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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CA6CF it is the complementary color #F35930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CA6CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CA6CF shade: #11A6CA, #22B8DD, #33CAF0, #44DCFF and #55EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CA6CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CA6CF shade: #0CA6CF, #0094BC, #0082A9, #007096 and #005E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CA6CF shade: #0CA6CF, #0C71CF, #0C3CCF, #0F0CCF and #440CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CA6CF shade: #0CA6CF, #0C71CF, #0C3CCF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CA6CF shade matches the following richer shades: #0CA6CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CA6CF shade: #0CA6CF, #1D9BBD, #2F91AB, #41879A and #537D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CA6CF shade: #0CCF8E, #0CCFC2, #0CA8CF, #0C74CF and #0C40CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CA6CF shade: #076781, #0986A8, #0CA6CF, #13C2F1 and #3ACCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CA6CF shade: #0CA6CF, #5A0CCF and #CFA80C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CA6CF shade: #0CA6CF, #CF0CA8 and #A8CF0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CA6CF shade: #0CA6CF, #5A0CCF, #CF330C and #81CF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CA6CF shade: #0CA6CF, #940CCF, #CF330C and #46CF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

Complementary color

CMYK 0 / 63 / 80 / 5

HEX #F35930

RGB 243 89 48

HSL 12.62, 0.89%, 0.57%

LAB 58.43, 57.19, 53.37

 

CMYK 92 / 18 / 0 / 21

HEX #11A6CA

RGB 17 166 202

HSL 191.68, 0.84%, 0.43%

LAB 63.06, -22.43, -28.29

 

CMYK 85 / 17 / 0 / 13

HEX #22B8DD

RGB 34 184 221

HSL 191.87, 0.73%, 0.5%

LAB 69.36, -24.29, -29.05

 

CMYK 79 / 16 / 0 / 6

HEX #33CAF0

RGB 51 202 240

HSL 192.06, 0.86%, 0.57%

LAB 75.6, -25.79, -29.72

 

CMYK 73 / 14 / 0 / 0

HEX #44DCFF

RGB 68 220 255

HSL 191.23, 1%, 0.63%

LAB 81.64, -28.22, -28.43

 

CMYK 67 / 7 / 0 / 0

HEX #55EEFF

RGB 85 238 255

HSL 186, 1%, 0.67%

LAB 87.14, -34.68, -20.02

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 100 / 21 / 0 / 26

HEX #0094BC

RGB 0 148 188

HSL 192.77, 1%, 0.37%

LAB 56.89, -18.45, -29.98

 

CMYK 100 / 23 / 0 / 34

HEX #0082A9

RGB 0 130 169

HSL 193.85, 1%, 0.33%

LAB 50.49, -15.52, -29.05

 

CMYK 100 / 25 / 0 / 41

HEX #007096

RGB 0 112 150

HSL 195.2, 1%, 0.29%

LAB 43.93, -12.47, -28.13

HEX #007096

CMYK 100 / 28 / 0 / 49

HEX #005E83

RGB 0 94 131

HSL 196.95, 1%, 0.26%

LAB 37.2, -9.27, -27.23

HEX #005E83

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 94 / 45 / 0 / 19

HEX #0C71CF

RGB 12 113 207

HSL 208.92, 0.89%, 0.43%

LAB 47.49, 9.82, -55.67

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 93 / 94 / 0 / 19

HEX #0F0CCF

RGB 15 12 207

HSL 240.92, 0.89%, 0.43%

LAB 26.36, 65.36, -90.35

 

CMYK 67 / 94 / 0 / 19

HEX #440CCF

RGB 68 12 207

HSL 257.23, 0.89%, 0.43%

LAB 29.4, 66.94, -85.19

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 94 / 45 / 0 / 19

HEX #0C71CF

RGB 12 113 207

HSL 208.92, 0.89%, 0.43%

LAB 47.49, 9.82, -55.67

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 85 / 18 / 0 / 26

HEX #1D9BBD

RGB 29 155 189

HSL 192.75, 0.73%, 0.43%

LAB 59.32, -20.42, -26.76

 

CMYK 73 / 15 / 0 / 33

HEX #2F91AB

RGB 47 145 171

HSL 192.58, 0.57%, 0.43%

LAB 55.88, -19.3, -21.81

 

