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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A73E5 it is the complementary color #F58C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A73E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A73E5 shade: #0F73E0, #2085F3, #3197FF, #42A9FF and #53BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A73E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A73E5 shade: #0A73E5, #0061D2, #004FBF, #003DAC and #002B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A73E5 shade: #0973E6, #0937E6, #1609E6, #5209E6 and #8D09E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A73E5 shade: #0973E6, #0937E6 and #0909E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A73E5 shade matches the following richer shades: #0973E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A73E5 shade: #0973E6, #1C74D2, #3074BF, #4375AB and #577698

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A73E5 shade: #09E6E2, #09AEE6, #0974E6, #0939E6 and #1409E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A73E5 shade: #064B96, #075FBE, #0973E6, #2388F5 and #4A9DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A73E5 shade: #0A73E5, #A709E6 and #CCE609

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A73E5 shade: #0A73E5, #E60974 and #74E609

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A73E5 shade: #0A73E5, #A709E6, #E67B09 and #48E609

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A73E5 shade: #0A73E5, #E609E2, #E67B09 and #09E60D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 50 / 0 / 10

HEX #0A73E5

RGB 10 115 229

HSL 211.23, 0.92%, 0.47%

LAB 49.48, 17.14, -64.93

 

Complementary color

CMYK 0 / 43 / 89 / 4

HEX #F58C1A

RGB 245 140 26

HSL 31.23, 0.92%, 0.53%

LAB 68.2, 33.08, 69.62

 

CMYK 93 / 49 / 0 / 12

HEX #0F73E0

RGB 15 115 224

HSL 211.29, 0.87%, 0.47%

LAB 49.19, 15.34, -62.58

 

CMYK 87 / 45 / 0 / 5

HEX #2085F3

RGB 32 133 243

HSL 211.28, 0.9%, 0.54%

LAB 55.64, 12.26, -62.79

 

CMYK 81 / 41 / 0 / 0

HEX #3197FF

RGB 49 151 255

HSL 210.29, 1%, 0.6%

LAB 61.66, 7.14, -59.73

 

CMYK 74 / 34 / 0 / 0

HEX #42A9FF

RGB 66 169 255

HSL 207.3, 1%, 0.63%

LAB 67.09, -1.54, -51.07

 

CMYK 67 / 27 / 0 / 0

HEX #53BBFF

RGB 83 187 255

HSL 203.72, 1%, 0.66%

LAB 72.63, -9.24, -42.34

 

CMYK 96 / 50 / 0 / 10

HEX #0A73E5

RGB 10 115 229

HSL 211.23, 0.92%, 0.47%

LAB 49.48, 17.14, -64.93

 

CMYK 100 / 54 / 0 / 18

HEX #0061D2

RGB 0 97 210

HSL 212.29, 1%, 0.41%

LAB 43.07, 20.95, -64.54

 

CMYK 100 / 59 / 0 / 25

HEX #004FBF

RGB 0 79 191

HSL 215.18, 1%, 0.37%

LAB 36.66, 25.25, -63.98

 

CMYK 100 / 65 / 0 / 33

HEX #003DAC

RGB 0 61 172

HSL 218.72, 1%, 0.34%

LAB 30.2, 29.74, -63.31

 

CMYK 100 / 72 / 0 / 40

HEX #002B99

RGB 0 43 153

HSL 223.14, 1%, 0.3%

LAB 23.76, 34.26, -62.4

 

CMYK 96 / 50 / 0 / 10

HEX #0973E6

RGB 9 115 230

HSL 211.22, 0.92%, 0.47%

LAB 49.54, 17.5, -65.39

 

CMYK 96 / 76 / 0 / 10

HEX #0937E6

RGB 9 55 230

HSL 227.51, 0.92%, 0.47%

LAB 35.01, 54.83, -89.21

 

CMYK 90 / 96 / 0 / 10

HEX #1609E6

RGB 22 9 230

HSL 243.53, 0.92%, 0.47%

LAB 29.61, 71.86, -98.19

 

CMYK 64 / 96 / 0 / 10

HEX #5209E6

RGB 82 9 230

HSL 259.82, 0.92%, 0.47%

LAB 33.36, 73.65, -91.85

 

CMYK 39 / 96 / 0 / 10

HEX #8D09E6

RGB 141 9 230

HSL 275.84, 0.92%, 0.47%

LAB 40.53, 78.26, -79.76

 

CMYK 96 / 50 / 0 / 10

HEX #0973E6

RGB 9 115 230

HSL 211.22, 0.92%, 0.47%

LAB 49.54, 17.5, -65.39

 

CMYK 96 / 76 / 0 / 10

HEX #0937E6

RGB 9 55 230

HSL 227.51, 0.92%, 0.47%

LAB 35.01, 54.83, -89.21

 

CMYK 96 / 96 / 0 / 10

HEX #0909E6

RGB 9 9 230

HSL 240, 0.92%, 0.47%

LAB 29.33, 71.74, -98.67

 

CMYK 96 / 50 / 0 / 10

HEX #0973E6

RGB 9 115 230

HSL 211.22, 0.92%, 0.47%

LAB 49.54, 17.5, -65.39

 

CMYK 96 / 50 / 0 / 10

HEX #0973E6

RGB 9 115 230

HSL 211.22, 0.92%, 0.47%

LAB 49.54, 17.5, -65.39

 

CMYK 87 / 45 / 0 / 18

HEX #1C74D2

RGB 28 116 210

HSL 210.99, 0.76%, 0.47%

LAB 48.75, 9.93, -55.34

 

