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Color name
HEX #0CD897

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CD897 it is the complementary color #F32768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CD897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CD897 shade: #11D892, #22EAA5, #33FCB8, #44FFCB and #55FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CD897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CD897 shade: #0CD897, #00C684, #00B471, #00A25E and #00904B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CD897 shade: #0CD897, #0CD860, #0CD829, #26D80C and #5DD80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CD897 shade: #0CD897, #0CD8CE, #0CABD8, #0C74D8 and #0C3DD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CD897 shade matches the following richer shades: #0CD897

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CD897 shade: #0CD897, #1FC691, #31B38A, #44A183 and #568E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CD897 shade: #0CD827, #0CD85E, #0CD894, #0CD8CB and #0CB0D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CD897 shade: #088A61, #0AB17C, #0CD897, #1CF1AD and #43F4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CD897 shade: #0CD897, #0C27D8 and #D8430C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CD897 shade: #0CD897, #940CD8 and #D8940C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CD897 shade: #0CD897, #0C27D8, #D80C50 and #D8BD0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CD897 shade: #0CD897, #2E0CD8, #D80C50 and #B6D80C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

Complementary color

CMYK 0 / 84 / 57 / 5

HEX #F32768

RGB 243 39 104

HSL 340.88, 0.89%, 0.55%

LAB 53.5, 75.71, 16.23

 

CMYK 92 / 0 / 32 / 15

HEX #11D892

RGB 17 216 146

HSL 158.89, 0.85%, 0.46%

LAB 76.86, -59.94, 22.44

 

CMYK 85 / 0 / 29 / 8

HEX #22EAA5

RGB 34 234 165

HSL 159.3, 0.83%, 0.53%

LAB 82.86, -61.46, 20.81

 

CMYK 80 / 0 / 27 / 1

HEX #33FCB8

RGB 51 252 184

HSL 159.7, 0.97%, 0.59%

LAB 88.82, -62.62, 19.32

 

CMYK 73 / 0 / 20 / 0

HEX #44FFCB

RGB 68 255 203

HSL 163.32, 1%, 0.63%

LAB 90.35, -57.69, 11.74

 

CMYK 67 / 0 / 13 / 0

HEX #55FFDE

RGB 85 255 222

HSL 168.35, 1%, 0.67%

LAB 91.11, -50.94, 3.06

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 100 / 0 / 33 / 22

HEX #00C684

RGB 0 198 132

HSL 160, 1%, 0.39%

LAB 70.91, -57.01, 21.66

 

CMYK 100 / 0 / 37 / 29

HEX #00B471

RGB 0 180 113

HSL 157.67, 1%, 0.35%

LAB 64.83, -54.52, 23.56

 

CMYK 100 / 0 / 42 / 36

HEX #00A25E

RGB 0 162 94

HSL 154.81, 1%, 0.32%

LAB 58.65, -51.91, 25.53

 

CMYK 100 / 0 / 48 / 44

HEX #00904B

RGB 0 144 75

HSL 151.25, 1%, 0.28%

LAB 52.35, -49.16, 27.57

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 94 / 0 / 56 / 15

HEX #0CD860

RGB 12 216 96

HSL 144.71, 0.89%, 0.45%

LAB 76.09, -68.99, 46.41

 

CMYK 94 / 0 / 81 / 15

HEX #0CD829

RGB 12 216 41

HSL 128.53, 0.89%, 0.45%

LAB 75.67, -74.3, 66.92

 

CMYK 82 / 0 / 94 / 15

HEX #26D80C

RGB 38 216 12

HSL 112.35, 0.89%, 0.45%

LAB 75.79, -73.51, 72.54

 

CMYK 57 / 0 / 94 / 15

HEX #5DD80C

RGB 93 216 12

HSL 96.18, 0.89%, 0.45%

LAB 76.96, -63.56, 73.98

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 94 / 0 / 5 / 15

HEX #0CD8CE

RGB 12 216 206

HSL 177.06, 0.89%, 0.45%

LAB 78.25, -45.02, -7.48

 

CMYK 94 / 21 / 0 / 15

HEX #0CABD8

RGB 12 171 216

HSL 193.24, 0.89%, 0.45%

LAB 65.09, -20.4, -32.91

 

CMYK 94 / 46 / 0 / 15

HEX #0C74D8

RGB 12 116 216

HSL 209.41, 0.89%, 0.45%

LAB 48.92, 11.47, -58.49

 

CMYK 94 / 72 / 0 / 15

HEX #0C3DD8

RGB 12 61 216

HSL 225.59, 0.89%, 0.45%

LAB 34.75, 46.66, -81.62

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 84 / 0 / 27 / 22

HEX #1FC691

RGB 31 198 145

HSL 160.96, 0.73%, 0.45%

LAB 71.37, -52.55, 15.39

 

