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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CD83C it is the complementary color #F327C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CD83C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CD83C shade: #11D837, #22EA4A, #33FC5D, #44FF70 and #55FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CD83C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CD83C shade: #0CD83C, #00C629, #00B416, #00A203 and #009000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CD83C shade: #0CD83C, #13D80C, #4AD80C, #81D80C and #B8D80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CD83C shade: #0CD83C, #0CD873, #0CD8AA, #0CCFD8 and #0C98D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CD83C shade matches the following richer shades: #0CD83C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CD83C shade: #0CD83C, #1FC646, #31B350, #44A15A and #568E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CD83C shade: #49D80C, #13D80C, #0CD83C, #0CD872 and #0CD8A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CD83C shade: #088A26, #0AB131, #0CD83C, #1CF14F and #43F46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CD83C shade: #0CD83C, #0C80D8 and #D80C2E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CD83C shade: #0CD83C, #3C0CD8 and #D83C0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CD83C shade: #0CD83C, #0C80D8, #D80CA9 and #D8650C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CD83C shade: #0CD83C, #0C43D8, #D80CA9 and #D8A20C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

Complementary color

CMYK 0 / 84 / 20 / 5

HEX #F327C3

RGB 243 39 195

HSL 314.12, 0.89%, 0.55%

LAB 56.53, 84.26, -33.1

 

CMYK 92 / 0 / 75 / 15

HEX #11D837

RGB 17 216 55

HSL 131.46, 0.85%, 0.46%

LAB 75.77, -73.16, 62.79

 

CMYK 85 / 0 / 68 / 8

HEX #22EA4A

RGB 34 234 74

HSL 132, 0.83%, 0.53%

LAB 81.66, -75.62, 62.09

 

CMYK 80 / 0 / 63 / 1

HEX #33FC5D

RGB 51 252 93

HSL 132.54, 0.97%, 0.59%

LAB 87.54, -77.47, 61.03

 

CMYK 73 / 0 / 56 / 0

HEX #44FF70

RGB 68 255 112

HSL 134.12, 1%, 0.63%

LAB 88.88, -74.09, 54.52

 

CMYK 67 / 0 / 49 / 0

HEX #55FF83

RGB 85 255 131

HSL 136.24, 1%, 0.67%

LAB 89.44, -68.84, 46.54

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 100 / 0 / 79 / 22

HEX #00C629

RGB 0 198 41

HSL 132.42, 1%, 0.39%

LAB 69.86, -69.77, 61.43

 

CMYK 100 / 0 / 88 / 29

HEX #00B416

RGB 0 180 22

HSL 127.33, 1%, 0.35%

LAB 63.92, -65.74, 60.83

 

CMYK 100 / 0 / 98 / 36

HEX #00A203

RGB 0 162 3

HSL 121.11, 1%, 0.32%

LAB 57.89, -61.3, 58.8

 

CMYK 100 / 0 / 100 / 44

HEX #009000

RGB 0 144 0

HSL 120, 1%, 0.28%

LAB 51.78, -56.31, 54.35

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 91 / 0 / 94 / 15

HEX #13D80C

RGB 19 216 12

HSL 117.94, 0.89%, 0.45%

LAB 75.62, -75.04, 72.34

 

CMYK 66 / 0 / 94 / 15

HEX #4AD80C

RGB 74 216 12

HSL 101.76, 0.89%, 0.45%

LAB 76.43, -67.93, 73.33

 

CMYK 40 / 0 / 94 / 15

HEX #81D80C

RGB 129 216 12

HSL 85.59, 0.89%, 0.45%

LAB 78.35, -52.87, 75.68

 

CMYK 15 / 0 / 94 / 15

HEX #B8D80C

RGB 184 216 12

HSL 69.41, 0.89%, 0.45%

LAB 81.47, -32.21, 79.47

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 94 / 0 / 47 / 15

HEX #0CD873

RGB 12 216 115

HSL 150.29, 0.89%, 0.45%

LAB 76.33, -66.07, 37.57

 

CMYK 94 / 0 / 21 / 15

HEX #0CD8AA

RGB 12 216 170

HSL 166.47, 0.89%, 0.45%

LAB 77.34, -54.61, 10.42

 

CMYK 94 / 4 / 0 / 15

HEX #0CCFD8

RGB 12 207 216

HSL 182.65, 0.89%, 0.45%

LAB 75.86, -38.05, -16.44

 

