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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #097ABC it is the complementary color #F68543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #097ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #097ABC shade: #0E7AB7, #1F8CCA, #309EDD, #41B0F0 and #52C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #097ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #097ABC shade: #097ABC, #0068A9, #005696, #004483 and #003270

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #097ABC shade: #087BBD, #084ABD, #0819BD, #2908BD and #5908BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #097ABC shade: #087BBD, #084ABD, #0819BD and #0808BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #097ABC shade matches the following richer shades: #087BBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #097ABC shade: #087BBD, #1976AD, #29729D, #396E8D and #496A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #097ABC shade: #08BD9F, #08ABBD, #087BBD, #084BBD and #081BBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #097ABC shade: #05486F, #076196, #087BBD, #0A94E5 and #24A8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #097ABC shade: #097ABC, #6F08BD and #BDB708

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #097ABC shade: #097ABC, #BD087B and #7BBD08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #097ABC shade: #097ABC, #6F08BD, #BD4B08 and #57BD08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #097ABC shade: #097ABC, #A508BD, #BD4B08 and #21BD08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 35 / 0 / 26

HEX #097ABC

RGB 9 122 188

HSL 202.12, 0.91%, 0.39%

LAB 49.02, -3.31, -42.33

 

Complementary color

CMYK 0 / 46 / 73 / 4

HEX #F68543

RGB 246 133 67

HSL 22.12, 0.91%, 0.61%

LAB 67.11, 38.31, 53.32

 

CMYK 92 / 33 / 0 / 28

HEX #0E7AB7

RGB 14 122 183

HSL 201.66, 0.86%, 0.39%

LAB 48.8, -5.04, -39.79

 

CMYK 85 / 31 / 0 / 21

HEX #1F8CCA

RGB 31 140 202

HSL 201.75, 0.73%, 0.46%

LAB 55.39, -7.37, -40.23

 

CMYK 78 / 29 / 0 / 13

HEX #309EDD

RGB 48 158 221

HSL 201.85, 0.72%, 0.53%

LAB 61.91, -9.21, -40.6

 

CMYK 73 / 27 / 0 / 6

HEX #41B0F0

RGB 65 176 240

HSL 201.94, 0.85%, 0.6%

LAB 68.36, -10.68, -40.91

 

CMYK 68 / 24 / 0 / 0

HEX #52C2FF

RGB 82 194 255

HSL 201.16, 1%, 0.66%

LAB 74.57, -13.15, -39.31

 

CMYK 95 / 35 / 0 / 26

HEX #097ABC

RGB 9 122 188

HSL 202.12, 0.91%, 0.39%

LAB 49.02, -3.31, -42.33

 

CMYK 100 / 38 / 0 / 34

HEX #0068A9

RGB 0 104 169

HSL 203.08, 1%, 0.33%

LAB 42.41, -0.15, -41.77

 

CMYK 100 / 43 / 0 / 41

HEX #005696

RGB 0 86 150

HSL 205.6, 1%, 0.29%

LAB 35.71, 3.59, -41.13

 

CMYK 100 / 48 / 0 / 49

HEX #004483

RGB 0 68 131

HSL 208.85, 1%, 0.26%

LAB 28.83, 7.64, -40.53

 

CMYK 100 / 55 / 0 / 56

HEX #003270

RGB 0 50 112

HSL 213.21, 1%, 0.22%

LAB 21.77, 12.07, -39.94

 

CMYK 96 / 35 / 0 / 26

HEX #087BBD

RGB 8 123 189

HSL 201.88, 0.92%, 0.39%

LAB 49.36, -3.56, -42.36

 

CMYK 96 / 61 / 0 / 26

HEX #084ABD

RGB 8 74 189

HSL 218.12, 0.92%, 0.39%

LAB 35.25, 28.07, -65.1

 

CMYK 96 / 87 / 0 / 26

HEX #0819BD

RGB 8 25 189

HSL 234.36, 0.92%, 0.39%

LAB 25.02, 56.32, -82.01

 

CMYK 78 / 96 / 0 / 26

HEX #2908BD

RGB 41 8 189

HSL 250.94, 0.92%, 0.39%

LAB 24.7, 62.07, -82.51

 

CMYK 53 / 96 / 0 / 26

HEX #5908BD

RGB 89 8 189

HSL 266.85, 0.92%, 0.39%

LAB 29.34, 64.74, -74.66

 

CMYK 96 / 35 / 0 / 26

HEX #087BBD

RGB 8 123 189

HSL 201.88, 0.92%, 0.39%

LAB 49.36, -3.56, -42.36

 

CMYK 96 / 61 / 0 / 26

HEX #084ABD

RGB 8 74 189

HSL 218.12, 0.92%, 0.39%

LAB 35.25, 28.07, -65.1

 

CMYK 96 / 87 / 0 / 26

HEX #0819BD

RGB 8 25 189

HSL 234.36, 0.92%, 0.39%

LAB 25.02, 56.32, -82.01

 

CMYK 96 / 96 / 0 / 26

HEX #0808BD

RGB 8 8 189

HSL 240, 0.92%, 0.39%

LAB 23.34, 61.44, -84.82

 

CMYK 96 / 35 / 0 / 26

HEX #087BBD

RGB 8 123 189

HSL 201.88, 0.92%, 0.39%

LAB 49.36, -3.56, -42.36

 

CMYK 96 / 35 / 0 / 26

HEX #087BBD

RGB 8 123 189

HSL 201.88, 0.92%, 0.39%

LAB 49.36, -3.56, -42.36

 

