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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06C582 it is the complementary color #F93A7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06C582. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06C582 shade: #0BC57D, #1CD790, #2DE9A3, #3EFBB6 and #4FFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06C582. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06C582 shade: #06C582, #00B36F, #00A15C, #008F49 and #007D36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06C582 shade: #06C582, #06C54E, #06C51B, #24C506 and #58C506

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06C582 shade: #06C582, #06C5B6, #06A1C5, #066EC5 and #063AC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06C582 shade matches the following richer shades: #06C582

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06C582 shade: #06C582, #16B57D, #27A478, #379473 and #48836E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06C582 shade: #06C519, #06C54C, #06C57F, #06C5B2 and #06A5C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06C582 shade: #03754D, #049D68, #06C582, #07ED9D and #26F8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06C582 shade: #06C582, #0626C5 and #C53206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06C582 shade: #06C582, #7F06C5 and #C57F06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06C582 shade: #06C582, #0626C5, #C5064C and #C5A506

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06C582 shade: #06C582, #1F06C5, #C5064C and #ACC506

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

Complementary color

CMYK 0 / 77 / 50 / 2

HEX #F93A7D

RGB 249 58 125

HSL 338.95, 0.94%, 0.6%

LAB 56.73, 74.12, 8.35

 

CMYK 94 / 0 / 37 / 23

HEX #0BC57D

RGB 11 197 125

HSL 156.77, 0.89%, 0.41%

LAB 70.51, -57.73, 24.84

 

CMYK 87 / 0 / 33 / 16

HEX #1CD790

RGB 28 215 144

HSL 157.22, 0.77%, 0.48%

LAB 76.59, -59.39, 23.13

 

CMYK 81 / 0 / 30 / 9

HEX #2DE9A3

RGB 45 233 163

HSL 157.66, 0.81%, 0.55%

LAB 82.64, -60.63, 21.56

 

CMYK 75 / 0 / 27 / 2

HEX #3EFBB6

RGB 62 251 182

HSL 158.1, 0.96%, 0.61%

LAB 88.64, -61.53, 20.11

 

CMYK 69 / 0 / 21 / 0

HEX #4FFFC9

RGB 79 255 201

HSL 161.59, 1%, 0.65%

LAB 90.51, -56.72, 13.02

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 100 / 0 / 38 / 30

HEX #00B36F

RGB 0 179 111

HSL 157.21, 1%, 0.35%

LAB 64.47, -54.57, 24.15

 

CMYK 100 / 0 / 43 / 37

HEX #00A15C

RGB 0 161 92

HSL 154.29, 1%, 0.32%

LAB 58.29, -51.95, 26.13

 

CMYK 100 / 0 / 49 / 44

HEX #008F49

RGB 0 143 73

HSL 150.63, 1%, 0.28%

LAB 51.98, -49.17, 28.17

 

CMYK 100 / 0 / 57 / 51

HEX #007D36

RGB 0 125 54

HSL 145.92, 1%, 0.25%

LAB 45.54, -46.15, 30.21

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 97 / 0 / 60 / 23

HEX #06C54E

RGB 6 197 78

HSL 142.62, 0.94%, 0.4%

LAB 69.84, -65.74, 47.29

 

CMYK 97 / 0 / 86 / 23

HEX #06C51B

RGB 6 197 27

HSL 126.6, 0.94%, 0.4%

LAB 69.51, -69.98, 64.71

 

CMYK 82 / 0 / 97 / 23

HEX #24C506

RGB 36 197 6

HSL 110.58, 0.94%, 0.4%

LAB 69.7, -68.43, 68.16

 

CMYK 55 / 0 / 97 / 23

HEX #58C506

RGB 88 197 6

HSL 94.24, 0.94%, 0.4%

LAB 70.88, -58.37, 69.62

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 97 / 0 / 8 / 23

HEX #06C5B6

RGB 6 197 182

HSL 175.29, 0.94%, 0.4%

LAB 71.79, -43.81, -4.08

 

CMYK 97 / 18 / 0 / 23

HEX #06A1C5

RGB 6 161 197

HSL 191.31, 0.94%, 0.4%

LAB 61.27, -21.95, -28.26

 

CMYK 97 / 44 / 0 / 23

HEX #066EC5

RGB 6 110 197

HSL 207.33, 0.94%, 0.4%

LAB 45.94, 7.54, -52.43

 

CMYK 97 / 71 / 0 / 23

HEX #063AC5

RGB 6 58 197

HSL 223.66, 0.94%, 0.4%

LAB 32.02, 41.48, -75.1

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 88 / 0 / 31 / 29

HEX #16B57D

RGB 22 181 125

HSL 158.87, 0.78%, 0.4%

LAB 65.51, -51.22, 18.05

 