CMYK 75 / 39 / 0 / 25

HEX #3074BF

RGB 48 116 191

HSL 211.47, 0.6%, 0.47%

LAB 48.11, 4.65, -45.46

 

CMYK 61 / 32 / 0 / 33

HEX #4375AB

RGB 67 117 171

HSL 211.15, 0.44%, 0.47%

LAB 48.08, 0.03, -33.87

 

CMYK 43 / 22 / 0 / 40

HEX #577698

RGB 87 118 152

HSL 211.38, 0.27%, 0.47%

LAB 48.57, -1.82, -21.9

 

CMYK 96 / 0 / 2 / 10

HEX #09E6E2

RGB 9 230 226

HSL 178.91, 0.92%, 0.47%

LAB 82.99, -45.43, -11.09

 

CMYK 96 / 24 / 0 / 10

HEX #09AEE6

RGB 9 174 230

HSL 195.2, 0.92%, 0.47%

LAB 66.55, -17.18, -38.34

 

CMYK 96 / 50 / 0 / 10

HEX #0974E6

RGB 9 116 230

HSL 210.95, 0.92%, 0.47%

LAB 49.81, 16.86, -64.95

 

CMYK 96 / 75 / 0 / 10

HEX #0939E6

RGB 9 57 230

HSL 226.97, 0.92%, 0.47%

LAB 35.4, 53.73, -88.57

 

CMYK 91 / 96 / 0 / 10

HEX #1409E6

RGB 20 9 230

HSL 242.99, 0.92%, 0.47%

LAB 29.56, 71.84, -98.29

 

CMYK 96 / 50 / 0 / 41

HEX #064B96

RGB 6 75 150

HSL 211.25, 0.92%, 0.31%

LAB 32.42, 11.29, -46.41

 

CMYK 96 / 50 / 0 / 25

HEX #075FBE

RGB 7 95 190

HSL 211.15, 0.93%, 0.39%

LAB 41.13, 14.45, -56.12

 

CMYK 96 / 50 / 0 / 10

HEX #0973E6

RGB 9 115 230

HSL 211.22, 0.92%, 0.47%

LAB 49.54, 17.5, -65.39

 

CMYK 86 / 44 / 0 / 4

HEX #2388F5

RGB 35 136 245

HSL 211.14, 0.91%, 0.55%

LAB 56.64, 11.37, -62.28

 

CMYK 70 / 36 / 0 / 3

HEX #4A9DF7

RGB 74 157 247

HSL 211.21, 0.92%, 0.63%

LAB 63.58, 3.63, -52.26

 

CMYK 96 / 50 / 0 / 10

HEX #0A73E5

RGB 10 115 229

HSL 211.23, 0.92%, 0.47%

LAB 49.48, 17.14, -64.93

 

CMYK 27 / 96 / 0 / 10

HEX #A709E6

RGB 167 9 230

HSL 282.9, 0.92%, 0.47%

LAB 44.41, 81.24, -73.25

 

CMYK 11 / 0 / 96 / 10

HEX #CCE609

RGB 204 230 9

HSL 67.06, 0.92%, 0.47%

LAB 86.73, -30.6, 84.37

 

CMYK 96 / 50 / 0 / 10

HEX #0A73E5

RGB 10 115 229

HSL 211.23, 0.92%, 0.47%

LAB 49.48, 17.14, -64.93

 

CMYK 0 / 96 / 50 / 10

HEX #E60974

RGB 230 9 116

HSL 330.95, 0.92%, 0.47%

LAB 49.83, 77.61, 3.42

 

CMYK 50 / 0 / 96 / 10

HEX #74E609

RGB 116 230 9

HSL 90.95, 0.92%, 0.47%

LAB 82.02, -62.23, 78.67

 

CMYK 96 / 50 / 0 / 10

HEX #0A73E5

RGB 10 115 229

HSL 211.23, 0.92%, 0.47%

LAB 49.48, 17.14, -64.93

 

CMYK 27 / 96 / 0 / 10

HEX #A709E6

RGB 167 9 230

HSL 282.9, 0.92%, 0.47%

LAB 44.41, 81.24, -73.25

 

CMYK 0 / 47 / 96 / 10

HEX #E67B09

RGB 230 123 9

HSL 30.95, 0.92%, 0.47%

LAB 62.51, 35.53, 68.08

 

CMYK 69 / 0 / 96 / 10

HEX #48E609

RGB 72 230 9

HSL 102.9, 0.92%, 0.47%

LAB 80.73, -72.71, 77.1

 

CMYK 96 / 50 / 0 / 10

HEX #0A73E5

RGB 10 115 229

HSL 211.23, 0.92%, 0.47%

LAB 49.48, 17.14, -64.93

 

CMYK 0 / 96 / 2 / 10

HEX #E609E2

RGB 230 9 226

HSL 301.09, 0.92%, 0.47%

LAB 54.56, 89.71, -54.06

 

CMYK 0 / 47 / 96 / 10

HEX #E67B09

RGB 230 123 9

HSL 30.95, 0.92%, 0.47%

LAB 62.51, 35.53, 68.08

 

CMYK 96 / 0 / 94 / 10

HEX #09E60D

RGB 9 230 13

HSL 121.09, 0.92%, 0.47%

LAB 80, -79.2, 75.83

 

Description

Color code: HEX #0A73E5 | qconv.com Color code: HEX #0A73E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 115 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 115 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 50 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 50% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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