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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A9CDB it is the complementary color #F56324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A9CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A9CDB shade: #0F9CD6, #20AEE9, #31C0FC, #42D2FF and #53E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A9CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A9CDB shade: #0A9CDB, #008AC8, #0078B5, #0066A2 and #00548F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A9CDB shade: #0A9CDB, #0A63DB, #0A2BDB, #210ADB and #590ADB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A9CDB shade: #0A9CDB, #0A63DB, #0A2BDB and #0A0ADB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A9CDB shade matches the following richer shades: #0A9CDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A9CDB shade: #0A9CDB, #1C94C8, #2F8DB6, #4286A3 and #547E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A9CDB shade: #0ADBAA, #0AD4DB, #0A9CDB, #0A64DB and #0A2DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A9CDB shade: #06648C, #0880B3, #0A9CDB, #1AB2F4 and #41BFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A9CDB shade: #0A9CDB, #720ADB and #DBC60A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A9CDB shade: #0A9CDB, #DB0A9C and #9CDB0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A9CDB shade: #0A9CDB, #720ADB, #DB480A and #72DB0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A9CDB shade: #0A9CDB, #B10ADB, #DB480A and #34DB0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

Complementary color

CMYK 0 / 60 / 85 / 4

HEX #F56324

RGB 245 99 36

HSL 18.09, 0.91%, 0.55%

LAB 60.31, 53.25, 60.29

 

CMYK 93 / 27 / 0 / 16

HEX #0F9CD6

RGB 15 156 214

HSL 197.49, 0.87%, 0.45%

LAB 60.55, -12.93, -38.88

 

CMYK 86 / 25 / 0 / 9

HEX #20AEE9

RGB 32 174 233

HSL 197.61, 0.82%, 0.52%

LAB 66.87, -15.12, -39.47

 

CMYK 81 / 24 / 0 / 1

HEX #31C0FC

RGB 49 192 252

HSL 197.73, 0.97%, 0.59%

LAB 73.14, -16.9, -39.98

 

CMYK 74 / 18 / 0 / 0

HEX #42D2FF

RGB 66 210 255

HSL 194.29, 1%, 0.63%

LAB 78.74, -23.49, -32.89

 

CMYK 67 / 11 / 0 / 0

HEX #53E4FF

RGB 83 228 255

HSL 189.42, 1%, 0.66%

LAB 84.25, -30.21, -24.41

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 100 / 31 / 0 / 22

HEX #008AC8

RGB 0 138 200

HSL 198.6, 1%, 0.39%

LAB 54.39, -8.45, -40.69

 

CMYK 100 / 34 / 0 / 29

HEX #0078B5

RGB 0 120 181

HSL 200.22, 1%, 0.35%

LAB 47.97, -5.18, -39.95

 

CMYK 100 / 37 / 0 / 36

HEX #0066A2

RGB 0 102 162

HSL 202.22, 1%, 0.32%

LAB 41.39, -1.72, -39.25

 

CMYK 100 / 41 / 0 / 44

HEX #00548F

RGB 0 84 143

HSL 204.76, 1%, 0.28%

LAB 34.65, 1.98, -38.58

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 95 / 55 / 0 / 14

HEX #0A63DB

RGB 10 99 219

HSL 214.45, 0.91%, 0.45%

LAB 44.38, 23.5, -67.54

 

CMYK 95 / 80 / 0 / 14

HEX #0A2BDB

RGB 10 43 219

HSL 230.53, 0.91%, 0.45%

LAB 31.59, 57.49, -88.58

 

CMYK 85 / 95 / 0 / 14

HEX #210ADB

RGB 33 10 219

HSL 246.6, 0.91%, 0.45%

LAB 28.52, 69.1, -93.68

 

CMYK 59 / 95 / 0 / 14

HEX #590ADB

RGB 89 10 219

HSL 262.68, 0.91%, 0.45%

LAB 32.82, 71.35, -86.41

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 95 / 55 / 0 / 14

HEX #0A63DB

RGB 10 99 219

HSL 214.45, 0.91%, 0.45%

LAB 44.38, 23.5, -67.54

 

CMYK 95 / 80 / 0 / 14

HEX #0A2BDB

RGB 10 43 219

HSL 230.53, 0.91%, 0.45%

LAB 31.59, 57.49, -88.58

 

CMYK 95 / 95 / 0 / 14

HEX #0A0ADB

RGB 10 10 219

HSL 240, 0.91%, 0.45%

LAB 27.83, 68.8, -94.85

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 86 / 26 / 0 / 22

HEX #1C94C8

RGB 28 148 200

HSL 198.14, 0.75%, 0.45%

LAB 57.65, -12.84, -35.56

 

