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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09C31C it is the complementary color #F63CE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09C31C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09C31C shade: #0EC317, #1FD52A, #30E73D, #41F950 and #52FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09C31C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09C31C shade: #09C31C, #00B109, #009F00, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09C31C shade: #09C21C, #28C209, #5AC209, #8CC209 and #BEC209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09C31C shade: #09C21C, #09C24E, #09C280, #09C2B2 and #09A1C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09C31C shade matches the following richer shades: #09C21C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09C31C shade: #09C21C, #19B229, #2AA136, #3A9143 and #4B8050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09C31C shade: #59C209, #28C209, #09C21B, #09C24D and #09C27E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09C31C shade: #057410, #079B16, #09C21C, #0BEA21 and #29F43E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09C31C shade: #09C31C, #098BC2 and #C20940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09C31C shade: #09C31C, #1B09C2 and #C21B09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09C31C shade: #09C31C, #098BC2, #C209B0 and #C24009

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09C31C shade: #09C31C, #0953C2, #C209B0 and #C27809

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

Complementary color

CMYK 0 / 76 / 8 / 4

HEX #F63CE3

RGB 246 60 227

HSL 306.13, 0.91%, 0.6%

LAB 60.22, 84.26, -45.47

 

CMYK 93 / 0 / 88 / 24

HEX #0EC317

RGB 14 195 23

HSL 122.98, 0.87%, 0.41%

LAB 68.89, -69.23, 65

 

CMYK 85 / 0 / 80 / 16

HEX #1FD52A

RGB 31 213 42

HSL 123.63, 0.75%, 0.48%

LAB 74.85, -72.21, 65.94

 

CMYK 79 / 0 / 74 / 9

HEX #30E73D

RGB 48 231 61

HSL 124.26, 0.79%, 0.55%

LAB 80.8, -74.43, 65.92

 

CMYK 74 / 0 / 68 / 2

HEX #41F950

RGB 65 249 80

HSL 124.89, 0.94%, 0.62%

LAB 86.73, -76.06, 65.32

 

CMYK 68 / 0 / 61 / 0

HEX #52FF63

RGB 82 255 99

HSL 125.9, 1%, 0.66%

LAB 89.02, -73.39, 60.36

 

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

CMYK 100 / 0 / 95 / 31

HEX #00B109

RGB 0 177 9

HSL 123.05, 1%, 0.35%

LAB 62.9, -65.32, 62.1

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 95 / 0 / 86 / 24

HEX #09C21C

RGB 9 194 28

HSL 126.16, 0.91%, 0.4%

LAB 68.55, -68.98, 63.65

 

CMYK 79 / 0 / 95 / 24

HEX #28C209

RGB 40 194 9

HSL 109.95, 0.91%, 0.4%

LAB 68.79, -67.01, 67.11

 

CMYK 54 / 0 / 95 / 24

HEX #5AC209

RGB 90 194 9

HSL 93.73, 0.91%, 0.4%

LAB 70.02, -56.7, 68.62

 

CMYK 28 / 0 / 95 / 24

HEX #8CC209

RGB 140 194 9

HSL 77.51, 0.91%, 0.4%

LAB 72.35, -39.79, 71.46

 

CMYK 2 / 0 / 95 / 24

HEX #BEC209

RGB 190 194 9

HSL 61.3, 0.91%, 0.4%

LAB 75.79, -19.17, 75.61

 

CMYK 95 / 0 / 86 / 24

HEX #09C21C

RGB 9 194 28

HSL 126.16, 0.91%, 0.4%

LAB 68.55, -68.98, 63.65

 

CMYK 95 / 0 / 60 / 24

HEX #09C24E

RGB 9 194 78

HSL 142.38, 0.91%, 0.4%

LAB 68.89, -64.69, 46.2

 

CMYK 95 / 0 / 34 / 24

HEX #09C280

RGB 9 194 128

HSL 158.59, 0.91%, 0.4%

LAB 69.61, -56.09, 22.03

 

CMYK 95 / 0 / 8 / 24

HEX #09C2B2

RGB 9 194 178

HSL 174.81, 0.91%, 0.4%

LAB 70.77, -43.55, -3.4

 

CMYK 95 / 17 / 0 / 24

HEX #09A1C2

RGB 9 161 194

HSL 190.7, 0.91%, 0.4%

LAB 61.17, -22.89, -26.74

 

CMYK 95 / 0 / 86 / 24

HEX #09C21C

RGB 9 194 28

HSL 126.16, 0.91%, 0.4%

LAB 68.55, -68.98, 63.65

 

CMYK 95 / 0 / 86 / 24

HEX #09C21C

RGB 9 194 28

HSL 126.16, 0.91%, 0.4%

LAB 68.55, -68.98, 63.65

 

CMYK 86 / 0 / 77 / 30

HEX #19B229

RGB 25 178 41

HSL 126.27, 0.75%, 0.4%

LAB 63.51, -62.57, 55.35

 

