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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AAFB2 it is the complementary color #F5504D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AAFB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AAFB2 shade: #0FAFAD, #20C1C0, #31D3D3, #42E5E6 and #53F7F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AAFB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AAFB2 shade: #0AAFB2, #009D9F, #008B8C, #007979 and #006766

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AAFB2 shade: #0AAFB2, #0A82B2, #0A54B2, #0A27B2 and #1A0AB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AAFB2 shade: #0AAFB2, #0A82B2, #0A54B2, #0A27B2 and #0A0AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AAFB2 shade matches the following richer shades: #0AAFB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AAFB2 shade: #0AAFB2, #19A0A3, #289193, #388384 and #477475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AAFB2 shade: #0AB25B, #0AB288, #0AAFB2, #0A82B2 and #0A55B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AAFB2 shade: #056264, #08888B, #0AAFB2, #0CD5D9 and #1DEEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AAFB2 shade: #0AAFB2, #2E0AB2 and #B2710A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AAFB2 shade: #0AAFB2, #B20AAF and #AFB20A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AAFB2 shade: #0AAFB2, #2E0AB2, #B20D0A and #8DB20A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AAFB2 shade: #0AAFB2, #610AB2, #B20D0A and #5BB20A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

Complementary color

CMYK 0 / 67 / 69 / 4

HEX #F5504D

RGB 245 80 77

HSL 1.07, 0.89%, 0.63%

LAB 57.74, 62.59, 37.59

 

CMYK 91 / 0 / 1 / 31

HEX #0FAFAD

RGB 15 175 173

HSL 179.25, 0.84%, 0.37%

LAB 64.79, -36.32, -9.51

 

CMYK 83 / 0 / 1 / 24

HEX #20C1C0

RGB 32 193 192

HSL 179.63, 0.72%, 0.44%

LAB 71.04, -37.89, -10.63

 

CMYK 77 / 0 / 0 / 17

HEX #31D3D3

RGB 49 211 211

HSL 180, 0.65%, 0.51%

LAB 77.25, -39.1, -11.63

 

CMYK 71 / 0 / 0 / 10

HEX #42E5E6

RGB 66 229 230

HSL 180.37, 0.77%, 0.58%

LAB 83.4, -40.04, -12.54

 

CMYK 67 / 1 / 0 / 2

HEX #53F7F9

RGB 83 247 249

HSL 180.72, 0.93%, 0.65%

LAB 89.49, -40.75, -13.37

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 100 / 1 / 0 / 38

HEX #009D9F

RGB 0 157 159

HSL 180.75, 1%, 0.31%

LAB 58.62, -32.83, -10.88

 

CMYK 100 / 1 / 0 / 45

HEX #008B8C

RGB 0 139 140

HSL 180.43, 1%, 0.27%

LAB 52.24, -30.29, -9.53

 

CMYK 100 / 0 / 0 / 53

HEX #007979

RGB 0 121 121

HSL 180, 1%, 0.24%

LAB 45.71, -27.7, -8.14

 

CMYK 100 / 0 / 1 / 60

HEX #006766

RGB 0 103 102

HSL 179.42, 1%, 0.2%

LAB 39, -25.04, -6.7

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 94 / 27 / 0 / 30

HEX #0A82B2

RGB 10 130 178

HSL 197.14, 0.89%, 0.37%

LAB 50.97, -11.77, -33.49

 

CMYK 94 / 53 / 0 / 30

HEX #0A54B2

RGB 10 84 178

HSL 213.57, 0.89%, 0.37%

LAB 37.15, 16.99, -55.53

 

CMYK 94 / 78 / 0 / 30

HEX #0A27B2

RGB 10 39 178

HSL 229.64, 0.89%, 0.37%

LAB 25.95, 46.11, -73.91

 

CMYK 85 / 94 / 0 / 30

HEX #1A0AB2

RGB 26 10 178

HSL 245.71, 0.89%, 0.37%

LAB 22.48, 58.34, -79.67

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 94 / 27 / 0 / 30

HEX #0A82B2

RGB 10 130 178

HSL 197.14, 0.89%, 0.37%

LAB 50.97, -11.77, -33.49

 

CMYK 94 / 53 / 0 / 30

HEX #0A54B2

RGB 10 84 178

HSL 213.57, 0.89%, 0.37%

LAB 37.15, 16.99, -55.53

 

CMYK 94 / 78 / 0 / 30

HEX #0A27B2

RGB 10 39 178

HSL 229.64, 0.89%, 0.37%

LAB 25.95, 46.11, -73.91

 

