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Color name
HEX #0A525B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A525B it is the complementary color #F5ADA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A525B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A525B shade: #0F5256, #206469, #31767C, #42888F and #539AA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A525B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A525B shade: #0A525B, #004048, #002E35, #001C22 and #000A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A525B shade: #0A525B, #0A3C5B, #0A265B, #0A105B and #190A5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A525B shade: #0A525B, #0A3C5B, #0A265B, #0A105B and #0A0A5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A525B shade matches the following richer shades: #0A525B and #015964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A525B shade: #0A525B, #124C53, #1A454B, #223F43 and #2B393A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A525B shade: #0A5B38, #0A5B4E, #0A535B, #0A3D5B and #0A285B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A525B shade: #010F11, #063136, #0A525B, #0E7480 and #1295A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A525B shade: #0A525B, #220A5B and #5B430A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A525B shade: #0A525B, #5B0A53 and #535B0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A525B shade: #0A525B, #220A5B, #5B120A and #435B0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A525B shade: #0A525B, #3B0A5B, #5B120A and #2A5B0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

Complementary color

CMYK 0 / 29 / 33 / 4

HEX #F5ADA4

RGB 245 173 164

HSL 6.67, 0.8%, 0.8%

LAB 77.27, 25.22, 15.19

 

CMYK 83 / 5 / 0 / 66

HEX #0F5256

RGB 15 82 86

HSL 183.38, 0.7%, 0.2%

LAB 31.37, -18.15, -8.15

 

CMYK 70 / 5 / 0 / 59

HEX #206469

RGB 32 100 105

HSL 184.11, 0.53%, 0.27%

LAB 38.62, -19.07, -9.06

 

CMYK 60 / 5 / 0 / 51

HEX #31767C

RGB 49 118 124

HSL 184.8, 0.43%, 0.34%

LAB 45.72, -19.59, -9.82

 

CMYK 54 / 5 / 0 / 44

HEX #42888F

RGB 66 136 143

HSL 185.45, 0.37%, 0.41%

LAB 52.67, -19.88, -10.49

 

CMYK 49 / 5 / 0 / 36

HEX #539AA2

RGB 83 154 162

HSL 186.08, 0.32%, 0.48%

LAB 59.49, -20.05, -11.1

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 100 / 11 / 0 / 72

HEX #004048

RGB 0 64 72

HSL 186.67, 1%, 0.14%

LAB 24.11, -14.83, -10.08

 

CMYK 100 / 13 / 0 / 79

HEX #002E35

RGB 0 46 53

HSL 187.92, 1%, 0.1%

LAB 16.56, -11.67, -8.7

 

CMYK 100 / 18 / 0 / 87

HEX #001C22

RGB 0 28 34

HSL 190.59, 1%, 0.07%

LAB 8.53, -7.94, -7.28

 

CMYK 100 / 33 / 0 / 94

HEX #000A0F

RGB 0 10 15

HSL 200, 1%, 0.03%

LAB 2.27, -1.82, -3.09

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 89 / 34 / 0 / 64

HEX #0A3C5B

RGB 10 60 91

HSL 202.96, 0.8%, 0.2%

LAB 23.84, -3.36, -22.99

 

CMYK 89 / 58 / 0 / 64

HEX #0A265B

RGB 10 38 91

HSL 219.26, 0.8%, 0.2%

LAB 16.53, 12.45, -34.68

 

CMYK 89 / 82 / 0 / 64

HEX #0A105B

RGB 10 16 91

HSL 235.56, 0.8%, 0.2%

LAB 10.49, 28.3, -44.6

 

CMYK 73 / 89 / 0 / 64

HEX #190A5B

RGB 25 10 91

HSL 251.11, 0.8%, 0.2%

LAB 10.4, 32.84, -44.71

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 89 / 34 / 0 / 64

HEX #0A3C5B

RGB 10 60 91

HSL 202.96, 0.8%, 0.2%

LAB 23.84, -3.36, -22.99

 

CMYK 89 / 58 / 0 / 64

HEX #0A265B

RGB 10 38 91

HSL 219.26, 0.8%, 0.2%

LAB 16.53, 12.45, -34.68

 

CMYK 89 / 82 / 0 / 64

HEX #0A105B

RGB 10 16 91

HSL 235.56, 0.8%, 0.2%

LAB 10.49, 28.3, -44.6

 

CMYK 89 / 89 / 0 / 64

HEX #0A0A5B

RGB 10 10 91

HSL 240, 0.8%, 0.2%

LAB 9.3, 31.76, -46.58

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 99 / 11 / 0 / 61

HEX #015964

RGB 1 89 100

HSL 186.67, 0.98%, 0.2%

LAB 34.13, -18.27, -12.81

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 78 / 8 / 0 / 67

HEX #124C53

RGB 18 76 83

HSL 186.46, 0.64%, 0.2%

LAB 29.21, -15.42, -9.47

 

