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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A894C it is the complementary color #F576B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A894C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A894C shade: #0F8947, #209B5A, #31AD6D, #42BF80 and #53D193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A894C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A894C shade: #0A894C, #007739, #006526, #005313 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A894C shade: #0A894C, #0A892A, #0C890A, #2F890A and #51890A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A894C shade: #0A894C, #0A896E, #0A8289, #0A5F89 and #0A3D89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A894C shade matches the following richer shades: #0A894C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A894C shade: #0A894C, #167D4B, #22714B, #2E654B and #3A594A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A894C shade: #0C890A, #0A892A, #0A894C, #0A896D and #0A8389

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A894C shade: #043C21, #076337, #0A894C, #0DAF61 and #10D677

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A894C shade: #0A894C, #0A2E89 and #89190A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A894C shade: #0A894C, #4C0A89 and #894C0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A894C shade: #0A894C, #0A2E89, #890A47 and #89650A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A894C shade: #0A894C, #0C0A89, #890A47 and #87890A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

Complementary color

CMYK 0 / 52 / 27 / 4

HEX #F576B3

RGB 245 118 179

HSL 331.18, 0.86%, 0.71%

LAB 66.23, 55.2, -9.12

 

CMYK 89 / 0 / 48 / 46

HEX #0F8947

RGB 15 137 71

HSL 147.54, 0.8%, 0.3%

LAB 50.03, -46.41, 26.8

 

CMYK 79 / 0 / 42 / 39

HEX #209B5A

RGB 32 155 90

HSL 148.29, 0.66%, 0.37%

LAB 56.57, -47.74, 25.02

 

CMYK 72 / 0 / 37 / 32

HEX #31AD6D

RGB 49 173 109

HSL 149.03, 0.56%, 0.44%

LAB 63.05, -48.52, 23.41

 

CMYK 65 / 0 / 33 / 25

HEX #42BF80

RGB 66 191 128

HSL 149.76, 0.49%, 0.5%

LAB 69.45, -48.95, 21.94

 

CMYK 60 / 0 / 30 / 18

HEX #53D193

RGB 83 209 147

HSL 150.48, 0.58%, 0.57%

LAB 75.79, -49.14, 20.61

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 100 / 0 / 52 / 53

HEX #007739

RGB 0 119 57

HSL 148.74, 1%, 0.23%

LAB 43.49, -43.55, 26.09

 

CMYK 100 / 0 / 62 / 60

HEX #006526

RGB 0 101 38

HSL 142.57, 1%, 0.2%

LAB 36.83, -40.33, 28.15

 

CMYK 100 / 0 / 77 / 67

HEX #005313

RGB 0 83 19

HSL 133.73, 1%, 0.16%

LAB 29.99, -36.62, 29.81

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 0 / 69 / 46

HEX #0A892A

RGB 10 137 42

HSL 135.12, 0.86%, 0.29%

LAB 49.64, -51, 40.67

 

CMYK 91 / 0 / 93 / 46

HEX #0C890A

RGB 12 137 10

HSL 119.06, 0.86%, 0.29%

LAB 49.49, -53.09, 50.69

 

CMYK 66 / 0 / 93 / 46

HEX #2F890A

RGB 47 137 10

HSL 102.52, 0.86%, 0.29%

LAB 50.12, -47.6, 51.48

 

CMYK 41 / 0 / 93 / 46

HEX #51890A

RGB 81 137 10

HSL 86.46, 0.86%, 0.29%

LAB 51.45, -37.2, 53.14

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 0 / 20 / 46

HEX #0A896E

RGB 10 137 110

HSL 167.24, 0.86%, 0.29%

LAB 50.78, -37.82, 5.77

 

CMYK 93 / 5 / 0 / 46

HEX #0A8289

RGB 10 130 137

HSL 183.31, 0.86%, 0.29%

LAB 49.3, -26.35, -12.2

 

CMYK 93 / 31 / 0 / 46

HEX #0A5F89

RGB 10 95 137

HSL 199.84, 0.86%, 0.29%

LAB 37.94, -6.89, -29.71

 

CMYK 93 / 55 / 0 / 46

HEX #0A3D89

RGB 10 61 137

HSL 215.91, 0.86%, 0.29%

LAB 27.32, 15.73, -46.69

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 82 / 0 / 40 / 51

HEX #167D4B

RGB 22 125 75

HSL 150.87, 0.7%, 0.29%

LAB 46.1, -40.35, 19.48

 

