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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0980B8 it is the complementary color #F67F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0980B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0980B8 shade: #0E80B3, #1F92C6, #30A4D9, #41B6EC and #52C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0980B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0980B8 shade: #0980B8, #006EA5, #005C92, #004A7F and #00386C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0980B8 shade: #0880B9, #0851B9, #0821B9, #1F08B9 and #4F08B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0980B8 shade: #0880B9, #0851B9, #0821B9 and #0808B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0980B8 shade matches the following richer shades: #0880B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0980B8 shade: #0880B9, #187BA9, #287599, #376F8A and #476A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0980B8 shade: #08B992, #08B0B9, #0881B9, #0852B9 and #0823B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0980B8 shade: #05496A, #066591, #0880B9, #0A9CE0 and #1FB0F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0980B8 shade: #0980B8, #6308B9 and #B9AA08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0980B8 shade: #0980B8, #B90881 and #81B908

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0980B8 shade: #0980B8, #6308B9, #B94008 and #5DB908

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0980B8 shade: #0980B8, #9808B9, #B94008 and #29B908

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

Complementary color

CMYK 0 / 48 / 71 / 4

HEX #F67F47

RGB 246 127 71

HSL 19.2, 0.91%, 0.62%

LAB 65.92, 41.51, 50.13

 

CMYK 92 / 28 / 0 / 30

HEX #0E80B3

RGB 14 128 179

HSL 198.55, 0.85%, 0.38%

LAB 50.44, -10.07, -34.9

 

CMYK 84 / 26 / 0 / 22

HEX #1F92C6

RGB 31 146 198

HSL 198.68, 0.73%, 0.45%

LAB 57, -12.22, -35.44

 

CMYK 78 / 24 / 0 / 15

HEX #30A4D9

RGB 48 164 217

HSL 198.82, 0.69%, 0.52%

LAB 63.5, -13.91, -35.9

 

CMYK 72 / 23 / 0 / 7

HEX #41B6EC

RGB 65 182 236

HSL 198.95, 0.82%, 0.59%

LAB 69.92, -15.24, -36.31

 

CMYK 68 / 22 / 0 / 0

HEX #52C8FF

RGB 82 200 255

HSL 199.08, 1%, 0.66%

LAB 76.27, -16.31, -36.68

 

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

CMYK 100 / 33 / 0 / 35

HEX #006EA5

RGB 0 110 165

HSL 200, 1%, 0.32%

LAB 44.04, -5.44, -36.82

 

CMYK 100 / 37 / 0 / 43

HEX #005C92

RGB 0 92 146

HSL 202.19, 1%, 0.29%

LAB 37.35, -1.94, -36.09

 

CMYK 100 / 42 / 0 / 50

HEX #004A7F

RGB 0 74 127

HSL 205.04, 1%, 0.25%

LAB 30.47, 1.82, -35.41

 

CMYK 100 / 48 / 0 / 58

HEX #00386C

RGB 0 56 108

HSL 208.89, 1%, 0.21%

LAB 23.38, 5.93, -34.77

 

CMYK 96 / 31 / 0 / 27

HEX #0880B9

RGB 8 128 185

HSL 199.32, 0.92%, 0.38%

LAB 50.68, -8.06, -37.98

 

CMYK 96 / 56 / 0 / 27

HEX #0851B9

RGB 8 81 185

HSL 215.25, 0.92%, 0.38%

LAB 36.82, 21.77, -60.19

 

CMYK 96 / 82 / 0 / 27

HEX #0821B9

RGB 8 33 185

HSL 231.53, 0.92%, 0.38%

LAB 25.69, 51.53, -78.52

 

CMYK 83 / 96 / 0 / 27

HEX #1F08B9

RGB 31 8 185

HSL 247.8, 0.92%, 0.38%

LAB 23.56, 60.76, -82.04

 

CMYK 57 / 96 / 0 / 27

HEX #4F08B9

RGB 79 8 185

HSL 264.07, 0.92%, 0.38%

LAB 27.68, 63.04, -75.08

 

CMYK 96 / 31 / 0 / 27

HEX #0880B9

RGB 8 128 185

HSL 199.32, 0.92%, 0.38%

LAB 50.68, -8.06, -37.98

 

CMYK 96 / 56 / 0 / 27

HEX #0851B9

RGB 8 81 185

HSL 215.25, 0.92%, 0.38%

LAB 36.82, 21.77, -60.19

 

CMYK 96 / 82 / 0 / 27

HEX #0821B9

RGB 8 33 185

HSL 231.53, 0.92%, 0.38%

LAB 25.69, 51.53, -78.52

 

CMYK 96 / 96 / 0 / 27

HEX #0808B9

RGB 8 8 185

HSL 240, 0.92%, 0.38%

LAB 22.75, 60.39, -83.42

 

CMYK 96 / 31 / 0 / 27

HEX #0880B9

RGB 8 128 185

HSL 199.32, 0.92%, 0.38%

LAB 50.68, -8.06, -37.98

 

