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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #072B85 it is the complementary color #F8D47A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #072B85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #072B85 shade: #0C2B80, #1D3D93, #2E4FA6, #3F61B9 and #5073CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #072B85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #072B85 shade: #072B85, #001972, #00075F, #00004C and #000039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #072B85 shade: #062A82, #060882, #260682, #470682 and #690682

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #072B85 shade: #062A82, #060882 and #060682

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #072B85 shade matches the following richer shades: #062A82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #072B85 shade: #062A82, #122F77, #1D336C, #283861 and #333D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #072B85 shade: #066E82, #064D82, #062C82, #060B82 and #230682

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #072B85 shade: #021034, #041D5B, #062A82, #0836AA and #0B43D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #072B85 shade: #072B85, #760682 and #5D8206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #072B85 shade: #072B85, #82062C and #2C8206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #072B85 shade: #072B85, #760682, #825D06 and #138206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #072B85 shade: #072B85, #82066A, #825D06 and #06821F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 68 / 0 / 48

HEX #072B85

RGB 7 43 133

HSL 222.86, 0.9%, 0.27%

LAB 21.82, 26.6, -53.18

 

Complementary color

CMYK 0 / 15 / 51 / 3

HEX #F8D47A

RGB 248 212 122

HSL 42.86, 0.9%, 0.73%

LAB 86.23, 1.6, 48.84

 

CMYK 91 / 66 / 0 / 50

HEX #0C2B80

RGB 12 43 128

HSL 223.97, 0.83%, 0.27%

LAB 21.45, 24.83, -50.64

 

CMYK 80 / 59 / 0 / 42

HEX #1D3D93

RGB 29 61 147

HSL 223.73, 0.67%, 0.35%

LAB 28.66, 21.42, -50.66

 

CMYK 72 / 52 / 0 / 35

HEX #2E4FA6

RGB 46 79 166

HSL 223.5, 0.57%, 0.42%

LAB 35.84, 18.76, -50.47

 

CMYK 66 / 48 / 0 / 27

HEX #3F61B9

RGB 63 97 185

HSL 223.28, 0.49%, 0.49%

LAB 42.93, 16.69, -50.23

 

CMYK 61 / 44 / 0 / 20

HEX #5073CC

RGB 80 115 204

HSL 223.06, 0.55%, 0.56%

LAB 49.89, 15.05, -49.99

 

CMYK 95 / 68 / 0 / 48

HEX #072B85

RGB 7 43 133

HSL 222.86, 0.9%, 0.27%

LAB 21.82, 26.6, -53.18

 

CMYK 100 / 78 / 0 / 55

HEX #001972

RGB 0 25 114

HSL 226.84, 1%, 0.22%

LAB 15.01, 30.84, -52.32

 

CMYK 100 / 93 / 0 / 63

HEX #00075F

RGB 0 7 95

HSL 235.58, 1%, 0.19%

LAB 8.81, 34.29, -50.1

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 100 / 100 / 0 / 78

HEX #000039

RGB 0 0 57

HSL 240, 1%, 0.11%

LAB 2.67, 18.75, -33.68

 

CMYK 95 / 68 / 0 / 49

HEX #062A82

RGB 6 42 130

HSL 222.58, 0.91%, 0.27%

LAB 21.23, 26.02, -52.27

 

CMYK 95 / 94 / 0 / 49

HEX #060882

RGB 6 8 130

HSL 239.03, 0.91%, 0.27%

LAB 14.54, 45.03, -63.36

 

CMYK 71 / 95 / 0 / 49

HEX #260682

RGB 38 6 130

HSL 255.48, 0.91%, 0.27%

LAB 16.28, 46.89, -60.41

 

CMYK 45 / 95 / 0 / 49

HEX #470682

RGB 71 6 130

HSL 271.45, 0.91%, 0.27%

LAB 20.37, 49.72, -53.51

 

CMYK 19 / 95 / 0 / 49

HEX #690682

RGB 105 6 130

HSL 287.9, 0.91%, 0.27%

LAB 26, 54.39, -44.08

 

CMYK 95 / 68 / 0 / 49

HEX #062A82

RGB 6 42 130

HSL 222.58, 0.91%, 0.27%

LAB 21.23, 26.02, -52.27

 

CMYK 95 / 94 / 0 / 49

HEX #060882

RGB 6 8 130

HSL 239.03, 0.91%, 0.27%

LAB 14.54, 45.03, -63.36

 

CMYK 95 / 95 / 0 / 49

HEX #060682

RGB 6 6 130

HSL 240, 0.91%, 0.27%

LAB 14.29, 45.77, -63.77

 

CMYK 95 / 68 / 0 / 49

HEX #062A82

RGB 6 42 130

HSL 222.58, 0.91%, 0.27%

LAB 21.23, 26.02, -52.27

 

CMYK 95 / 68 / 0 / 49

HEX #062A82

RGB 6 42 130

HSL 222.58, 0.91%, 0.27%

LAB 21.23, 26.02, -52.27

 

CMYK 85 / 61 / 0 / 53

HEX #122F77

RGB 18 47 119

HSL 222.77, 0.74%, 0.27%

LAB 21.92, 18.7, -44.15

 

