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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CC3B6 it is the complementary color #F33C49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CC3B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CC3B6 shade: #11C3B1, #22D5C4, #33E7D7, #44F9EA and #55FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CC3B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CC3B6 shade: #0CC3B6, #00B1A3, #009F90, #008D7D and #007B6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CC3B6 shade: #0CC4B7, #0CC485, #0CC454, #0CC422 and #28C40C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CC3B6 shade: #0CC4B7, #0C9FC4, #0C6EC4, #0C3CC4 and #0C0CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CC3B6 shade matches the following richer shades: #0CC4B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CC3B6 shade: #0CC4B7, #1DB3A8, #2EA29A, #3F918B and #50807D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CC3B6 shade: #0CC453, #0CC484, #0CC4B5, #0CA2C4 and #0C71C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CC3B6 shade: #07766F, #0A9D93, #0CC4B7, #0FEBDB and #31F1E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CC3B6 shade: #0CC3B6, #220CC4 and #C46B0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CC3B6 shade: #0CC3B6, #B50CC4 and #C4B50C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CC3B6 shade: #0CC3B6, #220CC4, #C40C1B and #AFC40C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CC3B6 shade: #0CC3B6, #590CC4, #C40C1B and #77C40C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 7 / 24

HEX #0CC3B6

RGB 12 195 182

HSL 175.74, 0.88%, 0.41%

LAB 71.2, -42.75, -4.94

 

Complementary color

CMYK 0 / 75 / 70 / 5

HEX #F33C49

RGB 243 60 73

HSL 355.74, 0.88%, 0.59%

LAB 54.83, 68.7, 36.31

 

CMYK 91 / 0 / 9 / 24

HEX #11C3B1

RGB 17 195 177

HSL 173.93, 0.84%, 0.42%

LAB 71.09, -43.97, -2.38

 

CMYK 84 / 0 / 8 / 16

HEX #22D5C4

RGB 34 213 196

HSL 174.3, 0.72%, 0.48%

LAB 77.23, -45.47, -3.62

 

CMYK 78 / 0 / 7 / 9

HEX #33E7D7

RGB 51 231 215

HSL 174.67, 0.79%, 0.55%

LAB 83.32, -46.63, -4.75

 

CMYK 73 / 0 / 6 / 2

HEX #44F9EA

RGB 68 249 234

HSL 175.03, 0.94%, 0.62%

LAB 89.36, -47.53, -5.78

 

CMYK 67 / 0 / 1 / 0

HEX #55FFFD

RGB 85 255 253

HSL 179.29, 1%, 0.67%

LAB 91.93, -42.98, -11.8

 

CMYK 94 / 0 / 7 / 24

HEX #0CC3B6

RGB 12 195 182

HSL 175.74, 0.88%, 0.41%

LAB 71.2, -42.75, -4.94

 

CMYK 100 / 0 / 8 / 31

HEX #00B1A3

RGB 0 177 163

HSL 175.25, 1%, 0.35%

LAB 65.03, -40.74, -3.59

 

CMYK 100 / 0 / 9 / 38

HEX #009F90

RGB 0 159 144

HSL 174.34, 1%, 0.31%

LAB 58.8, -38.32, -2.1

 

CMYK 100 / 0 / 11 / 45

HEX #008D7D

RGB 0 141 125

HSL 173.19, 1%, 0.28%

LAB 52.43, -35.86, -0.55

 

CMYK 100 / 0 / 14 / 52

HEX #007B6A

RGB 0 123 106

HSL 171.71, 1%, 0.24%

LAB 45.92, -33.34, 1.08

 

CMYK 94 / 0 / 7 / 23

HEX #0CC4B7

RGB 12 196 183

HSL 175.76, 0.88%, 0.41%

LAB 71.54, -42.9, -5

 

CMYK 94 / 0 / 32 / 23

HEX #0CC485

RGB 12 196 133

HSL 159.46, 0.88%, 0.41%

LAB 70.35, -55.63, 20.38

 

