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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09C92C it is the complementary color #F636D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09C92C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09C92C shade: #0EC927, #1FDB3A, #30ED4D, #41FF60 and #52FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09C92C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09C92C shade: #09C92C, #00B719, #00A506, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09C92C shade: #09C72C, #1AC709, #4DC709, #80C709 and #B3C709

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09C92C shade: #09C72C, #09C75F, #09C792, #09C7C6 and #0996C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09C92C shade matches the following richer shades: #09C72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09C92C shade: #09C72C, #1AB636, #2BA541, #3C944C and #4D8457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09C92C shade: #4FC709, #1CC709, #09C729, #09C75B and #09C78E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09C92C shade: #05781A, #07A023, #09C72C, #0BEF34 and #2EF552

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09C92C shade: #09C92C, #0981C7 and #C70935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09C92C shade: #09C92C, #2909C7 and #C72909

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09C92C shade: #09C92C, #0981C7, #C709A7 and #C74F09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09C92C shade: #09C92C, #0948C7, #C709A7 and #C78809

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 78 / 21

HEX #09C92C

RGB 9 201 44

HSL 130.94, 0.91%, 0.41%

LAB 70.88, -70.05, 61.52

 

Complementary color

CMYK 0 / 78 / 14 / 4

HEX #F636D3

RGB 246 54 211

HSL 310.94, 0.91%, 0.59%

LAB 58.91, 83.62, -38.49

 

CMYK 93 / 0 / 81 / 21

HEX #0EC927

RGB 14 201 39

HSL 128.02, 0.87%, 0.42%

LAB 70.88, -70.14, 63

 

CMYK 86 / 0 / 74 / 14

HEX #1FDB3A

RGB 31 219 58

HSL 128.62, 0.75%, 0.49%

LAB 76.84, -72.86, 62.88

 

CMYK 80 / 0 / 68 / 7

HEX #30ED4D

RGB 48 237 77

HSL 129.21, 0.84%, 0.56%

LAB 82.77, -74.87, 62.17

 

CMYK 75 / 0 / 62 / 0

HEX #41FF60

RGB 65 255 96

HSL 129.79, 1%, 0.63%

LAB 88.68, -76.35, 61.13

 

CMYK 68 / 0 / 55 / 0

HEX #52FF73

RGB 82 255 115

HSL 131.45, 1%, 0.66%

LAB 89.18, -71.53, 53.6

 

CMYK 96 / 0 / 78 / 21

HEX #09C92C

RGB 9 201 44

HSL 130.94, 0.91%, 0.41%

LAB 70.88, -70.05, 61.52

 

CMYK 100 / 0 / 86 / 28

HEX #00B719

RGB 0 183 25

HSL 128.2, 1%, 0.36%

LAB 64.91, -66.45, 61.07

 

CMYK 100 / 0 / 96 / 35

HEX #00A506

RGB 0 165 6

HSL 122.18, 1%, 0.32%

LAB 58.9, -62.06, 59.19

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 95 / 0 / 78 / 22

HEX #09C72C

RGB 9 199 44

HSL 131.05, 0.91%, 0.41%

LAB 70.24, -69.48, 60.9

 

CMYK 87 / 0 / 95 / 22

HEX #1AC709

RGB 26 199 9

HSL 114.63, 0.91%, 0.41%

LAB 70.24, -69.92, 68.23

 

CMYK 61 / 0 / 95 / 22

HEX #4DC709

RGB 77 199 9

HSL 98.53, 0.91%, 0.41%

LAB 71.18, -61.79, 69.39

 

CMYK 36 / 0 / 95 / 22

HEX #80C709

RGB 128 199 9

HSL 82.42, 0.91%, 0.41%

LAB 73.19, -46.39, 71.85

 

CMYK 10 / 0 / 95 / 22

HEX #B3C709

RGB 179 199 9

HSL 66.32, 0.91%, 0.41%

LAB 76.34, -26.29, 75.67

 

CMYK 95 / 0 / 78 / 22

HEX #09C72C

RGB 9 199 44

HSL 131.05, 0.91%, 0.41%

LAB 70.24, -69.48, 60.9

 

CMYK 95 / 0 / 52 / 22

HEX #09C75F

RGB 9 199 95

HSL 147.16, 0.91%, 0.41%

LAB 70.69, -63.87, 40.32

 

CMYK 95 / 0 / 27 / 22

HEX #09C792

RGB 9 199 146

HSL 163.26, 0.91%, 0.41%

LAB 71.54, -53.91, 15.07

 

CMYK 95 / 0 / 1 / 22

HEX #09C7C6

RGB 9 199 198

HSL 179.68, 0.91%, 0.41%

LAB 72.88, -39.94, -11.17

 

CMYK 95 / 25 / 0 / 22

HEX #0996C7

RGB 9 150 199

HSL 195.47, 0.91%, 0.41%

LAB 58.03, -15.27, -34.42

 

CMYK 95 / 0 / 78 / 22

HEX #09C72C

RGB 9 199 44

HSL 131.05, 0.91%, 0.41%

LAB 70.24, -69.48, 60.9

 

CMYK 95 / 0 / 78 / 22

HEX #09C72C

RGB 9 199 44

HSL 131.05, 0.91%, 0.41%

LAB 70.24, -69.48, 60.9

 

CMYK 86 / 0 / 70 / 29

HEX #1AB636

RGB 26 182 54

HSL 130.77, 0.75%, 0.41%

LAB 64.92, -62.61, 52.06

 

