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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #085282 it is the complementary color #F7AD7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #085282. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #085282 shade: #0D527D, #1E6490, #2F76A3, #4088B6 and #519AC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #085282. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #085282 shade: #085282, #00406F, #002E5C, #001C49 and #000A36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #085282 shade: #085181, #083181, #081081, #200881 and #410881

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #085282 shade: #085181, #083181, #081081 and #080881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #085282 shade matches the following richer shades: #085181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #085282 shade: #085181, #134F76, #1E4D6B, #294A60 and #344854

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #085282 shade: #08816F, #087381, #085281, #083281 and #081281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #085282 shade: #032033, #05395A, #085181, #0A6AA8 and #0D82CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #085282 shade: #085282, #4E0881 and #817F08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #085282 shade: #085282, #810852 and #528108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #085282 shade: #085282, #4E0881, #813608 and #3A8108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #085282 shade: #085282, #730881, #813608 and #168108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 37 / 0 / 49

HEX #085282

RGB 8 82 130

HSL 203.61, 0.88%, 0.27%

LAB 33.35, -1.66, -32.69

 

Complementary color

CMYK 0 / 30 / 49 / 3

HEX #F7AD7D

RGB 247 173 125

HSL 23.61, 0.88%, 0.73%

LAB 76.76, 21.81, 35.43

 

CMYK 90 / 34 / 0 / 51

HEX #0D527D

RGB 13 82 125

HSL 203.04, 0.81%, 0.27%

LAB 33.14, -3.37, -29.92

 

CMYK 79 / 31 / 0 / 44

HEX #1E6490

RGB 30 100 144

HSL 203.16, 0.66%, 0.34%

LAB 40.25, -5.43, -30.28

 

CMYK 71 / 28 / 0 / 36

HEX #2F76A3

RGB 47 118 163

HSL 203.28, 0.55%, 0.41%

LAB 47.24, -6.91, -30.56

 

CMYK 65 / 25 / 0 / 29

HEX #4088B6

RGB 64 136 182

HSL 203.39, 0.48%, 0.48%

LAB 54.11, -7.99, -30.81

 

CMYK 60 / 23 / 0 / 21

HEX #519AC9

RGB 81 154 201

HSL 203.5, 0.53%, 0.55%

LAB 60.85, -8.8, -31.04

 

CMYK 94 / 37 / 0 / 49

HEX #085282

RGB 8 82 130

HSL 203.61, 0.88%, 0.27%

LAB 33.35, -1.66, -32.69

 

CMYK 100 / 42 / 0 / 56

HEX #00406F

RGB 0 64 111

HSL 205.41, 1%, 0.22%

LAB 26.2, 1.66, -32.16

 

CMYK 100 / 50 / 0 / 64

HEX #002E5C

RGB 0 46 92

HSL 210, 1%, 0.18%

LAB 18.91, 5.9, -31.51

 

CMYK 100 / 62 / 0 / 71

HEX #001C49

RGB 0 28 73

HSL 216.99, 1%, 0.14%

LAB 11.36, 10.7, -30.88

 

CMYK 100 / 81 / 0 / 79

HEX #000A36

RGB 0 10 54

HSL 228.89, 1%, 0.11%

LAB 4.37, 12.9, -28.73

 

CMYK 94 / 37 / 0 / 49

HEX #085181

RGB 8 81 129

HSL 203.8, 0.88%, 0.27%

LAB 32.97, -1.43, -32.67

 

CMYK 94 / 62 / 0 / 49

HEX #083181

RGB 8 49 129

HSL 219.67, 0.88%, 0.27%

LAB 23.11, 20.75, -48.55

 

CMYK 94 / 88 / 0 / 49

HEX #081081

RGB 8 16 129

HSL 236.03, 0.88%, 0.27%

LAB 15.52, 41.56, -61.08

 

CMYK 75 / 94 / 0 / 49

HEX #200881

RGB 32 8 129

HSL 251.9, 0.88%, 0.27%

LAB 15.83, 45.61, -60.54

 

CMYK 50 / 94 / 0 / 49

HEX #410881

RGB 65 8 129

HSL 268.26, 0.88%, 0.27%

LAB 19.57, 48.28, -54.23

 

CMYK 94 / 37 / 0 / 49

HEX #085181

RGB 8 81 129

HSL 203.8, 0.88%, 0.27%

LAB 32.97, -1.43, -32.67

 

CMYK 94 / 62 / 0 / 49

HEX #083181

RGB 8 49 129

HSL 219.67, 0.88%, 0.27%

LAB 23.11, 20.75, -48.55

 

CMYK 94 / 88 / 0 / 49

HEX #081081

RGB 8 16 129

HSL 236.03, 0.88%, 0.27%

LAB 15.52, 41.56, -61.08

 

CMYK 94 / 94 / 0 / 49

HEX #080881

RGB 8 8 129

HSL 240, 0.88%, 0.27%

LAB 14.46, 44.77, -62.85

 

CMYK 94 / 37 / 0 / 49

HEX #085181

RGB 8 81 129

HSL 203.8, 0.88%, 0.27%

LAB 32.97, -1.43, -32.67

 

CMYK 94 / 37 / 0 / 49

HEX #085181

RGB 8 81 129

HSL 203.8, 0.88%, 0.27%

LAB 32.97, -1.43, -32.67

 

CMYK 84 / 33 / 0 / 54

HEX #134F76

RGB 19 79 118

HSL 203.64, 0.72%, 0.27%

LAB 31.89, -3.72, -27.52

 

