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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A3A74 it is the complementary color #F5C58B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A3A74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A3A74 shade: #0F3A6F, #204C82, #315E95, #4270A8 and #5382BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A3A74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A3A74 shade: #0A3A74, #002861, #00164E, #00043B and #000028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A3A74 shade: #0A3A75, #0A1D75, #130A75, #300A75 and #4D0A75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A3A74 shade: #0A3A75, #0A1D75 and #0A0A75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A3A74 shade matches the following richer shades: #0A3A75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A3A74 shade: #0A3A75, #143B6A, #1E3C60, #293D56 and #333E4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A3A74 shade: #0A7575, #0A5875, #0A3C75, #0A1F75 and #110A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A3A74 shade: #031429, #06274F, #0A3A75, #0D4D9B and #1060C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A3A74 shade: #0A3A74, #580A75 and #67750A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A3A74 shade: #0A3A74, #750A3C and #3C750A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A3A74 shade: #0A3A74, #580A75, #75430A and #26750A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A3A74 shade: #0A3A74, #750A71, #75430A and #0A750D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 50 / 0 / 55

HEX #0A3A74

RGB 10 58 116

HSL 212.83, 0.84%, 0.25%

LAB 24.8, 8.83, -37.58

 

Complementary color

CMYK 0 / 20 / 43 / 4

HEX #F5C58B

RGB 245 197 139

HSL 32.83, 0.84%, 0.75%

LAB 82.49, 9.76, 35.53

 

CMYK 86 / 48 / 0 / 56

HEX #0F3A6F

RGB 15 58 111

HSL 213.13, 0.76%, 0.25%

LAB 24.56, 7.1, -34.77

 

CMYK 75 / 42 / 0 / 49

HEX #204C82

RGB 32 76 130

HSL 213.06, 0.6%, 0.32%

LAB 32.01, 4.73, -34.78

 

CMYK 67 / 37 / 0 / 42

HEX #315E95

RGB 49 94 149

HSL 213, 0.51%, 0.39%

LAB 39.29, 3.06, -34.76

 

CMYK 61 / 33 / 0 / 34

HEX #4270A8

RGB 66 112 168

HSL 212.94, 0.44%, 0.46%

LAB 46.41, 1.84, -34.74

 

CMYK 56 / 30 / 0 / 27

HEX #5382BB

RGB 83 130 187

HSL 212.88, 0.43%, 0.53%

LAB 53.38, 0.91, -34.75

 

CMYK 91 / 50 / 0 / 55

HEX #0A3A74

RGB 10 58 116

HSL 212.83, 0.84%, 0.25%

LAB 24.8, 8.83, -37.58

 

CMYK 100 / 59 / 0 / 62

HEX #002861

RGB 0 40 97

HSL 215.26, 1%, 0.19%

LAB 17.37, 12.7, -37.32

 

CMYK 100 / 72 / 0 / 69

HEX #00164E

RGB 0 22 78

HSL 223.08, 1%, 0.15%

LAB 9.98, 17.78, -36.59

 

CMYK 100 / 93 / 0 / 77

HEX #00043B

RGB 0 4 59

HSL 235.93, 1%, 0.12%

LAB 3.64, 18.44, -33.57

 

CMYK 100 / 100 / 0 / 84

HEX #000028

RGB 0 0 40

HSL 240, 1%, 0.08%

LAB 1.38, 9.72, -22.95

 

CMYK 91 / 50 / 0 / 54

HEX #0A3A75

RGB 10 58 117

HSL 213.08, 0.84%, 0.25%

LAB 24.87, 9.26, -38.1

 

CMYK 91 / 75 / 0 / 54

HEX #0A1D75

RGB 10 29 117

HSL 229.35, 0.84%, 0.25%

LAB 16.64, 29.91, -51.55

 

CMYK 84 / 91 / 0 / 54

HEX #130A75

RGB 19 10 117

HSL 245.05, 0.84%, 0.25%

LAB 13.47, 40.7, -56.79

 

CMYK 59 / 91 / 0 / 54

HEX #300A75

RGB 48 10 117

HSL 261.31, 0.84%, 0.25%

LAB 16.15, 42.8, -52.26

 

CMYK 34 / 91 / 0 / 54

HEX #4D0A75

RGB 77 10 117

HSL 277.57, 0.84%, 0.25%

LAB 20.36, 46.49, -45.19

 

CMYK 91 / 50 / 0 / 54

HEX #0A3A75

RGB 10 58 117

HSL 213.08, 0.84%, 0.25%

LAB 24.87, 9.26, -38.1

 

CMYK 91 / 75 / 0 / 54

HEX #0A1D75

RGB 10 29 117

HSL 229.35, 0.84%, 0.25%

LAB 16.64, 29.91, -51.55

 

CMYK 91 / 91 / 0 / 54

HEX #0A0A75

RGB 10 10 117

HSL 240, 0.84%, 0.25%

LAB 13.02, 40.37, -57.55

 

CMYK 91 / 50 / 0 / 54

HEX #0A3A75

RGB 10 58 117

HSL 213.08, 0.84%, 0.25%

LAB 24.87, 9.26, -38.1

 

CMYK 91 / 50 / 0 / 54

HEX #0A3A75

RGB 10 58 117

HSL 213.08, 0.84%, 0.25%

LAB 24.87, 9.26, -38.1

 

CMYK 81 / 44 / 0 / 58

HEX #143B6A

RGB 20 59 106

HSL 212.79, 0.68%, 0.25%

LAB 24.69, 4.86, -31.34

 

