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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CCEA3 it is the complementary color #F3315C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CCEA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CCEA3 shade: #11CE9E, #22E0B1, #33F2C4, #44FFD7 and #55FFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CCEA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CCEA3 shade: #0CCEA3, #00BC90, #00AA7D, #00986A and #008657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CCEA3 shade: #0CCFA3, #0CCF6F, #0CCF3A, #12CF0C and #46CF0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CCEA3 shade: #0CCFA3, #0CC5CF, #0C91CF, #0C5CCF and #0C27CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CCEA3 shade matches the following richer shades: #0CCFA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CCEA3 shade: #0CCFA3, #1DBD9A, #2FAB90, #419A86 and #53887C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CCEA3 shade: #0CCF39, #0CCF6D, #0CCFA1, #0CC8CF and #0C94CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CCEA3 shade: #078166, #09A885, #0CCFA3, #13F1C0 and #3AF3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CCEA3 shade: #0CCEA3, #0C12CF and #CF530C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CCEA3 shade: #0CCEA3, #A10CCF and #CFA10C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CCEA3 shade: #0CCEA3, #0C12CF, #CF0C39 and #CFC80C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CCEA3 shade: #0CCEA3, #400CCF, #CF0C39 and #9BCF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 21 / 19

HEX #0CCEA3

RGB 12 206 163

HSL 166.7, 0.89%, 0.43%

LAB 74.1, -52.41, 9.56

 

Complementary color

CMYK 0 / 80 / 62 / 5

HEX #F3315C

RGB 243 49 92

HSL 346.7, 0.89%, 0.57%

LAB 54.05, 72.72, 24.18

 

CMYK 92 / 0 / 23 / 19

HEX #11CE9E

RGB 17 206 158

HSL 164.76, 0.85%, 0.44%

LAB 74.02, -53.44, 12.12

 

CMYK 85 / 0 / 21 / 12

HEX #22E0B1

RGB 34 224 177

HSL 165.16, 0.75%, 0.51%

LAB 80.08, -54.91, 10.64

 

CMYK 79 / 0 / 19 / 5

HEX #33F2C4

RGB 51 242 196

HSL 165.55, 0.88%, 0.57%

LAB 86.1, -56.02, 9.28

 

CMYK 73 / 0 / 16 / 0

HEX #44FFD7

RGB 68 255 215

HSL 167.17, 1%, 0.63%

LAB 90.62, -54.85, 5.94

 

CMYK 67 / 0 / 8 / 0

HEX #55FFEA

RGB 85 255 234

HSL 172.59, 1%, 0.67%

LAB 91.41, -47.95, -2.71

 

CMYK 94 / 0 / 21 / 19

HEX #0CCEA3

RGB 12 206 163

HSL 166.7, 0.89%, 0.43%

LAB 74.1, -52.41, 9.56

 

CMYK 100 / 0 / 23 / 26

HEX #00BC90

RGB 0 188 144

HSL 165.96, 1%, 0.37%

LAB 68.01, -50.44, 11.17

 

CMYK 100 / 0 / 26 / 33

HEX #00AA7D

RGB 0 170 125

HSL 164.12, 1%, 0.33%

LAB 61.85, -48.03, 12.94

 

CMYK 100 / 0 / 30 / 40

HEX #00986A

RGB 0 152 106

HSL 161.84, 1%, 0.3%

LAB 55.58, -45.55, 14.79

 

CMYK 100 / 0 / 35 / 47

HEX #008657

RGB 0 134 87

HSL 158.96, 1%, 0.26%

LAB 49.18, -42.98, 16.75

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA3

RGB 12 207 163

HSL 166.46, 0.89%, 0.43%

LAB 74.41, -52.81, 10

 

CMYK 94 / 0 / 46 / 19

HEX #0CCF6F

RGB 12 207 111

HSL 150.46, 0.89%, 0.43%

LAB 73.45, -63.78, 35.89

 

CMYK 94 / 0 / 72 / 19

HEX #0CCF3A

RGB 12 207 58

HSL 134.15, 0.89%, 0.43%

LAB 72.9, -70.58, 58.83

 

CMYK 91 / 0 / 94 / 19

HEX #12CF0C

RGB 18 207 12

HSL 118.15, 0.89%, 0.43%

LAB 72.75, -72.64, 69.95

 

CMYK 66 / 0 / 94 / 19

HEX #46CF0C

RGB 70 207 12

HSL 102.15, 0.89%, 0.43%

LAB 73.52, -65.89, 70.9

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA3

RGB 12 207 163

HSL 166.46, 0.89%, 0.43%

LAB 74.41, -52.81, 10

 

CMYK 94 / 5 / 0 / 19

HEX #0CC5CF

RGB 12 197 207

HSL 183.08, 0.89%, 0.43%

LAB 72.57, -36.2, -16.53

 

CMYK 94 / 30 / 0 / 19

HEX #0C91CF

RGB 12 145 207

HSL 199.08, 0.89%, 0.43%

LAB 56.91, -9.44, -40.67

 

CMYK 94 / 56 / 0 / 19

HEX #0C5CCF

RGB 12 92 207

HSL 215.38, 0.89%, 0.43%

LAB 41.59, 23.41, -65.21

 

CMYK 94 / 81 / 0 / 19

HEX #0C27CF

RGB 12 39 207

HSL 231.69, 0.89%, 0.43%

LAB 29.5, 55.69, -85.12

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA3

RGB 12 207 163

HSL 166.46, 0.89%, 0.43%

LAB 74.41, -52.81, 10

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA3

RGB 12 207 163

HSL 166.46, 0.89%, 0.43%

LAB 74.41, -52.81, 10

 