CMYK 72 / 28 / 0 / 58

HEX #1E4D6B

RGB 30 77 107

HSL 203.38, 0.56%, 0.27%

LAB 30.99, -5.19, -22.02

 

CMYK 57 / 23 / 0 / 62

HEX #294A60

RGB 41 74 96

HSL 204, 0.4%, 0.27%

LAB 29.94, -4.94, -16.61

 

CMYK 38 / 14 / 0 / 67

HEX #344854

RGB 52 72 84

HSL 202.5, 0.24%, 0.27%

LAB 29.42, -4.37, -9.65

 

CMYK 94 / 0 / 14 / 49

HEX #08816F

RGB 8 129 111

HSL 171.07, 0.88%, 0.27%

LAB 48.13, -34.11, 1.36

 

CMYK 94 / 11 / 0 / 49

HEX #087381

RGB 8 115 129

HSL 186.94, 0.88%, 0.27%

LAB 44.09, -21.44, -15.37

 

CMYK 94 / 36 / 0 / 49

HEX #085281

RGB 8 82 129

HSL 203.31, 0.88%, 0.27%

LAB 33.29, -2.07, -32.16

 

CMYK 94 / 61 / 0 / 49

HEX #083281

RGB 8 50 129

HSL 219.17, 0.88%, 0.27%

LAB 23.4, 20.03, -48.08

 

CMYK 94 / 86 / 0 / 49

HEX #081281

RGB 8 18 129

HSL 235.04, 0.88%, 0.27%

LAB 15.85, 40.6, -60.54

 

CMYK 94 / 37 / 0 / 80

HEX #032033

RGB 3 32 51

HSL 203.75, 0.89%, 0.11%

LAB 11.22, -2.47, -15.56

 

CMYK 94 / 37 / 0 / 65

HEX #05395A

RGB 5 57 90

HSL 203.29, 0.89%, 0.19%

LAB 22.64, -2.28, -24.23

 

CMYK 94 / 37 / 0 / 49

HEX #085181

RGB 8 81 129

HSL 203.8, 0.88%, 0.27%

LAB 32.97, -1.43, -32.67

 

CMYK 94 / 37 / 0 / 34

HEX #0A6AA8

RGB 10 106 168

HSL 203.54, 0.89%, 0.35%

LAB 43.06, -1.35, -40.13

 

CMYK 94 / 37 / 0 / 19

HEX #0D82CF

RGB 13 130 207

HSL 203.81, 0.88%, 0.43%

LAB 52.46, -0.64, -47.71

 

CMYK 94 / 37 / 0 / 49

HEX #085282

RGB 8 82 130

HSL 203.61, 0.88%, 0.27%

LAB 33.35, -1.66, -32.69

 

CMYK 40 / 94 / 0 / 49

HEX #4E0881

RGB 78 8 129

HSL 274.71, 0.88%, 0.27%

LAB 21.5, 49.84, -50.98

 

CMYK 0 / 2 / 94 / 49

HEX #817F08

RGB 129 127 8

HSL 59.01, 0.88%, 0.27%

LAB 51.68, -11.76, 55.07

 

CMYK 94 / 37 / 0 / 49

HEX #085282

RGB 8 82 130

HSL 203.61, 0.88%, 0.27%

LAB 33.35, -1.66, -32.69

 

CMYK 0 / 94 / 36 / 49

HEX #810852

RGB 129 8 82

HSL 323.31, 0.88%, 0.27%

LAB 27.98, 51.58, -9.56

 

CMYK 36 / 0 / 94 / 49

HEX #528108

RGB 82 129 8

HSL 83.31, 0.88%, 0.27%

LAB 48.9, -33.34, 51.42

 

CMYK 94 / 37 / 0 / 49

HEX #085282

RGB 8 82 130

HSL 203.61, 0.88%, 0.27%

LAB 33.35, -1.66, -32.69

 

CMYK 40 / 94 / 0 / 49

HEX #4E0881

RGB 78 8 129

HSL 274.71, 0.88%, 0.27%

LAB 21.5, 49.84, -50.98

 

CMYK 0 / 58 / 94 / 49

HEX #813608

RGB 129 54 8

HSL 22.81, 0.88%, 0.27%

LAB 32.53, 30.09, 40.51

 

CMYK 55 / 0 / 94 / 49

HEX #3A8108

RGB 58 129 8

HSL 95.21, 0.88%, 0.27%

LAB 47.77, -41.72, 50.03

 

CMYK 94 / 37 / 0 / 49

HEX #085282

RGB 8 82 130

HSL 203.61, 0.88%, 0.27%

LAB 33.35, -1.66, -32.69

 

CMYK 11 / 94 / 0 / 49

HEX #730881

RGB 115 8 129

HSL 293.06, 0.88%, 0.27%

LAB 27.85, 55.51, -40.35

 

CMYK 0 / 58 / 94 / 49

HEX #813608

RGB 129 54 8

HSL 22.81, 0.88%, 0.27%

LAB 32.53, 30.09, 40.51

 

CMYK 83 / 0 / 94 / 49

HEX #168108

RGB 22 129 8

HSL 113.06, 0.88%, 0.27%

LAB 46.83, -49.65, 48.85

 

Description

Color code: HEX #085282 | qconv.com Color code: HEX #085282 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 82 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 82 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 37 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 37% 0% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - Marimekko & iitt...
Link: http://www.finnstyle.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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