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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A287 it is the complementary color #F65D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A287 shade: #0EA282, #1FB495, #30C6A8, #41D8BB and #52EACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A287 shade: #09A287, #009074, #007E61, #006C4E and #005A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A287 shade: #09A388, #09A35F, #09A335, #09A30B and #30A309

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A287 shade: #09A388, #0995A3, #096BA3, #0942A3 and #0918A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A287 shade matches the following richer shades: #09A388

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A287 shade: #09A388, #17957F, #258776, #33796D and #416B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A287 shade: #09A335, #09A35E, #09A387, #0997A3 and #096DA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A287 shade: #045547, #077C68, #09A388, #0BCAA9 and #0EF1C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A287 shade: #09A287, #0C09A3 and #A34909

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A287 shade: #09A287, #8709A3 and #A38709

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A287 shade: #09A287, #0C09A3, #A30925 and #A1A309

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A287 shade: #09A287, #3A09A3, #A30925 and #72A309

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 17 / 36

HEX #09A287

RGB 9 162 135

HSL 169.41, 0.89%, 0.34%

LAB 59.57, -41.79, 4.11

 

Complementary color

CMYK 0 / 62 / 51 / 4

HEX #F65D78

RGB 246 93 120

HSL 349.41, 0.89%, 0.66%

LAB 60.58, 60.49, 16.61

 

CMYK 91 / 0 / 20 / 36

HEX #0EA282

RGB 14 162 130

HSL 167.03, 0.84%, 0.35%

LAB 59.48, -42.89, 6.8

 

CMYK 83 / 0 / 17 / 29

HEX #1FB495

RGB 31 180 149

HSL 167.52, 0.71%, 0.41%

LAB 65.83, -44.28, 5.35

 

CMYK 76 / 0 / 15 / 22

HEX #30C6A8

RGB 48 198 168

HSL 168, 0.61%, 0.48%

LAB 72.12, -45.26, 4.07

 

CMYK 70 / 0 / 13 / 15

HEX #41D8BB

RGB 65 216 187

HSL 168.48, 0.66%, 0.55%

LAB 78.36, -45.94, 2.91

 

CMYK 65 / 0 / 12 / 8

HEX #52EACE

RGB 82 234 206

HSL 168.95, 0.78%, 0.62%

LAB 84.53, -46.42, 1.85

 

CMYK 94 / 0 / 17 / 36

HEX #09A287

RGB 9 162 135

HSL 169.41, 0.89%, 0.34%

LAB 59.57, -41.79, 4.11

 

CMYK 100 / 0 / 19 / 44

HEX #009074

RGB 0 144 116

HSL 168.33, 1%, 0.28%

LAB 53.18, -39.73, 5.72

 

CMYK 100 / 0 / 23 / 51

HEX #007E61

RGB 0 126 97

HSL 166.19, 1%, 0.25%

LAB 46.69, -37.22, 7.51

 

CMYK 100 / 0 / 28 / 58

HEX #006C4E

RGB 0 108 78

HSL 163.33, 1%, 0.21%

LAB 40.04, -34.62, 9.41

 

CMYK 100 / 0 / 34 / 65

HEX #005A3B

RGB 0 90 59

HSL 159.33, 1%, 0.18%

LAB 33.2, -31.9, 11.45

 

CMYK 94 / 0 / 17 / 36

HEX #09A388

RGB 9 163 136

HSL 169.48, 0.9%, 0.34%

LAB 59.92, -41.94, 4.05

 

CMYK 94 / 0 / 42 / 36

HEX #09A35F

RGB 9 163 95

HSL 153.51, 0.9%, 0.34%

LAB 59.05, -51.63, 25.53

 

CMYK 94 / 0 / 67 / 36

HEX #09A335

RGB 9 163 53

HSL 137.14, 0.9%, 0.34%

LAB 58.52, -58.07, 45.58

 

CMYK 94 / 0 / 93 / 36

HEX #09A30B

RGB 9 163 11

HSL 120.78, 0.9%, 0.34%

LAB 58.3, -60.86, 58

 

CMYK 71 / 0 / 94 / 36

HEX #30A309

RGB 48 163 9

HSL 104.81, 0.9%, 0.34%

LAB 58.83, -56.2, 58.94

 

CMYK 94 / 0 / 17 / 36

HEX #09A388

RGB 9 163 136

HSL 169.48, 0.9%, 0.34%

LAB 59.92, -41.94, 4.05

 

CMYK 94 / 9 / 0 / 36

HEX #0995A3

RGB 9 149 163

HSL 185.45, 0.9%, 0.34%

LAB 56.28, -27.28, -16.67

 

CMYK 94 / 34 / 0 / 36

HEX #096BA3

RGB 9 107 163

HSL 201.82, 0.9%, 0.34%

LAB 43.09, -3.99, -37.14

 

CMYK 94 / 60 / 0 / 36

HEX #0942A3

RGB 9 66 163

HSL 217.79, 0.9%, 0.34%

LAB 30.88, 23.04, -56.79

 

CMYK 94 / 85 / 0 / 36

HEX #0918A3

RGB 9 24 163

HSL 234.16, 0.9%, 0.34%

LAB 21.42, 48.81, -72.4

 

CMYK 94 / 0 / 17 / 36

HEX #09A388

RGB 9 163 136

HSL 169.48, 0.9%, 0.34%

LAB 59.92, -41.94, 4.05

 

CMYK 94 / 0 / 17 / 36

HEX #09A388

RGB 9 163 136

HSL 169.48, 0.9%, 0.34%

LAB 59.92, -41.94, 4.05

 

