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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09AEE1 it is the complementary color #F6511E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09AEE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09AEE1 shade: #0EAEDC, #1FC0EF, #30D2FF, #41E4FF and #52F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09AEE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09AEE1 shade: #09AEE1, #009CCE, #008ABB, #0078A8 and #006695

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09AEE1 shade: #09AEE1, #0974E1, #0939E1, #1309E1 and #4D09E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09AEE1 shade: #09AEE1, #0974E1, #0939E1 and #0909E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09AEE1 shade matches the following richer shades: #09AEE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09AEE1 shade: #09AEE1, #1CA4CE, #2F9ABB, #4290A8 and #558695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09AEE1 shade: #09E1A0, #09E1DA, #09AEE1, #0975E1 and #093BE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09AEE1 shade: #067091, #078FB9, #09AEE1, #1EC2F5 and #45CDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09AEE1 shade: #09AEE1, #6609E1 and #E1BD09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09AEE1 shade: #09AEE1, #E109AE and #AEE109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09AEE1 shade: #09AEE1, #6609E1, #E13B09 and #83E109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09AEE1 shade: #09AEE1, #A709E1, #E13B09 and #42E109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

Complementary color

CMYK 0 / 67 / 88 / 4

HEX #F6511E

RGB 246 81 30

HSL 14.17, 0.92%, 0.54%

LAB 57.63, 60.99, 60.49

 

CMYK 94 / 21 / 0 / 14

HEX #0EAEDC

RGB 14 174 220

HSL 193.4, 0.88%, 0.46%

LAB 66.16, -20.52, -33.45

 

CMYK 87 / 20 / 0 / 6

HEX #1FC0EF

RGB 31 192 239

HSL 193.56, 0.87%, 0.53%

LAB 72.38, -22.57, -34.17

 

CMYK 81 / 18 / 0 / 0

HEX #30D2FF

RGB 48 210 255

HSL 193.04, 1%, 0.59%

LAB 78.43, -25.23, -33.39

 

CMYK 75 / 11 / 0 / 0

HEX #41E4FF

RGB 65 228 255

HSL 188.53, 1%, 0.63%

LAB 83.88, -32.41, -25.01

 

CMYK 68 / 4 / 0 / 0

HEX #52F6FF

RGB 82 246 255

HSL 183.12, 1%, 0.66%

LAB 89.36, -38.78, -16.69

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 100 / 24 / 0 / 19

HEX #009CCE

RGB 0 156 206

HSL 194.56, 1%, 0.4%

LAB 60.1, -16.3, -35.12

 

CMYK 100 / 26 / 0 / 27

HEX #008ABB

RGB 0 138 187

HSL 195.72, 1%, 0.37%

LAB 53.78, -13.32, -34.27

 

CMYK 100 / 29 / 0 / 34

HEX #0078A8

RGB 0 120 168

HSL 197.14, 1%, 0.33%

LAB 47.31, -10.21, -33.43

 

CMYK 100 / 32 / 0 / 42

HEX #006695

RGB 0 102 149

HSL 198.93, 1%, 0.29%

LAB 40.69, -6.94, -32.62

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 96 / 48 / 0 / 12

HEX #0974E1

RGB 9 116 225

HSL 210.28, 0.92%, 0.46%

LAB 49.48, 14.91, -62.67

 

CMYK 96 / 75 / 0 / 12

HEX #0939E1

RGB 9 57 225

HSL 226.67, 0.92%, 0.46%

LAB 34.84, 52.04, -86.63

 

CMYK 92 / 96 / 0 / 12

HEX #1309E1

RGB 19 9 225

HSL 242.78, 0.92%, 0.46%

LAB 28.82, 70.58, -96.65

 

CMYK 66 / 96 / 0 / 12

HEX #4D09E1

RGB 77 9 225

HSL 258.89, 0.92%, 0.46%

LAB 32.28, 72.22, -90.8

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 96 / 48 / 0 / 12

HEX #0974E1

RGB 9 116 225

HSL 210.28, 0.92%, 0.46%

LAB 49.48, 14.91, -62.67

 

CMYK 96 / 75 / 0 / 12

HEX #0939E1

RGB 9 57 225

HSL 226.67, 0.92%, 0.46%

LAB 34.84, 52.04, -86.63

 

CMYK 96 / 96 / 0 / 12

HEX #0909E1

RGB 9 9 225

HSL 240, 0.92%, 0.46%

LAB 28.62, 70.49, -97

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 86 / 20 / 0 / 19

HEX #1CA4CE

RGB 28 164 206

HSL 194.16, 0.76%, 0.46%

LAB 62.72, -19.41, -31.03

 