CMYK 94 / 0 / 57 / 23

HEX #0CC454

RGB 12 196 84

HSL 143.48, 0.88%, 0.41%

LAB 69.61, -64.4, 44.28

 

CMYK 94 / 0 / 83 / 23

HEX #0CC422

RGB 12 196 34

HSL 127.17, 0.88%, 0.41%

LAB 69.24, -69.11, 62.82

 

CMYK 80 / 0 / 94 / 23

HEX #28C40C

RGB 40 196 12

HSL 110.87, 0.88%, 0.41%

LAB 69.44, -67.54, 67.3

 

CMYK 94 / 0 / 7 / 23

HEX #0CC4B7

RGB 12 196 183

HSL 175.76, 0.88%, 0.41%

LAB 71.54, -42.9, -5

 

CMYK 94 / 19 / 0 / 23

HEX #0C9FC4

RGB 12 159 196

HSL 192.07, 0.88%, 0.41%

LAB 60.66, -21.06, -28.65

 

CMYK 94 / 44 / 0 / 23

HEX #0C6EC4

RGB 12 110 196

HSL 208.04, 0.88%, 0.41%

LAB 45.93, 7.36, -51.86

 

CMYK 94 / 69 / 0 / 23

HEX #0C3CC4

RGB 12 60 196

HSL 224.35, 0.88%, 0.41%

LAB 32.47, 40.02, -73.77

 

CMYK 94 / 94 / 0 / 23

HEX #0C0CC4

RGB 12 12 196

HSL 240, 0.88%, 0.41%

LAB 24.72, 62.44, -86.64

 

CMYK 94 / 0 / 7 / 23

HEX #0CC4B7

RGB 12 196 183

HSL 175.76, 0.88%, 0.41%

LAB 71.54, -42.9, -5

 

CMYK 94 / 0 / 7 / 23

HEX #0CC4B7

RGB 12 196 183

HSL 175.76, 0.88%, 0.41%

LAB 71.54, -42.9, -5

 

CMYK 84 / 0 / 6 / 30

HEX #1DB3A8

RGB 29 179 168

HSL 175.6, 0.72%, 0.41%

LAB 66, -38.78, -4.91

 

CMYK 72 / 0 / 5 / 36

HEX #2EA29A

RGB 46 162 154

HSL 175.86, 0.56%, 0.41%

LAB 60.56, -33.22, -5.09

 

CMYK 57 / 0 / 4 / 43

HEX #3F918B

RGB 63 145 139

HSL 175.61, 0.39%, 0.41%

LAB 55.25, -26.31, -4.36

 

CMYK 38 / 0 / 2 / 50

HEX #50807D

RGB 80 128 125

HSL 176.25, 0.23%, 0.41%

LAB 50.24, -16.97, -3.53

 

CMYK 94 / 0 / 58 / 23

HEX #0CC453

RGB 12 196 83

HSL 143.15, 0.88%, 0.41%

LAB 69.6, -64.53, 44.73

 

CMYK 94 / 0 / 33 / 23

HEX #0CC484

RGB 12 196 132

HSL 159.13, 0.88%, 0.41%

LAB 70.33, -55.85, 20.89

 

CMYK 94 / 0 / 8 / 23

HEX #0CC4B5

RGB 12 196 181

HSL 175.11, 0.88%, 0.41%

LAB 71.48, -43.47, -3.99

 

CMYK 94 / 17 / 0 / 23

HEX #0CA2C4

RGB 12 162 196

HSL 191.09, 0.88%, 0.41%

LAB 61.57, -22.62, -27.24

 

CMYK 94 / 42 / 0 / 23

HEX #0C71C4

RGB 12 113 196

HSL 207.07, 0.88%, 0.41%

LAB 46.81, 5.47, -50.45

 

