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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #088C67 it is the complementary color #F77398. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #088C67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #088C67 shade: #0D8C62, #1E9E75, #2FB088, #40C29B and #51D4AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #088C67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #088C67 shade: #088C67, #007A54, #006841, #00562E and #00441B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #088C67 shade: #088B66, #088B43, #088B1F, #138B08 and #378B08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #088C67 shade: #088B66, #088B8A, #08698B, #08468B and #08228B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #088C67 shade matches the following richer shades: #088B66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #088C67 shade: #088B66, #147F61, #20735C, #2C6757 and #375B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #088C67 shade: #088B20, #088B43, #088B66, #088B89 and #086A8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #088C67 shade: #033D2D, #05644A, #088B66, #0AB283 and #0CD9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #088C67 shade: #088C67, #08138B and #8B3108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #088C67 shade: #088C67, #66088B and #8B6608

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #088C67 shade: #088C67, #08138B, #8B082D and #8B8008

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #088C67 shade: #088C67, #24088B, #8B082D and #6F8B08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 26 / 45

HEX #088C67

RGB 8 140 103

HSL 163.18, 0.89%, 0.29%

LAB 51.6, -41.04, 10.95

 

Complementary color

CMYK 0 / 53 / 38 / 3

HEX #F77398

RGB 247 115 152

HSL 343.18, 0.89%, 0.71%

LAB 65.2, 54.04, 4.74

 

CMYK 91 / 0 / 30 / 45

HEX #0D8C62

RGB 13 140 98

HSL 160.16, 0.83%, 0.3%

LAB 51.52, -41.98, 13.72

 

CMYK 81 / 0 / 26 / 38

HEX #1E9E75

RGB 30 158 117

HSL 160.78, 0.68%, 0.37%

LAB 58.05, -43.26, 12.1

 

CMYK 73 / 0 / 23 / 31

HEX #2FB088

RGB 47 176 136

HSL 161.4, 0.58%, 0.44%

LAB 64.51, -44.08, 10.68

 

CMYK 67 / 0 / 20 / 24

HEX #40C29B

RGB 64 194 155

HSL 162, 0.52%, 0.51%

LAB 70.9, -44.58, 9.4

 

CMYK 62 / 0 / 18 / 17

HEX #51D4AE

RGB 81 212 174

HSL 162.6, 0.6%, 0.57%

LAB 77.22, -44.86, 8.25

 

CMYK 94 / 0 / 26 / 45

HEX #088C67

RGB 8 140 103

HSL 163.18, 0.89%, 0.29%

LAB 51.6, -41.04, 10.95

 

CMYK 100 / 0 / 31 / 52

HEX #007A54

RGB 0 122 84

HSL 161.31, 1%, 0.24%

LAB 45.02, -38.92, 12.79

 

CMYK 100 / 0 / 38 / 59

HEX #006841

RGB 0 104 65

HSL 157.5, 1%, 0.2%

LAB 38.34, -36.22, 14.84

 

CMYK 100 / 0 / 47 / 66

HEX #00562E

RGB 0 86 46

HSL 152.09, 1%, 0.17%

LAB 31.47, -33.33, 17.03

 

CMYK 100 / 0 / 60 / 73

HEX #00441B

RGB 0 68 27

HSL 143.82, 1%, 0.13%

LAB 24.36, -30.1, 19.31

 

CMYK 94 / 0 / 27 / 45

HEX #088B66

RGB 8 139 102

HSL 163.05, 0.89%, 0.29%

LAB 51.24, -40.88, 11.03

 

CMYK 94 / 0 / 52 / 45

HEX #088B43

RGB 8 139 67

HSL 147.02, 0.89%, 0.29%

LAB 50.6, -48.32, 29.62

 

CMYK 94 / 0 / 78 / 45

HEX #088B1F

RGB 8 139 31

HSL 130.53, 0.89%, 0.29%

LAB 50.23, -52.8, 45.65

 

CMYK 86 / 0 / 94 / 45

HEX #138B08

RGB 19 139 8

HSL 114.96, 0.89%, 0.29%

LAB 50.24, -53.11, 51.72

 

CMYK 60 / 0 / 94 / 45

HEX #378B08

RGB 55 139 8

HSL 98.47, 0.89%, 0.29%

LAB 51.03, -46.36, 52.7

 

CMYK 94 / 0 / 27 / 45

HEX #088B66

RGB 8 139 102

HSL 163.05, 0.89%, 0.29%

LAB 51.24, -40.88, 11.03

 

CMYK 94 / 0 / 1 / 45

HEX #088B8A

RGB 8 139 138

HSL 179.54, 0.89%, 0.29%

LAB 52.23, -30.55, -8.38

 

CMYK 94 / 24 / 0 / 45

HEX #08698B

RGB 8 105 139

HSL 195.57, 0.89%, 0.29%

LAB 41.25, -12.2, -25.74

 

CMYK 94 / 50 / 0 / 45

HEX #08468B

RGB 8 70 139

HSL 211.6, 0.89%, 0.29%

LAB 30.15, 10.18, -43.35

 

CMYK 94 / 76 / 0 / 45

HEX #08228B

RGB 8 34 139

HSL 228.09, 0.89%, 0.29%

LAB 20.28, 35.02, -59.48

 

CMYK 94 / 0 / 27 / 45

HEX #088B66

RGB 8 139 102

HSL 163.05, 0.89%, 0.29%

LAB 51.24, -40.88, 11.03

 

CMYK 94 / 0 / 27 / 45

HEX #088B66

RGB 8 139 102

HSL 163.05, 0.89%, 0.29%

LAB 51.24, -40.88, 11.03

 

