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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09B579 it is the complementary color #F64A86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09B579. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09B579 shade: #0EB574, #1FC787, #30D99A, #41EBAD and #52FDC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09B579. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09B579 shade: #09B579, #00A366, #009153, #007F40 and #006D2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09B579 shade: #08B478, #08B44A, #08B41B, #23B408 and #51B408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09B579 shade: #08B478, #08B4A6, #0893B4, #0865B4 and #0836B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09B579 shade matches the following richer shades: #08B478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09B579 shade: #08B478, #17A473, #27956F, #36866A and #457765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09B579 shade: #08B41C, #08B44A, #08B478, #08B4A5 and #0894B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09B579 shade: #046543, #068C5E, #08B478, #0ADB92 and #1AF4A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09B579 shade: #09B579, #0822B4 and #B43308

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09B579 shade: #09B579, #7808B4 and #B47808

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09B579 shade: #09B579, #0822B4, #B40844 and #B49A08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09B579 shade: #09B579, #2208B4, #B40844 and #9AB408

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 33 / 29

HEX #09B579

RGB 9 181 121

HSL 159.07, 0.91%, 0.37%

LAB 65.35, -52.8, 19.97

 

Complementary color

CMYK 0 / 70 / 46 / 4

HEX #F64A86

RGB 246 74 134

HSL 339.07, 0.91%, 0.63%

LAB 58.24, 69.01, 5.11

 

CMYK 92 / 0 / 36 / 29

HEX #0EB574

RGB 14 181 116

HSL 156.65, 0.86%, 0.38%

LAB 65.28, -53.66, 22.57

 

CMYK 84 / 0 / 32 / 22

HEX #1FC787

RGB 31 199 135

HSL 157.14, 0.73%, 0.45%

LAB 71.48, -55.17, 20.88

 

CMYK 78 / 0 / 29 / 15

HEX #30D99A

RGB 48 217 154

HSL 157.63, 0.69%, 0.52%

LAB 77.63, -56.24, 19.34

 

CMYK 72 / 0 / 26 / 8

HEX #41EBAD

RGB 65 235 173

HSL 158.12, 0.81%, 0.59%

LAB 83.73, -56.98, 17.94

 

CMYK 68 / 0 / 24 / 1

HEX #52FDC0

RGB 82 253 192

HSL 158.6, 0.98%, 0.66%

LAB 89.79, -57.49, 16.65

 

CMYK 95 / 0 / 33 / 29

HEX #09B579

RGB 9 181 121

HSL 159.07, 0.91%, 0.37%

LAB 65.35, -52.8, 19.97

 

CMYK 100 / 0 / 37 / 36

HEX #00A366

RGB 0 163 102

HSL 157.55, 1%, 0.32%

LAB 59.12, -50.63, 21.83

 

CMYK 100 / 0 / 43 / 43

HEX #009153

RGB 0 145 83

HSL 154.34, 1%, 0.28%

LAB 52.81, -47.98, 23.84

 

CMYK 100 / 0 / 50 / 50

HEX #007F40

RGB 0 127 64

HSL 150.24, 1%, 0.25%

LAB 46.38, -45.14, 25.92

 

CMYK 100 / 0 / 59 / 57

HEX #006D2D

RGB 0 109 45

HSL 144.77, 1%, 0.21%

LAB 39.79, -42.04, 28

 

CMYK 96 / 0 / 33 / 29

HEX #08B478

RGB 8 180 120

HSL 159.07, 0.91%, 0.37%

LAB 65, -52.69, 20.04

 

CMYK 96 / 0 / 59 / 29

HEX #08B44A

RGB 8 180 74

HSL 143.02, 0.91%, 0.37%

LAB 64.31, -60.88, 42.7

 

CMYK 96 / 0 / 85 / 29

HEX #08B41B

RGB 8 180 27

HSL 126.63, 0.91%, 0.37%

LAB 63.98, -65.13, 59.78

 

CMYK 81 / 0 / 96 / 29

HEX #23B408

RGB 35 180 8

HSL 110.58, 0.91%, 0.37%

LAB 64.17, -63.55, 63.4

 

CMYK 55 / 0 / 96 / 29

HEX #51B408

RGB 81 180 8

HSL 94.53, 0.91%, 0.37%

LAB 65.29, -54.18, 64.77

 

CMYK 96 / 0 / 33 / 29

HEX #08B478

RGB 8 180 120

HSL 159.07, 0.91%, 0.37%

LAB 65, -52.69, 20.04

 

CMYK 96 / 0 / 8 / 29

HEX #08B4A6

RGB 8 180 166

HSL 175.12, 0.91%, 0.37%

LAB 66.1, -40.91, -3.69

 

CMYK 96 / 18 / 0 / 29

HEX #0893B4

RGB 8 147 180

HSL 191.51, 0.91%, 0.37%

LAB 56.3, -20.47, -26.35

 

CMYK 96 / 44 / 0 / 29

HEX #0865B4

RGB 8 101 180

HSL 207.56, 0.91%, 0.37%

LAB 42.24, 6.54, -48.5

 

CMYK 96 / 70 / 0 / 29

HEX #0836B4

RGB 8 54 180

HSL 223.95, 0.91%, 0.37%

LAB 29.38, 37.73, -69.44

 

CMYK 96 / 0 / 33 / 29

HEX #08B478

RGB 8 180 120

HSL 159.07, 0.91%, 0.37%

LAB 65, -52.69, 20.04

 

CMYK 96 / 0 / 33 / 29

HEX #08B478

RGB 8 180 120

HSL 159.07, 0.91%, 0.37%

LAB 65, -52.69, 20.04

 

