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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CCE71 it is the complementary color #F3318E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CCE71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CCE71 shade: #11CE6C, #22E07F, #33F292, #44FFA5 and #55FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CCE71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CCE71 shade: #0CCE71, #00BC5E, #00AA4B, #009838 and #008625

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CCE71 shade: #0CCF71, #0CCF3D, #0FCF0C, #44CF0C and #78CF0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CCE71 shade: #0CCF71, #0CCFA6, #0CC3CF, #0C8ECF and #0C5ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CCE71 shade matches the following richer shades: #0CCF71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CCE71 shade: #0CCF71, #1DBD70, #2FAB70, #419A6F and #53886E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CCE71 shade: #0FCF0C, #0CCF3C, #0CCF70, #0CCFA4 and #0CC5CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CCE71 shade: #078146, #09A85C, #0CCF71, #13F186 and #3AF39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CCE71 shade: #0CCE71, #0C43CF and #CF220C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CCE71 shade: #0CCE71, #700CCF and #CF700C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CCE71 shade: #0CCE71, #0C43CF, #CF0C6A and #CF970C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CCE71 shade: #0CCE71, #0F0CCF, #CF0C6A and #CBCF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

Complementary color

CMYK 0 / 80 / 42 / 5

HEX #F3318E

RGB 243 49 142

HSL 331.24, 0.89%, 0.57%

LAB 55.28, 76.42, -3.99

 

CMYK 92 / 0 / 48 / 19

HEX #11CE6C

RGB 17 206 108

HSL 148.89, 0.85%, 0.44%

LAB 73.12, -63.73, 36.97

 

CMYK 85 / 0 / 43 / 12

HEX #22E07F

RGB 34 224 127

HSL 149.37, 0.75%, 0.51%

LAB 79.15, -65.4, 35.24

 

CMYK 79 / 0 / 40 / 5

HEX #33F292

RGB 51 242 146

HSL 149.84, 0.88%, 0.57%

LAB 85.14, -66.62, 33.61

 

CMYK 73 / 0 / 35 / 0

HEX #44FFA5

RGB 68 255 165

HSL 151.12, 1%, 0.63%

LAB 89.61, -65.71, 30.09

 

CMYK 67 / 0 / 28 / 0

HEX #55FFB8

RGB 85 255 184

HSL 154.94, 1%, 0.67%

LAB 90.28, -59.5, 21.44

 

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

CMYK 100 / 0 / 50 / 26

HEX #00BC5E

RGB 0 188 94

HSL 150, 1%, 0.37%

LAB 67.11, -60.81, 36.37

 

CMYK 100 / 0 / 56 / 33

HEX #00AA4B

RGB 0 170 75

HSL 146.47, 1%, 0.33%

LAB 61.01, -57.91, 38.29

 

CMYK 100 / 0 / 63 / 40

HEX #009838

RGB 0 152 56

HSL 142.11, 1%, 0.3%

LAB 54.81, -54.77, 40.09

 

CMYK 100 / 0 / 72 / 47

HEX #008625

RGB 0 134 37

HSL 136.57, 1%, 0.26%

LAB 48.49, -51.28, 41.53

 

CMYK 94 / 0 / 45 / 19

HEX #0CCF71

RGB 12 207 113

HSL 151.08, 0.89%, 0.43%

LAB 73.48, -63.43, 34.92

 

CMYK 94 / 0 / 71 / 19

HEX #0CCF3D

RGB 12 207 61

HSL 135.08, 0.89%, 0.43%

LAB 72.92, -70.31, 57.74

 

CMYK 93 / 0 / 94 / 19

HEX #0FCF0C

RGB 15 207 12

HSL 119.08, 0.89%, 0.43%

LAB 72.73, -72.8, 69.93

 

CMYK 67 / 0 / 94 / 19

HEX #44CF0C

RGB 68 207 12

HSL 102.77, 0.89%, 0.43%

LAB 73.47, -66.3, 70.84

 

CMYK 42 / 0 / 94 / 19

HEX #78CF0C

RGB 120 207 12

HSL 86.77, 0.89%, 0.43%

LAB 75.23, -52.33, 73.01

 

CMYK 94 / 0 / 45 / 19

HEX #0CCF71

RGB 12 207 113

HSL 151.08, 0.89%, 0.43%

LAB 73.48, -63.43, 34.92

 

CMYK 94 / 0 / 20 / 19

HEX #0CCFA6

RGB 12 207 166

HSL 167.38, 0.89%, 0.43%

LAB 74.48, -52.06, 8.49

 

CMYK 94 / 6 / 0 / 19

HEX #0CC3CF

RGB 12 195 207

HSL 183.69, 0.89%, 0.43%

LAB 71.97, -35.27, -17.44

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 94 / 57 / 0 / 19

HEX #0C5ACF

RGB 12 90 207

HSL 216, 0.89%, 0.43%

LAB 41.05, 24.72, -66.09

 

CMYK 94 / 0 / 45 / 19

HEX #0CCF71

RGB 12 207 113

HSL 151.08, 0.89%, 0.43%

LAB 73.48, -63.43, 34.92

 