CMYK 86 / 32 / 0 / 32

HEX #1976AD

RGB 25 118 173

HSL 202.3, 0.75%, 0.39%

LAB 47.21, -5.77, -36.49

 

CMYK 74 / 27 / 0 / 38

HEX #29729D

RGB 41 114 157

HSL 202.24, 0.59%, 0.39%

LAB 45.55, -7.58, -29.69

 

CMYK 60 / 22 / 0 / 45

HEX #396E8D

RGB 57 110 141

HSL 202.14, 0.42%, 0.39%

LAB 44.15, -7.96, -22.33

 

CMYK 42 / 15 / 0 / 51

HEX #496A7D

RGB 73 106 125

HSL 201.92, 0.26%, 0.39%

LAB 43.07, -6.58, -14.33

 

CMYK 96 / 0 / 16 / 26

HEX #08BD9F

RGB 8 189 159

HSL 170.06, 0.92%, 0.39%

LAB 68.72, -46.7, 3.99

 

CMYK 96 / 10 / 0 / 26

HEX #08ABBD

RGB 8 171 189

HSL 185.97, 0.92%, 0.39%

LAB 64.04, -29.64, -19.55

 

CMYK 96 / 35 / 0 / 26

HEX #087BBD

RGB 8 123 189

HSL 201.88, 0.92%, 0.39%

LAB 49.36, -3.56, -42.36

 

CMYK 96 / 60 / 0 / 26

HEX #084BBD

RGB 8 75 189

HSL 217.79, 0.92%, 0.39%

LAB 35.51, 27.4, -64.67

 

CMYK 96 / 86 / 0 / 26

HEX #081BBD

RGB 8 27 189

HSL 233.7, 0.92%, 0.39%

LAB 25.29, 55.51, -81.56

 

CMYK 95 / 35 / 0 / 56

HEX #05486F

RGB 5 72 111

HSL 202.08, 0.91%, 0.23%

LAB 28.94, -3.3, -27.8

 

CMYK 95 / 35 / 0 / 41

HEX #076196

RGB 7 97 150

HSL 202.24, 0.91%, 0.31%

LAB 39.24, -3.09, -35.51

 

CMYK 96 / 35 / 0 / 26

HEX #087BBD

RGB 8 123 189

HSL 201.88, 0.92%, 0.39%

LAB 49.36, -3.56, -42.36

 

CMYK 96 / 35 / 0 / 10

HEX #0A94E5

RGB 10 148 229

HSL 202.19, 0.92%, 0.47%

LAB 58.88, -3.02, -49.85

 

CMYK 85 / 31 / 0 / 4

HEX #24A8F4

RGB 36 168 244

HSL 201.92, 0.9%, 0.55%

LAB 65.68, -7.68, -47.35

 

CMYK 95 / 35 / 0 / 26

HEX #097ABC

RGB 9 122 188

HSL 202.12, 0.91%, 0.39%

LAB 49.02, -3.31, -42.33

 

CMYK 41 / 96 / 0 / 26

HEX #6F08BD

RGB 111 8 189

HSL 274.14, 0.92%, 0.39%

LAB 32.32, 66.81, -69.65

 

CMYK 0 / 3 / 96 / 26

HEX #BDB708

RGB 189 183 8

HSL 58.01, 0.92%, 0.39%

LAB 72.7, -14.09, 73.35

 

CMYK 95 / 35 / 0 / 26

HEX #097ABC

RGB 9 122 188

HSL 202.12, 0.91%, 0.39%

LAB 49.02, -3.31, -42.33

 

CMYK 0 / 96 / 35 / 26

HEX #BD087B

RGB 189 8 123

HSL 321.88, 0.92%, 0.39%

LAB 41.88, 69.37, -13.59

 

CMYK 35 / 0 / 96 / 26

HEX #7BBD08

RGB 123 189 8

HSL 81.88, 0.92%, 0.39%

LAB 69.91, -44.04, 69.25

 

CMYK 95 / 35 / 0 / 26

HEX #097ABC

RGB 9 122 188

HSL 202.12, 0.91%, 0.39%

LAB 49.02, -3.31, -42.33

 

CMYK 41 / 96 / 0 / 26

HEX #6F08BD

RGB 111 8 189

HSL 274.14, 0.92%, 0.39%

LAB 32.32, 66.81, -69.65

 

CMYK 0 / 60 / 96 / 26

HEX #BD4B08

RGB 189 75 8

HSL 22.21, 0.92%, 0.39%

LAB 46.8, 43.33, 55.06

 

CMYK 54 / 0 / 96 / 26

HEX #57BD08

RGB 87 189 8

HSL 93.81, 0.92%, 0.39%

LAB 68.34, -55.75, 67.33

 

CMYK 95 / 35 / 0 / 26

HEX #097ABC

RGB 9 122 188

HSL 202.12, 0.91%, 0.39%

LAB 49.02, -3.31, -42.33

 

CMYK 13 / 96 / 0 / 26

HEX #A508BD

RGB 165 8 189

HSL 292.04, 0.92%, 0.39%

LAB 40.97, 73.89, -55.17

 

CMYK 0 / 60 / 96 / 26

HEX #BD4B08

RGB 189 75 8

HSL 22.21, 0.92%, 0.39%

LAB 46.8, 43.33, 55.06

 

CMYK 83 / 0 / 96 / 26

HEX #21BD08

RGB 33 189 8

HSL 111.71, 0.92%, 0.39%

LAB 67.08, -66.42, 65.78

 

Description

Color code: HEX #097ABC | qconv.com Color code: HEX #097ABC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 122 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 122 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 35 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 35% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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