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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CBF06 it is the complementary color #F340F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CBF06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CBF06 shade: #11BF01, #22D114, #33E327, #44F53A and #55FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CBF06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CBF06 shade: #0CBF06, #00AD00, #009B00, #008900 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CBF06 shade: #0CC005, #3EC005, #70C005, #A3C005 and #C0AC05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CBF06 shade: #0CC005, #05C032, #05C064, #05C097 and #05B8C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CBF06 shade matches the following richer shades: #0CC005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CBF06 shade: #0CC005, #1BB016, #2AA026, #399036 and #488046

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CBF06 shade: #6FC005, #3EC005, #0CC005, #05C031 and #05C063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CBF06 shade: #077003, #099804, #0CC005, #0EE807 and #28F821

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CBF06 shade: #0CBF06, #05A1C0 and #C00556

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CBF06 shade: #0CBF06, #050CC0 and #C0050C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CBF06 shade: #0CBF06, #05A1C0, #BA05C0 and #C02505

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CBF06 shade: #0CBF06, #0569C0, #BA05C0 and #C05D05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 97 / 25

HEX #0CBF06

RGB 12 191 6

HSL 118.05, 0.94%, 0.39%

LAB 67.54, -68.69, 66.31

 

Complementary color

CMYK 2 / 74 / 0 / 2

HEX #F340F9

RGB 243 64 249

HSL 298.05, 0.94%, 0.61%

LAB 61.27, 85.83, -56.11

 

CMYK 91 / 0 / 99 / 25

HEX #11BF01

RGB 17 191 1

HSL 114.95, 0.99%, 0.38%

LAB 67.56, -68.51, 66.92

 

CMYK 84 / 0 / 90 / 18

HEX #22D114

RGB 34 209 20

HSL 115.56, 0.83%, 0.45%

LAB 73.54, -71.74, 69.59

 

CMYK 78 / 0 / 83 / 11

HEX #33E327

RGB 51 227 39

HSL 116.17, 0.77%, 0.52%

LAB 79.49, -74.23, 71.08

 

CMYK 72 / 0 / 76 / 4

HEX #44F53A

RGB 68 245 58

HSL 116.79, 0.9%, 0.59%

LAB 85.42, -76.07, 71.53

 

CMYK 67 / 0 / 70 / 0

HEX #55FF4D

RGB 85 255 77

HSL 117.3, 1%, 0.65%

LAB 88.92, -74.91, 68.84

 

CMYK 94 / 0 / 97 / 25

HEX #0CBF06

RGB 12 191 6

HSL 118.05, 0.94%, 0.39%

LAB 67.54, -68.69, 66.31

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 94 / 0 / 97 / 25

HEX #0CC005

RGB 12 192 5

HSL 117.75, 0.95%, 0.39%

LAB 67.86, -68.98, 66.69

 

CMYK 68 / 0 / 97 / 25

HEX #3EC005

RGB 62 192 5

HSL 101.71, 0.95%, 0.39%

LAB 68.56, -62.86, 67.54

 

CMYK 42 / 0 / 97 / 25

HEX #70C005

RGB 112 192 5

HSL 85.67, 0.95%, 0.39%

LAB 70.28, -49.19, 69.65

 

CMYK 15 / 0 / 97 / 25

HEX #A3C005

RGB 163 192 5

HSL 69.3, 0.95%, 0.39%

LAB 73.22, -29.69, 73.19

 

CMYK 0 / 10 / 97 / 25

HEX #C0AC05

RGB 192 172 5

HSL 53.58, 0.95%, 0.39%

LAB 69.98, -7.12, 71.8

 

CMYK 94 / 0 / 97 / 25

HEX #0CC005

RGB 12 192 5

HSL 117.75, 0.95%, 0.39%

LAB 67.86, -68.98, 66.69

 

CMYK 97 / 0 / 74 / 25

HEX #05C032

RGB 5 192 50

HSL 134.44, 0.95%, 0.39%

LAB 67.99, -67.2, 56.68

 

CMYK 97 / 0 / 48 / 25

HEX #05C064

RGB 5 192 100

HSL 150.48, 0.95%, 0.39%

LAB 68.5, -60.93, 35.12

 

CMYK 97 / 0 / 21 / 25

HEX #05C097

RGB 5 192 151

HSL 166.84, 0.95%, 0.39%

LAB 69.45, -50.1, 9.41

 

CMYK 97 / 4 / 0 / 25

HEX #05B8C0

RGB 5 184 192

HSL 182.57, 0.95%, 0.39%

LAB 68.11, -35, -15.05

 

CMYK 94 / 0 / 97 / 25

HEX #0CC005

RGB 12 192 5

HSL 117.75, 0.95%, 0.39%

LAB 67.86, -68.98, 66.69

 

CMYK 94 / 0 / 97 / 25

HEX #0CC005

RGB 12 192 5

HSL 117.75, 0.95%, 0.39%

LAB 67.86, -68.98, 66.69

 

CMYK 85 / 0 / 88 / 31

HEX #1BB016

RGB 27 176 22

HSL 118.05, 0.78%, 0.39%

LAB 62.79, -62.86, 59.92

 

CMYK 74 / 0 / 76 / 37

HEX #2AA026

RGB 42 160 38

HSL 118.03, 0.62%, 0.39%

LAB 57.82, -54.92, 50.85

 

