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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #076B1D it is the complementary color #F894E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #076B1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #076B1D shade: #0C6B18, #1D7D2B, #2E8F3E, #3FA151 and #50B364

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #076B1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #076B1D shade: #076B1D, #00590A, #004700, #003500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #076B1D shade: #06691C, #0B6906, #266906, #406906 and #5B6906

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #076B1D shade: #06691C, #066937, #066951, #066669 and #064B69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #076B1D shade matches the following richer shades: #06691C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #076B1D shade: #06691C, #0F6021, #185726, #214E2B and #2B4530

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #076B1D shade: #256906, #0B6906, #06691C, #066936 and #066950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #076B1D shade: #011B07, #044211, #06691C, #099026 and #0BB731

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #076B1D shade: #076B1D, #064069 and #690618

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #076B1D shade: #076B1D, #1C0669 and #691C06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #076B1D shade: #076B1D, #064069, #690654 and #692F06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #076B1D shade: #076B1D, #062269, #690654 and #694D06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 73 / 58

HEX #076B1D

RGB 7 107 29

HSL 133.2, 0.88%, 0.22%

LAB 38.98, -42.82, 34.9

 

Complementary color

CMYK 0 / 40 / 9 / 3

HEX #F894E2

RGB 248 148 226

HSL 313.2, 0.88%, 0.78%

LAB 73.95, 48.3, -23.58

 

CMYK 89 / 0 / 78 / 58

HEX #0C6B18

RGB 12 107 24

HSL 127.58, 0.8%, 0.23%

LAB 39, -42.81, 37.03

 

CMYK 77 / 0 / 66 / 51

HEX #1D7D2B

RGB 29 125 43

HSL 128.75, 0.62%, 0.3%

LAB 45.77, -44.65, 36.03

 

CMYK 68 / 0 / 57 / 44

HEX #2E8F3E

RGB 46 143 62

HSL 129.9, 0.51%, 0.37%

LAB 52.48, -45.61, 34.63

 

CMYK 61 / 0 / 50 / 37

HEX #3FA151

RGB 63 161 81

HSL 131.02, 0.44%, 0.44%

LAB 59.1, -46.05, 33.16

 

CMYK 55 / 0 / 44 / 30

HEX #50B364

RGB 80 179 100

HSL 132.12, 0.39%, 0.51%

LAB 65.64, -46.19, 31.73

 

CMYK 93 / 0 / 73 / 58

HEX #076B1D

RGB 7 107 29

HSL 133.2, 0.88%, 0.22%

LAB 38.98, -42.82, 34.9

 

CMYK 100 / 0 / 89 / 65

HEX #00590A

RGB 0 89 10

HSL 126.74, 1%, 0.17%

LAB 32.18, -39.35, 35.35

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 94 / 0 / 73 / 59

HEX #06691C

RGB 6 105 28

HSL 133.33, 0.89%, 0.22%

LAB 38.24, -42.36, 34.55

 

CMYK 90 / 0 / 94 / 59

HEX #0B6906

RGB 11 105 6

HSL 116.97, 0.89%, 0.22%

LAB 38.18, -43.44, 41.87

 

CMYK 64 / 0 / 94 / 59

HEX #266906

RGB 38 105 6

HSL 100.61, 0.89%, 0.22%

LAB 38.77, -38.3, 42.61

 

CMYK 39 / 0 / 94 / 59

HEX #406906

RGB 64 105 6

HSL 84.85, 0.89%, 0.22%

LAB 39.93, -29.51, 44.04

 

CMYK 13 / 0 / 94 / 59

HEX #5B6906

RGB 91 105 6

HSL 68.48, 0.89%, 0.22%

LAB 41.75, -17.72, 46.29

 

CMYK 94 / 0 / 73 / 59

HEX #06691C

RGB 6 105 28

HSL 133.33, 0.89%, 0.22%

LAB 38.24, -42.36, 34.55

 

CMYK 94 / 0 / 48 / 59

HEX #066937

RGB 6 105 55

HSL 149.7, 0.89%, 0.22%

LAB 38.58, -38.23, 21

 

CMYK 94 / 0 / 23 / 59

HEX #066951

RGB 6 105 81

HSL 165.45, 0.89%, 0.22%

LAB 39.13, -32, 6.32

 

CMYK 94 / 3 / 0 / 59

HEX #066669

RGB 6 102 105

HSL 181.82, 0.89%, 0.22%

LAB 38.83, -23.07, -8.79

 

CMYK 94 / 29 / 0 / 59

HEX #064B69

RGB 6 75 105

HSL 198.18, 0.89%, 0.22%

LAB 29.64, -7.63, -22.9

 

CMYK 94 / 0 / 73 / 59

HEX #06691C

RGB 6 105 28

HSL 133.33, 0.89%, 0.22%

LAB 38.24, -42.36, 34.55

 

CMYK 94 / 0 / 73 / 59

HEX #06691C

RGB 6 105 28

HSL 133.33, 0.89%, 0.22%

LAB 38.24, -42.36, 34.55

 

CMYK 84 / 0 / 66 / 62

HEX #0F6021

RGB 15 96 33

HSL 133.33, 0.73%, 0.22%

LAB 35.16, -37.58, 28.83

 