CMYK 74 / 23 / 0 / 29

HEX #2F8DB6

RGB 47 141 182

HSL 198.22, 0.59%, 0.45%

LAB 55.1, -13.41, -29.29

 

CMYK 60 / 18 / 0 / 36

HEX #4286A3

RGB 66 134 163

HSL 197.94, 0.42%, 0.45%

LAB 52.79, -12.69, -21.91

 

CMYK 42 / 13 / 0 / 44

HEX #547E90

RGB 84 126 144

HSL 198, 0.26%, 0.45%

LAB 50.48, -9.59, -14.31

 

CMYK 95 / 0 / 22 / 14

HEX #0ADBAA

RGB 10 219 170

HSL 165.93, 0.91%, 0.45%

LAB 78.25, -55.83, 11.71

 

CMYK 95 / 3 / 0 / 14

HEX #0AD4DB

RGB 10 212 219

HSL 182.01, 0.91%, 0.45%

LAB 77.44, -39.48, -15.67

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 95 / 54 / 0 / 14

HEX #0A64DB

RGB 10 100 219

HSL 214.16, 0.91%, 0.45%

LAB 44.65, 22.85, -67.1

 

CMYK 95 / 79 / 0 / 14

HEX #0A2DDB

RGB 10 45 219

HSL 229.95, 0.91%, 0.45%

LAB 31.93, 56.5, -88.02

 

CMYK 96 / 29 / 0 / 45

HEX #06648C

RGB 6 100 140

HSL 197.91, 0.92%, 0.29%

LAB 39.66, -8.96, -28.83

 

CMYK 96 / 28 / 0 / 30

HEX #0880B3

RGB 8 128 179

HSL 197.89, 0.91%, 0.37%

LAB 50.39, -10.33, -34.98

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 89 / 27 / 0 / 4

HEX #1AB2F4

RGB 26 178 244

HSL 198.17, 0.91%, 0.53%

LAB 68.45, -13.76, -43

 

CMYK 74 / 22 / 0 / 4

HEX #41BFF6

RGB 65 191 246

HSL 198.23, 0.91%, 0.61%

LAB 72.92, -16.72, -37.07

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 48 / 95 / 0 / 14

HEX #720ADB

RGB 114 10 219

HSL 269.86, 0.91%, 0.45%

LAB 35.81, 73.26, -81.37

 

CMYK 0 / 10 / 95 / 14

HEX #DBC60A

RGB 219 198 10

HSL 53.97, 0.91%, 0.45%

LAB 79.31, -8.65, 79.23

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 0 / 95 / 29 / 14

HEX #DB0A9C

RGB 219 10 156

HSL 318.09, 0.91%, 0.45%

LAB 49.1, 78.87, -22.1

 

CMYK 29 / 0 / 95 / 14

HEX #9CDB0A

RGB 156 219 10

HSL 78.09, 0.91%, 0.45%

LAB 80.6, -44.53, 78.24

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 48 / 95 / 0 / 14

HEX #720ADB

RGB 114 10 219

HSL 269.86, 0.91%, 0.45%

LAB 35.81, 73.26, -81.37

 

CMYK 0 / 67 / 95 / 14

HEX #DB480A

RGB 219 72 10

HSL 17.8, 0.91%, 0.45%

LAB 51.52, 55.31, 60.11

 

CMYK 48 / 0 / 95 / 14

HEX #72DB0A

RGB 114 219 10

HSL 90.14, 0.91%, 0.45%

LAB 78.61, -58.81, 75.82

 

CMYK 95 / 29 / 0 / 14

HEX #0A9CDB

RGB 10 156 219

HSL 198.09, 0.91%, 0.45%

LAB 60.74, -11.29, -41.36

 

CMYK 19 / 95 / 0 / 14

HEX #B10ADB

RGB 177 10 219

HSL 287.94, 0.91%, 0.45%

LAB 45.19, 80.52, -65.63

 

CMYK 0 / 67 / 95 / 14

HEX #DB480A

RGB 219 72 10

HSL 17.8, 0.91%, 0.45%

LAB 51.52, 55.31, 60.11

 

CMYK 76 / 0 / 95 / 14

HEX #34DB0A

RGB 52 219 10

HSL 107.94, 0.91%, 0.45%

LAB 76.93, -72.68, 73.76

 

Description

Color code: HEX #0A9CDB | qconv.com Color code: HEX #0A9CDB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 156 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 156 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 29 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 29% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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