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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09DBB6 it is the complementary color #F62449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09DBB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09DBB6 shade: #0EDBB1, #1FEDC4, #30FFD7, #41FFEA and #52FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09DBB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09DBB6 shade: #09DBB6, #00C9A3, #00B790, #00A57D and #00936A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09DBB6 shade: #09DCB7, #09DC7E, #09DC45, #09DC0C and #3EDC09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09DBB6 shade: #09DCB7, #09C8DC, #098FDC, #0956DC and #091DDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09DBB6 shade matches the following richer shades: #09DCB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09DBB6 shade: #09DCB7, #1BC9AB, #2EB79F, #40A493 and #539287

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09DBB6 shade: #09DC45, #09DC7D, #09DCB5, #09CADC and #0992DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09DBB6 shade: #058D75, #07B496, #09DCB7, #19F5CE and #40F7D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09DBB6 shade: #09DBB6, #0C09DC and #DC6109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09DBB6 shade: #09DBB6, #B509DC and #DCB509

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09DBB6 shade: #09DBB6, #0C09DC, #DC092F and #D8DC09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09DBB6 shade: #09DBB6, #4C09DC, #DC092F and #99DC09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 17 / 14

HEX #09DBB6

RGB 9 219 182

HSL 169.43, 0.92%, 0.45%

LAB 78.52, -52.87, 5.72

 

Complementary color

CMYK 0 / 85 / 70 / 4

HEX #F62449

RGB 246 36 73

HSL 349.43, 0.92%, 0.55%

LAB 53.31, 75.42, 34.63

 

CMYK 94 / 0 / 19 / 14

HEX #0EDBB1

RGB 14 219 177

HSL 167.71, 0.88%, 0.46%

LAB 78.42, -53.98, 8.25

 

CMYK 87 / 0 / 17 / 7

HEX #1FEDC4

RGB 31 237 196

HSL 168.06, 0.85%, 0.53%

LAB 84.4, -55.56, 6.82

 

CMYK 81 / 0 / 16 / 0

HEX #30FFD7

RGB 48 255 215

HSL 168.41, 1%, 0.59%

LAB 90.35, -56.81, 5.5

 

CMYK 75 / 0 / 8 / 0

HEX #41FFEA

RGB 65 255 234

HSL 173.37, 1%, 0.63%

LAB 91.05, -50.4, -3.29

 

CMYK 68 / 0 / 1 / 0

HEX #52FFFD

RGB 82 255 253

HSL 179.31, 1%, 0.66%

LAB 91.87, -43.37, -11.9

 

CMYK 96 / 0 / 17 / 14

HEX #09DBB6

RGB 9 219 182

HSL 169.43, 0.92%, 0.45%

LAB 78.52, -52.87, 5.72

 

CMYK 100 / 0 / 19 / 21

HEX #00C9A3

RGB 0 201 163

HSL 168.66, 1%, 0.39%

LAB 72.51, -50.8, 7.27

 

CMYK 100 / 0 / 21 / 28

HEX #00B790

RGB 0 183 144

HSL 167.21, 1%, 0.36%

LAB 66.43, -48.45, 8.93

 

CMYK 100 / 0 / 24 / 35

HEX #00A57D

RGB 0 165 125

HSL 165.45, 1%, 0.32%

LAB 60.24, -46.05, 10.67

 

CMYK 100 / 0 / 28 / 42

HEX #00936A

RGB 0 147 106

HSL 163.27, 1%, 0.29%

LAB 53.93, -43.57, 12.5

 

CMYK 96 / 0 / 17 / 14

HEX #09DCB7

RGB 9 220 183

HSL 169.48, 0.92%, 0.45%

LAB 78.85, -53.01, 5.66

 

CMYK 96 / 0 / 43 / 14

HEX #09DC7E

RGB 9 220 126

HSL 153.27, 0.92%, 0.45%

LAB 77.73, -65.58, 33.86

 

CMYK 96 / 0 / 69 / 14

HEX #09DC45

RGB 9 220 69

HSL 137.06, 0.92%, 0.45%

LAB 77.09, -73.44, 59.09

 

CMYK 96 / 0 / 95 / 14

HEX #09DC0C

RGB 9 220 12

HSL 120.85, 0.92%, 0.45%

LAB 76.84, -76.56, 73.32

 

CMYK 72 / 0 / 96 / 14

HEX #3EDC09

RGB 62 220 9

HSL 104.93, 0.92%, 0.45%

LAB 77.42, -71.45, 74.32

 

CMYK 96 / 0 / 17 / 14

HEX #09DCB7

RGB 9 220 183

HSL 169.48, 0.92%, 0.45%

LAB 78.85, -53.01, 5.66

 

CMYK 96 / 9 / 0 / 14

HEX #09C8DC

RGB 9 200 220

HSL 185.69, 0.92%, 0.45%

LAB 73.89, -33.62, -21.58

 

CMYK 96 / 35 / 0 / 14

HEX #098FDC

RGB 9 143 220

HSL 201.9, 0.92%, 0.45%

LAB 56.95, -3.52, -47.91

 

CMYK 96 / 61 / 0 / 14

HEX #0956DC

RGB 9 86 220

HSL 218.1, 0.92%, 0.45%

LAB 41.03, 32.32, -73.58

 

CMYK 96 / 87 / 0 / 14

HEX #091DDC

RGB 9 29 220

HSL 234.31, 0.92%, 0.45%

LAB 29.67, 63.82, -92.36

 

CMYK 96 / 0 / 17 / 14

HEX #09DCB7

RGB 9 220 183

HSL 169.48, 0.92%, 0.45%

LAB 78.85, -53.01, 5.66

 

