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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #099F03 it is the complementary color #F660FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #099F03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #099F03 shade: #0E9F00, #1FB111, #30C324, #41D537 and #52E74A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #099F03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #099F03 shade: #099F03, #008D00, #007B00, #006900 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #099F03 shade: #099F03, #339F03, #5D9F03, #889F03 and #9F8D03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #099F03 shade: #099F03, #039F27, #039F51, #039F7B and #03999F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #099F03 shade matches the following richer shades: #099F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #099F03 shade: #099F03, #159210, #21851D, #2D782A and #3A6B38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #099F03 shade: #5E9F03, #349F03, #0B9F03, #039F25 and #039F4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #099F03 shade: #044F01, #067702, #099F03, #0BC804 and #0DF004

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #099F03 shade: #099F03, #03889F and #9F0349

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #099F03 shade: #099F03, #030B9F and #9F030B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #099F03 shade: #099F03, #03889F, #98039F and #9F1A03

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #099F03 shade: #099F03, #03599F, #98039F and #9F4903

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

Complementary color

CMYK 2 / 62 / 0 / 1

HEX #F660FC

RGB 246 96 252

HSL 297.69, 0.96%, 0.68%

LAB 65.74, 76.02, -50.65

 

CMYK 91 / 0 / 100 / 38

HEX #0E9F00

RGB 14 159 0

HSL 114.72, 1%, 0.31%

LAB 56.97, -59.71, 58.55

 

CMYK 82 / 0 / 90 / 31

HEX #1FB111

RGB 31 177 17

HSL 114.75, 0.82%, 0.38%

LAB 63.16, -62.9, 61.23

 

CMYK 75 / 0 / 82 / 24

HEX #30C324

RGB 48 195 36

HSL 115.47, 0.69%, 0.45%

LAB 69.32, -65.22, 62.51

 

CMYK 69 / 0 / 74 / 16

HEX #41D537

RGB 65 213 55

HSL 116.2, 0.65%, 0.53%

LAB 75.44, -66.84, 62.67

 

CMYK 65 / 0 / 68 / 9

HEX #52E74A

RGB 82 231 74

HSL 116.94, 0.77%, 0.6%

LAB 81.53, -67.95, 62.19

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 68 / 0 / 98 / 38

HEX #339F03

RGB 51 159 3

HSL 101.54, 0.96%, 0.32%

LAB 57.57, -54.43, 58.82

 

CMYK 42 / 0 / 98 / 38

HEX #5D9F03

RGB 93 159 3

HSL 85.38, 0.96%, 0.32%

LAB 59.09, -42.36, 60.68

 

CMYK 14 / 0 / 98 / 38

HEX #889F03

RGB 136 159 3

HSL 68.85, 0.96%, 0.32%

LAB 61.69, -25.24, 63.81

 

CMYK 0 / 11 / 98 / 38

HEX #9F8D03

RGB 159 141 3

HSL 53.08, 0.96%, 0.32%

LAB 58.44, -5.54, 62.25

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 98 / 0 / 75 / 38

HEX #039F27

RGB 3 159 39

HSL 133.85, 0.96%, 0.32%

LAB 57.04, -58.52, 49.56

 

CMYK 98 / 0 / 49 / 38

HEX #039F51

RGB 3 159 81

HSL 150, 0.96%, 0.32%

LAB 57.47, -53.13, 30.91

 

CMYK 98 / 0 / 23 / 38

HEX #039F7B

RGB 3 159 123

HSL 166.15, 0.96%, 0.32%

LAB 58.27, -43.99, 9.01

 

CMYK 98 / 4 / 0 / 38

HEX #03999F

RGB 3 153 159

HSL 182.31, 0.96%, 0.32%

LAB 57.37, -30.8, -12.75

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 86 / 0 / 89 / 43

HEX #159210

RGB 21 146 16

HSL 117.69, 0.8%, 0.32%

LAB 52.68, -54.75, 52.3

 

CMYK 75 / 0 / 78 / 48

HEX #21851D

RGB 33 133 29

HSL 117.69, 0.64%, 0.32%

LAB 48.49, -48.12, 44.75

 

CMYK 63 / 0 / 65 / 53

HEX #2D782A

RGB 45 120 42

HSL 117.69, 0.48%, 0.32%

LAB 44.46, -39.52, 35.14

 

