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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08DD56 it is the complementary color #F722A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08DD56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08DD56 shade: #0DDD51, #1EEF64, #2FFF77, #40FF8A and #51FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08DD56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08DD56 shade: #08DD56, #00CB43, #00B930, #00A71D and #00950A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08DD56 shade: #08DD56, #08DD1C, #2CDD08, #66DD08 and #A0DD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08DD56 shade: #08DD56, #08DD8F, #08DDC9, #08B8DD and #087EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08DD56 shade matches the following richer shades: #08DD56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08DD56 shade: #08DD56, #1ACA5B, #2DB860, #3FA565 and #52936A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08DD56 shade: #2FDD08, #08DD19, #08DD52, #08DD8B and #08DDC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08DD56 shade: #058D37, #06B546, #08DD56, #18F669 and #3FF883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08DD56 shade: #08DD56, #0868DD and #DD0812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08DD56 shade: #08DD56, #5208DD and #DD5208

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08DD56 shade: #08DD56, #0868DD, #DD0892 and #DD7D08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08DD56 shade: #08DD56, #0828DD, #DD0892 and #DDBD08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

Complementary color

CMYK 0 / 86 / 32 / 3

HEX #F722A9

RGB 247 34 169

HSL 321.97, 0.93%, 0.55%

LAB 55.87, 83.04, -18.96

 

CMYK 94 / 0 / 63 / 13

HEX #0DDD51

RGB 13 221 81

HSL 139.62, 0.89%, 0.46%

LAB 77.51, -72.35, 54.72

 

CMYK 87 / 0 / 58 / 6

HEX #1EEF64

RGB 30 239 100

HSL 140.1, 0.87%, 0.53%

LAB 83.41, -74.57, 53.27

 

CMYK 82 / 0 / 53 / 0

HEX #2FFF77

RGB 47 255 119

HSL 140.77, 1%, 0.59%

LAB 88.66, -75.63, 51.03

 

CMYK 75 / 0 / 46 / 0

HEX #40FF8A

RGB 64 255 138

HSL 143.25, 1%, 0.63%

LAB 89.13, -70.93, 42.74

 

CMYK 68 / 0 / 38 / 0

HEX #51FF9D

RGB 81 255 157

HSL 146.21, 1%, 0.66%

LAB 89.72, -65.31, 34.27

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 100 / 0 / 67 / 20

HEX #00CB43

RGB 0 203 67

HSL 139.8, 1%, 0.4%

LAB 71.63, -69.03, 54.01

 

CMYK 100 / 0 / 74 / 27

HEX #00B930

RGB 0 185 48

HSL 135.57, 1%, 0.36%

LAB 65.68, -65.56, 55.04

 

CMYK 100 / 0 / 83 / 35

HEX #00A71D

RGB 0 167 29

HSL 130.42, 1%, 0.33%

LAB 59.64, -61.72, 55.27

 

CMYK 100 / 0 / 93 / 42

HEX #00950A

RGB 0 149 10

HSL 124.03, 1%, 0.29%

LAB 53.51, -57.42, 54.08

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 96 / 0 / 87 / 13

HEX #08DD1C

RGB 8 221 28

HSL 125.63, 0.93%, 0.45%

LAB 77.19, -76.42, 71.27

 

CMYK 80 / 0 / 96 / 13

HEX #2CDD08

RGB 44 221 8

HSL 109.86, 0.93%, 0.45%

LAB 77.44, -74.32, 74.31

 

CMYK 54 / 0 / 96 / 13

HEX #66DD08

RGB 102 221 8

HSL 93.52, 0.93%, 0.45%

LAB 78.78, -62.98, 75.96

 

CMYK 28 / 0 / 96 / 13

HEX #A0DD08

RGB 160 221 8

HSL 77.18, 0.93%, 0.45%

LAB 81.4, -43.91, 79.14

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 96 / 0 / 35 / 13

HEX #08DD8F

RGB 8 221 143

HSL 158.03, 0.93%, 0.45%

LAB 78.31, -62.67, 25.96

 

CMYK 96 / 0 / 9 / 13

HEX #08DDC9

RGB 8 221 201

HSL 174.37, 0.93%, 0.45%

LAB 79.6, -48.66, -2.82

 

CMYK 96 / 17 / 0 / 13

HEX #08B8DD

RGB 8 184 221

HSL 190.42, 0.93%, 0.45%

LAB 69.15, -25.49, -29.38

 

CMYK 96 / 43 / 0 / 13

HEX #087EDD

RGB 8 126 221

HSL 206.76, 0.93%, 0.45%

LAB 52.06, 7.06, -56.27

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 87 / 0 / 55 / 21

HEX #1ACA5B

RGB 26 202 91

HSL 142.16, 0.77%, 0.45%

LAB 71.7, -64.49, 43.51

 

