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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #084280 it is the complementary color #F7BD7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #084280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #084280 shade: #0D427B, #1E548E, #2F66A1, #4078B4 and #518AC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #084280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #084280 shade: #084280, #00306D, #001E5A, #000C47 and #000034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #084280 shade: #084281, #082281, #0F0881, #2F0881 and #500881

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #084280 shade: #084281, #082281 and #080881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #084280 shade matches the following richer shades: #084281

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #084280 shade: #084281, #134376, #1E436B, #294360 and #344454

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #084280 shade: #08817F, #086381, #084281, #082281 and #0E0881

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #084280 shade: #031A33, #052E5A, #084281, #0A56A8 and #0D6ACF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #084280 shade: #084280, #5F0881 and #738108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #084280 shade: #084280, #810842 and #428108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #084280 shade: #084280, #5F0881, #814608 and #2A8108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #084280 shade: #084280, #81087F, #814608 and #08810A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 48 / 0 / 50

HEX #084280

RGB 8 66 128

HSL 211, 0.88%, 0.27%

LAB 28.13, 8.25, -39.78

 

Complementary color

CMYK 0 / 23 / 49 / 3

HEX #F7BD7F

RGB 247 189 127

HSL 31, 0.88%, 0.73%

LAB 80.57, 13.57, 39.27

 

CMYK 89 / 46 / 0 / 52

HEX #0D427B

RGB 13 66 123

HSL 211.09, 0.81%, 0.27%

LAB 27.88, 6.46, -37.05

 

CMYK 79 / 41 / 0 / 44

HEX #1E548E

RGB 30 84 142

HSL 211.07, 0.65%, 0.34%

LAB 35.14, 3.93, -37.15

 

CMYK 71 / 37 / 0 / 37

HEX #2F66A1

RGB 47 102 161

HSL 211.05, 0.55%, 0.41%

LAB 42.28, 2.1, -37.19

 

CMYK 64 / 33 / 0 / 29

HEX #4078B4

RGB 64 120 180

HSL 211.03, 0.48%, 0.48%

LAB 49.27, 0.74, -37.22

 

CMYK 59 / 31 / 0 / 22

HEX #518AC7

RGB 81 138 199

HSL 211.02, 0.51%, 0.55%

LAB 56.14, -0.31, -37.26

 

CMYK 94 / 48 / 0 / 50

HEX #084280

RGB 8 66 128

HSL 211, 0.88%, 0.27%

LAB 28.13, 8.25, -39.78

 

CMYK 100 / 56 / 0 / 57

HEX #00306D

RGB 0 48 109

HSL 213.58, 1%, 0.21%

LAB 20.9, 12.19, -39.42

HEX #00306D

CMYK 100 / 67 / 0 / 65

HEX #001E5A

RGB 0 30 90

HSL 220, 1%, 0.18%

LAB 13.63, 17.11, -38.76

HEX #001E5A

CMYK 100 / 83 / 0 / 72

HEX #000C47

RGB 0 12 71

HSL 229.86, 1%, 0.14%

LAB 6.48, 21.69, -37.48

HEX #000C47

CMYK 100 / 100 / 0 / 80

HEX #000034

RGB 0 0 52

HSL 240, 1%, 0.1%

LAB 2.24, 15.74, -30.68

HEX #000034

CMYK 94 / 49 / 0 / 49

HEX #084281

RGB 8 66 129

HSL 211.24, 0.88%, 0.27%

LAB 28.2, 8.68, -40.29

 

CMYK 94 / 74 / 0 / 49

HEX #082281

RGB 8 34 129

HSL 227.11, 0.88%, 0.27%

LAB 19.14, 31.19, -55.07

 

CMYK 88 / 94 / 0 / 49

HEX #0F0881

RGB 15 8 129

HSL 243.47, 0.88%, 0.27%

LAB 14.74, 44.93, -62.38

 

CMYK 64 / 94 / 0 / 49

HEX #2F0881

RGB 47 8 129

HSL 259.34, 0.88%, 0.27%

LAB 17.29, 46.6, -58.07

 

CMYK 38 / 94 / 0 / 49

HEX #500881

RGB 80 8 129

HSL 275.7, 0.88%, 0.27%

LAB 21.81, 50.1, -50.45

 

CMYK 94 / 49 / 0 / 49

HEX #084281

RGB 8 66 129

HSL 211.24, 0.88%, 0.27%

LAB 28.2, 8.68, -40.29

 

CMYK 94 / 74 / 0 / 49

HEX #082281

RGB 8 34 129

HSL 227.11, 0.88%, 0.27%

LAB 19.14, 31.19, -55.07

 

CMYK 94 / 94 / 0 / 49

HEX #080881

RGB 8 8 129

HSL 240, 0.88%, 0.27%

LAB 14.46, 44.77, -62.85

 

CMYK 94 / 49 / 0 / 49

HEX #084281

RGB 8 66 129

HSL 211.24, 0.88%, 0.27%

LAB 28.2, 8.68, -40.29

 

CMYK 94 / 49 / 0 / 49

HEX #084281

RGB 8 66 129

HSL 211.24, 0.88%, 0.27%

LAB 28.2, 8.68, -40.29

 

CMYK 84 / 43 / 0 / 54

HEX #134376

RGB 19 67 118

HSL 210.91, 0.72%, 0.27%

LAB 28.01, 4.23, -33.69

 

