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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A867 it is the complementary color #F65798. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A867. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A867 shade: #0EA862, #1FBA75, #30CC88, #41DE9B and #52F0AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A867. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A867 shade: #09A867, #009654, #008441, #00722E and #00601B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A867 shade: #08A967, #08A93C, #08A911, #2BA908 and #57A908

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A867 shade: #08A967, #08A993, #0894A9, #0869A9 and #083DA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A867 shade matches the following richer shades: #08A967

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A867 shade: #08A967, #179B65, #258C62, #347E5F and #426F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A867 shade: #08A910, #08A93B, #08A966, #08A991 and #0896A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A867 shade: #045B37, #06824F, #08A967, #0AD07F and #12F296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A867 shade: #09A867, #082BA9 and #A92608

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A867 shade: #09A867, #6608A9 and #A96608

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A867 shade: #09A867, #082BA9, #A9084B and #A98608

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A867 shade: #09A867, #1608A9, #A9084B and #9CA908

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 39 / 34

HEX #09A867

RGB 9 168 103

HSL 155.47, 0.9%, 0.35%

LAB 60.82, -51.84, 23.57

 

Complementary color

CMYK 0 / 65 / 38 / 4

HEX #F65798

RGB 246 87 152

HSL 335.47, 0.9%, 0.65%

LAB 60.49, 65.9, -2.13

 

CMYK 92 / 0 / 42 / 34

HEX #0EA862

RGB 14 168 98

HSL 152.73, 0.85%, 0.36%

LAB 60.76, -52.59, 26.19

 

CMYK 83 / 0 / 37 / 27

HEX #1FBA75

RGB 31 186 117

HSL 153.29, 0.71%, 0.43%

LAB 67.05, -54.09, 24.44

 

CMYK 76 / 0 / 33 / 20

HEX #30CC88

RGB 48 204 136

HSL 153.85, 0.62%, 0.49%

LAB 73.28, -55.11, 22.85

 

CMYK 71 / 0 / 30 / 13

HEX #41DE9B

RGB 65 222 155

HSL 154.39, 0.7%, 0.56%

LAB 79.46, -55.78, 21.39

 

CMYK 66 / 0 / 28 / 6

HEX #52F0AE

RGB 82 240 174

HSL 154.94, 0.84%, 0.63%

LAB 85.59, -56.21, 20.06

 

CMYK 95 / 0 / 39 / 34

HEX #09A867

RGB 9 168 103

HSL 155.47, 0.9%, 0.35%

LAB 60.82, -51.84, 23.57

 

CMYK 100 / 0 / 44 / 41

HEX #009654

RGB 0 150 84

HSL 153.6, 1%, 0.29%

LAB 54.5, -49.58, 25.5

 

CMYK 100 / 0 / 51 / 48

HEX #008441

RGB 0 132 65

HSL 149.55, 1%, 0.26%

LAB 48.11, -46.74, 27.57

 

CMYK 100 / 0 / 60 / 55

HEX #00722E

RGB 0 114 46

HSL 144.21, 1%, 0.22%

LAB 41.58, -43.62, 29.61

 

CMYK 100 / 0 / 72 / 62

HEX #00601B

RGB 0 96 27

HSL 136.88, 1%, 0.19%

LAB 34.89, -40.1, 31.39

 

CMYK 95 / 0 / 39 / 34

HEX #08A967

RGB 8 169 103

HSL 155.4, 0.91%, 0.35%

LAB 61.14, -52.25, 24

 

CMYK 95 / 0 / 64 / 34

HEX #08A93C

RGB 8 169 60

HSL 139.38, 0.91%, 0.35%

LAB 60.56, -59.19, 44.79

 

CMYK 95 / 0 / 90 / 34

HEX #08A911

RGB 8 169 17

HSL 123.35, 0.91%, 0.35%

LAB 60.31, -62.44, 58.7

 

CMYK 75 / 0 / 95 / 34

HEX #2BA908

RGB 43 169 8

HSL 106.96, 0.91%, 0.35%

LAB 60.7, -59.04, 60.59

 

CMYK 49 / 0 / 95 / 34

HEX #57A908

RGB 87 169 8

HSL 90.56, 0.91%, 0.35%

LAB 62.01, -48.28, 62.21

 

CMYK 95 / 0 / 39 / 34

HEX #08A967

RGB 8 169 103

HSL 155.4, 0.91%, 0.35%

LAB 61.14, -52.25, 24

 

CMYK 95 / 0 / 13 / 34

HEX #08A993

RGB 8 169 147

HSL 171.8, 0.91%, 0.35%

LAB 62.11, -41.52, 1.06

 

CMYK 95 / 12 / 0 / 34

HEX #0894A9

RGB 8 148 169

HSL 187.83, 0.91%, 0.35%

LAB 56.18, -24.8, -20.26

 

CMYK 95 / 38 / 0 / 34

HEX #0869A9

RGB 8 105 169

HSL 203.85, 0.91%, 0.35%

LAB 42.79, -0.42, -41.15

 

CMYK 95 / 64 / 0 / 34

HEX #083DA9

RGB 8 61 169

HSL 220.25, 0.91%, 0.35%

LAB 30.04, 28.84, -61.76

 

CMYK 95 / 0 / 39 / 34

HEX #08A967

RGB 8 169 103

HSL 155.4, 0.91%, 0.35%

LAB 61.14, -52.25, 24

 

CMYK 95 / 0 / 39 / 34

HEX #08A967

RGB 8 169 103

HSL 155.4, 0.91%, 0.35%

LAB 61.14, -52.25, 24

 