CMYK 60 / 0 / 63 / 44

HEX #399036

RGB 57 144 54

HSL 118, 0.45%, 0.39%

LAB 53.04, -44.5, 39.26

 

CMYK 44 / 0 / 45 / 50

HEX #488046

RGB 72 128 70

HSL 117.93, 0.29%, 0.39%

LAB 48.58, -31.1, 25.81

 

CMYK 42 / 0 / 97 / 25

HEX #6FC005

RGB 111 192 5

HSL 85.99, 0.95%, 0.39%

LAB 70.24, -49.52, 69.59

 

CMYK 68 / 0 / 97 / 25

HEX #3EC005

RGB 62 192 5

HSL 101.71, 0.95%, 0.39%

LAB 68.56, -62.86, 67.54

 

CMYK 94 / 0 / 97 / 25

HEX #0CC005

RGB 12 192 5

HSL 117.75, 0.95%, 0.39%

LAB 67.86, -68.98, 66.69

 

CMYK 97 / 0 / 74 / 25

HEX #05C031

RGB 5 192 49

HSL 134.12, 0.95%, 0.39%

LAB 67.99, -67.28, 57.02

 

CMYK 97 / 0 / 48 / 25

HEX #05C063

RGB 5 192 99

HSL 150.16, 0.95%, 0.39%

LAB 68.48, -61.1, 35.6

 

CMYK 94 / 0 / 97 / 56

HEX #077003

RGB 7 112 3

HSL 117.8, 0.95%, 0.23%

LAB 40.64, -46.18, 44.69

 

CMYK 94 / 0 / 97 / 40

HEX #099804

RGB 9 152 4

HSL 117.97, 0.95%, 0.31%

LAB 54.58, -57.9, 55.97

 

CMYK 94 / 0 / 97 / 25

HEX #0CC005

RGB 12 192 5

HSL 117.75, 0.95%, 0.39%

LAB 67.86, -68.98, 66.69

 

CMYK 94 / 0 / 97 / 9

HEX #0EE807

RGB 14 232 7

HSL 118.13, 0.94%, 0.47%

LAB 80.64, -79.65, 76.9

 

CMYK 84 / 0 / 87 / 3

HEX #28F821

RGB 40 248 33

HSL 118.05, 0.94%, 0.55%

LAB 85.85, -81.61, 77.95

 

CMYK 94 / 0 / 97 / 25

HEX #0CBF06

RGB 12 191 6

HSL 118.05, 0.94%, 0.39%

LAB 67.54, -68.69, 66.31

 

CMYK 97 / 16 / 0 / 25

HEX #05A1C0

RGB 5 161 192

HSL 189.95, 0.95%, 0.39%

LAB 61.07, -23.71, -25.78

 

CMYK 0 / 97 / 55 / 25

HEX #C00556

RGB 192 5 86

HSL 334.01, 0.95%, 0.39%

LAB 41.2, 67.16, 8.74

 

CMYK 94 / 0 / 97 / 25

HEX #0CBF06

RGB 12 191 6

HSL 118.05, 0.94%, 0.39%

LAB 67.54, -68.69, 66.31

 

CMYK 97 / 94 / 0 / 25

HEX #050CC0

RGB 5 12 192

HSL 237.75, 0.95%, 0.39%

LAB 24, 61.3, -85.48

 

CMYK 0 / 97 / 94 / 25

HEX #C0050C

RGB 192 5 12

HSL 357.75, 0.95%, 0.39%

LAB 40.15, 64.31, 50.12

 

CMYK 94 / 0 / 97 / 25

HEX #0CBF06

RGB 12 191 6

HSL 118.05, 0.94%, 0.39%

LAB 67.54, -68.69, 66.31

 

CMYK 97 / 16 / 0 / 25

HEX #05A1C0

RGB 5 161 192

HSL 189.95, 0.95%, 0.39%

LAB 61.07, -23.71, -25.78

 

CMYK 3 / 97 / 0 / 25

HEX #BA05C0

RGB 186 5 192

HSL 298.07, 0.95%, 0.39%

LAB 44.74, 77.95, -50.67

 

CMYK 0 / 81 / 97 / 25

HEX #C02505

RGB 192 37 5

HSL 10.27, 0.95%, 0.39%

LAB 42.06, 58.7, 53.45

 

CMYK 94 / 0 / 97 / 25

HEX #0CBF06

RGB 12 191 6

HSL 118.05, 0.94%, 0.39%

LAB 67.54, -68.69, 66.31

 

CMYK 97 / 45 / 0 / 25

HEX #0569C0

RGB 5 105 192

HSL 207.91, 0.95%, 0.39%

LAB 44.15, 8.69, -52.41

 

CMYK 3 / 97 / 0 / 25

HEX #BA05C0

RGB 186 5 192

HSL 298.07, 0.95%, 0.39%

LAB 44.74, 77.95, -50.67

 

CMYK 0 / 52 / 97 / 25

HEX #C05D05

RGB 192 93 5

HSL 28.24, 0.95%, 0.39%

LAB 50.74, 35.56, 58.48

 

Description

Color code: HEX #0CBF06 | qconv.com Color code: HEX #0CBF06 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 191 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 191 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 97 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 97% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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