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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0957AE it is the complementary color #F6A851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0957AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0957AE shade: #0E57A9, #1F69BC, #307BCF, #418DE2 and #529FF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0957AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0957AE shade: #0957AE, #00459B, #003388, #002175 and #000F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0957AE shade: #0957AE, #092AAE, #1409AE, #4009AE and #6D09AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0957AE shade: #0957AE, #092AAE and #0909AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0957AE shade matches the following richer shades: #0957AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0957AE shade: #0957AE, #18589F, #265890, #355981 and #445A73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0957AE shade: #09AEAB, #0985AE, #0959AE, #092CAE and #1109AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0957AE shade: #053060, #074387, #0957AE, #0B6AD5 and #177FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0957AE shade: #0957AE, #7F09AE and #9BAE09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0957AE shade: #0957AE, #AE0959 and #59AE09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0957AE shade: #0957AE, #7F09AE, #AE5E09 and #37AE09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0957AE shade: #0957AE, #AE09AB, #AE5E09 and #09AE0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

Complementary color

CMYK 0 / 32 / 67 / 4

HEX #F6A851

RGB 246 168 81

HSL 31.64, 0.9%, 0.64%

LAB 74.95, 20.81, 55.22

 

CMYK 92 / 49 / 0 / 34

HEX #0E57A9

RGB 14 87 169

HSL 211.74, 0.85%, 0.36%

LAB 37.43, 11.49, -49.73

 

CMYK 84 / 44 / 0 / 26

HEX #1F69BC

RGB 31 105 188

HSL 211.72, 0.72%, 0.43%

LAB 44.27, 8.57, -49.88

 

CMYK 77 / 41 / 0 / 19

HEX #307BCF

RGB 48 123 207

HSL 211.7, 0.62%, 0.5%

LAB 51.04, 6.27, -49.95

 

CMYK 71 / 38 / 0 / 11

HEX #418DE2

RGB 65 141 226

HSL 211.68, 0.74%, 0.57%

LAB 57.72, 4.45, -49.97

 

CMYK 67 / 35 / 0 / 4

HEX #529FF5

RGB 82 159 245

HSL 211.66, 0.89%, 0.64%

LAB 64.31, 2.97, -49.99

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 100 / 55 / 0 / 39

HEX #00459B

RGB 0 69 155

HSL 213.29, 1%, 0.3%

LAB 30.93, 17.23, -51.87

 

CMYK 100 / 63 / 0 / 47

HEX #003388

RGB 0 51 136

HSL 217.5, 1%, 0.27%

LAB 24.15, 21.84, -51.25

 

CMYK 100 / 72 / 0 / 54

HEX #002175

RGB 0 33 117

HSL 223.08, 1%, 0.23%

LAB 17.33, 26.62, -50.42

 

CMYK 100 / 85 / 0 / 62

HEX #000F62

RGB 0 15 98

HSL 230.82, 1%, 0.19%

LAB 10.73, 30.97, -48.91

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 95 / 76 / 0 / 32

HEX #092AAE

RGB 9 42 174

HSL 228, 0.9%, 0.36%

LAB 26.07, 42.97, -71.32

 

CMYK 89 / 95 / 0 / 32

HEX #1409AE

RGB 20 9 174

HSL 244, 0.9%, 0.36%

LAB 21.58, 57.38, -78.78

 

CMYK 63 / 95 / 0 / 32

HEX #4009AE

RGB 64 9 174

HSL 260, 0.9%, 0.36%

LAB 24.77, 59.14, -73.38

 

CMYK 37 / 95 / 0 / 32

HEX #6D09AE

RGB 109 9 174

HSL 276.36, 0.9%, 0.36%

LAB 30.65, 63.27, -63.48

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 95 / 76 / 0 / 32

HEX #092AAE

RGB 9 42 174

HSL 228, 0.9%, 0.36%

LAB 26.07, 42.97, -71.32

 

CMYK 95 / 95 / 0 / 32

HEX #0909AE

RGB 9 9 174

HSL 240, 0.9%, 0.36%

LAB 21.24, 57.22, -79.35

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 85 / 45 / 0 / 38

HEX #18589F

RGB 24 88 159

HSL 211.56, 0.74%, 0.36%

LAB 37.26, 7.47, -44.05

 

CMYK 74 / 39 / 0 / 44

HEX #265890

RGB 38 88 144

HSL 211.7, 0.58%, 0.36%

LAB 36.75, 3.21, -35.79

 

