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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CA153 it is the complementary color #F35EAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CA153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CA153 shade: #11A14E, #22B361, #33C574, #44D787 and #55E99A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CA153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CA153 shade: #0CA153, #008F40, #007D2D, #006B1A and #005907

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CA153 shade: #0CA153, #0CA12A, #15A10C, #3DA10C and #65A10C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CA153 shade: #0CA153, #0CA17B, #0C9EA1, #0C76A1 and #0C4EA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CA153 shade matches the following richer shades: #0CA153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CA153 shade: #0CA153, #1A9353, #288554, #367755 and #446955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CA153 shade: #16A10C, #0CA129, #0CA151, #0CA179 and #0CA1A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CA153 shade: #06542B, #097A3F, #0CA153, #0FC766 and #12ED7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CA153 shade: #0CA153, #0C3DA1 and #A1160C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CA153 shade: #0CA153, #510CA1 and #A1510C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CA153 shade: #0CA153, #0C3DA1, #A10C5B and #A16F0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CA153 shade: #0CA153, #0C11A1, #A10C5B and #A19C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

Complementary color

CMYK 0 / 61 / 29 / 5

HEX #F35EAC

RGB 243 94 172

HSL 328.59, 0.86%, 0.66%

LAB 61.69, 64.45, -11.96

 

CMYK 89 / 0 / 52 / 37

HEX #11A14E

RGB 17 161 78

HSL 145.42, 0.81%, 0.35%

LAB 58.19, -53.53, 33.37

 

CMYK 81 / 0 / 46 / 30

HEX #22B361

RGB 34 179 97

HSL 146.07, 0.68%, 0.42%

LAB 64.52, -55.03, 31.63

 

CMYK 74 / 0 / 41 / 23

HEX #33C574

RGB 51 197 116

HSL 146.71, 0.59%, 0.49%

LAB 70.8, -56, 29.99

 

CMYK 68 / 0 / 37 / 16

HEX #44D787

RGB 68 215 135

HSL 147.35, 0.65%, 0.55%

LAB 77.03, -56.6, 28.48

 

CMYK 64 / 0 / 34 / 9

HEX #55E99A

RGB 85 233 154

HSL 147.97, 0.77%, 0.62%

LAB 83.2, -56.94, 27.08

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 100 / 0 / 55 / 44

HEX #008F40

RGB 0 143 64

HSL 146.85, 1%, 0.28%

LAB 51.85, -50.69, 32.71

 

CMYK 100 / 0 / 64 / 51

HEX #007D2D

RGB 0 125 45

HSL 141.6, 1%, 0.25%

LAB 45.44, -47.47, 34.6

 

CMYK 100 / 0 / 76 / 58

HEX #006B1A

RGB 0 107 26

HSL 134.58, 1%, 0.21%

LAB 38.88, -43.82, 36.05

 

CMYK 100 / 0 / 92 / 65

HEX #005907

RGB 0 89 7

HSL 124.72, 1%, 0.17%

LAB 32.17, -39.54, 36.28

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 93 / 0 / 74 / 37

HEX #0CA12A

RGB 12 161 42

HSL 132.08, 0.86%, 0.34%

LAB 57.78, -58.36, 49.23

 

CMYK 87 / 0 / 93 / 37

HEX #15A10C

RGB 21 161 12

HSL 116.38, 0.86%, 0.34%

LAB 57.73, -59.38, 57.4

 

CMYK 62 / 0 / 93 / 37

HEX #3DA10C

RGB 61 161 12

HSL 100.27, 0.86%, 0.34%

LAB 58.52, -52.59, 58.38

 

CMYK 37 / 0 / 93 / 37

HEX #65A10C

RGB 101 161 12

HSL 84.16, 0.86%, 0.34%

LAB 60.14, -40.13, 60.39

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 93 / 0 / 24 / 37

HEX #0CA17B

RGB 12 161 123

HSL 164.7, 0.86%, 0.34%

LAB 58.97, -44.39, 10.01

 

CMYK 93 / 2 / 0 / 37

HEX #0C9EA1

RGB 12 158 161

HSL 181.21, 0.86%, 0.34%

LAB 59.07, -32.2, -11.33

 

CMYK 93 / 27 / 0 / 37

HEX #0C76A1

RGB 12 118 161

HSL 197.32, 0.86%, 0.34%

LAB 46.46, -11.18, -30.67

 

CMYK 93 / 52 / 0 / 37

HEX #0C4EA1

RGB 12 78 161

HSL 213.42, 0.86%, 0.34%

LAB 34.19, 14.14, -50.2

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 82 / 0 / 44 / 42

HEX #1A9353

RGB 26 147 83

HSL 148.26, 0.7%, 0.34%

LAB 53.72, -46.78, 25.07

 