CMYK 94 / 30 / 0 / 15

HEX #0C98D8

RGB 12 152 216

HSL 198.82, 0.89%, 0.45%

LAB 59.43, -10.08, -41.76

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 84 / 0 / 65 / 22

HEX #1FC646

RGB 31 198 70

HSL 134.01, 0.73%, 0.45%

LAB 70.26, -65.45, 51.32

 

CMYK 73 / 0 / 55 / 30

HEX #31B350

RGB 49 179 80

HSL 134.31, 0.57%, 0.45%

LAB 64.54, -55.66, 40.24

 

CMYK 58 / 0 / 44 / 37

HEX #44A15A

RGB 68 161 90

HSL 134.19, 0.41%, 0.45%

LAB 59.39, -43.41, 28.86

 

CMYK 39 / 0 / 30 / 44

HEX #568E64

RGB 86 142 100

HSL 135, 0.25%, 0.45%

LAB 54.29, -27.97, 16.72

 

CMYK 66 / 0 / 94 / 15

HEX #49D80C

RGB 73 216 12

HSL 102.06, 0.89%, 0.45%

LAB 76.41, -68.13, 73.3

 

CMYK 91 / 0 / 94 / 15

HEX #13D80C

RGB 19 216 12

HSL 117.94, 0.89%, 0.45%

LAB 75.62, -75.04, 72.34

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 94 / 0 / 47 / 15

HEX #0CD872

RGB 12 216 114

HSL 150, 0.89%, 0.45%

LAB 76.32, -66.24, 38.04

 

CMYK 94 / 0 / 22 / 15

HEX #0CD8A9

RGB 12 216 169

HSL 166.18, 0.89%, 0.45%

LAB 77.31, -54.85, 10.92

 

CMYK 94 / 0 / 72 / 46

HEX #088A26

RGB 8 138 38

HSL 133.85, 0.89%, 0.29%

LAB 49.94, -51.87, 42.66

 

CMYK 94 / 0 / 72 / 31

HEX #0AB131

RGB 10 177 49

HSL 134.01, 0.89%, 0.37%

LAB 63.12, -62.66, 52.07

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 88 / 0 / 67 / 5

HEX #1CF14F

RGB 28 241 79

HSL 134.37, 0.88%, 0.53%

LAB 83.82, -77.62, 62.46

 

CMYK 73 / 0 / 55 / 4

HEX #43F46D

RGB 67 244 109

HSL 134.24, 0.89%, 0.61%

LAB 85.5, -71.04, 51.84

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 94 / 41 / 0 / 15

HEX #0C80D8

RGB 12 128 216

HSL 205.88, 0.89%, 0.45%

LAB 52.37, 4.01, -52.95

 

CMYK 0 / 94 / 79 / 15

HEX #D80C2E

RGB 216 12 46

HSL 350, 0.89%, 0.45%

LAB 45.72, 70.38, 40.11

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 72 / 94 / 0 / 15

HEX #3C0CD8

RGB 60 12 216

HSL 254.12, 0.89%, 0.45%

LAB 29.87, 68.79, -89.67

 

CMYK 0 / 72 / 94 / 15

HEX #D83C0C

RGB 216 60 12

HSL 14.12, 0.89%, 0.45%

LAB 49.32, 58.87, 58.04

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 94 / 41 / 0 / 15

HEX #0C80D8

RGB 12 128 216

HSL 205.88, 0.89%, 0.45%

LAB 52.37, 4.01, -52.95

 

CMYK 0 / 94 / 22 / 15

HEX #D80CA9

RGB 216 12 169

HSL 313.82, 0.89%, 0.45%

LAB 49.16, 79.59, -29.78

 

CMYK 0 / 53 / 94 / 15

HEX #D8650C

RGB 216 101 12

HSL 26.18, 0.89%, 0.45%

LAB 56.02, 41.13, 62.29

 

CMYK 94 / 0 / 72 / 15

HEX #0CD83C

RGB 12 216 60

HSL 134.12, 0.89%, 0.45%

LAB 75.77, -72.99, 61.06

 

CMYK 94 / 69 / 0 / 15

HEX #0C43D8

RGB 12 67 216

HSL 223.82, 0.89%, 0.45%

LAB 36.08, 43.01, -79.42

 

CMYK 0 / 94 / 22 / 15

HEX #D80CA9

RGB 216 12 169

HSL 313.82, 0.89%, 0.45%

LAB 49.16, 79.59, -29.78

 

CMYK 0 / 25 / 94 / 15

HEX #D8A20C

RGB 216 162 12

HSL 44.12, 0.89%, 0.45%

LAB 69.8, 8.9, 71.9

 

Description

Color code: HEX #0CD83C | qconv.com Color code: HEX #0CD83C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 216 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 216 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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