CMYK 59 / 31 / 0 / 49

HEX #355981

RGB 53 89 129

HSL 211.58, 0.42%, 0.36%

LAB 36.9, -0.12, -26.37

 

CMYK 41 / 22 / 0 / 55

HEX #445A73

RGB 68 90 115

HSL 211.91, 0.26%, 0.36%

LAB 37.44, -1.33, -16.86

 

CMYK 95 / 0 / 2 / 32

HEX #09AEAB

RGB 9 174 171

HSL 178.91, 0.9%, 0.36%

LAB 64.38, -36.7, -9.01

 

CMYK 95 / 24 / 0 / 32

HEX #0985AE

RGB 9 133 174

HSL 194.91, 0.9%, 0.36%

LAB 51.71, -14.98, -30.03

 

CMYK 95 / 49 / 0 / 32

HEX #0959AE

RGB 9 89 174

HSL 210.91, 0.9%, 0.36%

LAB 38.3, 11.97, -51.3

 

CMYK 95 / 75 / 0 / 32

HEX #092CAE

RGB 9 44 174

HSL 227.27, 0.9%, 0.36%

LAB 26.49, 41.77, -70.62

 

CMYK 90 / 95 / 0 / 32

HEX #1109AE

RGB 17 9 174

HSL 242.91, 0.9%, 0.36%

LAB 21.47, 57.33, -78.96

 

CMYK 95 / 50 / 0 / 62

HEX #053060

RGB 5 48 96

HSL 211.65, 0.9%, 0.2%

LAB 20.01, 6.77, -32.39

 

CMYK 95 / 50 / 0 / 47

HEX #074387

RGB 7 67 135

HSL 211.88, 0.9%, 0.28%

LAB 28.92, 10.49, -42.85

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 95 / 50 / 0 / 16

HEX #0B6AD5

RGB 11 106 213

HSL 211.78, 0.9%, 0.44%

LAB 45.88, 16.63, -61.68

 

CMYK 90 / 48 / 0 / 5

HEX #177FF2

RGB 23 127 242

HSL 211.51, 0.89%, 0.52%

LAB 53.78, 15.1, -65.23

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 27 / 95 / 0 / 32

HEX #7F09AE

RGB 127 9 174

HSL 282.91, 0.9%, 0.36%

LAB 33.49, 65.57, -58.72

 

CMYK 11 / 0 / 95 / 32

HEX #9BAE09

RGB 155 174 9

HSL 66.91, 0.9%, 0.36%

LAB 67.47, -24.34, 68.07

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 0 / 95 / 49 / 32

HEX #AE0959

RGB 174 9 89

HSL 330.91, 0.9%, 0.36%

LAB 37.69, 62.75, 1.31

 

CMYK 49 / 0 / 95 / 32

HEX #59AE09

RGB 89 174 9

HSL 90.91, 0.9%, 0.36%

LAB 63.68, -49.56, 63.47

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 27 / 95 / 0 / 32

HEX #7F09AE

RGB 127 9 174

HSL 282.91, 0.9%, 0.36%

LAB 33.49, 65.57, -58.72

 

CMYK 0 / 46 / 95 / 32

HEX #AE5E09

RGB 174 94 9

HSL 30.91, 0.9%, 0.36%

LAB 48.29, 27.58, 54.68

 

CMYK 68 / 0 / 95 / 32

HEX #37AE09

RGB 55 174 9

HSL 103.27, 0.9%, 0.36%

LAB 62.6, -58.39, 62.12

 

CMYK 95 / 50 / 0 / 32

HEX #0957AE

RGB 9 87 174

HSL 211.64, 0.9%, 0.36%

LAB 37.72, 13.3, -52.24

 

CMYK 0 / 95 / 2 / 32

HEX #AE09AB

RGB 174 9 171

HSL 301.09, 0.9%, 0.36%

LAB 41.43, 72.41, -43.69

 

CMYK 0 / 46 / 95 / 32

HEX #AE5E09

RGB 174 94 9

HSL 30.91, 0.9%, 0.36%

LAB 48.29, 27.58, 54.68

 

CMYK 95 / 0 / 94 / 32

HEX #09AE0B

RGB 9 174 11

HSL 120.73, 0.9%, 0.36%

LAB 61.96, -63.98, 61.07

 

Description

Color code: HEX #0957AE | qconv.com Color code: HEX #0957AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 87 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 87 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 50 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 50% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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