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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08850C it is the complementary color #F77AF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08850C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08850C shade: #0D8507, #1E971A, #2FA92D, #40BB40 and #51CD53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08850C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08850C shade: #08850C, #007300, #006100, #004F00 and #003D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08850C shade: #07860B, #268607, #488607, #6A8607 and #868107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08850C shade: #07860B, #07862E, #078650, #078672 and #077886

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08850C shade matches the following richer shades: #07860B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08850C shade: #07860B, #137B16, #1E6F21, #2A642C and #365837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08850C shade: #498607, #278607, #078609, #07862B and #07864D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08850C shade: #033805, #055F08, #07860B, #0AAD0F and #0CD412

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08850C shade: #08850C, #076B86 and #860738

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08850C shade: #08850C, #090786 and #860907

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08850C shade: #08850C, #076B86, #860784 and #862307

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08850C shade: #08850C, #074586, #860784 and #864907

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

Complementary color

CMYK 0 / 51 / 2 / 3

HEX #F77AF3

RGB 247 122 243

HSL 301.92, 0.89%, 0.72%

LAB 69.59, 63.54, -39.65

 

CMYK 90 / 0 / 95 / 48

HEX #0D8507

RGB 13 133 7

HSL 117.14, 0.9%, 0.27%

LAB 48.1, -51.91, 50.08

 

CMYK 80 / 0 / 83 / 41

HEX #1E971A

RGB 30 151 26

HSL 118.08, 0.71%, 0.35%

LAB 54.54, -54.69, 51.48

 

CMYK 72 / 0 / 73 / 34

HEX #2FA92D

RGB 47 169 45

HSL 119.03, 0.58%, 0.42%

LAB 60.93, -56.48, 51.47

 

CMYK 66 / 0 / 66 / 27

HEX #40BB40

RGB 64 187 64

HSL 120, 0.49%, 0.49%

LAB 67.28, -57.6, 50.73

 

CMYK 60 / 0 / 60 / 20

HEX #51CD53

RGB 81 205 83

HSL 120.97, 0.55%, 0.56%

LAB 73.57, -58.26, 49.65

 

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 100 / 0 / 100 / 69

HEX #004F00

RGB 0 79 0

HSL 120, 1%, 0.15%

LAB 28.36, -36.85, 35.56

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 95 / 0 / 92 / 47

HEX #07860B

RGB 7 134 11

HSL 121.89, 0.9%, 0.28%

LAB 48.41, -52.53, 49.57

 

CMYK 72 / 0 / 95 / 47

HEX #268607

RGB 38 134 7

HSL 105.35, 0.9%, 0.28%

LAB 48.86, -48.63, 50.88

 

CMYK 46 / 0 / 95 / 47

HEX #488607

RGB 72 134 7

HSL 89.29, 0.9%, 0.28%

LAB 50.03, -39.22, 52.33

 

CMYK 21 / 0 / 95 / 47

HEX #6A8607

RGB 106 134 7

HSL 73.23, 0.9%, 0.28%

LAB 51.98, -25.82, 54.72

 

CMYK 0 / 4 / 95 / 47

HEX #868107

RGB 134 129 7

HSL 57.64, 0.9%, 0.28%

LAB 52.71, -10.54, 56.25

 

CMYK 95 / 0 / 92 / 47

HEX #07860B

RGB 7 134 11

HSL 121.89, 0.9%, 0.28%

LAB 48.41, -52.53, 49.57

 

CMYK 95 / 0 / 66 / 47

HEX #07862E

RGB 7 134 46

HSL 138.43, 0.9%, 0.28%

LAB 48.63, -49.78, 37.75

 

CMYK 95 / 0 / 40 / 47

HEX #078650

RGB 7 134 80

HSL 154.49, 0.9%, 0.28%

LAB 49.1, -44.08, 20.61

 

CMYK 95 / 0 / 15 / 47

HEX #078672

RGB 7 134 114

HSL 170.55, 0.9%, 0.28%

LAB 49.87, -35.55, 2.12

 

CMYK 95 / 10 / 0 / 47

HEX #077886

RGB 7 120 134

HSL 186.61, 0.9%, 0.28%

LAB 45.91, -22.39, -15.57

 

CMYK 95 / 0 / 92 / 47

HEX #07860B

RGB 7 134 11

HSL 121.89, 0.9%, 0.28%

LAB 48.41, -52.53, 49.57

 

CMYK 95 / 0 / 92 / 47

HEX #07860B

RGB 7 134 11

HSL 121.89, 0.9%, 0.28%

LAB 48.41, -52.53, 49.57

 

CMYK 85 / 0 / 82 / 52

HEX #137B16

RGB 19 123 22

HSL 121.73, 0.73%, 0.28%

LAB 44.75, -47.42, 43.43

 

