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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08EC54 it is the complementary color #F713AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08EC54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08EC54 shade: #0DEC4F, #1EFE62, #2FFF75, #40FF88 and #51FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08EC54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08EC54 shade: #08EC54, #00DA41, #00C82E, #00B61B and #00A408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08EC54 shade: #08EC54, #08EC17, #37EC08, #74EC08 and #B2EC08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08EC54 shade: #08EC54, #08EC91, #08ECCF, #08CBEC and #088EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08EC54 shade matches the following richer shades: #08EC54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08EC54 shade: #08EC54, #1CD85B, #30C461, #43B068 and #579D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08EC54 shade: #36EC08, #08EC17, #08EC54, #08EC91 and #08ECCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08EC54 shade: #059C37, #07C446, #08EC54, #26F76C and #4EF887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08EC54 shade: #08EC54, #0872EC and #EC0817

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08EC54 shade: #08EC54, #5408EC and #EC5408

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08EC54 shade: #08EC54, #0872EC, #EC08A0 and #EC8108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08EC54 shade: #08EC54, #082EEC, #EC08A0 and #ECC608

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

Complementary color

CMYK 0 / 92 / 31 / 3

HEX #F713AB

RGB 247 19 171

HSL 320, 0.93%, 0.52%

LAB 55.26, 85.25, -21.07

 

CMYK 94 / 0 / 67 / 7

HEX #0DEC4F

RGB 13 236 79

HSL 137.76, 0.9%, 0.49%

LAB 82.19, -76.93, 60.67

 

CMYK 88 / 0 / 61 / 0

HEX #1EFE62

RGB 30 254 98

HSL 138.21, 0.99%, 0.56%

LAB 87.99, -79.3, 59.41

 

CMYK 82 / 0 / 54 / 0

HEX #2FFF75

RGB 47 255 117

HSL 140.19, 1%, 0.59%

LAB 88.64, -75.9, 51.91

 

CMYK 75 / 0 / 47 / 0

HEX #40FF88

RGB 64 255 136

HSL 142.62, 1%, 0.63%

LAB 89.11, -71.24, 43.67

 

CMYK 68 / 0 / 39 / 0

HEX #51FF9B

RGB 81 255 155

HSL 145.52, 1%, 0.66%

LAB 89.69, -65.66, 35.22

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 100 / 0 / 70 / 15

HEX #00DA41

RGB 0 218 65

HSL 137.89, 1%, 0.43%

LAB 76.39, -73.55, 59.86

 

CMYK 100 / 0 / 77 / 22

HEX #00C82E

RGB 0 200 46

HSL 133.8, 1%, 0.39%

LAB 70.53, -69.99, 60.54

 

CMYK 100 / 0 / 85 / 29

HEX #00B61B

RGB 0 182 27

HSL 128.9, 1%, 0.36%

LAB 64.59, -66.08, 60.32

 

CMYK 100 / 0 / 95 / 36

HEX #00A408

RGB 0 164 8

HSL 122.93, 1%, 0.32%

LAB 58.57, -61.73, 58.64

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 0 / 90 / 7

HEX #08EC17

RGB 8 236 23

HSL 123.95, 0.93%, 0.48%

LAB 81.89, -80.58, 76.15

 

CMYK 77 / 0 / 97 / 7

HEX #37EC08

RGB 55 236 8

HSL 107.63, 0.93%, 0.48%

LAB 82.28, -77.2, 78.31

 

CMYK 51 / 0 / 97 / 7

HEX #74EC08

RGB 116 236 8

HSL 91.58, 0.93%, 0.48%

LAB 83.82, -64.38, 80.2

 

CMYK 25 / 0 / 97 / 7

HEX #B2EC08

RGB 178 236 8

HSL 75.26, 0.93%, 0.48%

LAB 86.74, -43.56, 83.74

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 0 / 39 / 7

HEX #08EC91

RGB 8 236 145

HSL 156.05, 0.93%, 0.48%

LAB 82.96, -67.46, 31.16

 

CMYK 97 / 0 / 12 / 7

HEX #08ECCF

RGB 8 236 207

HSL 172.37, 0.93%, 0.48%

LAB 84.25, -53.22, 0.8

 

CMYK 97 / 14 / 0 / 7

HEX #08CBEC

RGB 8 203 236

HSL 188.68, 0.93%, 0.48%

LAB 75.34, -29.95, -28

 

