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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A993C it is the complementary color #F566C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A993C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A993C shade: #0F9937, #20AB4A, #31BD5D, #42CF70 and #53E183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A993C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A993C shade: #0A993C, #008729, #007516, #006303 and #005100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A993C shade: #09993C, #099915, #259909, #4B9909 and #729909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A993C shade: #09993C, #099962, #099989, #098299 and #095B99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A993C shade matches the following richer shades: #09993C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A993C shade: #09993C, #168C3F, #247F43, #317147 and #3E644B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A993C shade: #269909, #099913, #099939, #09995F and #099986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A993C shade: #044B1D, #07722C, #09993C, #0CC04B and #0EE65A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A993C shade: #0A993C, #094C99 and #990913

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A993C shade: #0A993C, #390999 and #993909

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A993C shade: #0A993C, #094C99, #990969 and #995609

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A993C shade: #0A993C, #092199, #990969 and #998109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 61 / 40

HEX #0A993C

RGB 10 153 60

HSL 140.98, 0.88%, 0.32%

LAB 55.25, -53.99, 38.74

 

Complementary color

CMYK 0 / 58 / 20 / 4

HEX #F566C3

RGB 245 102 195

HSL 320.98, 0.88%, 0.68%

LAB 64.04, 64.6, -21.48

 

CMYK 90 / 0 / 64 / 40

HEX #0F9937

RGB 15 153 55

HSL 137.39, 0.82%, 0.33%

LAB 55.24, -54.3, 41.07

 

CMYK 81 / 0 / 57 / 33

HEX #20AB4A

RGB 32 171 74

HSL 138.13, 0.68%, 0.4%

LAB 61.59, -56.12, 39.54

 

CMYK 74 / 0 / 51 / 26

HEX #31BD5D

RGB 49 189 93

HSL 138.86, 0.59%, 0.47%

LAB 67.9, -57.28, 37.97

 

CMYK 68 / 0 / 46 / 19

HEX #42CF70

RGB 66 207 112

HSL 139.57, 0.59%, 0.54%

LAB 74.16, -57.98, 36.43

 

CMYK 63 / 0 / 42 / 12

HEX #53E183

RGB 83 225 131

HSL 140.28, 0.7%, 0.6%

LAB 80.36, -58.39, 34.98

 

CMYK 93 / 0 / 61 / 40

HEX #0A993C

RGB 10 153 60

HSL 140.98, 0.88%, 0.32%

LAB 55.25, -53.99, 38.74

 

CMYK 100 / 0 / 70 / 47

HEX #008729

RGB 0 135 41

HSL 138.22, 1%, 0.26%

LAB 48.87, -51.17, 40.24

 

CMYK 100 / 0 / 81 / 54

HEX #007516

RGB 0 117 22

HSL 131.28, 1%, 0.23%

LAB 42.43, -47.32, 41.13

 

CMYK 100 / 0 / 97 / 61

HEX #006303

RGB 0 99 3

HSL 121.82, 1%, 0.19%

LAB 35.85, -42.9, 40.68

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 94 / 0 / 61 / 40

HEX #09993C

RGB 9 153 60

HSL 141.25, 0.89%, 0.32%

LAB 55.24, -54.05, 38.73

 

CMYK 94 / 0 / 86 / 40

HEX #099915

RGB 9 153 21

HSL 125, 0.89%, 0.32%

LAB 54.96, -57.58, 53.13

 

CMYK 76 / 0 / 94 / 40

HEX #259909

RGB 37 153 9

HSL 108.33, 0.89%, 0.32%

LAB 55.27, -54.97, 55.89

 

CMYK 51 / 0 / 94 / 40

HEX #4B9909

RGB 75 153 9

HSL 92.5, 0.89%, 0.32%

LAB 56.38, -45.81, 57.27

 

CMYK 25 / 0 / 94 / 40

HEX #729909

RGB 114 153 9

HSL 76.25, 0.89%, 0.32%

LAB 58.4, -31.53, 59.73

 

CMYK 94 / 0 / 61 / 40

HEX #09993C

RGB 9 153 60

HSL 141.25, 0.89%, 0.32%

LAB 55.24, -54.05, 38.73

 

CMYK 94 / 0 / 36 / 40

HEX #099962

RGB 9 153 98

HSL 157.08, 0.89%, 0.32%

LAB 55.81, -47.31, 19.58

 

CMYK 94 / 0 / 10 / 40

HEX #099989

RGB 9 153 137

HSL 173.33, 0.89%, 0.32%

LAB 56.73, -37.3, -1.15

 

CMYK 94 / 15 / 0 / 40

HEX #098299

RGB 9 130 153

HSL 189.58, 0.89%, 0.32%

LAB 49.89, -20.91, -20.67

 

CMYK 94 / 41 / 0 / 40

HEX #095B99

RGB 9 91 153

HSL 205.83, 0.89%, 0.32%

LAB 37.55, 2.04, -39.98

 

CMYK 94 / 0 / 61 / 40

HEX #09993C

RGB 9 153 60

HSL 141.25, 0.89%, 0.32%

LAB 55.24, -54.05, 38.73

 

CMYK 94 / 0 / 61 / 40

HEX #09993C

RGB 9 153 60

HSL 141.25, 0.89%, 0.32%

LAB 55.24, -54.05, 38.73

 