CMYK 76 / 0 / 27 / 36

HEX #27A478

RGB 39 164 120

HSL 158.88, 0.62%, 0.4%

LAB 60.19, -43.96, 13.45

 

CMYK 63 / 0 / 22 / 42

HEX #379473

RGB 55 148 115

HSL 158.71, 0.46%, 0.4%

LAB 55.31, -35.61, 9.45

 

CMYK 45 / 0 / 16 / 49

HEX #48836E

RGB 72 131 110

HSL 158.64, 0.29%, 0.4%

LAB 50.38, -24.57, 5.39

 

CMYK 97 / 0 / 87 / 23

HEX #06C519

RGB 6 197 25

HSL 125.97, 0.94%, 0.4%

LAB 69.5, -70.06, 65.13

 

CMYK 97 / 0 / 61 / 23

HEX #06C54C

RGB 6 197 76

HSL 141.99, 0.94%, 0.4%

LAB 69.82, -65.99, 48.17

 

CMYK 97 / 0 / 36 / 23

HEX #06C57F

RGB 6 197 127

HSL 158.01, 0.94%, 0.4%

LAB 70.53, -57.5, 23.8

 

CMYK 97 / 0 / 10 / 23

HEX #06C5B2

RGB 6 197 178

HSL 174.03, 0.94%, 0.4%

LAB 71.68, -44.94, -2.07

 

CMYK 97 / 16 / 0 / 23

HEX #06A5C5

RGB 6 165 197

HSL 190.05, 0.94%, 0.4%

LAB 62.49, -24.02, -26.38

 

CMYK 97 / 0 / 34 / 54

HEX #03754D

RGB 3 117 77

HSL 158.95, 0.95%, 0.24%

LAB 43.18, -38.37, 14.35

 

CMYK 97 / 0 / 34 / 38

HEX #049D68

RGB 4 157 104

HSL 159.22, 0.95%, 0.32%

LAB 57.21, -47.75, 18.15

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 97 / 0 / 34 / 7

HEX #07ED9D

RGB 7 237 157

HSL 159.13, 0.94%, 0.48%

LAB 83.47, -65.45, 25.74

 

CMYK 85 / 0 / 30 / 3

HEX #26F8AE

RGB 38 248 174

HSL 158.86, 0.94%, 0.56%

LAB 87.29, -64.36, 22.3

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 97 / 81 / 0 / 23

HEX #0626C5

RGB 6 38 197

HSL 229.95, 0.94%, 0.4%

LAB 28, 52.88, -81.77

 

CMYK 0 / 75 / 97 / 23

HEX #C53206

RGB 197 50 6

HSL 13.82, 0.94%, 0.4%

LAB 44.47, 56.26, 54.95

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 36 / 97 / 0 / 23

HEX #7F06C5

RGB 127 6 197

HSL 278.01, 0.94%, 0.4%

LAB 35.35, 70.49, -69.29

 

CMYK 0 / 36 / 97 / 23

HEX #C57F06

RGB 197 127 6

HSL 38.01, 0.94%, 0.4%

LAB 59.03, 19.45, 64.12

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 97 / 81 / 0 / 23

HEX #0626C5

RGB 6 38 197

HSL 229.95, 0.94%, 0.4%

LAB 28, 52.88, -81.77

 

CMYK 0 / 97 / 61 / 23

HEX #C5064C

RGB 197 6 76

HSL 338.01, 0.94%, 0.4%

LAB 42.03, 67.61, 16.4

 

CMYK 0 / 16 / 97 / 23

HEX #C5A506

RGB 197 165 6

HSL 49.95, 0.94%, 0.4%

LAB 68.6, -1.19, 70.89

 

CMYK 97 / 0 / 34 / 23

HEX #06C582

RGB 6 197 130

HSL 158.95, 0.94%, 0.4%

LAB 70.58, -56.86, 22.28

 

CMYK 84 / 97 / 0 / 23

HEX #1F06C5

RGB 31 6 197

HSL 247.85, 0.94%, 0.4%

LAB 25.12, 64.27, -86.56

 

CMYK 0 / 97 / 61 / 23

HEX #C5064C

RGB 197 6 76

HSL 338.01, 0.94%, 0.4%

LAB 42.03, 67.61, 16.4

 

CMYK 13 / 0 / 97 / 23

HEX #ACC506

RGB 172 197 6

HSL 67.85, 0.94%, 0.4%

LAB 75.27, -28.3, 74.93

 

Description

Color code: HEX #06C582 | qconv.com Color code: HEX #06C582 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 197 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 197 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 34 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 34% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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