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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #099676 it is the complementary color #F66989. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #099676. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #099676 shade: #0E9671, #1FA884, #30BA97, #41CCAA and #52DEBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #099676. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #099676 shade: #099676, #008463, #007250, #00603D and #004E2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #099676 shade: #089575, #08954F, #089529, #0D9508 and #339508

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #099676 shade: #089575, #088F95, #086995, #084395 and #081D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #099676 shade matches the following richer shades: #089575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #099676 shade: #089575, #15886E, #227B67, #2F6F60 and #3B6259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #099676 shade: #089529, #08954F, #089574, #089095 and #086B95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #099676 shade: #044738, #066E56, #089575, #0ABC94 and #0DE3B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #099676 shade: #099676, #080D95 and #953C08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #099676 shade: #099676, #740895 and #957408

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #099676 shade: #099676, #080D95, #950829 and #959008

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #099676 shade: #099676, #2E0895, #950829 and #6F9508

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 21 / 41

HEX #099676

RGB 9 150 118

HSL 166.38, 0.89%, 0.31%

LAB 55.26, -41.27, 7.56

 

Complementary color

CMYK 0 / 57 / 44 / 4

HEX #F66989

RGB 246 105 137

HSL 346.38, 0.89%, 0.69%

LAB 62.93, 56.78, 10.06

 

CMYK 91 / 0 / 25 / 41

HEX #0E9671

RGB 14 150 113

HSL 163.68, 0.83%, 0.32%

LAB 55.17, -42.3, 10.29

 

CMYK 82 / 0 / 21 / 34

HEX #1FA884

RGB 31 168 132

HSL 164.23, 0.69%, 0.39%

LAB 61.62, -43.6, 8.76

 

CMYK 74 / 0 / 19 / 27

HEX #30BA97

RGB 48 186 151

HSL 164.78, 0.59%, 0.46%

LAB 68.01, -44.48, 7.41

 

CMYK 68 / 0 / 17 / 20

HEX #41CCAA

RGB 65 204 170

HSL 165.32, 0.58%, 0.53%

LAB 74.33, -45.05, 6.2

 

CMYK 63 / 0 / 15 / 13

HEX #52DEBD

RGB 82 222 189

HSL 165.86, 0.68%, 0.6%

LAB 80.58, -45.42, 5.1

 

CMYK 94 / 0 / 21 / 41

HEX #099676

RGB 9 150 118

HSL 166.38, 0.89%, 0.31%

LAB 55.26, -41.27, 7.56

 

CMYK 100 / 0 / 25 / 48

HEX #008463

RGB 0 132 99

HSL 165, 1%, 0.26%

LAB 48.76, -39.22, 9.27

 

CMYK 100 / 0 / 30 / 55

HEX #007250

RGB 0 114 80

HSL 162.11, 1%, 0.22%

LAB 42.18, -36.63, 11.19

 

CMYK 100 / 0 / 36 / 62

HEX #00603D

RGB 0 96 61

HSL 158.13, 1%, 0.19%

LAB 35.41, -33.91, 13.25

 

CMYK 100 / 0 / 46 / 69

HEX #004E2A

RGB 0 78 42

HSL 152.31, 1%, 0.15%

LAB 28.42, -31, 15.46

 

CMYK 95 / 0 / 21 / 42

HEX #089575

RGB 8 149 117

HSL 166.38, 0.9%, 0.31%

LAB 54.9, -41.17, 7.62

 

CMYK 95 / 0 / 47 / 42

HEX #08954F

RGB 8 149 79

HSL 150.21, 0.9%, 0.31%

LAB 54.14, -49.72, 27.74

 

CMYK 95 / 0 / 72 / 42

HEX #089529

RGB 8 149 41

HSL 134.04, 0.9%, 0.31%

LAB 53.71, -55.01, 45.4

 

CMYK 91 / 0 / 95 / 42

HEX #0D9508

RGB 13 149 8

HSL 117.87, 0.9%, 0.31%

LAB 53.6, -56.64, 54.52

 

CMYK 66 / 0 / 95 / 42

HEX #339508

RGB 51 149 8

HSL 101.7, 0.9%, 0.31%

LAB 54.26, -50.91, 55.33

 

CMYK 95 / 0 / 21 / 42

HEX #089575

RGB 8 149 117

HSL 166.38, 0.9%, 0.31%

LAB 54.9, -41.17, 7.62

 

CMYK 95 / 4 / 0 / 42

HEX #088F95

RGB 8 143 149

HSL 182.55, 0.9%, 0.31%

LAB 53.89, -28.96, -12.27

 

CMYK 95 / 30 / 0 / 42

HEX #086995

RGB 8 105 149

HSL 198.72, 0.9%, 0.31%

LAB 41.73, -8.33, -30.98

 

CMYK 95 / 55 / 0 / 42

HEX #084395

RGB 8 67 149

HSL 214.89, 0.9%, 0.31%

LAB 30, 16.49, -49.72

 

CMYK 95 / 81 / 0 / 42

HEX #081D95

RGB 8 29 149

HSL 231.06, 0.9%, 0.31%

LAB 20.44, 41.62, -65.43

 

CMYK 95 / 0 / 21 / 42

HEX #089575

RGB 8 149 117

HSL 166.38, 0.9%, 0.31%

LAB 54.9, -41.17, 7.62

 

CMYK 95 / 0 / 21 / 42

HEX #089575

RGB 8 149 117

HSL 166.38, 0.9%, 0.31%

LAB 54.9, -41.17, 7.62

 