CMYK 73 / 53 / 0 / 58

HEX #1D336C

RGB 29 51 108

HSL 223.29, 0.58%, 0.27%

LAB 22.69, 12.71, -35.82

 

CMYK 59 / 42 / 0 / 62

HEX #283861

RGB 40 56 97

HSL 223.16, 0.42%, 0.27%

LAB 24.14, 7.16, -26.35

 

CMYK 41 / 29 / 0 / 66

HEX #333D56

RGB 51 61 86

HSL 222.86, 0.26%, 0.27%

LAB 25.9, 3.09, -16.35

 

CMYK 95 / 15 / 0 / 49

HEX #066E82

RGB 6 110 130

HSL 189.68, 0.91%, 0.27%

LAB 42.46, -18.5, -18.45

 

CMYK 95 / 41 / 0 / 49

HEX #064D82

RGB 6 77 130

HSL 205.65, 0.91%, 0.27%

LAB 31.71, 1.49, -35.29

 

CMYK 95 / 66 / 0 / 49

HEX #062C82

RGB 6 44 130

HSL 221.61, 0.91%, 0.27%

LAB 21.77, 24.61, -51.38

 

CMYK 95 / 92 / 0 / 49

HEX #060B82

RGB 6 11 130

HSL 237.58, 0.91%, 0.27%

LAB 14.9, 43.93, -62.76

 

CMYK 73 / 95 / 0 / 49

HEX #230682

RGB 35 6 130

HSL 254.03, 0.91%, 0.27%

LAB 16, 46.72, -60.88

 

CMYK 96 / 69 / 0 / 80

HEX #021034

RGB 2 16 52

HSL 223.2, 0.93%, 0.11%

LAB 5.7, 9.42, -25.11

 

CMYK 96 / 68 / 0 / 64

HEX #041D5B

RGB 4 29 91

HSL 222.76, 0.92%, 0.19%

LAB 13.59, 18.69, -39.5

 

CMYK 95 / 68 / 0 / 49

HEX #062A82

RGB 6 42 130

HSL 222.58, 0.91%, 0.27%

LAB 21.23, 26.02, -52.27

 

CMYK 95 / 68 / 0 / 33

HEX #0836AA

RGB 8 54 170

HSL 222.96, 0.91%, 0.35%

LAB 28.36, 33.92, -65.13

 

CMYK 95 / 68 / 0 / 18

HEX #0B43D1

RGB 11 67 209

HSL 223.03, 0.9%, 0.43%

LAB 35.38, 40.41, -76.54

 

CMYK 95 / 68 / 0 / 48

HEX #072B85

RGB 7 43 133

HSL 222.86, 0.9%, 0.27%

LAB 21.82, 26.6, -53.18

 

CMYK 9 / 95 / 0 / 49

HEX #760682

RGB 118 6 130

HSL 294.19, 0.91%, 0.27%

LAB 28.36, 56.55, -40.14

 

CMYK 28 / 0 / 95 / 49

HEX #5D8206

RGB 93 130 6

HSL 77.9, 0.91%, 0.27%

LAB 49.86, -29.43, 52.85

 

CMYK 95 / 68 / 0 / 48

HEX #072B85

RGB 7 43 133

HSL 222.86, 0.9%, 0.27%

LAB 21.82, 26.6, -53.18

 

CMYK 0 / 95 / 66 / 49

HEX #82062C

RGB 130 6 44

HSL 341.61, 0.91%, 0.27%

LAB 26.9, 48.95, 14.61

 

CMYK 66 / 0 / 95 / 49

HEX #2C8206

RGB 44 130 6

HSL 101.61, 0.91%, 0.27%

LAB 47.64, -45.96, 50.12

 

CMYK 95 / 68 / 0 / 48

HEX #072B85

RGB 7 43 133

HSL 222.86, 0.9%, 0.27%

LAB 21.82, 26.6, -53.18

 

CMYK 9 / 95 / 0 / 49

HEX #760682

RGB 118 6 130

HSL 294.19, 0.91%, 0.27%

LAB 28.36, 56.55, -40.14

 

CMYK 0 / 28 / 95 / 49

HEX #825D06

RGB 130 93 6

HSL 42.1, 0.91%, 0.27%

LAB 42.14, 8.04, 48.28

 

CMYK 85 / 0 / 95 / 49

HEX #138206

RGB 19 130 6

HSL 113.71, 0.91%, 0.27%

LAB 47.13, -50.41, 49.48

 

CMYK 95 / 68 / 0 / 48

HEX #072B85

RGB 7 43 133

HSL 222.86, 0.9%, 0.27%

LAB 21.82, 26.6, -53.18

 

CMYK 0 / 95 / 18 / 49

HEX #82066A

RGB 130 6 106

HSL 311.61, 0.91%, 0.27%

LAB 29.2, 55.11, -23.38

 

CMYK 0 / 28 / 95 / 49

HEX #825D06

RGB 130 93 6

HSL 42.1, 0.91%, 0.27%

LAB 42.14, 8.04, 48.28

 

CMYK 95 / 0 / 76 / 49

HEX #06821F

RGB 6 130 31

HSL 132.1, 0.91%, 0.27%

LAB 47.11, -50.15, 42.51

 

Description

Color code: HEX #072B85 | qconv.com Color code: HEX #072B85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 43 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 43 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 68 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 68% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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