CMYK 73 / 0 / 70 / 56

HEX #1E6F21

RGB 30 111 33

HSL 122.22, 0.57%, 0.28%

LAB 40.82, -40.52, 35.21

 

CMYK 58 / 0 / 56 / 61

HEX #2A642C

RGB 42 100 44

HSL 122.07, 0.41%, 0.28%

LAB 37.46, -31.71, 25.92

 

CMYK 39 / 0 / 38 / 65

HEX #365837

RGB 54 88 55

HSL 121.76, 0.24%, 0.28%

LAB 34.07, -20.08, 15.35

 

CMYK 46 / 0 / 95 / 47

HEX #498607

RGB 73 134 7

HSL 88.82, 0.9%, 0.28%

LAB 50.08, -38.87, 52.38

 

CMYK 71 / 0 / 95 / 47

HEX #278607

RGB 39 134 7

HSL 104.88, 0.9%, 0.28%

LAB 48.88, -48.43, 50.9

 

CMYK 95 / 0 / 93 / 47

HEX #078609

RGB 7 134 9

HSL 120.94, 0.9%, 0.28%

LAB 48.4, -52.6, 49.94

 

CMYK 95 / 0 / 68 / 47

HEX #07862B

RGB 7 134 43

HSL 137.01, 0.9%, 0.28%

LAB 48.6, -50.13, 39.08

 

CMYK 95 / 0 / 43 / 47

HEX #07864D

RGB 7 134 77

HSL 153.07, 0.9%, 0.28%

LAB 49.05, -44.7, 22.21

 

CMYK 95 / 0 / 91 / 78

HEX #033805

RGB 3 56 5

HSL 122.26, 0.9%, 0.12%

LAB 19.47, -28.05, 24.74

 

CMYK 95 / 0 / 92 / 63

HEX #055F08

RGB 5 95 8

HSL 122, 0.9%, 0.2%

LAB 34.47, -40.78, 38.05

 

CMYK 95 / 0 / 92 / 47

HEX #07860B

RGB 7 134 11

HSL 121.89, 0.9%, 0.28%

LAB 48.41, -52.53, 49.57

 

CMYK 94 / 0 / 91 / 32

HEX #0AAD0F

RGB 10 173 15

HSL 121.84, 0.89%, 0.36%

LAB 61.64, -63.54, 60.2

 

CMYK 94 / 0 / 92 / 17

HEX #0CD412

RGB 12 212 18

HSL 121.8, 0.89%, 0.44%

LAB 74.32, -74.16, 70.49

 

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

CMYK 95 / 20 / 0 / 47

HEX #076B86

RGB 7 107 134

HSL 192.76, 0.9%, 0.28%

LAB 41.66, -15.29, -22.09

 

CMYK 0 / 95 / 58 / 47

HEX #860738

RGB 134 7 56

HSL 336.85, 0.9%, 0.28%

LAB 28.13, 50.62, 8.27

 

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

CMYK 93 / 95 / 0 / 47

HEX #090786

RGB 9 7 134

HSL 240.94, 0.9%, 0.28%

LAB 15.12, 46.62, -64.91

 

CMYK 0 / 93 / 95 / 47

HEX #860907

RGB 134 9 7

HSL 0.94, 0.9%, 0.28%

LAB 27.52, 48.22, 37.5

 

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

CMYK 95 / 20 / 0 / 47

HEX #076B86

RGB 7 107 134

HSL 192.76, 0.9%, 0.28%

LAB 41.66, -15.29, -22.09

 

CMYK 0 / 95 / 1 / 47

HEX #860784

RGB 134 7 132

HSL 300.94, 0.9%, 0.28%

LAB 31.55, 59.57, -36.12

 

CMYK 0 / 74 / 95 / 47

HEX #862307

RGB 134 35 7

HSL 13.23, 0.9%, 0.28%

LAB 30.12, 40.89, 39.6

 

CMYK 94 / 0 / 91 / 48

HEX #08850C

RGB 8 133 12

HSL 121.92, 0.89%, 0.28%

LAB 48.07, -52.11, 49.08

 

CMYK 95 / 49 / 0 / 47

HEX #074586

RGB 7 69 134

HSL 210.71, 0.9%, 0.28%

LAB 29.47, 8.68, -41.36

 

CMYK 0 / 95 / 1 / 47

HEX #860784

RGB 134 7 132

HSL 300.94, 0.9%, 0.28%

LAB 31.55, 59.57, -36.12

 

CMYK 0 / 46 / 95 / 47

HEX #864907

RGB 134 73 7

HSL 31.18, 0.9%, 0.28%

LAB 37.57, 21.68, 44.89

 

Description

Color code: HEX #08850C | qconv.com Color code: HEX #08850C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 133 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 133 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 91 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 91% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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