CMYK 76 / 0 / 48 / 28

HEX #2DB860

RGB 45 184 96

HSL 142.01, 0.61%, 0.45%

LAB 66.28, -55.6, 34.41

 

CMYK 62 / 0 / 39 / 35

HEX #3FA565

RGB 63 165 101

HSL 142.35, 0.45%, 0.45%

LAB 60.7, -44.25, 24.65

 

CMYK 44 / 0 / 28 / 42

HEX #52936A

RGB 82 147 106

HSL 142.15, 0.28%, 0.45%

LAB 55.79, -30.42, 15.36

 

CMYK 79 / 0 / 96 / 13

HEX #2FDD08

RGB 47 221 8

HSL 109.01, 0.93%, 0.45%

LAB 77.48, -73.96, 74.36

 

CMYK 96 / 0 / 89 / 13

HEX #08DD19

RGB 8 221 25

HSL 124.79, 0.93%, 0.45%

LAB 77.18, -76.52, 71.81

 

CMYK 96 / 0 / 63 / 13

HEX #08DD52

RGB 8 221 82

HSL 140.85, 0.93%, 0.45%

LAB 77.5, -72.41, 54.28

 

CMYK 96 / 0 / 37 / 13

HEX #08DD8B

RGB 8 221 139

HSL 156.9, 0.93%, 0.45%

LAB 78.24, -63.48, 27.93

 

CMYK 96 / 0 / 11 / 13

HEX #08DDC4

RGB 8 221 196

HSL 172.96, 0.93%, 0.45%

LAB 79.47, -50.02, -0.35

 

CMYK 96 / 0 / 61 / 45

HEX #058D37

RGB 5 141 55

HSL 142.06, 0.93%, 0.29%

LAB 51.1, -51.04, 36.31

 

CMYK 97 / 0 / 61 / 29

HEX #06B546

RGB 6 181 70

HSL 141.94, 0.94%, 0.37%

LAB 64.59, -61.8, 44.86

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 90 / 0 / 57 / 4

HEX #18F669

RGB 24 246 105

HSL 141.89, 0.93%, 0.53%

LAB 85.57, -76.42, 53.59

 

CMYK 75 / 0 / 47 / 3

HEX #3FF883

RGB 63 248 131

HSL 142.05, 0.93%, 0.61%

LAB 86.91, -69.79, 43.29

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 96 / 53 / 0 / 13

HEX #0868DD

RGB 8 104 221

HSL 212.96, 0.93%, 0.45%

LAB 45.87, 20.99, -66.25

 

CMYK 0 / 96 / 92 / 13

HEX #DD0812

RGB 221 8 18

HSL 357.18, 0.93%, 0.45%

LAB 46.43, 71.39, 54.88

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 63 / 96 / 0 / 13

HEX #5208DD

RGB 82 8 221

HSL 260.85, 0.93%, 0.45%

LAB 32.23, 71.69, -88.56

 

CMYK 0 / 63 / 96 / 13

HEX #DD5208

RGB 221 82 8

HSL 20.85, 0.93%, 0.45%

LAB 53.41, 51.81, 61.85

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 96 / 53 / 0 / 13

HEX #0868DD

RGB 8 104 221

HSL 212.96, 0.93%, 0.45%

LAB 45.87, 20.99, -66.25

 

CMYK 0 / 96 / 34 / 13

HEX #DD0892

RGB 221 8 146

HSL 321.13, 0.93%, 0.45%

LAB 49.03, 78.39, -16.18

 

CMYK 0 / 43 / 96 / 13

HEX #DD7D08

RGB 221 125 8

HSL 32.96, 0.93%, 0.45%

LAB 61.7, 30.8, 67.1

 

CMYK 96 / 0 / 61 / 13

HEX #08DD56

RGB 8 221 86

HSL 141.97, 0.93%, 0.45%

LAB 77.54, -71.95, 52.6

 

CMYK 96 / 82 / 0 / 13

HEX #0828DD

RGB 8 40 221

HSL 230.99, 0.93%, 0.45%

LAB 31.32, 59.51, -90.18

 

CMYK 0 / 96 / 34 / 13

HEX #DD0892

RGB 221 8 146

HSL 321.13, 0.93%, 0.45%

LAB 49.03, 78.39, -16.18

 

CMYK 0 / 14 / 96 / 13

HEX #DDBD08

RGB 221 189 8

HSL 50.99, 0.93%, 0.45%

LAB 77.15, -3.18, 77.93

 

Description

Color code: HEX #08DD56 | qconv.com Color code: HEX #08DD56 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 221 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 221 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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