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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AB8AC it is the complementary color #F54753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AB8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AB8AC shade: #0FB8A7, #20CABA, #31DCCD, #42EEE0 and #53FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AB8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AB8AC shade: #0AB8AC, #00A699, #009486, #008273 and #007060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AB8AC shade: #09B8AC, #09B87D, #09B84E, #09B81E and #23B809

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AB8AC shade: #09B8AC, #0995B8, #0966B8, #0937B8 and #0909B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AB8AC shade matches the following richer shades: #09B8AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AB8AC shade: #09B8AC, #19A89E, #299891, #388983 and #487976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AB8AC shade: #09B84C, #09B87B, #09B8A9, #0998B8 and #0969B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AB8AC shade: #056962, #079087, #09B8AC, #0BDFD0 and #21F3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AB8AC shade: #0AB8AC, #1E09B8 and #B86309

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AB8AC shade: #0AB8AC, #A909B8 and #B8A909

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AB8AC shade: #0AB8AC, #1E09B8, #B80918 and #A3B809

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AB8AC shade: #0AB8AC, #5209B8, #B80918 and #6FB809

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

Complementary color

CMYK 0 / 71 / 66 / 4

HEX #F54753

RGB 245 71 83

HSL 355.86, 0.9%, 0.62%

LAB 56.63, 66.18, 32.83

 

CMYK 92 / 0 / 9 / 28

HEX #0FB8A7

RGB 15 184 167

HSL 173.96, 0.85%, 0.39%

LAB 67.41, -42.11, -2.31

 

CMYK 84 / 0 / 8 / 21

HEX #20CABA

RGB 32 202 186

HSL 174.35, 0.73%, 0.46%

LAB 73.61, -43.62, -3.56

 

CMYK 78 / 0 / 7 / 14

HEX #31DCCD

RGB 49 220 205

HSL 174.74, 0.71%, 0.53%

LAB 79.75, -44.78, -4.69

 

CMYK 72 / 0 / 6 / 7

HEX #42EEE0

RGB 66 238 224

HSL 175.12, 0.83%, 0.6%

LAB 85.85, -45.67, -5.72

 

CMYK 67 / 0 / 5 / 0

HEX #53FFF3

RGB 83 255 243

HSL 175.81, 1%, 0.66%

LAB 91.61, -45.9, -7.09

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

CMYK 100 / 0 / 8 / 35

HEX #00A699

RGB 0 166 153

HSL 175.3, 1%, 0.33%

LAB 61.28, -38.8, -3.53

 

CMYK 100 / 0 / 9 / 42

HEX #009486

RGB 0 148 134

HSL 174.32, 1%, 0.29%

LAB 54.97, -36.35, -2.02

 

CMYK 100 / 0 / 12 / 49

HEX #008273

RGB 0 130 115

HSL 173.08, 1%, 0.25%

LAB 48.51, -33.85, -0.44

 

CMYK 100 / 0 / 14 / 56

HEX #007060

RGB 0 112 96

HSL 171.43, 1%, 0.22%

LAB 41.9, -31.3, 1.21

 

CMYK 95 / 0 / 7 / 28

HEX #09B8AC

RGB 9 184 172

HSL 175.89, 0.91%, 0.38%

LAB 67.51, -40.91, -4.91

 

CMYK 95 / 0 / 32 / 28

HEX #09B87D

RGB 9 184 125

HSL 159.77, 0.91%, 0.38%

LAB 66.38, -53.04, 19.23

 

CMYK 95 / 0 / 58 / 28

HEX #09B84E

RGB 9 184 78

HSL 143.66, 0.91%, 0.38%

LAB 65.66, -61.56, 42.42

 

CMYK 95 / 0 / 84 / 28

HEX #09B81E

RGB 9 184 30

HSL 127.2, 0.91%, 0.38%

LAB 65.3, -66.07, 60.24

 

CMYK 81 / 0 / 95 / 28

HEX #23B809

RGB 35 184 9

HSL 111.09, 0.91%, 0.38%

LAB 65.48, -64.71, 64.35

 

CMYK 95 / 0 / 7 / 28

HEX #09B8AC

RGB 9 184 172

HSL 175.89, 0.91%, 0.38%

LAB 67.51, -40.91, -4.91

 

CMYK 95 / 19 / 0 / 28

HEX #0995B8

RGB 9 149 184

HSL 192, 0.91%, 0.38%

LAB 57.09, -20.08, -27.4

 

CMYK 95 / 45 / 0 / 28

HEX #0966B8

RGB 9 102 184

HSL 208.11, 0.91%, 0.38%

LAB 42.8, 7.55, -49.94

 

CMYK 95 / 70 / 0 / 28

HEX #0937B8

RGB 9 55 184

HSL 224.23, 0.91%, 0.38%

LAB 30.04, 38.63, -70.72

 

CMYK 95 / 95 / 0 / 28

HEX #0909B8

RGB 9 9 184

HSL 240, 0.91%, 0.38%

LAB 22.7, 59.9, -82.9

 

CMYK 95 / 0 / 7 / 28

HEX #09B8AC

RGB 9 184 172

HSL 175.89, 0.91%, 0.38%

LAB 67.51, -40.91, -4.91

 