CMYK 85 / 0 / 19 / 26

HEX #1DBD9A

RGB 29 189 154

HSL 166.88, 0.73%, 0.43%

LAB 68.74, -46.91, 6.79

 

CMYK 73 / 0 / 16 / 33

HEX #2FAB90

RGB 47 171 144

HSL 166.94, 0.57%, 0.43%

LAB 63.13, -39.92, 4.27

 

CMYK 58 / 0 / 13 / 40

HEX #419A86

RGB 65 154 134

HSL 166.52, 0.41%, 0.43%

LAB 58, -31.61, 2.53

 

CMYK 39 / 0 / 9 / 47

HEX #53887C

RGB 83 136 124

HSL 166.42, 0.24%, 0.43%

LAB 52.84, -20.6, 0.88

 

CMYK 94 / 0 / 72 / 19

HEX #0CCF39

RGB 12 207 57

HSL 133.85, 0.89%, 0.43%

LAB 72.89, -70.66, 59.18

 

CMYK 94 / 0 / 47 / 19

HEX #0CCF6D

RGB 12 207 109

HSL 149.85, 0.89%, 0.43%

LAB 73.42, -64.12, 36.85

 

CMYK 94 / 0 / 22 / 19

HEX #0CCFA1

RGB 12 207 161

HSL 165.85, 0.89%, 0.43%

LAB 74.37, -53.3, 11.01

 

CMYK 94 / 3 / 0 / 19

HEX #0CC8CF

RGB 12 200 207

HSL 182.15, 0.89%, 0.43%

LAB 73.48, -37.59, -15.16

 

CMYK 94 / 29 / 0 / 19

HEX #0C94CF

RGB 12 148 207

HSL 198.15, 0.89%, 0.43%

LAB 57.81, -11.14, -39.26

 

CMYK 95 / 0 / 21 / 49

HEX #078166

RGB 7 129 102

HSL 166.72, 0.9%, 0.27%

LAB 47.89, -36.71, 6.28

 

CMYK 95 / 0 / 21 / 34

HEX #09A885

RGB 9 168 133

HSL 166.79, 0.9%, 0.35%

LAB 61.44, -44.83, 7.92

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA3

RGB 12 207 163

HSL 166.46, 0.89%, 0.43%

LAB 74.41, -52.81, 10

 

CMYK 92 / 0 / 20 / 5

HEX #13F1C0

RGB 19 241 192

HSL 166.76, 0.89%, 0.51%

LAB 85.43, -58.68, 10.37

 

CMYK 76 / 0 / 17 / 5

HEX #3AF3CA

RGB 58 243 202

HSL 166.7, 0.89%, 0.59%

LAB 86.64, -54.27, 6.93

 

CMYK 94 / 0 / 21 / 19

HEX #0CCEA3

RGB 12 206 163

HSL 166.7, 0.89%, 0.43%

LAB 74.1, -52.41, 9.56

 

CMYK 94 / 91 / 0 / 19

HEX #0C12CF

RGB 12 18 207

HSL 238.15, 0.89%, 0.43%

LAB 26.78, 63.84, -89.65

 

CMYK 0 / 60 / 94 / 19

HEX #CF530C

RGB 207 83 12

HSL 21.85, 0.89%, 0.43%

LAB 51.24, 46.35, 58.45

 

CMYK 94 / 0 / 21 / 19

HEX #0CCEA3

RGB 12 206 163

HSL 166.7, 0.89%, 0.43%

LAB 74.1, -52.41, 9.56

 

CMYK 22 / 94 / 0 / 19

HEX #A10CCF

RGB 161 12 207

HSL 285.85, 0.89%, 0.43%

LAB 41.76, 75.99, -64.42

 

CMYK 0 / 22 / 94 / 19

HEX #CFA10C

RGB 207 161 12

HSL 45.85, 0.89%, 0.43%

LAB 68.59, 5.47, 70.59

 

CMYK 94 / 0 / 21 / 19

HEX #0CCEA3

RGB 12 206 163

HSL 166.7, 0.89%, 0.43%

LAB 74.1, -52.41, 9.56

 

CMYK 94 / 91 / 0 / 19

HEX #0C12CF

RGB 12 18 207

HSL 238.15, 0.89%, 0.43%

LAB 26.78, 63.84, -89.65

 

CMYK 0 / 94 / 72 / 19

HEX #CF0C39

RGB 207 12 57

HSL 346.15, 0.89%, 0.43%

LAB 43.98, 68.53, 31.14

 

CMYK 0 / 3 / 94 / 19

HEX #CFC80C

RGB 207 200 12

HSL 57.85, 0.89%, 0.43%

LAB 78.81, -14.82, 78.2

 

CMYK 94 / 0 / 21 / 19

HEX #0CCEA3

RGB 12 206 163

HSL 166.7, 0.89%, 0.43%

LAB 74.1, -52.41, 9.56

 

CMYK 69 / 94 / 0 / 19

HEX #400CCF

RGB 64 12 207

HSL 256, 0.89%, 0.43%

LAB 29.05, 66.74, -85.79

 

CMYK 0 / 94 / 72 / 19

HEX #CF0C39

RGB 207 12 57

HSL 346.15, 0.89%, 0.43%

LAB 43.98, 68.53, 31.14

 

CMYK 25 / 0 / 94 / 19

HEX #9BCF0C

RGB 155 207 12

HSL 76, 0.89%, 0.43%

LAB 77.05, -39.68, 75.23

 

Description

Color code: HEX #0CCEA3 | qconv.com Color code: HEX #0CCEA3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 206 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 206 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 21 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 21% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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