CMYK 65 / 8 / 0 / 71

HEX #1A454B

RGB 26 69 75

HSL 187.35, 0.49%, 0.2%

LAB 26.69, -12.67, -8.08

 

CMYK 49 / 6 / 0 / 74

HEX #223F43

RGB 34 63 67

HSL 187.27, 0.33%, 0.2%

LAB 24.64, -9.62, -5.86

 

CMYK 26 / 2 / 0 / 77

HEX #2B393A

RGB 43 57 58

HSL 184, 0.15%, 0.2%

LAB 22.81, -5.45, -2.52

 

CMYK 89 / 0 / 38 / 64

HEX #0A5B38

RGB 10 91 56

HSL 154.07, 0.8%, 0.2%

LAB 33.63, -31.98, 13.89

 

CMYK 89 / 0 / 14 / 64

HEX #0A5B4E

RGB 10 91 78

HSL 170.37, 0.8%, 0.2%

LAB 34.18, -25.99, 1.07

 

CMYK 89 / 9 / 0 / 64

HEX #0A535B

RGB 10 83 91

HSL 185.93, 0.8%, 0.2%

LAB 31.82, -17.46, -10.64

 

CMYK 89 / 33 / 0 / 64

HEX #0A3D5B

RGB 10 61 91

HSL 202.22, 0.8%, 0.2%

LAB 24.18, -4.03, -22.45

 

CMYK 89 / 56 / 0 / 64

HEX #0A285B

RGB 10 40 91

HSL 217.78, 0.8%, 0.2%

LAB 17.17, 10.95, -33.66

 

CMYK 94 / 12 / 0 / 93

HEX #010F11

RGB 1 15 17

HSL 187.5, 0.89%, 0.04%

LAB 3.51, -3.47, -2.39

 

CMYK 89 / 9 / 0 / 79

HEX #063136

RGB 6 49 54

HSL 186.25, 0.8%, 0.12%

LAB 17.93, -12, -7.3

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 89 / 9 / 0 / 50

HEX #0E7480

RGB 14 116 128

HSL 186.32, 0.8%, 0.28%

LAB 44.44, -21.95, -14.23

 

CMYK 89 / 10 / 0 / 35

HEX #1295A6

RGB 18 149 166

HSL 186.89, 0.8%, 0.36%

LAB 56.46, -25.85, -18.11

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 63 / 89 / 0 / 64

HEX #220A5B

RGB 34 10 91

HSL 257.78, 0.8%, 0.2%

LAB 11.36, 33.8, -43.09

 

CMYK 0 / 26 / 89 / 64

HEX #5B430A

RGB 91 67 10

HSL 42.22, 0.8%, 0.2%

LAB 30.06, 4.63, 35.41

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 0 / 89 / 9 / 64

HEX #5B0A53

RGB 91 10 83

HSL 305.93, 0.8%, 0.2%

LAB 20.31, 42.42, -22.75

 

CMYK 9 / 0 / 89 / 64

HEX #535B0A

RGB 83 91 10

HSL 65.93, 0.8%, 0.2%

LAB 36.64, -13.74, 40.74

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 63 / 89 / 0 / 64

HEX #220A5B

RGB 34 10 91

HSL 257.78, 0.8%, 0.2%

LAB 11.36, 33.8, -43.09

 

CMYK 0 / 80 / 89 / 64

HEX #5B120A

RGB 91 18 10

HSL 5.93, 0.8%, 0.2%

LAB 18.71, 32.42, 24.21

 

CMYK 26 / 0 / 89 / 64

HEX #435B0A

RGB 67 91 10

HSL 77.78, 0.8%, 0.2%

LAB 35.39, -21.23, 39.18

 

CMYK 89 / 10 / 0 / 64

HEX #0A525B

RGB 10 82 91

HSL 186.67, 0.8%, 0.2%

LAB 31.47, -16.89, -11.17

 

CMYK 35 / 89 / 0 / 64

HEX #3B0A5B

RGB 59 10 91

HSL 276.3, 0.8%, 0.2%

LAB 14.97, 37.5, -37.04

 

CMYK 0 / 80 / 89 / 64

HEX #5B120A

RGB 91 18 10

HSL 5.93, 0.8%, 0.2%

LAB 18.71, 32.42, 24.21

 

CMYK 54 / 0 / 89 / 64

HEX #2A5B0A

RGB 42 91 10

HSL 96.3, 0.8%, 0.2%

LAB 33.98, -31.23, 37.38

 

Description

Color code: HEX #0A525B | qconv.com Color code: HEX #0A525B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 82 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 82 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 10 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 10% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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