CMYK 94 / 0 / 6 / 54

HEX #07766F

RGB 7 118 111

HSL 176.22, 0.89%, 0.25%

LAB 44.45, -29.03, -4.05

 

CMYK 94 / 0 / 6 / 38

HEX #0A9D93

RGB 10 157 147

HSL 175.92, 0.88%, 0.33%

LAB 58.31, -36.12, -4.52

 

CMYK 94 / 0 / 7 / 23

HEX #0CC4B7

RGB 12 196 183

HSL 175.76, 0.88%, 0.41%

LAB 71.54, -42.9, -5

 

CMYK 94 / 0 / 7 / 8

HEX #0FEBDB

RGB 15 235 219

HSL 175.64, 0.88%, 0.49%

LAB 84.29, -49.39, -5.45

 

CMYK 80 / 0 / 5 / 5

HEX #31F1E4

RGB 49 241 228

HSL 175.94, 0.87%, 0.57%

LAB 86.59, -47.56, -6.77

 

CMYK 94 / 0 / 7 / 24

HEX #0CC3B6

RGB 12 195 182

HSL 175.74, 0.88%, 0.41%

LAB 71.2, -42.75, -4.94

 

CMYK 83 / 94 / 0 / 23

HEX #220CC4

RGB 34 12 196

HSL 247.17, 0.88%, 0.41%

LAB 25.53, 62.84, -85.27

 

CMYK 0 / 45 / 94 / 23

HEX #C46B0C

RGB 196 107 12

HSL 30.98, 0.88%, 0.41%

LAB 54.32, 29.94, 59.73

 

CMYK 94 / 0 / 7 / 24

HEX #0CC3B6

RGB 12 195 182

HSL 175.74, 0.88%, 0.41%

LAB 71.2, -42.75, -4.94

 

CMYK 8 / 94 / 0 / 23

HEX #B50CC4

RGB 181 12 196

HSL 295.11, 0.88%, 0.41%

LAB 44.34, 77.12, -53.7

 

CMYK 0 / 8 / 94 / 23

HEX #C4B50C

RGB 196 181 12

HSL 55.11, 0.88%, 0.41%

LAB 72.77, -9.94, 73.22

 

CMYK 94 / 0 / 7 / 24

HEX #0CC3B6

RGB 12 195 182

HSL 175.74, 0.88%, 0.41%

LAB 71.2, -42.75, -4.94

 

CMYK 83 / 94 / 0 / 23

HEX #220CC4

RGB 34 12 196

HSL 247.17, 0.88%, 0.41%

LAB 25.53, 62.84, -85.27

 

CMYK 0 / 94 / 86 / 23

HEX #C40C1B

RGB 196 12 27

HSL 355.11, 0.88%, 0.41%

LAB 41.34, 64.85, 44.8

 

CMYK 11 / 0 / 94 / 23

HEX #AFC40C

RGB 175 196 12

HSL 66.85, 0.88%, 0.41%

LAB 75.21, -26.49, 74.36

 

CMYK 94 / 0 / 7 / 24

HEX #0CC3B6

RGB 12 195 182

HSL 175.74, 0.88%, 0.41%

LAB 71.2, -42.75, -4.94

 

CMYK 55 / 94 / 0 / 23

HEX #590CC4

RGB 89 12 196

HSL 265.11, 0.88%, 0.41%

LAB 30.33, 65.69, -77.15

 

CMYK 0 / 94 / 86 / 23

HEX #C40C1B

RGB 196 12 27

HSL 355.11, 0.88%, 0.41%

LAB 41.34, 64.85, 44.8

 

CMYK 39 / 0 / 94 / 23

HEX #77C40C

RGB 119 196 12

HSL 85.11, 0.88%, 0.41%

LAB 71.84, -48.29, 70.26

 

Description

Color code: HEX #0CC3B6 | qconv.com Color code: HEX #0CC3B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 195 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 195 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 7 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 7% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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