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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09BCA9 it is the complementary color #F64356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09BCA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09BCA9 shade: #0EBCA4, #1FCEB7, #30E0CA, #41F2DD and #52FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09BCA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09BCA9 shade: #09BCA9, #00AA96, #009883, #008670 and #00745D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09BCA9 shade: #08BDAA, #08BD79, #08BD49, #08BD18 and #2ABD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09BCA9 shade: #08BDAA, #08A0BD, #086FBD, #083EBD and #080DBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09BCA9 shade matches the following richer shades: #08BDAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09BCA9 shade: #08BDAA, #19AD9E, #299D91, #398D84 and #497D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09BCA9 shade: #08BD48, #08BD78, #08BDA8, #08A2BD and #0872BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09BCA9 shade: #056F63, #079687, #08BDAA, #0AE5CE and #24F4DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09BCA9 shade: #09BCA9, #1808BD and #BD6008

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09BCA9 shade: #09BCA9, #A808BD and #BDA808

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09BCA9 shade: #09BCA9, #1808BD, #BD081E and #AEBD08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09BCA9 shade: #09BCA9, #4E08BD, #BD081E and #78BD08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 10 / 26

HEX #09BCA9

RGB 9 188 169

HSL 173.63, 0.91%, 0.39%

LAB 68.67, -43.51, -1.56

 

Complementary color

CMYK 0 / 73 / 65 / 4

HEX #F64356

RGB 246 67 86

HSL 353.63, 0.91%, 0.61%

LAB 56.37, 67.98, 30.8

 

CMYK 93 / 0 / 13 / 26

HEX #0EBCA4

RGB 14 188 164

HSL 171.72, 0.86%, 0.4%

LAB 68.56, -44.71, 1.04

 

CMYK 85 / 0 / 11 / 19

HEX #1FCEB7

RGB 31 206 183

HSL 172.11, 0.74%, 0.46%

LAB 74.73, -46.23, -0.29

 

CMYK 79 / 0 / 10 / 12

HEX #30E0CA

RGB 48 224 202

HSL 172.5, 0.74%, 0.53%

LAB 80.85, -47.4, -1.49

 

CMYK 73 / 0 / 9 / 5

HEX #41F2DD

RGB 65 242 221

HSL 172.88, 0.87%, 0.6%

LAB 86.92, -48.29, -2.58

 

CMYK 68 / 0 / 6 / 0

HEX #52FFF0

RGB 82 255 240

HSL 174.8, 1%, 0.66%

LAB 91.51, -46.82, -5.69

 

CMYK 95 / 0 / 10 / 26

HEX #09BCA9

RGB 9 188 169

HSL 173.63, 0.91%, 0.39%

LAB 68.67, -43.51, -1.56

 

CMYK 100 / 0 / 12 / 33

HEX #00AA96

RGB 0 170 150

HSL 172.94, 1%, 0.33%

LAB 62.47, -41.42, -0.11

 

CMYK 100 / 0 / 14 / 40

HEX #009883

RGB 0 152 131

HSL 171.71, 1%, 0.3%

LAB 56.18, -38.99, 1.47

 

CMYK 100 / 0 / 16 / 47

HEX #008670

RGB 0 134 112

HSL 170.15, 1%, 0.26%

LAB 49.76, -36.52, 3.13

 

CMYK 100 / 0 / 20 / 55

HEX #00745D

RGB 0 116 93

HSL 168.1, 1%, 0.23%

LAB 43.18, -33.98, 4.87

 

CMYK 96 / 0 / 10 / 26

HEX #08BDAA

RGB 8 189 170

HSL 173.7, 0.92%, 0.39%

LAB 69, -43.69, -1.62

 

CMYK 96 / 0 / 36 / 26

HEX #08BD79

RGB 8 189 121

HSL 157.46, 0.92%, 0.39%

LAB 67.89, -55.79, 23.42

 

CMYK 96 / 0 / 61 / 26

HEX #08BD49

RGB 8 189 73

HSL 141.55, 0.92%, 0.39%

LAB 67.22, -63.82, 46.54

 

CMYK 96 / 0 / 87 / 26

HEX #08BD18

RGB 8 189 24

HSL 125.3, 0.92%, 0.39%

LAB 66.91, -67.8, 63.06

 

CMYK 78 / 0 / 96 / 26

HEX #2ABD08

RGB 42 189 8

HSL 108.73, 0.92%, 0.39%

LAB 67.21, -65.29, 65.93

 

CMYK 96 / 0 / 10 / 26

HEX #08BDAA

RGB 8 189 170

HSL 173.7, 0.92%, 0.39%

LAB 69, -43.69, -1.62

 

CMYK 96 / 15 / 0 / 26

HEX #08A0BD

RGB 8 160 189

HSL 189.61, 0.92%, 0.39%

LAB 60.66, -24.12, -24.71

 

CMYK 96 / 41 / 0 / 26

HEX #086FBD

RGB 8 111 189

HSL 205.86, 0.92%, 0.39%

LAB 45.76, 3.8, -48.09

 

CMYK 96 / 67 / 0 / 26

HEX #083EBD

RGB 8 62 189

HSL 222.1, 0.92%, 0.39%

LAB 32.19, 35.99, -70.12

 

CMYK 96 / 93 / 0 / 26

HEX #080DBD

RGB 8 13 189

HSL 238.34, 0.92%, 0.39%

LAB 23.72, 60.27, -84.18

 

CMYK 96 / 0 / 10 / 26

HEX #08BDAA

RGB 8 189 170

HSL 173.7, 0.92%, 0.39%

LAB 69, -43.69, -1.62

 

CMYK 96 / 0 / 10 / 26

HEX #08BDAA

RGB 8 189 170

HSL 173.7, 0.92%, 0.39%

LAB 69, -43.69, -1.62

 