CMYK 97 / 40 / 0 / 7

HEX #088EEC

RGB 8 142 236

HSL 204.74, 0.93%, 0.48%

LAB 57.51, 3.11, -55.92

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 87 / 0 / 58 / 15

HEX #1CD85B

RGB 28 216 91

HSL 140.11, 0.77%, 0.48%

LAB 76.14, -68.78, 48.79

 

CMYK 76 / 0 / 51 / 23

HEX #30C461

RGB 48 196 97

HSL 139.86, 0.61%, 0.48%

LAB 70.16, -59.26, 38.78

 

CMYK 62 / 0 / 41 / 31

HEX #43B068

RGB 67 176 104

HSL 140.37, 0.45%, 0.48%

LAB 64.36, -47.3, 27.89

 

CMYK 45 / 0 / 30 / 38

HEX #579D6E

RGB 87 157 110

HSL 139.71, 0.29%, 0.48%

LAB 59.22, -32.89, 17.88

 

CMYK 77 / 0 / 97 / 7

HEX #36EC08

RGB 54 236 8

HSL 107.89, 0.93%, 0.48%

LAB 82.27, -77.33, 78.3

 

CMYK 97 / 0 / 90 / 7

HEX #08EC17

RGB 8 236 23

HSL 123.95, 0.93%, 0.48%

LAB 81.89, -80.58, 76.15

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 0 / 39 / 7

HEX #08EC91

RGB 8 236 145

HSL 156.05, 0.93%, 0.48%

LAB 82.96, -67.46, 31.16

 

CMYK 97 / 0 / 13 / 7

HEX #08ECCD

RGB 8 236 205

HSL 171.84, 0.93%, 0.48%

LAB 84.2, -53.75, 1.78

 

CMYK 97 / 0 / 65 / 39

HEX #059C37

RGB 5 156 55

HSL 139.87, 0.94%, 0.32%

LAB 56.17, -55.87, 42.1

 

CMYK 96 / 0 / 64 / 23

HEX #07C446

RGB 7 196 70

HSL 140, 0.93%, 0.4%

LAB 69.45, -66.35, 50.36

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 85 / 0 / 56 / 3

HEX #26F76C

RGB 38 247 108

HSL 140.1, 0.93%, 0.56%

LAB 86.01, -75.4, 52.8

 

CMYK 69 / 0 / 46 / 3

HEX #4EF887

RGB 78 248 135

HSL 140.12, 0.92%, 0.64%

LAB 87.24, -66.97, 41.84

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 52 / 0 / 7

HEX #0872EC

RGB 8 114 236

HSL 212.11, 0.93%, 0.48%

LAB 49.67, 20.45, -68.55

 

CMYK 0 / 97 / 90 / 7

HEX #EC0817

RGB 236 8 23

HSL 356.05, 0.93%, 0.48%

LAB 49.58, 75.15, 56.51

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 64 / 97 / 0 / 7

HEX #5408EC

RGB 84 8 236

HSL 260, 0.93%, 0.48%

LAB 34.22, 75.29, -93.83

 

CMYK 0 / 64 / 97 / 7

HEX #EC5408

RGB 236 84 8

HSL 20, 0.93%, 0.48%

LAB 56.28, 56.17, 64.85

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 52 / 0 / 7

HEX #0872EC

RGB 8 114 236

HSL 212.11, 0.93%, 0.48%

LAB 49.67, 20.45, -68.55

 

CMYK 0 / 97 / 32 / 7

HEX #EC08A0

RGB 236 8 160

HSL 320, 0.93%, 0.48%

LAB 52.45, 82.83, -19.07

 

CMYK 0 / 45 / 97 / 7

HEX #EC8108

RGB 236 129 8

HSL 31.84, 0.93%, 0.48%

LAB 64.6, 34.87, 70

 

CMYK 97 / 0 / 64 / 7

HEX #08EC54

RGB 8 236 84

HSL 140, 0.93%, 0.48%

LAB 82.21, -76.58, 58.69

 

CMYK 97 / 81 / 0 / 7

HEX #082EEC

RGB 8 46 236

HSL 230, 0.93%, 0.48%

LAB 34.11, 61.33, -94.12

 

CMYK 0 / 97 / 32 / 7

HEX #EC08A0

RGB 236 8 160

HSL 320, 0.93%, 0.48%

LAB 52.45, 82.83, -19.07

 

CMYK 0 / 16 / 97 / 7

HEX #ECC608

RGB 236 198 8

HSL 50, 0.93%, 0.48%

LAB 80.87, -1.32, 81.27

 

Description

Color code: HEX #08EC54 | qconv.com Color code: HEX #08EC54 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 236 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 236 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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