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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CE818 it is the complementary color #F317E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CE818. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CE818 shade: #11E813, #22FA26, #33FF39, #44FF4C and #55FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CE818. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CE818 shade: #0CE818, #00D605, #00C400, #00B200 and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CE818 shade: #0CE818, #3BE80C, #77E80C, #B2E80C and #E8E30C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CE818 shade: #0CE818, #0CE853, #0CE88F, #0CE8CA and #0CCBE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CE818 shade matches the following richer shades: #0CE818

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CE818 shade: #0CE818, #20D429, #33C03B, #47AD4D and #5B995E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CE818 shade: #76E80C, #3BE80C, #0CE817, #0CE852 and #0CE88C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CE818 shade: #089A10, #0AC114, #0CE818, #2AF335 and #51F55A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CE818 shade: #0CE818, #0CB1E8 and #E80C59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CE818 shade: #0CE818, #170CE8 and #E8170C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CE818 shade: #0CE818, #0CB1E8, #E80CDD and #E8430C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CE818 shade: #0CE818, #0C6FE8, #E80CDD and #E8850C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

Complementary color

CMYK 0 / 91 / 5 / 5

HEX #F317E7

RGB 243 23 231

HSL 303.27, 0.9%, 0.52%

LAB 57.5, 91.33, -52.07

 

CMYK 93 / 0 / 92 / 9

HEX #11E813

RGB 17 232 19

HSL 120.56, 0.86%, 0.49%

LAB 80.67, -79.29, 75.7

 

CMYK 86 / 0 / 85 / 2

HEX #22FA26

RGB 34 250 38

HSL 121.11, 0.96%, 0.56%

LAB 86.43, -82.46, 77.45

 

CMYK 80 / 0 / 78 / 0

HEX #33FF39

RGB 51 255 57

HSL 121.76, 1%, 0.6%

LAB 88.22, -81.31, 74.43

 

CMYK 73 / 0 / 70 / 0

HEX #44FF4C

RGB 68 255 76

HSL 122.57, 1%, 0.63%

LAB 88.58, -77.8, 68.74

 

CMYK 67 / 0 / 63 / 0

HEX #55FF5F

RGB 85 255 95

HSL 123.53, 1%, 0.67%

LAB 89.05, -73.28, 62.06

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 100 / 0 / 98 / 16

HEX #00D605

RGB 0 214 5

HSL 121.4, 1%, 0.42%

LAB 74.89, -75.42, 72.39

 

CMYK 100 / 0 / 100 / 23

HEX #00C400

RGB 0 196 0

HSL 120, 1%, 0.38%

LAB 69.1, -70.7, 68.24

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 75 / 0 / 95 / 9

HEX #3BE80C

RGB 59 232 12

HSL 107.18, 0.9%, 0.48%

LAB 81.11, -75.42, 77.04

 

CMYK 49 / 0 / 95 / 9

HEX #77E80C

RGB 119 232 12

HSL 90.82, 0.9%, 0.48%

LAB 82.73, -62.04, 79.03

 

CMYK 23 / 0 / 95 / 9

HEX #B2E80C

RGB 178 232 12

HSL 74.73, 0.9%, 0.48%

LAB 85.61, -41.78, 82.53

 

CMYK 0 / 2 / 95 / 9

HEX #E8E30C

RGB 232 227 12

HSL 58.64, 0.9%, 0.48%

LAB 88.03, -17.54, 86.03

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 95 / 0 / 64 / 9

HEX #0CE853

RGB 12 232 83

HSL 139.36, 0.9%, 0.48%

LAB 80.97, -75.4, 57.73

 

CMYK 95 / 0 / 38 / 9

HEX #0CE88F

RGB 12 232 143

HSL 155.73, 0.9%, 0.48%

LAB 81.72, -66.37, 30.52

 

CMYK 95 / 0 / 13 / 9

HEX #0CE8CA

RGB 12 232 202

HSL 171.82, 0.9%, 0.48%

LAB 82.94, -52.82, 1.53

 

CMYK 95 / 13 / 0 / 9

HEX #0CCBE8

RGB 12 203 232

HSL 187.91, 0.9%, 0.48%

LAB 75.21, -31.15, -26.04

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 85 / 0 / 81 / 17

HEX #20D429

RGB 32 212 41

HSL 123, 0.74%, 0.48%

LAB 74.54, -71.89, 65.92

 

