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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08D2C1 it is the complementary color #F72D3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08D2C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08D2C1 shade: #0DD2BC, #1EE4CF, #2FF6E2, #40FFF5 and #51FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08D2C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08D2C1 shade: #08D2C1, #00C0AE, #00AE9B, #009C88 and #008A75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08D2C1 shade: #07D3C2, #07D38B, #07D354, #07D31D and #28D307

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08D2C1 shade: #07D3C2, #07ADD3, #0776D3, #073FD3 and #0708D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08D2C1 shade matches the following richer shades: #07D3C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08D2C1 shade: #07D3C2, #19C1B3, #2BB0A4, #3C9E96 and #4E8C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08D2C1 shade: #07D352, #07D388, #07D3BF, #07B1D3 and #077BD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08D2C1 shade: #048379, #06AB9D, #07D3C2, #0EF6E2 and #36F7E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08D2C1 shade: #08D2C1, #1C07D3 and #D36D07

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08D2C1 shade: #08D2C1, #BF07D3 and #D3BF07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08D2C1 shade: #08D2C1, #1C07D3, #D3071C and #BFD307

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08D2C1 shade: #08D2C1, #5907D3, #D3071C and #82D307

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 8 / 18

HEX #08D2C1

RGB 8 210 193

HSL 174.95, 0.93%, 0.43%

LAB 76.07, -46.23, -3.74

 

Complementary color

CMYK 0 / 82 / 75 / 3

HEX #F72D3E

RGB 247 45 62

HSL 354.95, 0.93%, 0.57%

LAB 54.03, 73.38, 41.83

 

CMYK 94 / 0 / 10 / 18

HEX #0DD2BC

RGB 13 210 188

HSL 173.3, 0.88%, 0.44%

LAB 75.95, -47.46, -1.21

 

CMYK 87 / 0 / 9 / 11

HEX #1EE4CF

RGB 30 228 207

HSL 173.64, 0.79%, 0.51%

LAB 81.98, -49.09, -2.5

 

CMYK 81 / 0 / 8 / 4

HEX #2FF6E2

RGB 47 246 226

HSL 173.97, 0.92%, 0.57%

LAB 87.97, -50.38, -3.68

 

CMYK 75 / 0 / 4 / 0

HEX #40FFF5

RGB 64 255 245

HSL 176.86, 1%, 0.63%

LAB 91.33, -47.59, -8.59

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 96 / 0 / 8 / 18

HEX #08D2C1

RGB 8 210 193

HSL 174.95, 0.93%, 0.43%

LAB 76.07, -46.23, -3.74

 

CMYK 100 / 0 / 9 / 25

HEX #00C0AE

RGB 0 192 174

HSL 174.38, 1%, 0.38%

LAB 70, -44.11, -2.35

 

CMYK 100 / 0 / 11 / 32

HEX #00AE9B

RGB 0 174 155

HSL 173.45, 1%, 0.34%

LAB 63.87, -41.73, -0.85

 

CMYK 100 / 0 / 13 / 39

HEX #009C88

RGB 0 156 136

HSL 172.31, 1%, 0.31%

LAB 57.61, -39.32, 0.7

 

CMYK 100 / 0 / 15 / 46

HEX #008A75

RGB 0 138 117

HSL 170.87, 1%, 0.27%

LAB 51.22, -36.85, 2.33

 

CMYK 97 / 0 / 8 / 17

HEX #07D3C2

RGB 7 211 194

HSL 175, 0.94%, 0.43%

LAB 76.39, -46.4, -3.8

 

CMYK 97 / 0 / 34 / 17

HEX #07D38B

RGB 7 211 139

HSL 158.82, 0.94%, 0.43%

LAB 75.14, -59.98, 23.74

 

CMYK 97 / 0 / 60 / 17

HEX #07D354

RGB 7 211 84

HSL 142.65, 0.94%, 0.43%

LAB 74.36, -69.22, 49.83

 

CMYK 97 / 0 / 86 / 17

HEX #07D31D

RGB 7 211 29

HSL 126.47, 0.94%, 0.43%

LAB 74.01, -73.7, 68.28

 

CMYK 81 / 0 / 97 / 17

HEX #28D307

RGB 40 211 7

HSL 110.29, 0.94%, 0.43%

LAB 74.22, -71.96, 71.77

 

CMYK 97 / 0 / 8 / 17

HEX #07D3C2

RGB 7 211 194

HSL 175, 0.94%, 0.43%

LAB 76.39, -46.4, -3.8

 

CMYK 97 / 18 / 0 / 17

HEX #07ADD3

RGB 7 173 211

HSL 191.18, 0.94%, 0.43%

LAB 65.46, -23.31, -29.57

 

CMYK 97 / 44 / 0 / 17

HEX #0776D3

RGB 7 118 211

HSL 207.35, 0.94%, 0.43%

LAB 49.14, 8.08, -55.3

 

CMYK 97 / 70 / 0 / 17

HEX #073FD3

RGB 7 63 211

HSL 223.53, 0.94%, 0.43%

LAB 34.61, 43.53, -78.97

 

CMYK 97 / 96 / 0 / 17

HEX #0708D3

RGB 7 8 211

HSL 239.71, 0.94%, 0.43%

LAB 26.51, 67.12, -92.43

 

CMYK 97 / 0 / 8 / 17

HEX #07D3C2

RGB 7 211 194

HSL 175, 0.94%, 0.43%

LAB 76.39, -46.4, -3.8

 

CMYK 97 / 0 / 8 / 17

HEX #07D3C2

RGB 7 211 194

HSL 175, 0.94%, 0.43%

LAB 76.39, -46.4, -3.8

 