CMYK 46 / 0 / 48 / 58

HEX #3A6B38

RGB 58 107 56

HSL 117.65, 0.31%, 0.32%

LAB 40.74, -28.05, 23.47

 

CMYK 41 / 0 / 98 / 38

HEX #5E9F03

RGB 94 159 3

HSL 85, 0.96%, 0.32%

LAB 59.14, -42.01, 60.74

 

CMYK 67 / 0 / 98 / 38

HEX #349F03

RGB 52 159 3

HSL 101.15, 0.96%, 0.32%

LAB 57.59, -54.21, 58.85

 

CMYK 93 / 0 / 98 / 38

HEX #0B9F03

RGB 11 159 3

HSL 116.92, 0.96%, 0.32%

LAB 56.95, -59.82, 58.07

 

CMYK 98 / 0 / 77 / 38

HEX #039F25

RGB 3 159 37

HSL 133.08, 0.96%, 0.32%

LAB 57.03, -58.68, 50.25

 

CMYK 98 / 0 / 51 / 38

HEX #039F4E

RGB 3 159 78

HSL 148.85, 0.96%, 0.32%

LAB 57.43, -53.65, 32.41

 

CMYK 95 / 0 / 99 / 69

HEX #044F01

RGB 4 79 1

HSL 117.69, 0.98%, 0.16%

LAB 28.43, -36.16, 35.24

 

CMYK 95 / 0 / 98 / 53

HEX #067702

RGB 6 119 2

HSL 117.95, 0.97%, 0.24%

LAB 43.12, -48.45, 46.96

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 95 / 0 / 98 / 22

HEX #0BC804

RGB 11 200 4

HSL 117.86, 0.96%, 0.4%

LAB 70.45, -71.24, 68.9

 

CMYK 95 / 0 / 98 / 6

HEX #0DF004

RGB 13 240 4

HSL 117.71, 0.97%, 0.48%

LAB 83.13, -81.84, 79.18

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 98 / 14 / 0 / 38

HEX #03889F

RGB 3 136 159

HSL 188.85, 0.96%, 0.32%

LAB 51.98, -22.24, -20.94

 

CMYK 0 / 98 / 54 / 38

HEX #9F0349

RGB 159 3 73

HSL 333.08, 0.96%, 0.32%

LAB 33.81, 58.67, 5.71

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 98 / 93 / 0 / 38

HEX #030B9F

RGB 3 11 159

HSL 236.92, 0.96%, 0.32%

LAB 19.06, 52.44, -73.88

 

CMYK 0 / 98 / 93 / 38

HEX #9F030B

RGB 159 3 11

HSL 356.92, 0.96%, 0.32%

LAB 32.83, 56.01, 42.34

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 98 / 14 / 0 / 38

HEX #03889F

RGB 3 136 159

HSL 188.85, 0.96%, 0.32%

LAB 51.98, -22.24, -20.94

 

CMYK 4 / 98 / 0 / 38

HEX #98039F

RGB 152 3 159

HSL 297.31, 0.96%, 0.32%

LAB 36.45, 67.5, -44.68

 

CMYK 0 / 84 / 98 / 38

HEX #9F1A03

RGB 159 26 3

HSL 8.85, 0.96%, 0.32%

LAB 34.22, 51.81, 46.44

 

CMYK 94 / 0 / 98 / 38

HEX #099F03

RGB 9 159 3

HSL 117.69, 0.96%, 0.32%

LAB 56.94, -59.94, 58.05

 

CMYK 98 / 44 / 0 / 38

HEX #03599F

RGB 3 89 159

HSL 206.92, 0.96%, 0.32%

LAB 37.24, 5.52, -44.09

 

CMYK 4 / 98 / 0 / 38

HEX #98039F

RGB 152 3 159

HSL 297.31, 0.96%, 0.32%

LAB 36.45, 67.5, -44.68

 

CMYK 0 / 54 / 98 / 38

HEX #9F4903

RGB 159 73 3

HSL 26.92, 0.96%, 0.32%

LAB 41.44, 32.44, 50.57

 

Description

Color code: HEX #099F03 | qconv.com Color code: HEX #099F03 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 159 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 159 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 98 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 98% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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