CMYK 86 / 0 / 30 / 36

HEX #17A473

RGB 23 164 115

HSL 159.15, 0.75%, 0.37%

LAB 59.86, -46.82, 15.73

 

CMYK 74 / 0 / 26 / 42

HEX #27956F

RGB 39 149 111

HSL 159.27, 0.59%, 0.37%

LAB 55.15, -39.8, 11.44

 

CMYK 60 / 0 / 21 / 47

HEX #36866A

RGB 54 134 106

HSL 159, 0.43%, 0.37%

LAB 50.54, -31.55, 7.86

 

CMYK 42 / 0 / 15 / 53

HEX #457765

RGB 69 119 101

HSL 158.4, 0.27%, 0.37%

LAB 46.18, -21.42, 4.64

 

CMYK 96 / 0 / 84 / 29

HEX #08B41C

RGB 8 180 28

HSL 126.98, 0.91%, 0.37%

LAB 63.98, -65.08, 59.54

 

CMYK 96 / 0 / 59 / 29

HEX #08B44A

RGB 8 180 74

HSL 143.02, 0.91%, 0.37%

LAB 64.31, -60.88, 42.7

 

CMYK 96 / 0 / 33 / 29

HEX #08B478

RGB 8 180 120

HSL 159.07, 0.91%, 0.37%

LAB 65, -52.69, 20.04

 

CMYK 96 / 0 / 8 / 29

HEX #08B4A5

RGB 8 180 165

HSL 174.77, 0.91%, 0.37%

LAB 66.07, -41.2, -3.17

 

CMYK 96 / 18 / 0 / 29

HEX #0894B4

RGB 8 148 180

HSL 191.16, 0.91%, 0.37%

LAB 56.61, -20.99, -25.87

 

CMYK 96 / 0 / 34 / 60

HEX #046543

RGB 4 101 67

HSL 158.97, 0.92%, 0.21%

LAB 37.37, -34.13, 12.32

 

CMYK 96 / 0 / 33 / 45

HEX #068C5E

RGB 6 140 94

HSL 159.4, 0.92%, 0.29%

LAB 51.39, -43.34, 15.8

 

CMYK 96 / 0 / 33 / 29

HEX #08B478

RGB 8 180 120

HSL 159.07, 0.91%, 0.37%

LAB 65, -52.69, 20.04

 

CMYK 95 / 0 / 33 / 14

HEX #0ADB92

RGB 10 219 146

HSL 159.04, 0.91%, 0.45%

LAB 77.76, -61.28, 23.65

 

CMYK 89 / 0 / 31 / 4

HEX #1AF4A8

RGB 26 244 168

HSL 159.08, 0.91%, 0.53%

LAB 85.88, -64.93, 23.42

 

CMYK 95 / 0 / 33 / 29

HEX #09B579

RGB 9 181 121

HSL 159.07, 0.91%, 0.37%

LAB 65.35, -52.8, 19.97

 

CMYK 96 / 81 / 0 / 29

HEX #0822B4

RGB 8 34 180

HSL 230.93, 0.91%, 0.37%

LAB 25.23, 49.41, -76.3

 

CMYK 0 / 72 / 96 / 29

HEX #B43308

RGB 180 51 8

HSL 15, 0.91%, 0.37%

LAB 41.36, 50.42, 50.88

 

CMYK 95 / 0 / 33 / 29

HEX #09B579

RGB 9 181 121

HSL 159.07, 0.91%, 0.37%

LAB 65.35, -52.8, 19.97

 

CMYK 33 / 96 / 0 / 29

HEX #7808B4

RGB 120 8 180

HSL 279.07, 0.91%, 0.37%

LAB 32.84, 65.98, -63.41

 

CMYK 0 / 33 / 96 / 29

HEX #B47808

RGB 180 120 8

HSL 39.07, 0.91%, 0.37%

LAB 55.23, 15.8, 60.14

 

CMYK 95 / 0 / 33 / 29

HEX #09B579

RGB 9 181 121

HSL 159.07, 0.91%, 0.37%

LAB 65.35, -52.8, 19.97

 

CMYK 96 / 81 / 0 / 29

HEX #0822B4

RGB 8 34 180

HSL 230.93, 0.91%, 0.37%

LAB 25.23, 49.41, -76.3

 

CMYK 0 / 96 / 62 / 29

HEX #B40844

RGB 180 8 68

HSL 339.07, 0.91%, 0.37%

LAB 38.37, 62.83, 15.95

 

CMYK 0 / 14 / 96 / 29

HEX #B49A08

RGB 180 154 8

HSL 50.93, 0.91%, 0.37%

LAB 64.02, -2.91, 66.53

 

CMYK 95 / 0 / 33 / 29

HEX #09B579

RGB 9 181 121

HSL 159.07, 0.91%, 0.37%

LAB 65.35, -52.8, 19.97

 

CMYK 81 / 96 / 0 / 29

HEX #2208B4

RGB 34 8 180

HSL 249.07, 0.91%, 0.37%

LAB 23.03, 59.54, -79.94

 

CMYK 0 / 96 / 62 / 29

HEX #B40844

RGB 180 8 68

HSL 339.07, 0.91%, 0.37%

LAB 38.37, 62.83, 15.95

 

CMYK 14 / 0 / 96 / 29

HEX #9AB408

RGB 154 180 8

HSL 69.07, 0.91%, 0.37%

LAB 69.13, -27.69, 69.45

 

Description

Color code: HEX #09B579 | qconv.com Color code: HEX #09B579 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 181 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 181 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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