CMYK 87 / 0 / 7 / 24

HEX #19C1B3

RGB 25 193 179

HSL 175, 0.77%, 0.43%

LAB 70.6, -42.12, -4.19

 

CMYK 76 / 0 / 7 / 31

HEX #2BB0A4

RGB 43 176 164

HSL 174.59, 0.61%, 0.43%

LAB 65.16, -37.23, -3.92

 

CMYK 62 / 0 / 5 / 38

HEX #3C9E96

RGB 60 158 150

HSL 175.1, 0.45%, 0.43%

LAB 59.54, -30.23, -4.31

 

CMYK 44 / 0 / 4 / 45

HEX #4E8C87

RGB 78 140 135

HSL 175.16, 0.28%, 0.43%

LAB 54.16, -21.29, -3.59

 

CMYK 97 / 0 / 61 / 17

HEX #07D352

RGB 7 211 82

HSL 142.06, 0.94%, 0.43%

LAB 74.34, -69.47, 50.69

 

CMYK 97 / 0 / 36 / 17

HEX #07D388

RGB 7 211 136

HSL 157.94, 0.94%, 0.43%

LAB 75.08, -60.6, 25.23

 

CMYK 97 / 0 / 9 / 17

HEX #07D3BF

RGB 7 211 191

HSL 174.12, 0.94%, 0.43%

LAB 76.31, -47.23, -2.3

 

CMYK 97 / 16 / 0 / 17

HEX #07B1D3

RGB 7 177 211

HSL 190, 0.94%, 0.43%

LAB 66.67, -25.35, -27.72

 

CMYK 97 / 42 / 0 / 17

HEX #077BD3

RGB 7 123 211

HSL 205.88, 0.94%, 0.43%

LAB 50.59, 4.97, -52.97

 

CMYK 97 / 0 / 8 / 49

HEX #048379

RGB 4 131 121

HSL 175.28, 0.94%, 0.26%

LAB 49.06, -32.27, -3.17

 

CMYK 96 / 0 / 8 / 33

HEX #06AB9D

RGB 6 171 157

HSL 174.91, 0.93%, 0.35%

LAB 63.01, -39.62, -3.22

 

CMYK 97 / 0 / 8 / 17

HEX #07D3C2

RGB 7 211 194

HSL 175, 0.94%, 0.43%

LAB 76.39, -46.4, -3.8

 

CMYK 94 / 0 / 8 / 4

HEX #0EF6E2

RGB 14 246 226

HSL 174.83, 0.93%, 0.51%

LAB 87.73, -52.09, -4.07

 

CMYK 78 / 0 / 6 / 3

HEX #36F7E7

RGB 54 247 231

HSL 175.03, 0.92%, 0.59%

LAB 88.48, -48.88, -5.52

 

CMYK 96 / 0 / 8 / 18

HEX #08D2C1

RGB 8 210 193

HSL 174.95, 0.93%, 0.43%

LAB 76.07, -46.23, -3.74

 

CMYK 87 / 97 / 0 / 17

HEX #1C07D3

RGB 28 7 211

HSL 246.18, 0.94%, 0.43%

LAB 27.02, 67.55, -91.56

 

CMYK 0 / 48 / 97 / 17

HEX #D36D07

RGB 211 109 7

HSL 30, 0.94%, 0.43%

LAB 56.88, 35.03, 63.41

 

CMYK 96 / 0 / 8 / 18

HEX #08D2C1

RGB 8 210 193

HSL 174.95, 0.93%, 0.43%

LAB 76.07, -46.23, -3.74

 

CMYK 9 / 97 / 0 / 17

HEX #BF07D3

RGB 191 7 211

HSL 294.12, 0.94%, 0.43%

LAB 46.88, 81.5, -58.19

 

CMYK 0 / 9 / 97 / 17

HEX #D3BF07

RGB 211 191 7

HSL 54.12, 0.94%, 0.43%

LAB 76.76, -8.58, 77.33

 

CMYK 96 / 0 / 8 / 18

HEX #08D2C1

RGB 8 210 193

HSL 174.95, 0.93%, 0.43%

LAB 76.07, -46.23, -3.74

 

CMYK 87 / 97 / 0 / 17

HEX #1C07D3

RGB 28 7 211

HSL 246.18, 0.94%, 0.43%

LAB 27.02, 67.55, -91.56

 

CMYK 0 / 97 / 87 / 17

HEX #D3071C

RGB 211 7 28

HSL 353.82, 0.94%, 0.43%

LAB 44.35, 69.14, 48.09

 

CMYK 9 / 0 / 97 / 17

HEX #BFD307

RGB 191 211 7

HSL 65.88, 0.94%, 0.43%

LAB 80.56, -27.04, 79.45

 

CMYK 96 / 0 / 8 / 18

HEX #08D2C1

RGB 8 210 193

HSL 174.95, 0.93%, 0.43%

LAB 76.07, -46.23, -3.74

 

CMYK 58 / 97 / 0 / 17

HEX #5907D3

RGB 89 7 211

HSL 264.12, 0.94%, 0.43%

LAB 31.76, 69.95, -83.55

 

CMYK 0 / 97 / 87 / 17

HEX #D3071C

RGB 211 7 28

HSL 353.82, 0.94%, 0.43%

LAB 44.35, 69.14, 48.09

 

CMYK 38 / 0 / 97 / 17

HEX #82D307

RGB 130 211 7

HSL 83.82, 0.94%, 0.43%

LAB 76.89, -50.61, 75.02

 

Description

Color code: HEX #08D2C1 | qconv.com Color code: HEX #08D2C1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 210 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 210 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 8 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 8% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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