CMYK 85 / 0 / 35 / 39

HEX #179B65

RGB 23 155 101

HSL 155.45, 0.74%, 0.35%

LAB 56.65, -46.44, 19.08

 

CMYK 74 / 0 / 30 / 45

HEX #258C62

RGB 37 140 98

HSL 155.53, 0.58%, 0.35%

LAB 51.87, -39.34, 14.26

 

CMYK 59 / 0 / 25 / 51

HEX #347E5F

RGB 52 126 95

HSL 154.86, 0.42%, 0.35%

LAB 47.6, -30.88, 10.09

 

CMYK 41 / 0 / 16 / 56

HEX #426F5D

RGB 66 111 93

HSL 156, 0.25%, 0.35%

LAB 43.24, -20.03, 5.18

 

CMYK 95 / 0 / 91 / 34

HEX #08A910

RGB 8 169 16

HSL 122.98, 0.91%, 0.35%

LAB 60.31, -62.47, 58.88

 

CMYK 95 / 0 / 65 / 34

HEX #08A93B

RGB 8 169 59

HSL 139.01, 0.91%, 0.35%

LAB 60.55, -59.31, 45.22

 

CMYK 95 / 0 / 40 / 34

HEX #08A966

RGB 8 169 102

HSL 155.03, 0.91%, 0.35%

LAB 61.12, -52.45, 24.51

 

CMYK 95 / 0 / 14 / 34

HEX #08A991

RGB 8 169 145

HSL 171.06, 0.91%, 0.35%

LAB 62.06, -42.08, 2.1

 

CMYK 95 / 11 / 0 / 34

HEX #0896A9

RGB 8 150 169

HSL 187.08, 0.91%, 0.35%

LAB 56.81, -25.82, -19.3

 

CMYK 96 / 0 / 40 / 64

HEX #045B37

RGB 4 91 55

HSL 155.17, 0.92%, 0.19%

LAB 33.53, -32.86, 14.35

 

CMYK 95 / 0 / 39 / 49

HEX #06824F

RGB 6 130 79

HSL 155.32, 0.91%, 0.27%

LAB 47.71, -42.83, 19.32

 

CMYK 95 / 0 / 39 / 34

HEX #08A967

RGB 8 169 103

HSL 155.4, 0.91%, 0.35%

LAB 61.14, -52.25, 24

 

CMYK 95 / 0 / 39 / 18

HEX #0AD07F

RGB 10 208 127

HSL 155.45, 0.91%, 0.43%

LAB 74, -61.25, 28.45

 

CMYK 93 / 0 / 38 / 5

HEX #12F296

RGB 18 242 150

HSL 155.36, 0.9%, 0.51%

LAB 84.91, -68.22, 31.24

 

CMYK 95 / 0 / 39 / 34

HEX #09A867

RGB 9 168 103

HSL 155.47, 0.9%, 0.35%

LAB 60.82, -51.84, 23.57

 

CMYK 95 / 75 / 0 / 34

HEX #082BA9

RGB 8 43 169

HSL 226.96, 0.91%, 0.35%

LAB 25.7, 40.54, -68.93

 

CMYK 0 / 78 / 95 / 34

HEX #A92608

RGB 169 38 8

HSL 11.18, 0.91%, 0.35%

LAB 37.55, 51.43, 47.48

 

CMYK 95 / 0 / 39 / 34

HEX #09A867

RGB 9 168 103

HSL 155.47, 0.9%, 0.35%

LAB 60.82, -51.84, 23.57

 

CMYK 40 / 95 / 0 / 34

HEX #6608A9

RGB 102 8 169

HSL 275.03, 0.91%, 0.35%

LAB 29.06, 61.56, -63.11

 

CMYK 0 / 40 / 95 / 34

HEX #A96608

RGB 169 102 8

HSL 35.03, 0.91%, 0.35%

LAB 49.44, 20.95, 55.38

 

CMYK 95 / 0 / 39 / 34

HEX #09A867

RGB 9 168 103

HSL 155.47, 0.9%, 0.35%

LAB 60.82, -51.84, 23.57

 

CMYK 95 / 75 / 0 / 34

HEX #082BA9

RGB 8 43 169

HSL 226.96, 0.91%, 0.35%

LAB 25.7, 40.54, -68.93

 

CMYK 0 / 95 / 56 / 34

HEX #A9084B

RGB 169 8 75

HSL 335.03, 0.91%, 0.35%

LAB 36.21, 60.6, 8.09

 

CMYK 0 / 21 / 95 / 34

HEX #A98608

RGB 169 134 8

HSL 46.96, 0.91%, 0.35%

LAB 57.56, 2.99, 61.25

 

CMYK 95 / 0 / 39 / 34

HEX #09A867

RGB 9 168 103

HSL 155.47, 0.9%, 0.35%

LAB 60.82, -51.84, 23.57

 

CMYK 87 / 95 / 0 / 34

HEX #1608A9

RGB 22 8 169

HSL 245.22, 0.91%, 0.35%

LAB 20.86, 56.33, -76.96

 

CMYK 0 / 95 / 56 / 34

HEX #A9084B

RGB 169 8 75

HSL 335.03, 0.91%, 0.35%

LAB 36.21, 60.6, 8.09

 

CMYK 8 / 0 / 95 / 34

HEX #9CA908

RGB 156 169 8

HSL 64.84, 0.91%, 0.35%

LAB 66.11, -21.44, 67.18

 

Description

Color code: HEX #09A867 | qconv.com Color code: HEX #09A867 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 168 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 168 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 39 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 39% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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