CMYK 72 / 0 / 56 / 66

HEX #185726

RGB 24 87 38

HSL 133.33, 0.57%, 0.22%

LAB 32.15, -31.68, 22.63

 

CMYK 58 / 0 / 45 / 69

HEX #214E2B

RGB 33 78 43

HSL 133.33, 0.41%, 0.22%

LAB 29.28, -24.38, 16.13

 

CMYK 38 / 0 / 30 / 73

HEX #2B4530

RGB 43 69 48

HSL 131.54, 0.23%, 0.22%

LAB 26.69, -15.18, 9.61

 

CMYK 65 / 0 / 94 / 59

HEX #256906

RGB 37 105 6

HSL 101.21, 0.89%, 0.22%

LAB 38.74, -38.57, 42.57

 

CMYK 90 / 0 / 94 / 59

HEX #0B6906

RGB 11 105 6

HSL 116.97, 0.89%, 0.22%

LAB 38.18, -43.44, 41.87

 

CMYK 94 / 0 / 73 / 59

HEX #06691C

RGB 6 105 28

HSL 133.33, 0.89%, 0.22%

LAB 38.24, -42.36, 34.55

 

CMYK 94 / 0 / 49 / 59

HEX #066936

RGB 6 105 54

HSL 149.09, 0.89%, 0.22%

LAB 38.57, -38.43, 21.55

 

CMYK 94 / 0 / 24 / 59

HEX #066950

RGB 6 105 80

HSL 164.85, 0.89%, 0.22%

LAB 39.11, -32.28, 6.89

 

CMYK 96 / 0 / 74 / 89

HEX #011B07

RGB 1 27 7

HSL 133.85, 0.93%, 0.05%

LAB 7.28, -13.23, 7.78

 

CMYK 94 / 0 / 74 / 74

HEX #044211

RGB 4 66 17

HSL 132.58, 0.89%, 0.14%

LAB 23.55, -30.17, 23.87

 

CMYK 94 / 0 / 73 / 59

HEX #06691C

RGB 6 105 28

HSL 133.33, 0.89%, 0.22%

LAB 38.24, -42.36, 34.55

 

CMYK 94 / 0 / 74 / 44

HEX #099026

RGB 9 144 38

HSL 132.89, 0.88%, 0.3%

LAB 52, -53.68, 44.81

 

CMYK 94 / 0 / 73 / 28

HEX #0BB731

RGB 11 183 49

HSL 133.26, 0.89%, 0.38%

LAB 65.09, -64.39, 54.1

 

CMYK 93 / 0 / 73 / 58

HEX #076B1D

RGB 7 107 29

HSL 133.2, 0.88%, 0.22%

LAB 38.98, -42.82, 34.9

 

CMYK 94 / 39 / 0 / 59

HEX #064069

RGB 6 64 105

HSL 204.85, 0.89%, 0.22%

LAB 25.94, -0.44, -28.74

 

CMYK 0 / 94 / 77 / 59

HEX #690618

RGB 105 6 24

HSL 349.09, 0.89%, 0.22%

LAB 20.83, 40.97, 19.45

 

CMYK 93 / 0 / 73 / 58

HEX #076B1D

RGB 7 107 29

HSL 133.2, 0.88%, 0.22%

LAB 38.98, -42.82, 34.9

 

CMYK 73 / 94 / 0 / 59

HEX #1C0669

RGB 28 6 105

HSL 253.33, 0.89%, 0.22%

LAB 11.94, 39.22, -51.49

 

CMYK 0 / 73 / 94 / 59

HEX #691C06

RGB 105 28 6

HSL 13.33, 0.89%, 0.22%

LAB 23.16, 33.28, 31.57

 

CMYK 93 / 0 / 73 / 58

HEX #076B1D

RGB 7 107 29

HSL 133.2, 0.88%, 0.22%

LAB 38.98, -42.82, 34.9

 

CMYK 94 / 39 / 0 / 59

HEX #064069

RGB 6 64 105

HSL 204.85, 0.89%, 0.22%

LAB 25.94, -0.44, -28.74

 

CMYK 0 / 94 / 20 / 59

HEX #690654

RGB 105 6 84

HSL 312.73, 0.89%, 0.22%

LAB 22.91, 46.67, -19.13

 

CMYK 0 / 55 / 94 / 59

HEX #692F06

RGB 105 47 6

HSL 24.85, 0.89%, 0.22%

LAB 26.88, 23.52, 35.11

 

CMYK 93 / 0 / 73 / 58

HEX #076B1D

RGB 7 107 29

HSL 133.2, 0.88%, 0.22%

LAB 38.98, -42.82, 34.9

 

CMYK 94 / 68 / 0 / 59

HEX #062269

RGB 6 34 105

HSL 223.03, 0.89%, 0.22%

LAB 16.52, 21.24, -43.96

 

CMYK 0 / 94 / 20 / 59

HEX #690654

RGB 105 6 84

HSL 312.73, 0.89%, 0.22%

LAB 22.91, 46.67, -19.13

 

CMYK 0 / 27 / 94 / 59

HEX #694D06

RGB 105 77 6

HSL 43.03, 0.89%, 0.22%

LAB 34.65, 5.39, 41.26

 

Description

Color code: HEX #076B1D | qconv.com Color code: HEX #076B1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 107 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 107 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 73 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 73% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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