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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CD8A7 it is the complementary color #F32758. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CD8A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CD8A7 shade: #11D8A2, #22EAB5, #33FCC8, #44FFDB and #55FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CD8A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CD8A7 shade: #0CD8A7, #00C694, #00B481, #00A26E and #00905B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CD8A7 shade: #0CD8A7, #0CD870, #0CD839, #16D80C and #4DD80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CD8A7 shade: #0CD8A7, #0CD2D8, #0C9BD8, #0C64D8 and #0C2DD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CD8A7 shade matches the following richer shades: #0CD8A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CD8A7 shade: #0CD8A7, #1FC69E, #31B394, #44A18A and #568E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CD8A7 shade: #0CD838, #0CD86F, #0CD8A5, #0CD5D8 and #0C9FD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CD8A7 shade: #088A6B, #0AB189, #0CD8A7, #1CF1BE and #43F4C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CD8A7 shade: #0CD8A7, #0C16D8 and #D8540C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CD8A7 shade: #0CD8A7, #A50CD8 and #D8A50C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CD8A7 shade: #0CD8A7, #0C16D8, #D80C3F and #D8CE0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CD8A7 shade: #0CD8A7, #3F0CD8, #D80C3F and #A5D80C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

Complementary color

CMYK 0 / 84 / 64 / 5

HEX #F32758

RGB 243 39 88

HSL 345.59, 0.89%, 0.55%

LAB 53.18, 74.78, 25.43

 

CMYK 92 / 0 / 25 / 15

HEX #11D8A2

RGB 17 216 162

HSL 163.72, 0.85%, 0.46%

LAB 77.18, -56.35, 14.46

 

CMYK 85 / 0 / 23 / 8

HEX #22EAB5

RGB 34 234 181

HSL 164.1, 0.83%, 0.53%

LAB 83.19, -57.84, 12.94

 

CMYK 80 / 0 / 21 / 1

HEX #33FCC8

RGB 51 252 200

HSL 164.48, 0.97%, 0.59%

LAB 89.16, -58.99, 11.56

 

CMYK 73 / 0 / 14 / 0

HEX #44FFDB

RGB 68 255 219

HSL 168.45, 1%, 0.63%

LAB 90.72, -53.87, 4.01

 

CMYK 67 / 0 / 7 / 0

HEX #55FFEE

RGB 85 255 238

HSL 174, 1%, 0.67%

LAB 91.52, -46.93, -4.63

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 100 / 0 / 25 / 22

HEX #00C694

RGB 0 198 148

HSL 164.85, 1%, 0.39%

LAB 71.23, -53.35, 13.55

 

CMYK 100 / 0 / 28 / 29

HEX #00B481

RGB 0 180 129

HSL 163, 1%, 0.35%

LAB 65.14, -50.96, 15.34

 

CMYK 100 / 0 / 32 / 36

HEX #00A26E

RGB 0 162 110

HSL 160.74, 1%, 0.32%

LAB 58.94, -48.49, 17.2

 

CMYK 100 / 0 / 37 / 44

HEX #00905B

RGB 0 144 91

HSL 157.92, 1%, 0.28%

LAB 52.62, -45.92, 19.16

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 94 / 0 / 48 / 15

HEX #0CD870

RGB 12 216 112

HSL 149.41, 0.89%, 0.45%

LAB 76.29, -66.57, 38.99

 

CMYK 94 / 0 / 74 / 15

HEX #0CD839

RGB 12 216 57

HSL 133.24, 0.89%, 0.45%

LAB 75.75, -73.23, 62.09

 

CMYK 90 / 0 / 94 / 15

HEX #16D80C

RGB 22 216 12

HSL 117.06, 0.89%, 0.45%

LAB 75.64, -74.85, 72.36

 

CMYK 64 / 0 / 94 / 15

HEX #4DD80C

RGB 77 216 12

HSL 100.88, 0.89%, 0.45%

LAB 76.51, -67.3, 73.42

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 94 / 3 / 0 / 15

HEX #0CD2D8

RGB 12 210 216

HSL 181.76, 0.89%, 0.45%

LAB 76.76, -39.42, -15.09

 

CMYK 94 / 28 / 0 / 15

HEX #0C9BD8

RGB 12 155 216

HSL 197.94, 0.89%, 0.45%

LAB 60.32, -11.76, -40.36

 

CMYK 94 / 54 / 0 / 15

HEX #0C64D8

RGB 12 100 216

HSL 214.12, 0.89%, 0.45%

LAB 44.45, 21.73, -65.72

 

CMYK 94 / 79 / 0 / 15

HEX #0C2DD8

RGB 12 45 216

HSL 230.29, 0.89%, 0.45%

LAB 31.61, 55.57, -86.83

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 84 / 0 / 20 / 22

HEX #1FC69E

RGB 31 198 158

HSL 165.63, 0.73%, 0.45%

LAB 71.66, -49.42, 8.78

 