CMYK 70 / 0 / 34 / 56

HEX #22714B

RGB 34 113 75

HSL 151.14, 0.54%, 0.29%

LAB 42.24, -33.45, 14.32

 

CMYK 54 / 0 / 26 / 60

HEX #2E654B

RGB 46 101 75

HSL 151.64, 0.37%, 0.29%

LAB 38.54, -25.02, 9.27

 

CMYK 35 / 0 / 17 / 65

HEX #3A594A

RGB 58 89 74

HSL 150.97, 0.21%, 0.29%

LAB 35.08, -15.15, 5.07

 

CMYK 91 / 0 / 93 / 46

HEX #0C890A

RGB 12 137 10

HSL 119.06, 0.86%, 0.29%

LAB 49.49, -53.09, 50.69

 

CMYK 93 / 0 / 69 / 46

HEX #0A892A

RGB 10 137 42

HSL 135.12, 0.86%, 0.29%

LAB 49.64, -51, 40.67

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 0 / 20 / 46

HEX #0A896D

RGB 10 137 109

HSL 166.77, 0.86%, 0.29%

LAB 50.76, -38.1, 6.31

 

CMYK 93 / 4 / 0 / 46

HEX #0A8389

RGB 10 131 137

HSL 182.83, 0.86%, 0.29%

LAB 49.62, -26.85, -11.71

 

CMYK 93 / 0 / 45 / 76

HEX #043C21

RGB 4 60 33

HSL 151.07, 0.88%, 0.13%

LAB 21.46, -24.81, 11.93

 

CMYK 93 / 0 / 44 / 61

HEX #076337

RGB 7 99 55

HSL 151.3, 0.87%, 0.21%

LAB 36.45, -35.8, 18.23

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 0 / 45 / 31

HEX #0DAF61

RGB 13 175 97

HSL 151.11, 0.86%, 0.37%

LAB 63.02, -55.32, 29.65

 

CMYK 93 / 0 / 44 / 16

HEX #10D677

RGB 16 214 119

HSL 151.21, 0.86%, 0.45%

LAB 75.78, -64.56, 34.87

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 66 / 0 / 46

HEX #0A2E89

RGB 10 46 137

HSL 222.99, 0.86%, 0.29%

LAB 23.08, 26.3, -53.61

 

CMYK 0 / 82 / 93 / 46

HEX #89190A

RGB 137 25 10

HSL 7.09, 0.86%, 0.29%

LAB 29.5, 45.44, 38.18

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 45 / 93 / 0 / 46

HEX #4C0A89

RGB 76 10 137

HSL 271.18, 0.86%, 0.29%

LAB 22.16, 50.97, -54.94

 

CMYK 0 / 45 / 93 / 46

HEX #894C0A

RGB 137 76 10

HSL 31.18, 0.86%, 0.29%

LAB 38.74, 21.37, 45.06

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 66 / 0 / 46

HEX #0A2E89

RGB 10 46 137

HSL 222.99, 0.86%, 0.29%

LAB 23.08, 26.3, -53.61

 

CMYK 0 / 93 / 48 / 46

HEX #890A47

RGB 137 10 71

HSL 331.18, 0.86%, 0.29%

LAB 29.39, 52.11, 0.06

 

CMYK 0 / 26 / 93 / 46

HEX #89650A

RGB 137 101 10

HSL 42.99, 0.86%, 0.29%

LAB 45.15, 6.78, 49.96

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 91 / 93 / 0 / 46

HEX #0C0A89

RGB 12 10 137

HSL 240.94, 0.86%, 0.29%

LAB 16.01, 46.52, -65.32

 

CMYK 0 / 93 / 48 / 46

HEX #890A47

RGB 137 10 71

HSL 331.18, 0.86%, 0.29%

LAB 29.39, 52.11, 0.06

 

CMYK 1 / 0 / 93 / 46

HEX #87890A

RGB 135 137 10

HSL 60.94, 0.86%, 0.29%

LAB 55.14, -14.32, 57.65

 

Description

Color code: HEX #0A894C | qconv.com Color code: HEX #0A894C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 137 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 137 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 45 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 45% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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