CMYK 70 / 0 / 37 / 48

HEX #288554

RGB 40 133 84

HSL 148.39, 0.54%, 0.34%

LAB 49.33, -38.96, 18.76

 

CMYK 55 / 0 / 29 / 53

HEX #367755

RGB 54 119 85

HSL 148.62, 0.38%, 0.34%

LAB 45.13, -29.36, 12.52

 

CMYK 35 / 0 / 19 / 59

HEX #446955

RGB 68 105 85

HSL 147.57, 0.21%, 0.34%

LAB 41.2, -18.01, 7.11

 

CMYK 86 / 0 / 93 / 37

HEX #16A10C

RGB 22 161 12

HSL 115.97, 0.86%, 0.34%

LAB 57.74, -59.29, 57.41

 

CMYK 93 / 0 / 75 / 37

HEX #0CA129

RGB 12 161 41

HSL 131.68, 0.86%, 0.34%

LAB 57.78, -58.45, 49.59

 

CMYK 93 / 0 / 50 / 37

HEX #0CA151

RGB 12 161 81

HSL 147.79, 0.86%, 0.34%

LAB 58.19, -53.35, 31.82

 

CMYK 93 / 0 / 25 / 37

HEX #0CA179

RGB 12 161 121

HSL 163.89, 0.86%, 0.34%

LAB 58.93, -44.9, 11.07

 

CMYK 93 / 0 / 0 / 37

HEX #0CA1A1

RGB 12 161 161

HSL 180, 0.86%, 0.34%

LAB 60.02, -33.62, -9.91

 

CMYK 93 / 0 / 49 / 67

HEX #06542B

RGB 6 84 43

HSL 148.46, 0.87%, 0.18%

LAB 30.77, -32.42, 17.93

 

CMYK 93 / 0 / 48 / 52

HEX #097A3F

RGB 9 122 63

HSL 148.67, 0.86%, 0.26%

LAB 44.71, -42.84, 24.36

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 92 / 0 / 49 / 22

HEX #0FC766

RGB 15 199 102

HSL 148.37, 0.86%, 0.42%

LAB 70.81, -62.51, 37.04

 

CMYK 92 / 0 / 49 / 7

HEX #12ED7A

RGB 18 237 122

HSL 148.49, 0.86%, 0.5%

LAB 82.97, -71.49, 42.54

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 93 / 62 / 0 / 37

HEX #0C3DA1

RGB 12 61 161

HSL 220.27, 0.86%, 0.34%

LAB 29.38, 25.79, -58.02

 

CMYK 0 / 86 / 93 / 37

HEX #A1160C

RGB 161 22 12

HSL 4.03, 0.86%, 0.34%

LAB 34.35, 53.48, 43.15

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 50 / 93 / 0 / 37

HEX #510CA1

RGB 81 12 161

HSL 267.79, 0.86%, 0.34%

LAB 25.52, 56.75, -64.21

 

CMYK 0 / 50 / 93 / 37

HEX #A1510C

RGB 161 81 12

HSL 27.79, 0.86%, 0.34%

LAB 43.49, 29.14, 49.64

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 93 / 62 / 0 / 37

HEX #0C3DA1

RGB 12 61 161

HSL 220.27, 0.86%, 0.34%

LAB 29.38, 25.79, -58.02

 

CMYK 0 / 93 / 43 / 37

HEX #A10C5B

RGB 161 12 91

HSL 328.19, 0.86%, 0.34%

LAB 35.19, 59.48, -3.96

 

CMYK 0 / 31 / 93 / 37

HEX #A16F0C

RGB 161 111 12

HSL 39.87, 0.86%, 0.34%

LAB 50.66, 12.3, 54.98

 

CMYK 93 / 0 / 48 / 37

HEX #0CA153

RGB 12 161 83

HSL 148.59, 0.86%, 0.34%

LAB 58.22, -53, 30.82

 

CMYK 93 / 89 / 0 / 37

HEX #0C11A1

RGB 12 17 161

HSL 237.99, 0.86%, 0.34%

LAB 20.25, 51.16, -73.12

 

CMYK 0 / 93 / 43 / 37

HEX #A10C5B

RGB 161 12 91

HSL 328.19, 0.86%, 0.34%

LAB 35.19, 59.48, -3.96

 

CMYK 0 / 3 / 93 / 37

HEX #A19C0C

RGB 161 156 12

HSL 57.99, 0.86%, 0.34%

LAB 62.83, -12.51, 64.29

 

Description

Color code: HEX #0CA153 | qconv.com Color code: HEX #0CA153 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 161 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 161 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 48 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 48% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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