CMYK 74 / 0 / 61 / 35

HEX #2BA541

RGB 43 165 65

HSL 130.82, 0.59%, 0.41%

LAB 59.71, -53.73, 41.66

 

CMYK 59 / 0 / 49 / 42

HEX #3C944C

RGB 60 148 76

HSL 130.91, 0.42%, 0.41%

LAB 54.72, -42.31, 30.26

 

CMYK 42 / 0 / 34 / 48

HEX #4D8457

RGB 77 132 87

HSL 130.91, 0.26%, 0.41%

LAB 50.42, -28.44, 18.75

 

CMYK 60 / 0 / 95 / 22

HEX #4FC709

RGB 79 199 9

HSL 97.89, 0.91%, 0.41%

LAB 71.23, -61.31, 69.46

 

CMYK 86 / 0 / 95 / 22

HEX #1CC709

RGB 28 199 9

HSL 114, 0.91%, 0.41%

LAB 70.26, -69.75, 68.25

 

CMYK 95 / 0 / 79 / 22

HEX #09C729

RGB 9 199 41

HSL 130.11, 0.91%, 0.41%

LAB 70.22, -69.68, 61.79

 

CMYK 95 / 0 / 54 / 22

HEX #09C75B

RGB 9 199 91

HSL 145.89, 0.91%, 0.41%

LAB 70.64, -64.47, 42.19

 

CMYK 95 / 0 / 29 / 22

HEX #09C78E

RGB 9 199 142

HSL 162, 0.91%, 0.41%

LAB 71.46, -54.84, 17.1

 

CMYK 96 / 0 / 78 / 53

HEX #05781A

RGB 5 120 26

HSL 130.96, 0.92%, 0.25%

LAB 43.57, -47.51, 40.83

 

CMYK 96 / 0 / 78 / 37

HEX #07A023

RGB 7 160 35

HSL 130.98, 0.92%, 0.33%

LAB 57.37, -58.91, 51.29

 

CMYK 95 / 0 / 78 / 22

HEX #09C72C

RGB 9 199 44

HSL 131.05, 0.91%, 0.41%

LAB 70.24, -69.48, 60.9

 

CMYK 95 / 0 / 78 / 6

HEX #0BEF34

RGB 11 239 52

HSL 130.79, 0.91%, 0.49%

LAB 82.94, -80, 70.71

 

CMYK 81 / 0 / 67 / 4

HEX #2EF552

RGB 46 245 82

HSL 130.85, 0.91%, 0.57%

LAB 85.25, -77, 62.89

 

CMYK 96 / 0 / 78 / 21

HEX #09C92C

RGB 9 201 44

HSL 130.94, 0.91%, 0.41%

LAB 70.88, -70.05, 61.52

 

CMYK 95 / 35 / 0 / 22

HEX #0981C7

RGB 9 129 199

HSL 202.11, 0.91%, 0.41%

LAB 51.7, -3.26, -44.37

 

CMYK 0 / 95 / 73 / 22

HEX #C70935

RGB 199 9 53

HSL 346.11, 0.91%, 0.41%

LAB 42.15, 66.68, 31.01

 

CMYK 96 / 0 / 78 / 21

HEX #09C92C

RGB 9 201 44

HSL 130.94, 0.91%, 0.41%

LAB 70.88, -70.05, 61.52

 

CMYK 79 / 95 / 0 / 22

HEX #2909C7

RGB 41 9 199

HSL 250.11, 0.91%, 0.41%

LAB 26.13, 64.42, -86.03

 

CMYK 0 / 79 / 95 / 22

HEX #C72909

RGB 199 41 9

HSL 10.11, 0.91%, 0.41%

LAB 43.87, 59.7, 53.97

 

CMYK 96 / 0 / 78 / 21

HEX #09C92C

RGB 9 201 44

HSL 130.94, 0.91%, 0.41%

LAB 70.88, -70.05, 61.52

 

CMYK 95 / 35 / 0 / 22

HEX #0981C7

RGB 9 129 199

HSL 202.11, 0.91%, 0.41%

LAB 51.7, -3.26, -44.37

 

CMYK 0 / 95 / 16 / 22

HEX #C709A7

RGB 199 9 167

HSL 310.11, 0.91%, 0.41%

LAB 45.81, 76.37, -34.08

 

CMYK 0 / 60 / 95 / 22

HEX #C74F09

RGB 199 79 9

HSL 22.11, 0.91%, 0.41%

LAB 49.2, 45.21, 57.17

 

CMYK 96 / 0 / 78 / 21

HEX #09C92C

RGB 9 201 44

HSL 130.94, 0.91%, 0.41%

LAB 70.88, -70.05, 61.52

 

CMYK 95 / 64 / 0 / 22

HEX #0948C7

RGB 9 72 199

HSL 220.11, 0.91%, 0.41%

LAB 35.63, 33.34, -70.33

 

CMYK 0 / 95 / 16 / 22

HEX #C709A7

RGB 199 9 167

HSL 310.11, 0.91%, 0.41%

LAB 45.81, 76.37, -34.08

 

CMYK 0 / 32 / 95 / 22

HEX #C78809

RGB 199 136 9

HSL 40.11, 0.91%, 0.41%

LAB 61.46, 15.44, 65.45

 

Description

Color code: HEX #09C92C | qconv.com Color code: HEX #09C92C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 201 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 201 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 78 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 78% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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