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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A7DD6 it is the complementary color #F58229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A7DD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A7DD6 shade: #0F7DD1, #208FE4, #31A1F7, #42B3FF and #53C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A7DD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A7DD6 shade: #0A7DD6, #006BC3, #0059B0, #00479D and #00358A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A7DD6 shade: #0A7DD6, #0A46D6, #0A0FD6, #3C0AD6 and #730AD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A7DD6 shade: #0A7DD6, #0A46D6, #0A0FD6 and #0A0AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A7DD6 shade matches the following richer shades: #0A7DD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A7DD6 shade: #0A7DD6, #1C7AC4, #2E78B1, #40769F and #52738D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A7DD6 shade: #0AD6C1, #0AB4D6, #0A7DD6, #0A47D6 and #0A10D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A7DD6 shade: #064F87, #0866AE, #0A7DD6, #1592F4 and #3DA5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A7DD6 shade: #0A7DD6, #8B0AD6 and #CFD60A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A7DD6 shade: #0A7DD6, #D60A7D and #7DD60A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A7DD6 shade: #0A7DD6, #8B0AD6, #D6620A and #54D60A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A7DD6 shade: #0A7DD6, #C80AD6, #D6620A and #17D60A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

Complementary color

CMYK 0 / 47 / 83 / 4

HEX #F58229

RGB 245 130 41

HSL 26.18, 0.91%, 0.56%

LAB 66.17, 38.51, 63.38

 

CMYK 93 / 40 / 0 / 18

HEX #0F7DD1

RGB 15 125 209

HSL 205.98, 0.87%, 0.44%

LAB 51.12, 3.24, -50.98

 

CMYK 86 / 37 / 0 / 11

HEX #208FE4

RGB 32 143 228

HSL 206.02, 0.78%, 0.51%

LAB 57.61, 0.58, -51.3

 

CMYK 80 / 35 / 0 / 3

HEX #31A1F7

RGB 49 161 247

HSL 206.06, 0.93%, 0.58%

LAB 64.05, -1.59, -51.56

 

CMYK 74 / 30 / 0 / 0

HEX #42B3FF

RGB 66 179 255

HSL 204.13, 1%, 0.63%

LAB 69.91, -7.14, -46.63

 

CMYK 67 / 23 / 0 / 0

HEX #53C5FF

RGB 83 197 255

HSL 200.23, 1%, 0.66%

LAB 75.45, -14.59, -37.95

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 100 / 45 / 0 / 24

HEX #006BC3

RGB 0 107 195

HSL 207.08, 1%, 0.38%

LAB 44.88, 8.44, -52.98

 

CMYK 100 / 49 / 0 / 31

HEX #0059B0

RGB 0 89 176

HSL 209.66, 1%, 0.35%

LAB 38.34, 12.42, -52.43

 

CMYK 100 / 55 / 0 / 38

HEX #00479D

RGB 0 71 157

HSL 212.87, 1%, 0.31%

LAB 31.67, 16.69, -51.88

 

CMYK 100 / 62 / 0 / 46

HEX #00358A

RGB 0 53 138

HSL 216.96, 1%, 0.27%

LAB 24.89, 21.27, -51.27

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 95 / 67 / 0 / 16

HEX #0A46D6

RGB 10 70 214

HSL 222.35, 0.91%, 0.44%

LAB 36.56, 40.34, -77.49

 

CMYK 95 / 93 / 0 / 16

HEX #0A0FD6

RGB 10 15 214

HSL 238.53, 0.91%, 0.44%

LAB 27.47, 66.46, -92.57

 

CMYK 72 / 95 / 0 / 16

HEX #3C0AD6

RGB 60 10 214

HSL 254.71, 0.91%, 0.44%

LAB 29.5, 68.65, -89.13

 

CMYK 46 / 95 / 0 / 16

HEX #730AD6

RGB 115 10 214

HSL 270.88, 0.91%, 0.44%

LAB 35.43, 72.27, -79.1

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 95 / 67 / 0 / 16

HEX #0A46D6

RGB 10 70 214

HSL 222.35, 0.91%, 0.44%

LAB 36.56, 40.34, -77.49

 

CMYK 95 / 93 / 0 / 16

HEX #0A0FD6

RGB 10 15 214

HSL 238.53, 0.91%, 0.44%

LAB 27.47, 66.46, -92.57

 