CMYK 69 / 38 / 0 / 62

HEX #1E3C60

RGB 30 60 96

HSL 212.73, 0.52%, 0.25%

LAB 24.8, 1.77, -24.68

 

CMYK 52 / 29 / 0 / 66

HEX #293D56

RGB 41 61 86

HSL 213.33, 0.35%, 0.25%

LAB 25.2, 0.06, -17.5

 

CMYK 33 / 18 / 0 / 70

HEX #333E4C

RGB 51 62 76

HSL 213.6, 0.2%, 0.25%

LAB 25.78, -0.64, -9.98

 

CMYK 91 / 0 / 0 / 54

HEX #0A7575

RGB 10 117 117

HSL 180, 0.84%, 0.25%

LAB 44.34, -26.43, -7.8

 

CMYK 91 / 25 / 0 / 54

HEX #0A5875

RGB 10 88 117

HSL 196.26, 0.84%, 0.25%

LAB 34.66, -10.52, -22.58

 

CMYK 91 / 49 / 0 / 54

HEX #0A3C75

RGB 10 60 117

HSL 211.96, 0.84%, 0.25%

LAB 25.5, 7.84, -37.08

 

CMYK 91 / 74 / 0 / 54

HEX #0A1F75

RGB 10 31 117

HSL 228.22, 0.84%, 0.25%

LAB 17.13, 28.57, -50.74

 

CMYK 85 / 91 / 0 / 54

HEX #110A75

RGB 17 10 117

HSL 243.93, 0.84%, 0.25%

LAB 13.36, 40.61, -56.99

 

CMYK 93 / 51 / 0 / 84

HEX #031429

RGB 3 20 41

HSL 213.16, 0.86%, 0.09%

LAB 6.14, 1.71, -16.24

 

CMYK 92 / 51 / 0 / 69

HEX #06274F

RGB 6 39 79

HSL 212.88, 0.86%, 0.17%

LAB 15.77, 5.81, -27.85

 

CMYK 91 / 50 / 0 / 54

HEX #0A3A75

RGB 10 58 117

HSL 213.08, 0.84%, 0.25%

LAB 24.87, 9.26, -38.1

 

CMYK 92 / 50 / 0 / 39

HEX #0D4D9B

RGB 13 77 155

HSL 212.96, 0.85%, 0.33%

LAB 33.48, 12.38, -47.73

 

CMYK 92 / 50 / 0 / 24

HEX #1060C1

RGB 16 96 193

HSL 212.88, 0.85%, 0.41%

LAB 41.73, 15.36, -56.89

 

CMYK 91 / 50 / 0 / 55

HEX #0A3A74

RGB 10 58 116

HSL 212.83, 0.84%, 0.25%

LAB 24.8, 8.83, -37.58

 

CMYK 25 / 91 / 0 / 54

HEX #580A75

RGB 88 10 117

HSL 283.74, 0.84%, 0.25%

LAB 22.22, 48.23, -42.08

 

CMYK 12 / 0 / 91 / 54

HEX #67750A

RGB 103 117 10

HSL 67.85, 0.84%, 0.25%

LAB 46.48, -18.42, 49.62

 

CMYK 91 / 50 / 0 / 55

HEX #0A3A74

RGB 10 58 116

HSL 212.83, 0.84%, 0.25%

LAB 24.8, 8.83, -37.58

 

CMYK 0 / 91 / 49 / 54

HEX #750A3C

RGB 117 10 60

HSL 331.96, 0.84%, 0.25%

LAB 24.72, 45.96, 0.17

 

CMYK 49 / 0 / 91 / 54

HEX #3C750A

RGB 60 117 10

HSL 91.96, 0.84%, 0.25%

LAB 43.81, -36.14, 46.3

 

CMYK 91 / 50 / 0 / 55

HEX #0A3A74

RGB 10 58 116

HSL 212.83, 0.84%, 0.25%

LAB 24.8, 8.83, -37.58

 

CMYK 25 / 91 / 0 / 54

HEX #580A75

RGB 88 10 117

HSL 283.74, 0.84%, 0.25%

LAB 22.22, 48.23, -42.08

 

CMYK 0 / 43 / 91 / 54

HEX #75430A

RGB 117 67 10

HSL 31.96, 0.84%, 0.25%

LAB 33.6, 17.41, 39.8

 

CMYK 68 / 0 / 91 / 54

HEX #26750A

RGB 38 117 10

HSL 104.3, 0.84%, 0.25%

LAB 43, -42.59, 45.29

 

CMYK 91 / 50 / 0 / 55

HEX #0A3A74

RGB 10 58 116

HSL 212.83, 0.84%, 0.25%

LAB 24.8, 8.83, -37.58

 

CMYK 0 / 91 / 3 / 54

HEX #750A71

RGB 117 10 113

HSL 302.24, 0.84%, 0.25%

LAB 27.27, 52.82, -31.1

 

CMYK 0 / 43 / 91 / 54

HEX #75430A

RGB 117 67 10

HSL 31.96, 0.84%, 0.25%

LAB 33.6, 17.41, 39.8

 

CMYK 91 / 0 / 89 / 54

HEX #0A750D

RGB 10 117 13

HSL 121.68, 0.84%, 0.25%

LAB 42.48, -47, 43.92

 

Description

Color code: HEX #0A3A74 | qconv.com Color code: HEX #0A3A74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 58 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 58 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 50 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 50% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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