CMYK 96 / 0 / 17 / 14

HEX #09DCB7

RGB 9 220 183

HSL 169.48, 0.92%, 0.45%

LAB 78.85, -53.01, 5.66

 

CMYK 87 / 0 / 15 / 21

HEX #1BC9AB

RGB 27 201 171

HSL 169.66, 0.76%, 0.45%

LAB 72.86, -47.6, 3.47

 

CMYK 75 / 0 / 13 / 28

HEX #2EB79F

RGB 46 183 159

HSL 169.49, 0.6%, 0.45%

LAB 67.24, -41.37, 1.91

 

CMYK 61 / 0 / 10 / 36

HEX #40A493

RGB 64 164 147

HSL 169.8, 0.44%, 0.45%

LAB 61.44, -33.16, 0.18

 

CMYK 43 / 0 / 8 / 43

HEX #539287

RGB 83 146 135

HSL 169.52, 0.28%, 0.45%

LAB 56.23, -23.06, -0.52

 

CMYK 96 / 0 / 69 / 14

HEX #09DC45

RGB 9 220 69

HSL 137.06, 0.92%, 0.45%

LAB 77.09, -73.44, 59.09

 

CMYK 96 / 0 / 43 / 14

HEX #09DC7D

RGB 9 220 125

HSL 152.99, 0.92%, 0.45%

LAB 77.71, -65.76, 34.35

 

CMYK 96 / 0 / 18 / 14

HEX #09DCB5

RGB 9 220 181

HSL 168.91, 0.92%, 0.45%

LAB 78.8, -53.52, 6.66

 

CMYK 96 / 8 / 0 / 14

HEX #09CADC

RGB 9 202 220

HSL 185.12, 0.92%, 0.45%

LAB 74.49, -34.57, -20.67

 

CMYK 96 / 34 / 0 / 14

HEX #0992DC

RGB 9 146 220

HSL 201.04, 0.92%, 0.45%

LAB 57.83, -5.27, -46.51

 

CMYK 96 / 0 / 17 / 45

HEX #058D75

RGB 5 141 117

HSL 169.41, 0.93%, 0.29%

LAB 52.25, -37.9, 3.82

 

CMYK 96 / 0 / 17 / 29

HEX #07B496

RGB 7 180 150

HSL 169.6, 0.93%, 0.37%

LAB 65.66, -45.4, 4.54

 

CMYK 96 / 0 / 17 / 14

HEX #09DCB7

RGB 9 220 183

HSL 169.48, 0.92%, 0.45%

LAB 78.85, -53.01, 5.66

 

CMYK 90 / 0 / 16 / 4

HEX #19F5CE

RGB 25 245 206

HSL 169.36, 0.92%, 0.53%

LAB 86.98, -56.53, 5.3

 

CMYK 74 / 0 / 13 / 3

HEX #40F7D6

RGB 64 247 214

HSL 169.18, 0.92%, 0.61%

LAB 88.19, -52.29, 2.93

 

CMYK 96 / 0 / 17 / 14

HEX #09DBB6

RGB 9 219 182

HSL 169.43, 0.92%, 0.45%

LAB 78.52, -52.87, 5.72

 

CMYK 95 / 96 / 0 / 14

HEX #0C09DC

RGB 12 9 220

HSL 240.85, 0.92%, 0.45%

LAB 27.96, 69.25, -95.22

 

CMYK 0 / 56 / 96 / 14

HEX #DC6109

RGB 220 97 9

HSL 25.02, 0.92%, 0.45%

LAB 55.87, 44.58, 63.07

 

CMYK 96 / 0 / 17 / 14

HEX #09DBB6

RGB 9 219 182

HSL 169.43, 0.92%, 0.45%

LAB 78.52, -52.87, 5.72

 

CMYK 18 / 96 / 0 / 14

HEX #B509DC

RGB 181 9 220

HSL 288.91, 0.92%, 0.45%

LAB 45.89, 81.34, -65.04

 

CMYK 0 / 18 / 96 / 14

HEX #DCB509

RGB 220 181 9

HSL 48.91, 0.92%, 0.45%

LAB 75, 0.56, 76.22

 

CMYK 96 / 0 / 17 / 14

HEX #09DBB6

RGB 9 219 182

HSL 169.43, 0.92%, 0.45%

LAB 78.52, -52.87, 5.72

 

CMYK 95 / 96 / 0 / 14

HEX #0C09DC

RGB 12 9 220

HSL 240.85, 0.92%, 0.45%

LAB 27.96, 69.25, -95.22

 

CMYK 0 / 96 / 79 / 14

HEX #DC092F

RGB 220 9 47

HSL 349.19, 0.92%, 0.45%

LAB 46.47, 71.65, 40.58

 

CMYK 2 / 0 / 96 / 14

HEX #D8DC09

RGB 216 220 9

HSL 61.14, 0.92%, 0.45%

LAB 84.9, -20.88, 83.38

 

CMYK 96 / 0 / 17 / 14

HEX #09DBB6

RGB 9 219 182

HSL 169.43, 0.92%, 0.45%

LAB 78.52, -52.87, 5.72

 

CMYK 65 / 96 / 0 / 14

HEX #4C09DC

RGB 76 9 220

HSL 259.05, 0.92%, 0.45%

LAB 31.58, 70.99, -89.09

 

CMYK 0 / 96 / 79 / 14

HEX #DC092F

RGB 220 9 47

HSL 349.19, 0.92%, 0.45%

LAB 46.47, 71.65, 40.58

 

CMYK 30 / 0 / 96 / 14

HEX #99DC09

RGB 153 220 9

HSL 79.05, 0.92%, 0.45%

LAB 80.73, -46.08, 78.36

 

Description

Color code: HEX #09DBB6 | qconv.com Color code: HEX #09DBB6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 219 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 219 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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