CMYK 85 / 0 / 19 / 47

HEX #15886E

RGB 21 136 110

HSL 166.43, 0.73%, 0.31%

LAB 50.56, -36.58, 5.47

 

CMYK 72 / 0 / 16 / 52

HEX #227B67

RGB 34 123 103

HSL 166.52, 0.57%, 0.31%

LAB 46.29, -30.96, 3.46

 

CMYK 58 / 0 / 14 / 56

HEX #2F6F60

RGB 47 111 96

HSL 165.94, 0.41%, 0.31%

LAB 42.49, -24.47, 2.19

 

CMYK 40 / 0 / 9 / 62

HEX #3B6259

RGB 59 98 89

HSL 166.15, 0.25%, 0.31%

LAB 38.53, -16.14, 0.76

 

CMYK 95 / 0 / 72 / 42

HEX #089529

RGB 8 149 41

HSL 134.04, 0.9%, 0.31%

LAB 53.71, -55.01, 45.4

 

CMYK 95 / 0 / 47 / 42

HEX #08954F

RGB 8 149 79

HSL 150.21, 0.9%, 0.31%

LAB 54.14, -49.72, 27.74

 

CMYK 95 / 0 / 22 / 42

HEX #089574

RGB 8 149 116

HSL 165.96, 0.9%, 0.31%

LAB 54.87, -41.43, 8.15

 

CMYK 95 / 3 / 0 / 42

HEX #089095

RGB 8 144 149

HSL 182.13, 0.9%, 0.31%

LAB 54.2, -29.45, -11.78

 

CMYK 95 / 28 / 0 / 42

HEX #086B95

RGB 8 107 149

HSL 197.87, 0.9%, 0.31%

LAB 42.36, -9.52, -29.98

 

CMYK 94 / 0 / 21 / 72

HEX #044738

RGB 4 71 56

HSL 166.57, 0.89%, 0.15%

LAB 26.21, -23.62, 3.56

 

CMYK 95 / 0 / 22 / 57

HEX #066E56

RGB 6 110 86

HSL 166.15, 0.9%, 0.23%

LAB 41, -32.84, 5.96

 

CMYK 95 / 0 / 21 / 42

HEX #089575

RGB 8 149 117

HSL 166.38, 0.9%, 0.31%

LAB 54.9, -41.17, 7.62

 

CMYK 95 / 0 / 21 / 26

HEX #0ABC94

RGB 10 188 148

HSL 166.52, 0.9%, 0.39%

LAB 68.15, -49.08, 9.19

 

CMYK 94 / 0 / 22 / 11

HEX #0DE3B2

RGB 13 227 178

HSL 166.26, 0.89%, 0.47%

LAB 80.87, -56.89, 11.21

 

CMYK 94 / 0 / 21 / 41

HEX #099676

RGB 9 150 118

HSL 166.38, 0.89%, 0.31%

LAB 55.26, -41.27, 7.56

 

CMYK 95 / 91 / 0 / 42

HEX #080D95

RGB 8 13 149

HSL 237.87, 0.9%, 0.31%

LAB 17.96, 48.97, -69.56

 

CMYK 0 / 60 / 95 / 42

HEX #953C08

RGB 149 60 8

HSL 22.13, 0.9%, 0.31%

LAB 37.19, 35.15, 45.42

 

CMYK 94 / 0 / 21 / 41

HEX #099676

RGB 9 150 118

HSL 166.38, 0.89%, 0.31%

LAB 55.26, -41.27, 7.56

 

CMYK 22 / 95 / 0 / 42

HEX #740895

RGB 116 8 149

HSL 285.96, 0.9%, 0.31%

LAB 29.55, 59.36, -50.04

 

CMYK 0 / 22 / 95 / 42

HEX #957408

RGB 149 116 8

HSL 45.96, 0.9%, 0.31%

LAB 50.57, 3.79, 55.09

 

CMYK 94 / 0 / 21 / 41

HEX #099676

RGB 9 150 118

HSL 166.38, 0.89%, 0.31%

LAB 55.26, -41.27, 7.56

 

CMYK 95 / 91 / 0 / 42

HEX #080D95

RGB 8 13 149

HSL 237.87, 0.9%, 0.31%

LAB 17.96, 48.97, -69.56

 

CMYK 0 / 95 / 72 / 42

HEX #950829

RGB 149 8 41

HSL 345.96, 0.9%, 0.31%

LAB 31.17, 53.52, 22.88

 

CMYK 0 / 3 / 95 / 42

HEX #959008

RGB 149 144 8

HSL 57.87, 0.9%, 0.31%

LAB 58.37, -11.67, 61

 

CMYK 94 / 0 / 21 / 41

HEX #099676

RGB 9 150 118

HSL 166.38, 0.89%, 0.31%

LAB 55.26, -41.27, 7.56

 

CMYK 69 / 95 / 0 / 42

HEX #2E0895

RGB 46 8 149

HSL 256.17, 0.9%, 0.31%

LAB 19.74, 51.86, -66.54

 

CMYK 0 / 95 / 72 / 42

HEX #950829

RGB 149 8 41

HSL 345.96, 0.9%, 0.31%

LAB 31.17, 53.52, 22.88

 

CMYK 26 / 0 / 95 / 42

HEX #6F9508

RGB 111 149 8

HSL 76.17, 0.9%, 0.31%

LAB 56.97, -30.91, 58.67

 

Description

Color code: HEX #099676 | qconv.com Color code: HEX #099676 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 150 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 150 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 21 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 21% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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