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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A849 it is the complementary color #F657B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A849. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A849 shade: #0EA844, #1FBA57, #30CC6A, #41DE7D and #52F090

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A849. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A849 shade: #09A849, #009636, #008423, #007210 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A849 shade: #08A949, #08A91E, #1EA908, #4AA908 and #75A908

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A849 shade: #08A949, #08A974, #08A9A0, #0887A9 and #085CA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A849 shade matches the following richer shades: #08A949

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A849 shade: #08A949, #179B4C, #258C4F, #347E52 and #426F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A849 shade: #1EA908, #08A91E, #08A949, #08A974 and #08A99E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A849 shade: #045B27, #068238, #08A949, #0AD05A and #12F26C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A849 shade: #09A849, #0849A9 and #A90808

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A849 shade: #09A849, #4908A9 and #A94908

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A849 shade: #09A849, #0849A9, #A90869 and #A96908

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A849 shade: #09A849, #0818A9, #A90869 and #A99908

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 57 / 34

HEX #09A849

RGB 9 168 73

HSL 144.15, 0.9%, 0.35%

LAB 60.38, -57.12, 38.52

 

Complementary color

CMYK 0 / 65 / 26 / 4

HEX #F657B6

RGB 246 87 182

HSL 324.15, 0.9%, 0.65%

LAB 61.47, 69.32, -17.99

 

CMYK 92 / 0 / 60 / 34

HEX #0EA844

RGB 14 168 68

HSL 141.04, 0.85%, 0.36%

LAB 60.35, -57.55, 40.9

 

CMYK 83 / 0 / 53 / 27

HEX #1FBA57

RGB 31 186 87

HSL 141.68, 0.71%, 0.43%

LAB 66.59, -59.39, 39.25

 

CMYK 76 / 0 / 48 / 20

HEX #30CC6A

RGB 48 204 106

HSL 142.31, 0.62%, 0.49%

LAB 72.8, -60.63, 37.63

 

CMYK 71 / 0 / 44 / 13

HEX #41DE7D

RGB 65 222 125

HSL 142.93, 0.7%, 0.56%

LAB 78.95, -61.43, 36.07

 

CMYK 66 / 0 / 40 / 6

HEX #52F090

RGB 82 240 144

HSL 143.54, 0.84%, 0.63%

LAB 85.06, -61.94, 34.61

 

CMYK 95 / 0 / 57 / 34

HEX #09A849

RGB 9 168 73

HSL 144.15, 0.9%, 0.35%

LAB 60.38, -57.12, 38.52

 

CMYK 100 / 0 / 64 / 41

HEX #009636

RGB 0 150 54

HSL 141.6, 1%, 0.29%

LAB 54.11, -54.39, 40.22

 

CMYK 100 / 0 / 73 / 48

HEX #008423

RGB 0 132 35

HSL 135.91, 1%, 0.26%

LAB 47.78, -50.85, 41.61

 

CMYK 100 / 0 / 86 / 55

HEX #007210

RGB 0 114 16

HSL 128.42, 1%, 0.22%

LAB 41.33, -46.81, 42.01

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 95 / 0 / 57 / 34

HEX #08A949

RGB 8 169 73

HSL 144.22, 0.91%, 0.35%

LAB 60.7, -57.49, 38.91

 

CMYK 95 / 0 / 82 / 34

HEX #08A91E

RGB 8 169 30

HSL 128.2, 0.91%, 0.35%

LAB 60.36, -61.82, 55.68

 

CMYK 82 / 0 / 95 / 34

HEX #1EA908

RGB 30 169 8

HSL 111.8, 0.91%, 0.35%

LAB 60.49, -60.9, 60.33

 

CMYK 56 / 0 / 95 / 34

HEX #4AA908

RGB 74 169 8

HSL 95.4, 0.91%, 0.35%

LAB 61.52, -52.13, 61.6

 

CMYK 31 / 0 / 95 / 34

HEX #75A908

RGB 117 169 8

HSL 79.38, 0.91%, 0.35%

LAB 63.49, -37.65, 64.01

 

CMYK 95 / 0 / 57 / 34

HEX #08A949

RGB 8 169 73

HSL 144.22, 0.91%, 0.35%

LAB 60.7, -57.49, 38.91

 

CMYK 95 / 0 / 31 / 34

HEX #08A974

RGB 8 169 116

HSL 160.25, 0.91%, 0.35%

LAB 61.38, -49.43, 17.26

 

CMYK 95 / 0 / 5 / 34

HEX #08A9A0

RGB 8 169 160

HSL 176.65, 0.91%, 0.35%

LAB 62.48, -37.77, -5.69

 

CMYK 95 / 20 / 0 / 34

HEX #0887A9

RGB 8 135 169

HSL 192.67, 0.91%, 0.35%

LAB 52.11, -17.94, -26.52

 

CMYK 95 / 46 / 0 / 34

HEX #085CA9

RGB 8 92 169

HSL 208.7, 0.91%, 0.35%

LAB 38.85, 7.9, -47.46

 

CMYK 95 / 0 / 57 / 34

HEX #08A949

RGB 8 169 73

HSL 144.22, 0.91%, 0.35%

LAB 60.7, -57.49, 38.91

 

CMYK 95 / 0 / 57 / 34

HEX #08A949

RGB 8 169 73

HSL 144.22, 0.91%, 0.35%

LAB 60.7, -57.49, 38.91

 