CMYK 73 / 0 / 69 / 25

HEX #33C03B

RGB 51 192 59

HSL 123.4, 0.58%, 0.48%

LAB 68.55, -62.14, 54.04

 

CMYK 59 / 0 / 55 / 32

HEX #47AD4D

RGB 71 173 77

HSL 123.53, 0.42%, 0.48%

LAB 63.15, -49.4, 40.15

 

CMYK 41 / 0 / 39 / 40

HEX #5B995E

RGB 91 153 94

HSL 122.9, 0.25%, 0.48%

LAB 57.86, -32.7, 24.89

 

CMYK 49 / 0 / 95 / 9

HEX #76E80C

RGB 118 232 12

HSL 91.09, 0.9%, 0.48%

LAB 82.7, -62.33, 78.98

 

CMYK 75 / 0 / 95 / 9

HEX #3BE80C

RGB 59 232 12

HSL 107.18, 0.9%, 0.48%

LAB 81.11, -75.42, 77.04

 

CMYK 95 / 0 / 90 / 9

HEX #0CE817

RGB 12 232 23

HSL 123, 0.9%, 0.48%

LAB 80.66, -79.39, 75.11

 

CMYK 95 / 0 / 65 / 9

HEX #0CE852

RGB 12 232 82

HSL 139.09, 0.9%, 0.48%

LAB 80.96, -75.51, 58.13

 

CMYK 95 / 0 / 40 / 9

HEX #0CE88C

RGB 12 232 140

HSL 154.91, 0.9%, 0.48%

LAB 81.67, -66.94, 31.97

 

CMYK 95 / 0 / 90 / 40

HEX #089A10

RGB 8 154 16

HSL 123.29, 0.9%, 0.32%

LAB 55.28, -58.16, 54.53

 

CMYK 95 / 0 / 90 / 24

HEX #0AC114

RGB 10 193 20

HSL 123.28, 0.9%, 0.4%

LAB 68.21, -68.97, 64.96

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 83 / 0 / 78 / 5

HEX #2AF335

RGB 42 243 53

HSL 123.28, 0.89%, 0.56%

LAB 84.41, -79.08, 71.9

 

CMYK 67 / 0 / 63 / 4

HEX #51F55A

RGB 81 245 90

HSL 123.29, 0.89%, 0.64%

LAB 85.9, -71.24, 60.58

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 95 / 24 / 0 / 9

HEX #0CB1E8

RGB 12 177 232

HSL 195, 0.9%, 0.48%

LAB 67.54, -17.99, -37.89

 

CMYK 0 / 95 / 62 / 9

HEX #E80C59

RGB 232 12 89

HSL 339, 0.9%, 0.48%

LAB 49.67, 76.07, 19.8

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 90 / 95 / 0 / 9

HEX #170CE8

RGB 23 12 232

HSL 243, 0.9%, 0.48%

LAB 30.09, 71.85, -98.54

 

CMYK 0 / 90 / 95 / 9

HEX #E8170C

RGB 232 23 12

HSL 3, 0.9%, 0.48%

LAB 49.25, 72.48, 59.65

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 95 / 24 / 0 / 9

HEX #0CB1E8

RGB 12 177 232

HSL 195, 0.9%, 0.48%

LAB 67.54, -17.99, -37.89

 

CMYK 0 / 95 / 5 / 9

HEX #E80CDD

RGB 232 12 221

HSL 303, 0.9%, 0.48%

LAB 54.7, 89.14, -50.99

 

CMYK 0 / 71 / 95 / 9

HEX #E8430C

RGB 232 67 12

HSL 15, 0.9%, 0.48%

LAB 53.16, 61.46, 61.83

 

CMYK 95 / 0 / 90 / 9

HEX #0CE818

RGB 12 232 24

HSL 123.27, 0.9%, 0.48%

LAB 80.66, -79.36, 74.96

 

CMYK 95 / 52 / 0 / 9

HEX #0C6FE8

RGB 12 111 232

HSL 213, 0.9%, 0.48%

LAB 48.6, 20.91, -68.03

 

CMYK 0 / 95 / 5 / 9

HEX #E80CDD

RGB 232 12 221

HSL 303, 0.9%, 0.48%

LAB 54.7, 89.14, -50.99

 

CMYK 0 / 43 / 95 / 9

HEX #E8850C

RGB 232 133 12

HSL 33, 0.9%, 0.48%

LAB 64.93, 31.2, 69.36

 

Description

Color code: HEX #0CE818 | qconv.com Color code: HEX #0CE818 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 232 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 232 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 90% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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