CMYK 95 / 95 / 0 / 16

HEX #0A0AD6

RGB 10 10 214

HSL 240, 0.91%, 0.44%

LAB 27.12, 67.53, -93.15

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 86 / 38 / 0 / 23

HEX #1C7AC4

RGB 28 122 196

HSL 206.43, 0.75%, 0.44%

LAB 49.68, 0.82, -45.86

 

CMYK 74 / 32 / 0 / 31

HEX #2E78B1

RGB 46 120 177

HSL 206.11, 0.59%, 0.44%

LAB 48.5, -3.2, -36.75

 

CMYK 60 / 26 / 0 / 38

HEX #40769F

RGB 64 118 159

HSL 205.89, 0.43%, 0.44%

LAB 47.69, -5.21, -27.47

 

CMYK 42 / 18 / 0 / 45

HEX #52738D

RGB 82 115 141

HSL 206.44, 0.26%, 0.44%

LAB 46.95, -4.66, -17.93

 

CMYK 95 / 0 / 10 / 16

HEX #0AD6C1

RGB 10 214 193

HSL 173.82, 0.91%, 0.44%

LAB 77.29, -47.86, -1.95

 

CMYK 95 / 16 / 0 / 16

HEX #0AB4D6

RGB 10 180 214

HSL 190, 0.91%, 0.44%

LAB 67.7, -25.77, -27.78

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 95 / 67 / 0 / 16

HEX #0A47D6

RGB 10 71 214

HSL 222.06, 0.91%, 0.44%

LAB 36.79, 39.71, -77.1

 

CMYK 95 / 93 / 0 / 16

HEX #0A10D6

RGB 10 16 214

HSL 238.24, 0.91%, 0.44%

LAB 27.55, 66.22, -92.44

 

CMYK 96 / 41 / 0 / 47

HEX #064F87

RGB 6 79 135

HSL 206.05, 0.91%, 0.28%

LAB 32.66, 2.27, -36.86

 

CMYK 95 / 41 / 0 / 32

HEX #0866AE

RGB 8 102 174

HSL 206.02, 0.91%, 0.36%

LAB 42.17, 3.48, -45.09

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 91 / 40 / 0 / 4

HEX #1592F4

RGB 21 146 244

HSL 206.37, 0.91%, 0.52%

LAB 59.2, 4.19, -57.64

 

CMYK 75 / 33 / 0 / 4

HEX #3DA5F5

RGB 61 165 245

HSL 206.09, 0.9%, 0.6%

LAB 65.35, -3.33, -48.38

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 35 / 95 / 0 / 16

HEX #8B0AD6

RGB 139 10 214

HSL 277.94, 0.91%, 0.44%

LAB 38.83, 74.76, -73.39

 

CMYK 3 / 0 / 95 / 16

HEX #CFD60A

RGB 207 214 10

HSL 62.06, 0.91%, 0.44%

LAB 82.58, -21.75, 81.24

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 0 / 95 / 42 / 16

HEX #D60A7D

RGB 214 10 125

HSL 326.18, 0.91%, 0.44%

LAB 46.97, 74.76, -6.67

 

CMYK 42 / 0 / 95 / 16

HEX #7DD60A

RGB 125 214 10

HSL 86.18, 0.91%, 0.44%

LAB 77.56, -53.44, 75.18

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 35 / 95 / 0 / 16

HEX #8B0AD6

RGB 139 10 214

HSL 277.94, 0.91%, 0.44%

LAB 38.83, 74.76, -73.39

 

CMYK 0 / 54 / 95 / 16

HEX #D6620A

RGB 214 98 10

HSL 25.88, 0.91%, 0.44%

LAB 55.13, 41.81, 61.94

 

CMYK 61 / 0 / 95 / 16

HEX #54D60A

RGB 84 214 10

HSL 98.24, 0.91%, 0.44%

LAB 76.07, -65.12, 73.35

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 7 / 95 / 0 / 16

HEX #C80AD6

RGB 200 10 214

HSL 295.88, 0.91%, 0.44%

LAB 48.7, 83.1, -56.91

 

CMYK 0 / 54 / 95 / 16

HEX #D6620A

RGB 214 98 10

HSL 25.88, 0.91%, 0.44%

LAB 55.13, 41.81, 61.94

 

CMYK 89 / 0 / 95 / 16

HEX #17D60A

RGB 23 214 10

HSL 116.18, 0.91%, 0.44%

LAB 75.01, -74.28, 72.05

 

Description

Color code: HEX #0A7DD6 | qconv.com Color code: HEX #0A7DD6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 125 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 125 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 42 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 42% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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