / 0 / 15

HEX #0550DA

RGB 5 80 218

HSL 218.87, 0.96%, 0.44%

LAB 39.3, 35.33, -75.28

 

CMYK 98 / 13 / 0 / 46

HEX #03788A

RGB 3 120 138

HSL 188, 0.96%, 0.28%

LAB 46.03, -21.19, -17.77

 

CMYK 98 / 13 / 0 / 30

HEX #049BB2

RGB 4 155 178

HSL 187.93, 0.96%, 0.36%

LAB 58.68, -25.46, -21.56

 

CMYK 98 / 13 / 0 / 15

HEX #05BEDA

RGB 5 190 218

HSL 187.89, 0.96%, 0.44%

LAB 70.82, -29.55, -25.19

 

CMYK 94 / 12 / 0 / 3

HEX #10DAF8

RGB 16 218 248

HSL 187.76, 0.94%, 0.52%

LAB 80.2, -33.11, -26.97

 

CMYK 78 / 10 / 0 / 2

HEX #38E0F9

RGB 56 224 249

HSL 187.77, 0.94%, 0.6%

LAB 82.37, -33.22, -24.15

 

CMYK 97 / 13 / 0 / 15

HEX #06BDD9

RGB 6 189 217

HSL 187.96, 0.95%, 0.44%

LAB 70.49, -29.36, -25.15

 

CMYK 67 / 98 / 0 / 15

HEX #4905DA

RGB 73 5 218

HSL 259.15, 0.96%, 0.44%

LAB 30.85, 70.99, -89.16

 

CMYK 0 / 28 / 98 / 15

HEX #DA9E05

RGB 218 158 5

HSL 43.1, 0.96%, 0.44%

LAB 69.02, 11.85, 72.33

 

CMYK 97 / 13 / 0 / 15

HEX #06BDD9

RGB 6 189 217

HSL 187.96, 0.95%, 0.44%

LAB 70.49, -29.36, -25.15

 

CMYK 0 / 98 / 11 / 15

HEX #DA05C1

RGB 218 5 193

HSL 307.04, 0.96%, 0.44%

LAB 50.53, 83.49, -41.69

 

CMYK 11 / 0 / 98 / 15

HEX #C1DA05

RGB 193 218 5

HSL 67.04, 0.96%, 0.44%

LAB 82.64, -29.54, 81.27

 

CMYK 97 / 13 / 0 / 15

HEX #06BDD9

RGB 6 189 217

HSL 187.96, 0.95%, 0.44%

LAB 70.49, -29.36, -25.15

 

CMYK 67 / 98 / 0 / 15

HEX #4905DA

RGB 73 5 218

HSL 259.15, 0.96%, 0.44%

LAB 30.85, 70.99, -89.16

 

CMYK 0 / 86 / 98 / 15

HEX #DA1E05

RGB 218 30 5

HSL 7.04, 0.96%, 0.44%

LAB 46.77, 67.61, 58.71

 

CMYK 31 / 0 / 98 / 15

HEX #97DA05

RGB 151 218 5

HSL 78.87, 0.96%, 0.44%

LAB 80.03, -46.03, 78.13

 

CMYK 97 / 13 / 0 / 15

HEX #06BDD9

RGB 6 189 217

HSL 187.96, 0.95%, 0.44%

LAB 70.49, -29.36, -25.15

 

CMYK 37 / 98 / 0 / 15

HEX #8905DA

RGB 137 5 218

HSL 277.18, 0.96%, 0.44%

LAB 38.71, 75.89, -75.91

 

CMYK 0 / 86 / 98 / 15

HEX #DA1E05

RGB 218 30 5

HSL 7.04, 0.96%, 0.44%

LAB 46.77, 67.61, 58.71

 

CMYK 60 / 0 / 98 / 15

HEX #57DA05

RGB 87 218 5

HSL 96.9, 0.96%, 0.44%

LAB 77.39, -65.82, 74.92

 

Description

Color code: HEX #06BDD9 | qconv.com Color code: HEX #06BDD9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 189 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 189 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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