CMYK 74 / 0 / 66 / 37

HEX #2AA136

RGB 42 161 54

HSL 126.05, 0.59%, 0.4%

LAB 58.27, -53.8, 44.99

 

CMYK 60 / 0 / 54 / 43

HEX #3A9143

RGB 58 145 67

HSL 126.21, 0.43%, 0.4%

LAB 53.55, -42.95, 33.47

 

CMYK 41 / 0 / 38 / 50

HEX #4B8050

RGB 75 128 80

HSL 125.66, 0.26%, 0.4%

LAB 48.9, -28.43, 20.67

 

CMYK 54 / 0 / 95 / 24

HEX #59C209

RGB 89 194 9

HSL 94.05, 0.91%, 0.4%

LAB 69.98, -56.98, 68.58

 

CMYK 79 / 0 / 95 / 24

HEX #28C209

RGB 40 194 9

HSL 109.95, 0.91%, 0.4%

LAB 68.79, -67.01, 67.11

 

CMYK 95 / 0 / 86 / 24

HEX #09C21B

RGB 9 194 27

HSL 125.84, 0.91%, 0.4%

LAB 68.55, -69.02, 63.87

 

CMYK 95 / 0 / 60 / 24

HEX #09C24D

RGB 9 194 77

HSL 142.05, 0.91%, 0.4%

LAB 68.88, -64.82, 46.64

 

CMYK 95 / 0 / 35 / 24

HEX #09C27E

RGB 9 194 126

HSL 157.95, 0.91%, 0.4%

LAB 69.57, -56.51, 23.04

 

CMYK 96 / 0 / 86 / 55

HEX #057410

RGB 5 116 16

HSL 125.95, 0.92%, 0.24%

LAB 42.09, -46.97, 42.74

 

CMYK 95 / 0 / 86 / 39

HEX #079B16

RGB 7 155 22

HSL 126.08, 0.91%, 0.32%

LAB 55.63, -58.24, 53.47

 

CMYK 95 / 0 / 86 / 24

HEX #09C21C

RGB 9 194 28

HSL 126.16, 0.91%, 0.4%

LAB 68.55, -68.98, 63.65

 

CMYK 95 / 0 / 86 / 8

HEX #0BEA21

RGB 11 234 33

HSL 125.92, 0.91%, 0.48%

LAB 81.31, -79.61, 73.89

 

CMYK 83 / 0 / 75 / 4

HEX #29F43E

RGB 41 244 62

HSL 126.21, 0.9%, 0.56%

LAB 84.75, -78.87, 69.49

 

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

CMYK 95 / 28 / 0 / 24

HEX #098BC2

RGB 9 139 194

HSL 197.84, 0.91%, 0.4%

LAB 54.47, -10.96, -37.16

 

CMYK 0 / 95 / 67 / 24

HEX #C20940

RGB 194 9 64

HSL 342.16, 0.91%, 0.4%

LAB 41.27, 65.94, 22.86

 

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

CMYK 86 / 95 / 0 / 24

HEX #1B09C2

RGB 27 9 194

HSL 245.84, 0.91%, 0.4%

LAB 24.71, 62.79, -85.46

 

CMYK 0 / 86 / 95 / 24

HEX #C21B09

RGB 194 27 9

HSL 5.84, 0.91%, 0.4%

LAB 41.65, 61.69, 52.19

 

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

CMYK 95 / 28 / 0 / 24

HEX #098BC2

RGB 9 139 194

HSL 197.84, 0.91%, 0.4%

LAB 54.47, -10.96, -37.16

 

CMYK 0 / 95 / 9 / 24

HEX #C209B0

RGB 194 9 176

HSL 305.84, 0.91%, 0.4%

LAB 45.36, 76.65, -40.19

 

CMYK 0 / 67 / 95 / 24

HEX #C24009

RGB 194 64 9

HSL 17.84, 0.91%, 0.4%

LAB 45.85, 50.02, 54.65

 

CMYK 95 / 0 / 86 / 24

HEX #09C31C

RGB 9 195 28

HSL 126.13, 0.91%, 0.4%

LAB 68.88, -69.26, 63.94

 

CMYK 95 / 57 / 0 / 24

HEX #0953C2

RGB 9 83 194

HSL 216, 0.91%, 0.4%

LAB 38.09, 24.09, -63.38

 

CMYK 0 / 95 / 9 / 24

HEX #C209B0

RGB 194 9 176

HSL 305.84, 0.91%, 0.4%

LAB 45.36, 76.65, -40.19

 

CMYK 0 / 38 / 95 / 24

HEX #C27809

RGB 194 120 9

HSL 36, 0.91%, 0.4%

LAB 57, 22.01, 62.03

 

Description

Color code: HEX #09C31C | qconv.com Color code: HEX #09C31C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 195 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 195 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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