CMYK 73 / 0 / 23 / 30

HEX #31B38A

RGB 49 179 138

HSL 161.08, 0.57%, 0.45%

LAB 65.54, -44.58, 11.03

 

CMYK 58 / 0 / 19 / 37

HEX #44A183

RGB 68 161 131

HSL 160.65, 0.41%, 0.45%

LAB 60.21, -34.99, 7.42

 

CMYK 39 / 0 / 13 / 44

HEX #568E7C

RGB 86 142 124

HSL 160.71, 0.25%, 0.45%

LAB 54.84, -22.83, 3.8

 

CMYK 94 / 0 / 82 / 15

HEX #0CD827

RGB 12 216 39

HSL 127.94, 0.89%, 0.45%

LAB 75.66, -74.41, 67.44

 

CMYK 94 / 0 / 56 / 15

HEX #0CD85E

RGB 12 216 94

HSL 144.12, 0.89%, 0.45%

LAB 76.07, -69.27, 47.31

 

CMYK 94 / 0 / 31 / 15

HEX #0CD894

RGB 12 216 148

HSL 160, 0.89%, 0.45%

LAB 76.88, -59.7, 21.4

 

CMYK 94 / 0 / 6 / 15

HEX #0CD8CB

RGB 12 216 203

HSL 176.18, 0.89%, 0.45%

LAB 78.17, -45.87, -6

 

CMYK 94 / 19 / 0 / 15

HEX #0CB0D8

RGB 12 176 216

HSL 191.76, 0.89%, 0.45%

LAB 66.59, -23, -30.59

 

CMYK 94 / 0 / 30 / 46

HEX #088A61

RGB 8 138 97

HSL 161.08, 0.89%, 0.29%

LAB 50.79, -41.71, 13.27

 

CMYK 94 / 0 / 30 / 31

HEX #0AB17C

RGB 10 177 124

HSL 160.96, 0.89%, 0.37%

LAB 64.13, -50.57, 16.67

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 88 / 0 / 28 / 5

HEX #1CF1AD

RGB 28 241 173

HSL 160.85, 0.88%, 0.53%

LAB 85.09, -62.66, 19.75

 

CMYK 73 / 0 / 23 / 4

HEX #43F4BB

RGB 67 244 187

HSL 160.68, 0.89%, 0.61%

LAB 86.74, -57.14, 14.9

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 94 / 82 / 0 / 15

HEX #0C27D8

RGB 12 39 216

HSL 232.06, 0.89%, 0.45%

LAB 30.61, 58.5, -88.49

 

CMYK 0 / 69 / 94 / 15

HEX #D8430C

RGB 216 67 12

HSL 16.18, 0.89%, 0.45%

LAB 50.26, 56.29, 58.61

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 31 / 94 / 0 / 15

HEX #940CD8

RGB 148 12 216

HSL 280, 0.89%, 0.45%

LAB 40.44, 75.98, -71.86

 

CMYK 0 / 31 / 94 / 15

HEX #D8940C

RGB 216 148 12

HSL 40, 0.89%, 0.45%

LAB 66.37, 16.42, 69.43

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 94 / 82 / 0 / 15

HEX #0C27D8

RGB 12 39 216

HSL 232.06, 0.89%, 0.45%

LAB 30.61, 58.5, -88.49

 

CMYK 0 / 94 / 63 / 15

HEX #D80C50

RGB 216 12 80

HSL 340, 0.89%, 0.45%

LAB 46.23, 71.8, 20.2

 

CMYK 0 / 13 / 94 / 15

HEX #D8BD0C

RGB 216 189 12

HSL 52.06, 0.89%, 0.45%

LAB 76.69, -5.32, 76.96

 

CMYK 94 / 0 / 30 / 15

HEX #0CD897

RGB 12 216 151

HSL 160.88, 0.89%, 0.45%

LAB 76.94, -59.04, 19.91

 

CMYK 79 / 94 / 0 / 15

HEX #2E0CD8

RGB 46 12 216

HSL 250, 0.89%, 0.45%

LAB 28.91, 68.3, -91.29

 

CMYK 0 / 94 / 63 / 15

HEX #D80C50

RGB 216 12 80

HSL 340, 0.89%, 0.45%

LAB 46.23, 71.8, 20.2

 

CMYK 16 / 0 / 94 / 15

HEX #B6D80C

RGB 182 216 12

HSL 70, 0.89%, 0.45%

LAB 81.34, -33.02, 79.31

 

Description

Color code: HEX #0CD897 | qconv.com Color code: HEX #0CD897 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 216 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 216 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 30 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 30% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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