CMYK 73 / 0 / 17 / 30

HEX #31B394

RGB 49 179 148

HSL 165.69, 0.57%, 0.45%

LAB 65.77, -42.11, 5.86

 

CMYK 58 / 0 / 14 / 37

HEX #44A18A

RGB 68 161 138

HSL 165.16, 0.41%, 0.45%

LAB 60.39, -33.27, 3.74

 

CMYK 39 / 0 / 9 / 44

HEX #568E81

RGB 86 142 129

HSL 166.07, 0.25%, 0.45%

LAB 54.98, -21.64, 1.11

 

CMYK 94 / 0 / 74 / 15

HEX #0CD838

RGB 12 216 56

HSL 132.94, 0.89%, 0.45%

LAB 75.75, -73.31, 62.42

 

CMYK 94 / 0 / 49 / 15

HEX #0CD86F

RGB 12 216 111

HSL 149.12, 0.89%, 0.45%

LAB 76.28, -66.73, 39.47

 

CMYK 94 / 0 / 24 / 15

HEX #0CD8A5

RGB 12 216 165

HSL 165, 0.89%, 0.45%

LAB 77.22, -55.82, 12.92

 

CMYK 94 / 1 / 0 / 15

HEX #0CD5D8

RGB 12 213 216

HSL 180.88, 0.89%, 0.45%

LAB 77.65, -40.78, -13.74

 

CMYK 94 / 26 / 0 / 15

HEX #0C9FD8

RGB 12 159 216

HSL 196.76, 0.89%, 0.45%

LAB 61.51, -13.97, -38.49

 

CMYK 94 / 0 / 22 / 46

HEX #088A6B

RGB 8 138 107

HSL 165.69, 0.89%, 0.29%

LAB 51.02, -39.17, 7.85

 

CMYK 94 / 0 / 23 / 31

HEX #0AB189

RGB 10 177 137

HSL 165.63, 0.89%, 0.37%

LAB 64.42, -47.43, 9.93

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 88 / 0 / 21 / 5

HEX #1CF1BE

RGB 28 241 190

HSL 165.63, 0.88%, 0.53%

LAB 85.44, -58.75, 11.43

 

CMYK 73 / 0 / 18 / 4

HEX #43F4C9

RGB 67 244 201

HSL 165.42, 0.89%, 0.61%

LAB 87.05, -53.89, 8.07

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 94 / 90 / 0 / 15

HEX #0C16D8

RGB 12 22 216

HSL 237.06, 0.89%, 0.45%

LAB 28.41, 65.1, -92.16

 

CMYK 0 / 61 / 94 / 15

HEX #D8540C

RGB 216 84 12

HSL 21.18, 0.89%, 0.45%

LAB 52.91, 49.18, 60.27

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 24 / 94 / 0 / 15

HEX #A50CD8

RGB 165 12 216

HSL 285, 0.89%, 0.45%

LAB 43.09, 78.15, -67.41

 

CMYK 0 / 24 / 94 / 15

HEX #D8A50C

RGB 216 165 12

HSL 45, 0.89%, 0.45%

LAB 70.55, 7.3, 72.45

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 94 / 90 / 0 / 15

HEX #0C16D8

RGB 12 22 216

HSL 237.06, 0.89%, 0.45%

LAB 28.41, 65.1, -92.16

 

CMYK 0 / 94 / 71 / 15

HEX #D80C3F

RGB 216 12 63

HSL 345, 0.89%, 0.45%

LAB 45.94, 70.98, 30.28

 

CMYK 0 / 5 / 94 / 15

HEX #D8CE0C

RGB 216 206 12

HSL 57.06, 0.89%, 0.45%

LAB 81.16, -13.96, 80.3

 

CMYK 94 / 0 / 23 / 15

HEX #0CD8A7

RGB 12 216 167

HSL 165.59, 0.89%, 0.45%

LAB 77.27, -55.34, 11.92

 

CMYK 71 / 94 / 0 / 15

HEX #3F0CD8

RGB 63 12 216

HSL 255, 0.89%, 0.45%

LAB 30.1, 68.91, -89.27

 

CMYK 0 / 94 / 71 / 15

HEX #D80C3F

RGB 216 12 63

HSL 345, 0.89%, 0.45%

LAB 45.94, 70.98, 30.28

 

CMYK 24 / 0 / 94 / 15

HEX #A5D80C

RGB 165 216 12

HSL 75, 0.89%, 0.45%

LAB 80.26, -39.77, 78.01

 

Description

Color code: HEX #0CD8A7 | qconv.com Color code: HEX #0CD8A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 216 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 216 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 23 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 23% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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