CMYK 95 / 0 / 7 / 28

HEX #09B8AC

RGB 9 184 172

HSL 175.89, 0.91%, 0.38%

LAB 67.51, -40.91, -4.91

 

CMYK 85 / 0 / 6 / 34

HEX #19A89E

RGB 25 168 158

HSL 175.8, 0.74%, 0.38%

LAB 62.24, -37.01, -4.91

 

CMYK 73 / 0 / 5 / 40

HEX #299891

RGB 41 152 145

HSL 176.22, 0.58%, 0.38%

LAB 57.05, -31.76, -5.2

 

CMYK 59 / 0 / 4 / 46

HEX #388983

RGB 56 137 131

HSL 175.56, 0.42%, 0.38%

LAB 52.25, -25.97, -4.18

 

CMYK 40 / 0 / 2 / 53

HEX #487976

RGB 72 121 118

HSL 176.33, 0.25%, 0.38%

LAB 47.44, -17.31, -3.59

 

CMYK 95 / 0 / 59 / 28

HEX #09B84C

RGB 9 184 76

HSL 142.97, 0.91%, 0.38%

LAB 65.64, -61.83, 43.33

 

CMYK 95 / 0 / 33 / 28

HEX #09B87B

RGB 9 184 123

HSL 159.09, 0.91%, 0.38%

LAB 66.34, -53.48, 20.25

 

CMYK 95 / 0 / 8 / 28

HEX #09B8A9

RGB 9 184 169

HSL 174.86, 0.91%, 0.38%

LAB 67.43, -41.77, -3.38

 

CMYK 95 / 17 / 0 / 28

HEX #0998B8

RGB 9 152 184

HSL 190.97, 0.91%, 0.38%

LAB 58.01, -21.67, -25.97

 

CMYK 95 / 43 / 0 / 28

HEX #0969B8

RGB 9 105 184

HSL 207.09, 0.91%, 0.38%

LAB 43.69, 5.63, -48.51

 

CMYK 95 / 0 / 7 / 59

HEX #056962

RGB 5 105 98

HSL 175.8, 0.91%, 0.22%

LAB 39.61, -26.98, -3.35

 

CMYK 95 / 0 / 6 / 44

HEX #079087

RGB 7 144 135

HSL 176.06, 0.91%, 0.3%

LAB 53.75, -33.89, -4.39

 

CMYK 95 / 0 / 7 / 28

HEX #09B8AC

RGB 9 184 172

HSL 175.89, 0.91%, 0.38%

LAB 67.51, -40.91, -4.91

 

CMYK 95 / 0 / 7 / 13

HEX #0BDFD0

RGB 11 223 208

HSL 175.75, 0.91%, 0.46%

LAB 80.4, -47.48, -5.37

 

CMYK 86 / 0 / 6 / 5

HEX #21F3E4

RGB 33 243 228

HSL 175.71, 0.9%, 0.54%

LAB 87.01, -49.51, -6.16

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

CMYK 84 / 95 / 0 / 28

HEX #1E09B8

RGB 30 9 184

HSL 247.2, 0.91%, 0.38%

LAB 23.45, 60.25, -81.64

 

CMYK 0 / 46 / 95 / 28

HEX #B86309

RGB 184 99 9

HSL 30.86, 0.91%, 0.38%

LAB 50.84, 29.13, 57.13

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

CMYK 8 / 95 / 0 / 28

HEX #A909B8

RGB 169 9 184

HSL 294.86, 0.91%, 0.38%

LAB 41.36, 73.59, -51.56

 

CMYK 0 / 8 / 95 / 28

HEX #B8A909

RGB 184 169 9

HSL 54.86, 0.91%, 0.38%

LAB 68.45, -9.06, 69.86

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

CMYK 84 / 95 / 0 / 28

HEX #1E09B8

RGB 30 9 184

HSL 247.2, 0.91%, 0.38%

LAB 23.45, 60.25, -81.64

 

CMYK 0 / 95 / 87 / 28

HEX #B80918

RGB 184 9 24

HSL 354.86, 0.91%, 0.38%

LAB 38.64, 62.02, 43.02

 

CMYK 11 / 0 / 95 / 28

HEX #A3B809

RGB 163 184 9

HSL 67.2, 0.91%, 0.38%

LAB 70.93, -25.81, 71

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AC

RGB 10 184 172

HSL 175.86, 0.9%, 0.38%

LAB 67.52, -40.87, -4.9

 

CMYK 55 / 95 / 0 / 28

HEX #5209B8

RGB 82 9 184

HSL 265.03, 0.91%, 0.38%

LAB 27.98, 62.85, -73.98

 

CMYK 0 / 95 / 87 / 28

HEX #B80918

RGB 184 9 24

HSL 354.86, 0.91%, 0.38%

LAB 38.64, 62.02, 43.02

 

CMYK 40 / 0 / 95 / 28

HEX #6FB809

RGB 111 184 9

HSL 85.03, 0.91%, 0.38%

LAB 67.78, -46.23, 67.18

 

Description

Color code: HEX #0AB8AC | qconv.com Color code: HEX #0AB8AC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 184 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 184 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 7 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 7% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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