CMYK 75 / 18 / 0 / 27

HEX #2F9ABB

RGB 47 154 187

HSL 194.14, 0.6%, 0.46%

LAB 59.25, -18.79, -25.72

 

CMYK 61 / 14 / 0 / 34

HEX #4290A8

RGB 66 144 168

HSL 194.12, 0.44%, 0.46%

LAB 56.02, -16.61, -19.84

 

CMYK 43 / 10 / 0 / 42

HEX #558695

RGB 85 134 149

HSL 194.06, 0.27%, 0.46%

LAB 53.11, -12.4, -13.23

 

CMYK 96 / 0 / 29 / 12

HEX #09E1A0

RGB 9 225 160

HSL 161.94, 0.92%, 0.46%

LAB 79.87, -60.45, 19.25

 

CMYK 96 / 0 / 3 / 12

HEX #09E1DA

RGB 9 225 218

HSL 178.06, 0.92%, 0.46%

LAB 81.28, -45.56, -9.4

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 96 / 48 / 0 / 12

HEX #0975E1

RGB 9 117 225

HSL 210, 0.92%, 0.46%

LAB 49.76, 14.27, -62.22

 

CMYK 96 / 74 / 0 / 12

HEX #093BE1

RGB 9 59 225

HSL 226.11, 0.92%, 0.46%

LAB 35.25, 50.91, -85.96

 

CMYK 96 / 23 / 0 / 43

HEX #067091

RGB 6 112 145

HSL 194.24, 0.92%, 0.3%

LAB 43.76, -14.06, -25.42

 

CMYK 96 / 23 / 0 / 27

HEX #078FB9

RGB 7 143 185

HSL 194.16, 0.93%, 0.38%

LAB 55.27, -16.56, -30.79

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 88 / 21 / 0 / 4

HEX #1EC2F5

RGB 30 194 245

HSL 194.23, 0.91%, 0.54%

LAB 73.19, -21.64, -36.15

 

CMYK 72 / 17 / 0 / 3

HEX #45CDF7

RGB 69 205 247

HSL 194.16, 0.92%, 0.62%

LAB 77.07, -23.13, -31.18

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 55 / 96 / 0 / 12

HEX #6609E1

RGB 102 9 225

HSL 265.83, 0.92%, 0.46%

LAB 34.92, 73.75, -86.34

 

CMYK 0 / 16 / 96 / 12

HEX #E1BD09

RGB 225 189 9

HSL 50, 0.92%, 0.46%

LAB 77.53, -1.43, 78.28

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 0 / 96 / 23 / 12

HEX #E109AE

RGB 225 9 174

HSL 314.17, 0.92%, 0.46%

LAB 50.99, 82.13, -29.76

 

CMYK 23 / 0 / 96 / 12

HEX #AEE109

RGB 174 225 9

HSL 74.17, 0.92%, 0.46%

LAB 83.37, -40.29, 80.94

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 55 / 96 / 0 / 12

HEX #6609E1

RGB 102 9 225

HSL 265.83, 0.92%, 0.46%

LAB 34.92, 73.75, -86.34

 

CMYK 0 / 74 / 96 / 12

HEX #E13B09

RGB 225 59 9

HSL 13.89, 0.92%, 0.46%

LAB 50.87, 62, 60.54

 

CMYK 42 / 0 / 96 / 12

HEX #83E109

RGB 131 225 9

HSL 86.11, 0.92%, 0.46%

LAB 81.12, -55.76, 78.21

 

CMYK 96 / 23 / 0 / 12

HEX #09AEE1

RGB 9 174 225

HSL 194.17, 0.92%, 0.46%

LAB 66.34, -18.93, -35.92

 

CMYK 26 / 96 / 0 / 12

HEX #A709E1

RGB 167 9 225

HSL 283.89, 0.92%, 0.46%

LAB 44.01, 80.33, -71.05

 

CMYK 0 / 74 / 96 / 12

HEX #E13B09

RGB 225 59 9

HSL 13.89, 0.92%, 0.46%

LAB 50.87, 62, 60.54

 

CMYK 71 / 0 / 96 / 12

HEX #42E109

RGB 66 225 9

HSL 104.17, 0.92%, 0.46%

LAB 79.06, -72.27, 75.69

 

Description

Color code: HEX #09AEE1 | qconv.com Color code: HEX #09AEE1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 174 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 174 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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