CMYK 85 / 0 / 51 / 39

HEX #179B4C

RGB 23 155 76

HSL 144.09, 0.74%, 0.35%

LAB 56.23, -51.26, 31.98

 

CMYK 74 / 0 / 44 / 45

HEX #258C4F

RGB 37 140 79

HSL 144.47, 0.58%, 0.35%

LAB 51.51, -43.33, 24.41

 

CMYK 59 / 0 / 35 / 51

HEX #347E52

RGB 52 126 82

HSL 144.32, 0.42%, 0.35%

LAB 47.32, -33.76, 17.24

 

CMYK 41 / 0 / 24 / 56

HEX #426F54

RGB 66 111 84

HSL 144, 0.25%, 0.35%

LAB 43.01, -22.07, 10.25

 

CMYK 82 / 0 / 95 / 34

HEX #1EA908

RGB 30 169 8

HSL 111.8, 0.91%, 0.35%

LAB 60.49, -60.9, 60.33

 

CMYK 95 / 0 / 82 / 34

HEX #08A91E

RGB 8 169 30

HSL 128.2, 0.91%, 0.35%

LAB 60.36, -61.82, 55.68

 

CMYK 95 / 0 / 57 / 34

HEX #08A949

RGB 8 169 73

HSL 144.22, 0.91%, 0.35%

LAB 60.7, -57.49, 38.91

 

CMYK 95 / 0 / 31 / 34

HEX #08A974

RGB 8 169 116

HSL 160.25, 0.91%, 0.35%

LAB 61.38, -49.43, 17.26

 

CMYK 95 / 0 / 7 / 34

HEX #08A99E

RGB 8 169 158

HSL 175.9, 0.91%, 0.35%

LAB 62.42, -38.36, -4.65

 

CMYK 96 / 0 / 57 / 64

HEX #045B27

RGB 4 91 39

HSL 144.14, 0.92%, 0.19%

LAB 33.25, -36.13, 23.34

 

CMYK 95 / 0 / 57 / 49

HEX #068238

RGB 6 130 56

HSL 144.19, 0.91%, 0.27%

LAB 47.35, -47.12, 31.37

 

CMYK 95 / 0 / 57 / 34

HEX #08A949

RGB 8 169 73

HSL 144.22, 0.91%, 0.35%

LAB 60.7, -57.49, 38.91

 

CMYK 95 / 0 / 57 / 18

HEX #0AD05A

RGB 10 208 90

HSL 144.24, 0.91%, 0.43%

LAB 73.49, -67.41, 46.09

 

CMYK 93 / 0 / 55 / 5

HEX #12F26C

RGB 18 242 108

HSL 144.11, 0.9%, 0.51%

LAB 84.34, -75.1, 50.77

 

CMYK 95 / 0 / 57 / 34

HEX #09A849

RGB 9 168 73

HSL 144.15, 0.9%, 0.35%

LAB 60.38, -57.12, 38.52

 

CMYK 95 / 57 / 0 / 34

HEX #0849A9

RGB 8 73 169

HSL 215.78, 0.91%, 0.35%

LAB 33.31, 20.67, -56.42

 

CMYK 0 / 95 / 95 / 34

HEX #A90808

RGB 169 8 8

HSL 0, 0.91%, 0.35%

LAB 35.25, 57.96, 46.13

 

CMYK 95 / 0 / 57 / 34

HEX #09A849

RGB 9 168 73

HSL 144.15, 0.9%, 0.35%

LAB 60.38, -57.12, 38.52

 

CMYK 57 / 95 / 0 / 34

HEX #4908A9

RGB 73 8 169

HSL 264.22, 0.91%, 0.35%

LAB 25.12, 58.76, -69.75

 

CMYK 0 / 57 / 95 / 34

HEX #A94908

RGB 169 73 8

HSL 24.22, 0.91%, 0.35%

LAB 43.09, 36.57, 51.02

 

CMYK 95 / 0 / 57 / 34

HEX #09A849

RGB 9 168 73

HSL 144.15, 0.9%, 0.35%

LAB 60.38, -57.12, 38.52

 

CMYK 95 / 57 / 0 / 34

HEX #0849A9

RGB 8 73 169

HSL 215.78, 0.91%, 0.35%

LAB 33.31, 20.67, -56.42

 

CMYK 0 / 95 / 38 / 34

HEX #A90869

RGB 169 8 105

HSL 323.85, 0.91%, 0.35%

LAB 37.17, 63.18, -9.81

 

CMYK 0 / 38 / 95 / 34

HEX #A96908

RGB 169 105 8

HSL 36.15, 0.91%, 0.35%

LAB 50.16, 19.26, 55.89

 

CMYK 95 / 0 / 57 / 34

HEX #09A849

RGB 9 168 73

HSL 144.15, 0.9%, 0.35%

LAB 60.38, -57.12, 38.52

 

CMYK 95 / 86 / 0 / 34

HEX #0818A9

RGB 8 24 169

HSL 234.04, 0.91%, 0.35%

LAB 22.19, 50.67, -74.74

 

CMYK 0 / 95 / 38 / 34

HEX #A90869

RGB 169 8 105

HSL 323.85, 0.91%, 0.35%

LAB 37.17, 63.18, -9.81

 

CMYK 0 / 9 / 95 / 34

HEX #A99908

RGB 169 153 8

HSL 54.04, 0.91%, 0.35%

LAB 62.71, -7.36, 65.08

 

Description

Color code: HEX #09A849 | qconv.com Color code: HEX #09A849 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 168 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 168 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 57 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 57% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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