CMYK 84 / 0 / 55 / 45

HEX #168C3F

RGB 22 140 63

HSL 140.85, 0.73%, 0.32%

LAB 51.02, -48.16, 32.25

 

CMYK 72 / 0 / 47 / 50

HEX #247F43

RGB 36 127 67

HSL 140.44, 0.56%, 0.32%

LAB 46.92, -40.56, 25.07

 

CMYK 57 / 0 / 37 / 56

HEX #317147

RGB 49 113 71

HSL 140.63, 0.4%, 0.32%

LAB 42.64, -30.85, 17.28

 

CMYK 38 / 0 / 25 / 61

HEX #3E644B

RGB 62 100 75

HSL 140.53, 0.23%, 0.32%

LAB 38.98, -19.57, 9.99

 

CMYK 75 / 0 / 94 / 40

HEX #269909

RGB 38 153 9

HSL 107.92, 0.89%, 0.32%

LAB 55.29, -54.8, 55.91

 

CMYK 94 / 0 / 88 / 40

HEX #099913

RGB 9 153 19

HSL 124.17, 0.89%, 0.32%

LAB 54.96, -57.68, 53.6

 

CMYK 94 / 0 / 63 / 40

HEX #099939

RGB 9 153 57

HSL 140, 0.89%, 0.32%

LAB 55.21, -54.44, 40.1

 

CMYK 94 / 0 / 38 / 40

HEX #09995F

RGB 9 153 95

HSL 155.83, 0.89%, 0.32%

LAB 55.75, -47.96, 21.16

 

CMYK 94 / 0 / 12 / 40

HEX #099986

RGB 9 153 134

HSL 172.08, 0.89%, 0.32%

LAB 56.65, -38.17, 0.44

 

CMYK 95 / 0 / 61 / 71

HEX #044B1D

RGB 4 75 29

HSL 141.13, 0.9%, 0.15%

LAB 27.15, -31.79, 21.55

 

CMYK 94 / 0 / 61 / 55

HEX #07722C

RGB 7 114 44

HSL 140.75, 0.88%, 0.24%

LAB 41.63, -43.31, 30.71

 

CMYK 94 / 0 / 61 / 40

HEX #09993C

RGB 9 153 60

HSL 141.25, 0.89%, 0.32%

LAB 55.24, -54.05, 38.73

 

CMYK 94 / 0 / 61 / 25

HEX #0CC04B

RGB 12 192 75

HSL 141, 0.88%, 0.4%

LAB 68.23, -64.33, 46.8

 

CMYK 94 / 0 / 61 / 10

HEX #0EE65A

RGB 14 230 90

HSL 141.11, 0.89%, 0.48%

LAB 80.42, -73.94, 54.17

 

CMYK 93 / 0 / 61 / 40

HEX #0A993C

RGB 10 153 60

HSL 140.98, 0.88%, 0.32%

LAB 55.25, -53.99, 38.74

 

CMYK 94 / 50 / 0 / 40

HEX #094C99

RGB 9 76 153

HSL 212.08, 0.89%, 0.32%

LAB 32.98, 12.02, -47.33

 

CMYK 0 / 94 / 88 / 40

HEX #990913

RGB 153 9 19

HSL 355.83, 0.89%, 0.32%

LAB 31.84, 53.71, 37.17

 

CMYK 93 / 0 / 61 / 40

HEX #0A993C

RGB 10 153 60

HSL 140.98, 0.88%, 0.32%

LAB 55.25, -53.99, 38.74

 

CMYK 63 / 94 / 0 / 40

HEX #390999

RGB 57 9 153

HSL 260, 0.89%, 0.32%

LAB 21.45, 53.37, -66.13

 

CMYK 0 / 63 / 94 / 40

HEX #993909

RGB 153 57 9

HSL 20, 0.89%, 0.32%

LAB 37.33, 38.2, 45.52

 

CMYK 93 / 0 / 61 / 40

HEX #0A993C

RGB 10 153 60

HSL 140.98, 0.88%, 0.32%

LAB 55.25, -53.99, 38.74

 

CMYK 94 / 50 / 0 / 40

HEX #094C99

RGB 9 76 153

HSL 212.08, 0.89%, 0.32%

LAB 32.98, 12.02, -47.33

 

CMYK 0 / 94 / 31 / 40

HEX #990969

RGB 153 9 105

HSL 320, 0.89%, 0.32%

LAB 33.96, 59.5, -14.99

 

CMYK 0 / 44 / 94 / 40

HEX #995609

RGB 153 86 9

HSL 32.08, 0.89%, 0.32%

LAB 43.43, 22.84, 49.84

 

CMYK 93 / 0 / 61 / 40

HEX #0A993C

RGB 10 153 60

HSL 140.98, 0.88%, 0.32%

LAB 55.25, -53.99, 38.74

 

CMYK 94 / 78 / 0 / 40

HEX #092199

RGB 9 33 153

HSL 230, 0.89%, 0.32%

LAB 21.75, 40.78, -65.73

 

CMYK 0 / 94 / 31 / 40

HEX #990969

RGB 153 9 105

HSL 320, 0.89%, 0.32%

LAB 33.96, 59.5, -14.99

 

CMYK 0 / 16 / 94 / 40

HEX #998109

RGB 153 129 9

HSL 50, 0.89%, 0.32%

LAB 54.55, -1.63, 58.09

 

Description

Color code: HEX #0A993C | qconv.com Color code: HEX #0A993C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 153 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 153 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 61 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 61% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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