CMYK 94 / 94 / 0 / 30

HEX #0A0AB2

RGB 10 10 178

HSL 240, 0.89%, 0.37%

LAB 21.93, 58.07, -80.61

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 85 / 2 / 0 / 36

HEX #19A0A3

RGB 25 160 163

HSL 181.3, 0.73%, 0.37%

LAB 59.88, -31.77, -11.23

 

CMYK 73 / 1 / 0 / 42

HEX #289193

RGB 40 145 147

HSL 181.12, 0.57%, 0.37%

LAB 54.87, -27.89, -9.58

 

CMYK 58 / 1 / 0 / 48

HEX #388384

RGB 56 131 132

HSL 180.79, 0.4%, 0.37%

LAB 50.38, -22.62, -7.55

 

CMYK 39 / 1 / 0 / 54

HEX #477475

RGB 71 116 117

HSL 181.3, 0.24%, 0.37%

LAB 45.79, -15.13, -5.44

 

CMYK 94 / 0 / 49 / 30

HEX #0AB25B

RGB 10 178 91

HSL 148.93, 0.89%, 0.37%

LAB 63.89, -57.55, 33.85

 

CMYK 94 / 0 / 24 / 30

HEX #0AB288

RGB 10 178 136

HSL 165, 0.89%, 0.37%

LAB 64.71, -48.09, 10.9

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 94 / 27 / 0 / 30

HEX #0A82B2

RGB 10 130 178

HSL 197.14, 0.89%, 0.37%

LAB 50.97, -11.77, -33.49

 

CMYK 94 / 52 / 0 / 30

HEX #0A55B2

RGB 10 85 178

HSL 213.21, 0.89%, 0.37%

LAB 37.44, 16.32, -55.06

 

CMYK 95 / 2 / 0 / 61

HEX #056264

RGB 5 98 100

HSL 181.26, 0.9%, 0.21%

LAB 37.28, -22.78, -8.05

 

CMYK 94 / 2 / 0 / 45

HEX #08888B

RGB 8 136 139

HSL 181.37, 0.89%, 0.29%

LAB 51.29, -28.77, -10.36

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 94 / 2 / 0 / 15

HEX #0CD5D9

RGB 12 213 217

HSL 181.17, 0.9%, 0.45%

LAB 77.68, -40.48, -14.23

 

CMYK 88 / 1 / 0 / 5

HEX #1DEEF1

RGB 29 238 241

HSL 180.85, 0.88%, 0.53%

LAB 85.89, -43.9, -14.65

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 74 / 94 / 0 / 30

HEX #2E0AB2

RGB 46 10 178

HSL 252.86, 0.89%, 0.37%

LAB 23.71, 58.99, -77.59

 

CMYK 0 / 37 / 94 / 30

HEX #B2710A

RGB 178 113 10

HSL 36.79, 0.89%, 0.37%

LAB 53.27, 18.84, 58.26

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 0 / 94 / 2 / 30

HEX #B20AAF

RGB 178 10 175

HSL 301.07, 0.89%, 0.37%

LAB 42.43, 73.6, -44.44

 

CMYK 2 / 0 / 94 / 30

HEX #AFB20A

RGB 175 178 10

HSL 61.07, 0.89%, 0.37%

LAB 70.16, -17.65, 70.7

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 74 / 94 / 0 / 30

HEX #2E0AB2

RGB 46 10 178

HSL 252.86, 0.89%, 0.37%

LAB 23.71, 58.99, -77.59

 

CMYK 0 / 93 / 94 / 30

HEX #B20D0A

RGB 178 13 10

HSL 1.07, 0.89%, 0.37%

LAB 37.44, 59.75, 47.67

 

CMYK 21 / 0 / 94 / 30

HEX #8DB20A

RGB 141 178 10

HSL 73.21, 0.89%, 0.37%

LAB 67.67, -32.12, 67.69

 

CMYK 94 / 2 / 0 / 30

HEX #0AAFB2

RGB 10 175 178

HSL 181.07, 0.89%, 0.37%

LAB 64.91, -34.99, -12.11

 

CMYK 46 / 94 / 0 / 30

HEX #610AB2

RGB 97 10 178

HSL 271.07, 0.89%, 0.37%

LAB 29.34, 62.66, -68.08

 

CMYK 0 / 93 / 94 / 30

HEX #B20D0A

RGB 178 13 10

HSL 1.07, 0.89%, 0.37%

LAB 37.44, 59.75, 47.67

 

CMYK 49 / 0 / 94 / 30

HEX #5BB20A

RGB 91 178 10

HSL 91.07, 0.89%, 0.37%

LAB 65.03, -50.45, 64.47

 

Description

Color code: HEX #0AAFB2 | qconv.com Color code: HEX #0AAFB2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 175 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 175 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 2 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 2% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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