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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08EC88 it is the complementary color #F71377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08EC88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08EC88 shade: #0DEC83, #1EFE96, #2FFFA9, #40FFBC and #51FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08EC88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08EC88 shade: #08EC88, #00DA75, #00C862, #00B64F and #00A43C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08EC88 shade: #08EC88, #08EC4A, #08EC0D, #40EC08 and #7EEC08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08EC88 shade: #08EC88, #08ECC5, #08D5EC, #0897EC and #085AEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08EC88 shade matches the following richer shades: #08EC88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08EC88 shade: #08EC88, #1CD885, #30C483, #43B081 and #579D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08EC88 shade: #08EC0C, #08EC49, #08EC85, #08ECC2 and #08D9EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08EC88 shade: #059C5A, #07C471, #08EC88, #26F79B and #4EF8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08EC88 shade: #08EC88, #0841EC and #EC2A08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08EC88 shade: #08EC88, #8508EC and #EC8508

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08EC88 shade: #08EC88, #0841EC, #EC086F and #ECB308

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08EC88 shade: #08EC88, #1308EC, #EC086F and #E0EC08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

Complementary color

CMYK 0 / 92 / 52 / 3

HEX #F71377

RGB 247 19 119

HSL 333.68, 0.93%, 0.52%

LAB 53.57, 80.73, 7.39

 

CMYK 94 / 0 / 44 / 7

HEX #0DEC83

RGB 13 236 131

HSL 151.75, 0.9%, 0.49%

LAB 82.76, -69.86, 37.89

 

CMYK 88 / 0 / 41 / 0

HEX #1EFE96

RGB 30 254 150

HSL 152.14, 0.99%, 0.56%

LAB 88.62, -71.68, 36.16

 

CMYK 82 / 0 / 34 / 0

HEX #2FFFA9

RGB 47 255 169

HSL 155.19, 1%, 0.59%

LAB 89.39, -67.19, 27.73

 

CMYK 75 / 0 / 26 / 0

HEX #40FFBC

RGB 64 255 188

HSL 158.95, 1%, 0.63%

LAB 89.97, -61.52, 18.91

 

CMYK 68 / 0 / 19 / 0

HEX #51FFCF

RGB 81 255 207

HSL 163.45, 1%, 0.66%

LAB 90.68, -55.07, 10.18

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 100 / 0 / 46 / 15

HEX #00DA75

RGB 0 218 117

HSL 152.2, 1%, 0.43%

LAB 76.94, -66.78, 37.34

 

CMYK 100 / 0 / 51 / 22

HEX #00C862

RGB 0 200 98

HSL 149.4, 1%, 0.39%

LAB 71, -64.07, 39.24

 

CMYK 100 / 0 / 57 / 29

HEX #00B64F

RGB 0 182 79

HSL 146.04, 1%, 0.36%

LAB 64.98, -61.18, 41.12

 

CMYK 100 / 0 / 63 / 36

HEX #00A43C

RGB 0 164 60

HSL 141.95, 1%, 0.32%

LAB 58.86, -58.04, 42.86

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 97 / 0 / 69 / 7

HEX #08EC4A

RGB 8 236 74

HSL 137.37, 0.93%, 0.48%

LAB 82.13, -77.57, 62.53

 

CMYK 97 / 0 / 94 / 7

HEX #08EC0D

RGB 8 236 13

HSL 121.32, 0.93%, 0.48%

LAB 81.88, -80.82, 77.37

 

CMYK 73 / 0 / 97 / 7

HEX #40EC08

RGB 64 236 8

HSL 105.26, 0.93%, 0.48%

LAB 82.43, -75.88, 78.5

 

CMYK 47 / 0 / 97 / 7

HEX #7EEC08

RGB 126 236 8

HSL 88.95, 0.93%, 0.48%

LAB 84.2, -61.47, 80.66

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 97 / 0 / 17 / 7

HEX #08ECC5

RGB 8 236 197

HSL 169.74, 0.93%, 0.48%

LAB 84, -55.82, 5.7

 

CMYK 97 / 10 / 0 / 7

HEX #08D5EC

RGB 8 213 236

HSL 186.05, 0.93%, 0.48%

LAB 78.28, -34.74, -23.5

 

CMYK 97 / 36 / 0 / 7

HEX #0897EC

RGB 8 151 236

HSL 202.37, 0.93%, 0.48%

LAB 60.11, -2.19, -51.79

 

CMYK 97 / 62 / 0 / 7

HEX #085AEC

RGB 8 90 236

HSL 218.42, 0.93%, 0.48%

LAB 43.39, 35.83, -78.79

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 87 / 0 / 38 / 15

HEX #1CD885

RGB 28 216 133

HSL 153.51, 0.77%, 0.48%

LAB 76.71, -61.97, 28.98

 