CMYK 96 / 31 / 0 / 27

HEX #0880B9

RGB 8 128 185

HSL 199.32, 0.92%, 0.38%

LAB 50.68, -8.06, -37.98

 

CMYK 86 / 27 / 0 / 34

HEX #187BA9

RGB 24 123 169

HSL 199.03, 0.75%, 0.38%

LAB 48.54, -10.29, -32.07

 

CMYK 74 / 24 / 0 / 40

HEX #287599

RGB 40 117 153

HSL 199.12, 0.59%, 0.38%

LAB 46.28, -10.91, -26.2

 

CMYK 60 / 20 / 0 / 46

HEX #376F8A

RGB 55 111 138

HSL 199.52, 0.43%, 0.38%

LAB 44.26, -9.96, -20.39

 

CMYK 42 / 13 / 0 / 52

HEX #476A7A

RGB 71 106 122

HSL 198.82, 0.26%, 0.38%

LAB 42.84, -8.03, -12.87

 

CMYK 96 / 0 / 21 / 27

HEX #08B992

RGB 8 185 146

HSL 166.78, 0.92%, 0.38%

LAB 67.15, -48.45, 8.86

 

CMYK 96 / 5 / 0 / 27

HEX #08B0B9

RGB 8 176 185

HSL 183.05, 0.92%, 0.38%

LAB 65.44, -33.34, -15.21

 

CMYK 96 / 30 / 0 / 27

HEX #0881B9

RGB 8 129 185

HSL 198.98, 0.92%, 0.38%

LAB 50.98, -8.64, -37.5

 

CMYK 96 / 56 / 0 / 27

HEX #0852B9

RGB 8 82 185

HSL 214.92, 0.92%, 0.38%

LAB 37.09, 21.1, -59.74

 

CMYK 96 / 81 / 0 / 27

HEX #0823B9

RGB 8 35 185

HSL 230.85, 0.92%, 0.38%

LAB 26.03, 50.54, -77.95

 

CMYK 95 / 31 / 0 / 58

HEX #05496A

RGB 5 73 106

HSL 199.6, 0.91%, 0.22%

LAB 29, -6.04, -24.54

 

CMYK 96 / 30 / 0 / 43

HEX #066591

RGB 6 101 145

HSL 198.99, 0.92%, 0.3%

LAB 40.23, -7.6, -30.94

 

CMYK 96 / 31 / 0 / 27

HEX #0880B9

RGB 8 128 185

HSL 199.32, 0.92%, 0.38%

LAB 50.68, -8.06, -37.98

 

CMYK 96 / 30 / 0 / 12

HEX #0A9CE0

RGB 10 156 224

HSL 199.07, 0.91%, 0.46%

LAB 60.98, -9.46, -43.77

 

CMYK 87 / 28 / 0 / 4

HEX #1FB0F4

RGB 31 176 244

HSL 199.15, 0.91%, 0.54%

LAB 67.93, -12.41, -43.82

 

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

CMYK 46 / 96 / 0 / 27

HEX #6308B9

RGB 99 8 185

HSL 270.85, 0.92%, 0.38%

LAB 30.23, 64.73, -70.78

 

CMYK 0 / 8 / 96 / 27

HEX #B9AA08

RGB 185 170 8

HSL 54.92, 0.92%, 0.38%

LAB 68.81, -9.15, 70.29

 

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

CMYK 0 / 96 / 30 / 27

HEX #B90881

RGB 185 8 129

HSL 318.98, 0.92%, 0.38%

LAB 41.33, 69.16, -18.21

 

CMYK 30 / 0 / 96 / 27

HEX #81B908

RGB 129 185 8

HSL 78.98, 0.92%, 0.38%

LAB 69.03, -40.08, 68.69

 

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

CMYK 46 / 96 / 0 / 27

HEX #6308B9

RGB 99 8 185

HSL 270.85, 0.92%, 0.38%

LAB 30.23, 64.73, -70.78

 

CMYK 0 / 65 / 96 / 27

HEX #B94008

RGB 185 64 8

HSL 18.98, 0.92%, 0.38%

LAB 44.23, 46.84, 53.1

 

CMYK 50 / 0 / 96 / 27

HEX #5DB908

RGB 93 185 8

HSL 91.19, 0.92%, 0.38%

LAB 67.31, -52.53, 66.59

 

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

CMYK 18 / 96 / 0 / 27

HEX #9808B9

RGB 152 8 185

HSL 288.81, 0.92%, 0.38%

LAB 38.47, 71.26, -56.97

 

CMYK 0 / 65 / 96 / 27

HEX #B94008

RGB 185 64 8

HSL 18.98, 0.92%, 0.38%

LAB 44.23, 46.84, 53.1

 

CMYK 78 / 0 / 96 / 27

HEX #29B908

RGB 41 185 8

HSL 108.81, 0.92%, 0.38%

LAB 65.89, -64.23, 64.85

 

Description

Color code: HEX #0980B8 | qconv.com Color code: HEX #0980B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 128 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 128 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 30 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 30% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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