CMYK 72 / 37 / 0 / 58

HEX #1E436B

RGB 30 67 107

HSL 211.17, 0.56%, 0.27%

LAB 27.71, 1.34, -27.16

 

CMYK 57 / 30 / 0 / 62

HEX #294360

RGB 41 67 96

HSL 211.64, 0.4%, 0.27%

LAB 27.66, -0.41, -20.17

 

CMYK 38 / 19 / 0 / 67

HEX #344454

RGB 52 68 84

HSL 210, 0.24%, 0.27%

LAB 28.13, -1.81, -11.63

 

CMYK 94 / 0 / 2 / 49

HEX #08817F

RGB 8 129 127

HSL 179.01, 0.88%, 0.27%

LAB 48.62, -29.22, -7.35

 

CMYK 94 / 23 / 0 / 49

HEX #086381

RGB 8 99 129

HSL 194.88, 0.88%, 0.27%

LAB 38.83, -12.53, -23.46

 

CMYK 94 / 49 / 0 / 49

HEX #084281

RGB 8 66 129

HSL 211.24, 0.88%, 0.27%

LAB 28.2, 8.68, -40.29

 

CMYK 94 / 74 / 0 / 49

HEX #082281

RGB 8 34 129

HSL 227.11, 0.88%, 0.27%

LAB 19.14, 31.19, -55.07

 

CMYK 89 / 94 / 0 / 49

HEX #0E0881

RGB 14 8 129

HSL 242.98, 0.88%, 0.27%

LAB 14.69, 44.91, -62.46

 

CMYK 94 / 49 / 0 / 80

HEX #031A33

RGB 3 26 51

HSL 211.25, 0.89%, 0.11%

LAB 8.97, 2.11, -19.13

 

CMYK 94 / 49 / 0 / 65

HEX #052E5A

RGB 5 46 90

HSL 211.06, 0.89%, 0.19%

LAB 18.9, 5.52, -30.19

 

CMYK 94 / 49 / 0 / 49

HEX #084281

RGB 8 66 129

HSL 211.24, 0.88%, 0.27%

LAB 28.2, 8.68, -40.29

 

CMYK 94 / 49 / 0 / 34

HEX #0A56A8

RGB 10 86 168

HSL 211.14, 0.89%, 0.35%

LAB 37.02, 11.55, -49.81

 

CMYK 94 / 49 / 0 / 19

HEX #0D6ACF

RGB 13 106 207

HSL 211.24, 0.88%, 0.43%

LAB 45.5, 14.32, -58.88

 

CMYK 94 / 48 / 0 / 50

HEX #084280

RGB 8 66 128

HSL 211, 0.88%, 0.27%

LAB 28.13, 8.25, -39.78

 

CMYK 26 / 94 / 0 / 49

HEX #5F0881

RGB 95 8 129

HSL 283.14, 0.88%, 0.27%

LAB 24.29, 52.24, -46.29

 

CMYK 11 / 0 / 94 / 49

HEX #738108

RGB 115 129 8

HSL 66.94, 0.88%, 0.27%

LAB 51.11, -19.28, 54.12

 

CMYK 94 / 48 / 0 / 50

HEX #084280

RGB 8 66 128

HSL 211, 0.88%, 0.27%

LAB 28.13, 8.25, -39.78

 

CMYK 0 / 94 / 49 / 49

HEX #810842

RGB 129 8 66

HSL 331.24, 0.88%, 0.27%

LAB 27.39, 49.98, 0.3

 

CMYK 49 / 0 / 94 / 49

HEX #428108

RGB 66 129 8

HSL 91.24, 0.88%, 0.27%

LAB 48.1, -39.16, 50.44

 

CMYK 94 / 48 / 0 / 50

HEX #084280

RGB 8 66 128

HSL 211, 0.88%, 0.27%

LAB 28.13, 8.25, -39.78

 

CMYK 26 / 94 / 0 / 49

HEX #5F0881

RGB 95 8 129

HSL 283.14, 0.88%, 0.27%

LAB 24.29, 52.24, -46.29

 

CMYK 0 / 46 / 94 / 49

HEX #814608

RGB 129 70 8

HSL 30.74, 0.88%, 0.27%

LAB 36.11, 21.16, 43.16

 

CMYK 67 / 0 / 94 / 49

HEX #2A8108

RGB 42 129 8

HSL 103.14, 0.88%, 0.27%

LAB 47.25, -46.01, 49.38

 

CMYK 94 / 48 / 0 / 50

HEX #084280

RGB 8 66 128

HSL 211, 0.88%, 0.27%

LAB 28.13, 8.25, -39.78

 

CMYK 0 / 94 / 2 / 49

HEX #81087F

RGB 129 8 127

HSL 300.99, 0.88%, 0.27%

LAB 30.33, 57.7, -34.97

 

CMYK 0 / 46 / 94 / 49

HEX #814608

RGB 129 70 8

HSL 30.74, 0.88%, 0.27%

LAB 36.11, 21.16, 43.16

 

CMYK 94 / 0 / 92 / 49

HEX #08810A

RGB 8 129 10

HSL 120.99, 0.88%, 0.27%

LAB 46.68, -50.99, 48.27

 

Description

Color code: HEX #084280 | qconv.com Color code: HEX #084280 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 66 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 66 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 48 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 48% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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