CMYK 76 / 0 / 33 / 23

HEX #30C483

RGB 48 196 131

HSL 153.65, 0.61%, 0.48%

LAB 70.7, -53.09, 21.98

 

CMYK 62 / 0 / 27 / 31

HEX #43B081

RGB 67 176 129

HSL 154.13, 0.45%, 0.48%

LAB 64.83, -42.32, 15.04

 

CMYK 45 / 0 / 20 / 38

HEX #579D7E

RGB 87 157 126

HSL 153.43, 0.29%, 0.48%

LAB 59.57, -29.56, 9.42

 

CMYK 97 / 0 / 95 / 7

HEX #08EC0C

RGB 8 236 12

HSL 121.05, 0.93%, 0.48%

LAB 81.88, -80.83, 77.47

 

CMYK 97 / 0 / 69 / 7

HEX #08EC49

RGB 8 236 73

HSL 137.11, 0.93%, 0.48%

LAB 82.12, -77.67, 62.9

 

CMYK 97 / 0 / 44 / 7

HEX #08EC85

RGB 8 236 133

HSL 152.89, 0.93%, 0.48%

LAB 82.77, -69.67, 36.92

 

CMYK 97 / 0 / 18 / 7

HEX #08ECC2

RGB 8 236 194

HSL 168.95, 0.93%, 0.48%

LAB 83.93, -56.57, 7.17

 

CMYK 97 / 8 / 0 / 7

HEX #08D9EC

RGB 8 217 236

HSL 185, 0.93%, 0.48%

LAB 79.46, -36.61, -21.71

 

CMYK 97 / 0 / 42 / 39

HEX #059C5A

RGB 5 156 90

HSL 153.77, 0.94%, 0.32%

LAB 56.63, -50.3, 25.05

 

CMYK 96 / 0 / 42 / 23

HEX #07C471

RGB 7 196 113

HSL 153.65, 0.93%, 0.4%

LAB 69.98, -59.88, 30.38

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 85 / 0 / 37 / 3

HEX #26F79B

RGB 38 247 155

HSL 153.59, 0.93%, 0.56%

LAB 86.65, -67.85, 31.08

 

CMYK 69 / 0 / 30 / 3

HEX #4EF8AE

RGB 78 248 174

HSL 153.88, 0.92%, 0.64%

LAB 87.88, -59.94, 23.2

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 97 / 72 / 0 / 7

HEX #0841EC

RGB 8 65 236

HSL 225, 0.93%, 0.48%

LAB 37.64, 51.22, -88.26

 

CMYK 0 / 82 / 97 / 7

HEX #EC2A08

RGB 236 42 8

HSL 8.95, 0.93%, 0.48%

LAB 51.27, 69.98, 62.14

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 44 / 97 / 0 / 7

HEX #8508EC

RGB 133 8 236

HSL 272.89, 0.93%, 0.48%

LAB 39.94, 78.8, -84.18

 

CMYK 0 / 44 / 97 / 7

HEX #EC8508

RGB 236 133 8

HSL 32.89, 0.93%, 0.48%

LAB 65.46, 32.8, 70.56

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 97 / 72 / 0 / 7

HEX #0841EC

RGB 8 65 236

HSL 225, 0.93%, 0.48%

LAB 37.64, 51.22, -88.26

 

CMYK 0 / 97 / 53 / 7

HEX #EC086F

RGB 236 8 111

HSL 332.89, 0.93%, 0.48%

LAB 50.87, 78.66, 8.11

 

CMYK 0 / 24 / 97 / 7

HEX #ECB308

RGB 236 179 8

HSL 45, 0.93%, 0.48%

LAB 76.12, 8.56, 77.87

 

CMYK 97 / 0 / 42 / 7

HEX #08EC88

RGB 8 236 136

HSL 153.68, 0.93%, 0.48%

LAB 82.82, -69.13, 35.49

 

CMYK 92 / 97 / 0 / 7

HEX #1308EC

RGB 19 8 236

HSL 242.89, 0.93%, 0.48%

LAB 30.32, 73.48, -100.43

 

CMYK 0 / 97 / 53 / 7

HEX #EC086F

RGB 236 8 111

HSL 332.89, 0.93%, 0.48%

LAB 50.87, 78.66, 8.11

 

CMYK 5 / 0 / 97 / 7

HEX #E0EC08

RGB 224 236 8

HSL 63.16, 0.93%, 0.48%

LAB 89.79, -25.23, 87.4

 

Description

Color code: HEX #08EC88 | qconv.com Color code: HEX #08EC88 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 236 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 236 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 42 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 42% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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