CMYK 85 / 0 / 15 / 42

HEX #17957F

RGB 23 149 127

HSL 169.52, 0.73%, 0.34%

LAB 55.29, -37.48, 2.48

 

CMYK 73 / 0 / 13 / 47

HEX #258776

RGB 37 135 118

HSL 169.59, 0.57%, 0.34%

LAB 50.72, -31.99, 1.08

 

CMYK 58 / 0 / 10 / 53

HEX #33796D

RGB 51 121 109

HSL 169.71, 0.41%, 0.34%

LAB 46.29, -25.1, -0.04

 

CMYK 39 / 0 / 7 / 58

HEX #416B64

RGB 65 107 100

HSL 170, 0.24%, 0.34%

LAB 42.09, -16.43, -0.71

 

CMYK 94 / 0 / 67 / 36

HEX #09A335

RGB 9 163 53

HSL 137.14, 0.9%, 0.34%

LAB 58.52, -58.07, 45.58

 

CMYK 94 / 0 / 42 / 36

HEX #09A35E

RGB 9 163 94

HSL 153.12, 0.9%, 0.34%

LAB 59.03, -51.83, 26.05

 

CMYK 94 / 0 / 17 / 36

HEX #09A387

RGB 9 163 135

HSL 169.09, 0.9%, 0.34%

LAB 59.89, -42.22, 4.58

 

CMYK 94 / 7 / 0 / 36

HEX #0997A3

RGB 9 151 163

HSL 184.68, 0.9%, 0.34%

LAB 56.91, -28.28, -15.72

 

CMYK 94 / 33 / 0 / 36

HEX #096DA3

RGB 9 109 163

HSL 201.04, 0.9%, 0.34%

LAB 43.71, -5.21, -36.16

 

CMYK 95 / 0 / 16 / 67

HEX #045547

RGB 4 85 71

HSL 169.63, 0.91%, 0.17%

LAB 31.76, -25.83, 1.94

 

CMYK 94 / 0 / 16 / 51

HEX #077C68

RGB 7 124 104

HSL 169.74, 0.89%, 0.26%

LAB 46.26, -33.94, 2.77

 

CMYK 94 / 0 / 17 / 36

HEX #09A388

RGB 9 163 136

HSL 169.48, 0.9%, 0.34%

LAB 59.92, -41.94, 4.05

 

CMYK 95 / 0 / 16 / 21

HEX #0BCAA9

RGB 11 202 169

HSL 169.63, 0.9%, 0.42%

LAB 73.01, -49.31, 4.75

 

CMYK 94 / 0 / 17 / 5

HEX #0EF1C9

RGB 14 241 201

HSL 169.43, 0.89%, 0.5%

LAB 85.62, -56.62, 5.93

 

CMYK 94 / 0 / 17 / 36

HEX #09A287

RGB 9 162 135

HSL 169.41, 0.89%, 0.34%

LAB 59.57, -41.79, 4.11

 

CMYK 93 / 94 / 0 / 36

HEX #0C09A3

RGB 12 9 163

HSL 241.17, 0.9%, 0.34%

LAB 19.71, 54.25, -75.24

 

CMYK 0 / 55 / 94 / 36

HEX #A34909

RGB 163 73 9

HSL 24.94, 0.9%, 0.34%

LAB 42.11, 34.17, 49.61

 

CMYK 94 / 0 / 17 / 36

HEX #09A287

RGB 9 162 135

HSL 169.41, 0.89%, 0.34%

LAB 59.57, -41.79, 4.11

 

CMYK 17 / 94 / 0 / 36

HEX #8709A3

RGB 135 9 163

HSL 289.09, 0.9%, 0.34%

LAB 33.96, 64.69, -51.27

 

CMYK 0 / 17 / 94 / 36

HEX #A38709

RGB 163 135 9

HSL 49.09, 0.9%, 0.34%

LAB 57.21, -0.32, 60.55

 

CMYK 94 / 0 / 17 / 36

HEX #09A287

RGB 9 162 135

HSL 169.41, 0.89%, 0.34%

LAB 59.57, -41.79, 4.11

 

CMYK 93 / 94 / 0 / 36

HEX #0C09A3

RGB 12 9 163

HSL 241.17, 0.9%, 0.34%

LAB 19.71, 54.25, -75.24

 

CMYK 0 / 94 / 77 / 36

HEX #A30925

RGB 163 9 37

HSL 349.09, 0.9%, 0.34%

LAB 34.22, 56.91, 29.76

 

CMYK 1 / 0 / 94 / 36

HEX #A1A309

RGB 161 163 9

HSL 60.78, 0.9%, 0.34%

LAB 64.8, -16.19, 66.22

 

CMYK 94 / 0 / 17 / 36

HEX #09A287

RGB 9 162 135

HSL 169.41, 0.89%, 0.34%

LAB 59.57, -41.79, 4.11

 

CMYK 64 / 94 / 0 / 36

HEX #3A09A3

RGB 58 9 163

HSL 259.09, 0.9%, 0.34%

LAB 22.79, 55.99, -70.03

 

CMYK 0 / 94 / 77 / 36

HEX #A30925

RGB 163 9 37

HSL 349.09, 0.9%, 0.34%

LAB 34.22, 56.91, 29.76

 

CMYK 30 / 0 / 94 / 36

HEX #72A309

RGB 114 163 9

HSL 79.09, 0.9%, 0.34%

LAB 61.47, -36.12, 62.19

 

Description

Color code: HEX #09A287 | qconv.com Color code: HEX #09A287 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 162 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 162 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 17 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 17% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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