CMYK 94 / 0 / 45 / 19

HEX #0CCF71

RGB 12 207 113

HSL 151.08, 0.89%, 0.43%

LAB 73.48, -63.43, 34.92

 

CMYK 85 / 0 / 41 / 26

HEX #1DBD70

RGB 29 189 112

HSL 151.13, 0.73%, 0.43%

LAB 67.89, -56.35, 28.2

 

CMYK 73 / 0 / 35 / 33

HEX #2FAB70

RGB 47 171 112

HSL 151.45, 0.57%, 0.43%

LAB 62.42, -47.43, 20.94

 

CMYK 58 / 0 / 28 / 40

HEX #419A6F

RGB 65 154 111

HSL 151.01, 0.41%, 0.43%

LAB 57.45, -37.07, 14.75

 

CMYK 39 / 0 / 19 / 47

HEX #53886E

RGB 83 136 110

HSL 150.57, 0.24%, 0.43%

LAB 52.48, -23.86, 8.46

 

CMYK 93 / 0 / 94 / 19

HEX #0FCF0C

RGB 15 207 12

HSL 119.08, 0.89%, 0.43%

LAB 72.73, -72.8, 69.93

 

CMYK 94 / 0 / 71 / 19

HEX #0CCF3C

RGB 12 207 60

HSL 134.77, 0.89%, 0.43%

LAB 72.91, -70.4, 58.11

 

CMYK 94 / 0 / 46 / 19

HEX #0CCF70

RGB 12 207 112

HSL 150.77, 0.89%, 0.43%

LAB 73.46, -63.61, 35.4

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA4

RGB 12 207 164

HSL 166.77, 0.89%, 0.43%

LAB 74.43, -52.56, 9.49

 

CMYK 94 / 5 / 0 / 19

HEX #0CC5CF

RGB 12 197 207

HSL 183.08, 0.89%, 0.43%

LAB 72.57, -36.2, -16.53

 

CMYK 95 / 0 / 46 / 49

HEX #078146

RGB 7 129 70

HSL 150.98, 0.9%, 0.27%

LAB 47.22, -44.24, 23.72

 

CMYK 95 / 0 / 45 / 34

HEX #09A85C

RGB 9 168 92

HSL 151.32, 0.9%, 0.35%

LAB 60.64, -53.98, 29.19

 

CMYK 94 / 0 / 45 / 19

HEX #0CCF71

RGB 12 207 113

HSL 151.08, 0.89%, 0.43%

LAB 73.48, -63.43, 34.92

 

CMYK 92 / 0 / 44 / 5

HEX #13F186

RGB 19 241 134

HSL 151.08, 0.89%, 0.51%

LAB 84.37, -70.76, 38.49

 

CMYK 76 / 0 / 37 / 5

HEX #3AF39A

RGB 58 243 154

HSL 151.14, 0.89%, 0.59%

LAB 85.67, -64.71, 30.31

 

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

CMYK 94 / 68 / 0 / 19

HEX #0C43CF

RGB 12 67 207

HSL 223.08, 0.89%, 0.43%

LAB 35.2, 39.69, -75.68

 

CMYK 0 / 84 / 94 / 19

HEX #CF220C

RGB 207 34 12

HSL 6.77, 0.89%, 0.43%

LAB 44.85, 63.82, 54.5

 

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

CMYK 46 / 94 / 0 / 19

HEX #700CCF

RGB 112 12 207

HSL 270.77, 0.89%, 0.43%

LAB 34.42, 70.2, -76.73

 

CMYK 0 / 46 / 94 / 19

HEX #CF700C

RGB 207 112 12

HSL 30.77, 0.89%, 0.43%

LAB 56.96, 31.88, 62.29

 

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

CMYK 94 / 68 / 0 / 19

HEX #0C43CF

RGB 12 67 207

HSL 223.08, 0.89%, 0.43%

LAB 35.2, 39.69, -75.68

 

CMYK 0 / 94 / 49 / 19

HEX #CF0C6A

RGB 207 12 106

HSL 331.08, 0.89%, 0.43%

LAB 45.04, 71.43, 2.07

 

CMYK 0 / 27 / 94 / 19

HEX #CF970C

RGB 207 151 12

HSL 42.77, 0.89%, 0.43%

LAB 66.08, 10.85, 68.75

 

CMYK 94 / 0 / 45 / 19

HEX #0CCE71

RGB 12 206 113

HSL 151.24, 0.89%, 0.43%

LAB 73.16, -63.1, 34.51

 

CMYK 93 / 94 / 0 / 19

HEX #0F0CCF

RGB 15 12 207

HSL 240.92, 0.89%, 0.43%

LAB 26.36, 65.36, -90.35

 

CMYK 0 / 94 / 49 / 19

HEX #CF0C6A

RGB 207 12 106

HSL 331.08, 0.89%, 0.43%

LAB 45.04, 71.43, 2.07

 

CMYK 2 / 0 / 94 / 19

HEX #CBCF0C

RGB 203 207 12

HSL 61.23, 0.89%, 0.43%

LAB 80.38, -20, 79.24

 

Description

Color code: HEX #0CCE71 | qconv.com Color code: HEX #0CCE71 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 206 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 206 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 45 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 45% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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