CMYK 84 / 0 / 24 / 50

HEX #147F61

RGB 20 127 97

HSL 163.18, 0.73%, 0.29%

LAB 47.22, -36.19, 8.29

 

CMYK 72 / 0 / 20 / 55

HEX #20735C

RGB 32 115 92

HSL 163.37, 0.56%, 0.29%

LAB 43.27, -30.51, 5.66

 

CMYK 57 / 0 / 16 / 60

HEX #2C6757

RGB 44 103 87

HSL 163.73, 0.4%, 0.29%

LAB 39.45, -23.52, 3.24

 

CMYK 40 / 0 / 11 / 64

HEX #375B51

RGB 55 91 81

HSL 163.33, 0.25%, 0.29%

LAB 35.77, -15.55, 1.68

 

CMYK 94 / 0 / 77 / 45

HEX #088B20

RGB 8 139 32

HSL 130.99, 0.89%, 0.29%

LAB 50.24, -52.72, 45.29

 

CMYK 94 / 0 / 52 / 45

HEX #088B43

RGB 8 139 67

HSL 147.02, 0.89%, 0.29%

LAB 50.6, -48.32, 29.62

 

CMYK 94 / 0 / 27 / 45

HEX #088B66

RGB 8 139 102

HSL 163.05, 0.89%, 0.29%

LAB 51.24, -40.88, 11.03

 

CMYK 94 / 0 / 1 / 45

HEX #088B89

RGB 8 139 137

HSL 179.08, 0.89%, 0.29%

LAB 52.2, -30.87, -7.85

 

CMYK 94 / 24 / 0 / 45

HEX #086A8B

RGB 8 106 139

HSL 195.11, 0.89%, 0.29%

LAB 41.57, -12.78, -25.24

 

CMYK 95 / 0 / 26 / 76

HEX #033D2D

RGB 3 61 45

HSL 163.45, 0.91%, 0.13%

LAB 22.11, -22.21, 4.95

 

CMYK 95 / 0 / 26 / 61

HEX #05644A

RGB 5 100 74

HSL 163.58, 0.9%, 0.21%

LAB 37.19, -31.79, 7.83

 

CMYK 94 / 0 / 27 / 45

HEX #088B66

RGB 8 139 102

HSL 163.05, 0.89%, 0.29%

LAB 51.24, -40.88, 11.03

 

CMYK 94 / 0 / 26 / 30

HEX #0AB283

RGB 10 178 131

HSL 163.21, 0.89%, 0.37%

LAB 64.6, -49.31, 13.49

 

CMYK 94 / 0 / 26 / 15

HEX #0CD9A0

RGB 12 217 160

HSL 163.32, 0.9%, 0.45%

LAB 77.43, -57.38, 15.85

 

CMYK 94 / 0 / 26 / 45

HEX #088C67

RGB 8 140 103

HSL 163.18, 0.89%, 0.29%

LAB 51.6, -41.04, 10.95

 

CMYK 94 / 86 / 0 / 45

HEX #08138B

RGB 8 19 139

HSL 234.96, 0.89%, 0.29%

LAB 17.37, 43.41, -64.31

 

CMYK 0 / 65 / 94 / 45

HEX #8B3108

RGB 139 49 8

HSL 18.78, 0.89%, 0.29%

LAB 33.36, 36.61, 41.93

 

CMYK 94 / 0 / 26 / 45

HEX #088C67

RGB 8 140 103

HSL 163.18, 0.89%, 0.29%

LAB 51.6, -41.04, 10.95

 

CMYK 27 / 94 / 0 / 45

HEX #66088B

RGB 102 8 139

HSL 283.05, 0.89%, 0.29%

LAB 26.34, 55.31, -49.18

 

CMYK 0 / 27 / 94 / 45

HEX #8B6608

RGB 139 102 8

HSL 43.05, 0.89%, 0.29%

LAB 45.65, 7.11, 50.9

 

CMYK 94 / 0 / 26 / 45

HEX #088C67

RGB 8 140 103

HSL 163.18, 0.89%, 0.29%

LAB 51.6, -41.04, 10.95

 

CMYK 94 / 86 / 0 / 45

HEX #08138B

RGB 8 19 139

HSL 234.96, 0.89%, 0.29%

LAB 17.37, 43.41, -64.31

 

CMYK 0 / 94 / 68 / 45

HEX #8B082D

RGB 139 8 45

HSL 343.05, 0.89%, 0.29%

LAB 29.04, 51.07, 17.1

 

CMYK 0 / 8 / 94 / 45

HEX #8B8008

RGB 139 128 8

HSL 54.96, 0.89%, 0.29%

LAB 52.89, -7.64, 56.4

 

CMYK 94 / 0 / 26 / 45

HEX #088C67

RGB 8 140 103

HSL 163.18, 0.89%, 0.29%

LAB 51.6, -41.04, 10.95

 

CMYK 74 / 94 / 0 / 45

HEX #24088B

RGB 36 8 139

HSL 252.82, 0.89%, 0.29%

LAB 17.52, 48.62, -64.02

 

CMYK 0 / 94 / 68 / 45

HEX #8B082D

RGB 139 8 45

HSL 343.05, 0.89%, 0.29%

LAB 29.04, 51.07, 17.1

 

CMYK 20 / 0 / 94 / 45

HEX #6F8B08

RGB 111 139 8

HSL 72.82, 0.89%, 0.29%

LAB 53.88, -26.1, 56.2

 

Description

Color code: HEX #088C67 | qconv.com Color code: HEX #088C67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 140 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 140 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 26 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 26% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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