CMYK 86 / 0 / 9 / 32

HEX #19AD9E

RGB 25 173 158

HSL 173.92, 0.75%, 0.39%

LAB 63.81, -39.26, -2.59

 

CMYK 74 / 0 / 8 / 38

HEX #299D91

RGB 41 157 145

HSL 173.79, 0.59%, 0.39%

LAB 58.63, -34.11, -2.86

 

CMYK 60 / 0 / 6 / 45

HEX #398D84

RGB 57 141 132

HSL 173.57, 0.42%, 0.39%

LAB 53.58, -27.49, -2.8

 

CMYK 42 / 0 / 4 / 51

HEX #497D78

RGB 73 125 120

HSL 174.23, 0.26%, 0.39%

LAB 48.81, -18.66, -2.75

 

CMYK 96 / 0 / 62 / 26

HEX #08BD48

RGB 8 189 72

HSL 141.22, 0.92%, 0.39%

LAB 67.21, -63.94, 46.97

 

CMYK 96 / 0 / 37 / 26

HEX #08BD78

RGB 8 189 120

HSL 157.13, 0.92%, 0.39%

LAB 67.88, -55.99, 23.93

 

CMYK 96 / 0 / 11 / 26

HEX #08BDA8

RGB 8 189 168

HSL 173.04, 0.92%, 0.39%

LAB 68.95, -44.25, -0.6

 

CMYK 96 / 14 / 0 / 26

HEX #08A2BD

RGB 8 162 189

HSL 188.95, 0.92%, 0.39%

LAB 61.28, -25.15, -23.77

 

CMYK 96 / 40 / 0 / 26

HEX #0872BD

RGB 8 114 189

HSL 204.86, 0.92%, 0.39%

LAB 46.66, 1.93, -46.66

 

CMYK 95 / 0 / 11 / 56

HEX #056F63

RGB 5 111 99

HSL 173.21, 0.91%, 0.23%

LAB 41.69, -29.56, -0.89

 

CMYK 95 / 0 / 10 / 41

HEX #079687

RGB 7 150 135

HSL 173.71, 0.91%, 0.31%

LAB 55.69, -36.63, -1.53

 

CMYK 96 / 0 / 10 / 26

HEX #08BDAA

RGB 8 189 170

HSL 173.7, 0.92%, 0.39%

LAB 69, -43.69, -1.62

 

CMYK 96 / 0 / 10 / 10

HEX #0AE5CE

RGB 10 229 206

HSL 173.7, 0.92%, 0.47%

LAB 82.14, -50.57, -1.75

 

CMYK 85 / 0 / 9 / 4

HEX #24F4DE

RGB 36 244 222

HSL 173.65, 0.9%, 0.55%

LAB 87.17, -51.38, -2.78

 

CMYK 95 / 0 / 10 / 26

HEX #09BCA9

RGB 9 188 169

HSL 173.63, 0.91%, 0.39%

LAB 68.67, -43.51, -1.56

 

CMYK 87 / 96 / 0 / 26

HEX #1808BD

RGB 24 8 189

HSL 245.3, 0.92%, 0.39%

LAB 23.81, 61.65, -84.02

 

CMYK 0 / 49 / 96 / 26

HEX #BD6008

RGB 189 96 8

HSL 29.17, 0.92%, 0.39%

LAB 50.92, 32.81, 57.74

 

CMYK 95 / 0 / 10 / 26

HEX #09BCA9

RGB 9 188 169

HSL 173.63, 0.91%, 0.39%

LAB 68.67, -43.51, -1.56

 

CMYK 11 / 96 / 0 / 26

HEX #A808BD

RGB 168 8 189

HSL 293.04, 0.92%, 0.39%

LAB 41.49, 74.35, -54.31

 

CMYK 0 / 11 / 96 / 26

HEX #BDA808

RGB 189 168 8

HSL 53.04, 0.92%, 0.39%

LAB 68.64, -6.32, 70.33

 

CMYK 95 / 0 / 10 / 26

HEX #09BCA9

RGB 9 188 169

HSL 173.63, 0.91%, 0.39%

LAB 68.67, -43.51, -1.56

 

CMYK 87 / 96 / 0 / 26

HEX #1808BD

RGB 24 8 189

HSL 245.3, 0.92%, 0.39%

LAB 23.81, 61.65, -84.02

 

CMYK 0 / 96 / 84 / 26

HEX #BD081E

RGB 189 8 30

HSL 352.71, 0.92%, 0.39%

LAB 39.73, 63.54, 41.23

 

CMYK 8 / 0 / 96 / 26

HEX #AEBD08

RGB 174 189 8

HSL 64.97, 0.92%, 0.39%

LAB 73.16, -23.57, 73.18

 

CMYK 95 / 0 / 10 / 26

HEX #09BCA9

RGB 9 188 169

HSL 173.63, 0.91%, 0.39%

LAB 68.67, -43.51, -1.56

 

CMYK 59 / 96 / 0 / 26

HEX #4E08BD

RGB 78 8 189

HSL 263.2, 0.92%, 0.39%

LAB 28.03, 63.91, -76.88

 

CMYK 0 / 96 / 84 / 26

HEX #BD081E

RGB 189 8 30

HSL 352.71, 0.92%, 0.39%

LAB 39.73, 63.54, 41.23

 

CMYK 37 / 0 / 96 / 26

HEX #78BD08

RGB 120 189 8

HSL 82.87, 0.92%, 0.39%

LAB 69.76, -45.12, 69.06

 

Description

Color code: HEX #09BCA9 | qconv.com Color code: HEX #09BCA9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 188 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 188 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 10 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 10% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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