CMYK 58 / 12 / 0 / 40

HEX #41879A

RGB 65 135 154

HSL 192.81, 0.41%, 0.43%

LAB 52.71, -16.26, -16.82

 

CMYK 39 / 8 / 0 / 47

HEX #537D88

RGB 83 125 136

HSL 192.45, 0.24%, 0.43%

LAB 49.84, -11.53, -10.59

 

CMYK 94 / 0 / 31 / 19

HEX #0CCF8E

RGB 12 207 142

HSL 160, 0.89%, 0.43%

LAB 73.97, -57.71, 20.57

 

CMYK 94 / 0 / 6 / 19

HEX #0CCFC2

RGB 12 207 194

HSL 176, 0.89%, 0.43%

LAB 75.2, -44.54, -5.55

 

CMYK 94 / 19 / 0 / 19

HEX #0CA8CF

RGB 12 168 207

HSL 192, 0.89%, 0.43%

LAB 63.83, -21.95, -29.89

 

CMYK 94 / 44 / 0 / 19

HEX #0C74CF

RGB 12 116 207

HSL 208, 0.89%, 0.43%

LAB 48.35, 7.93, -54.28

 

CMYK 94 / 69 / 0 / 19

HEX #0C40CF

RGB 12 64 207

HSL 224, 0.89%, 0.43%

LAB 34.5, 41.58, -76.84

 

CMYK 95 / 20 / 0 / 49

HEX #076781

RGB 7 103 129

HSL 192.79, 0.9%, 0.27%

LAB 40.13, -14.9, -21.44

 

CMYK 95 / 20 / 0 / 34

HEX #0986A8

RGB 9 134 168

HSL 192.83, 0.9%, 0.35%

LAB 51.76, -17.71, -26.48

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 92 / 20 / 0 / 5

HEX #13C2F1

RGB 19 194 241

HSL 192.7, 0.89%, 0.51%

LAB 72.94, -23.49, -34.39

 

CMYK 76 / 16 / 0 / 5

HEX #3ACCF3

RGB 58 204 243

HSL 192.65, 0.89%, 0.59%

LAB 76.41, -25.14, -30.07

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 57 / 94 / 0 / 19

HEX #5A0CCF

RGB 90 12 207

HSL 264, 0.89%, 0.43%

LAB 31.67, 68.33, -81.36

 

CMYK 0 / 19 / 94 / 19

HEX #CFA80C

RGB 207 168 12

HSL 48, 0.89%, 0.43%

LAB 70.38, 1.73, 71.91

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 0 / 94 / 19 / 19

HEX #CF0CA8

RGB 207 12 168

HSL 312, 0.89%, 0.43%

LAB 47.44, 77.74, -32.01

 

CMYK 19 / 0 / 94 / 19

HEX #A8CF0C

RGB 168 207 12

HSL 72, 0.89%, 0.43%

LAB 77.86, -34.54, 76.21

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 57 / 94 / 0 / 19

HEX #5A0CCF

RGB 90 12 207

HSL 264, 0.89%, 0.43%

LAB 31.67, 68.33, -81.36

 

CMYK 0 / 75 / 94 / 19

HEX #CF330C

RGB 207 51 12

HSL 12, 0.89%, 0.43%

LAB 46.52, 59.11, 55.49

 

CMYK 38 / 0 / 94 / 19

HEX #81CF0C

RGB 129 207 12

HSL 84, 0.89%, 0.43%

LAB 75.65, -49.27, 73.52

 

CMYK 94 / 20 / 0 / 19

HEX #0CA6CF

RGB 12 166 207

HSL 192.62, 0.89%, 0.43%

LAB 63.22, -20.91, -30.82

 

CMYK 29 / 94 / 0 / 19

HEX #940CCF

RGB 148 12 207

HSL 281.85, 0.89%, 0.43%

LAB 39.69, 74.26, -67.88

 

CMYK 0 / 75 / 94 / 19

HEX #CF330C

RGB 207 51 12

HSL 12, 0.89%, 0.43%

LAB 46.52, 59.11, 55.49

 

CMYK 66 / 0 / 94 / 19

HEX #46CF0C

RGB 70 207 12

HSL 102.15, 0.89%, 0.43%

LAB 73.52, -65.89, 70.9

 

Description

Color code: HEX #0CA6CF | qconv.com Color code: HEX #0CA6CF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 166 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 166 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 20 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 20% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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