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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ABE94 it is the complementary color #F5416B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ABE94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ABE94 shade: #0FBE8F, #20D0A2, #31E2B5, #42F4C8 and #53FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ABE94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ABE94 shade: #0ABE94, #00AC81, #009A6E, #00885B and #007648

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ABE94 shade: #09BC93, #09BC62, #09BC32, #11BC09 and #41BC09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ABE94 shade: #09BC93, #09B6BC, #0986BC, #0955BC and #0925BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ABE94 shade matches the following richer shades: #09BC93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ABE94 shade: #09BC93, #1AAC8A, #2A9C82, #3A8C79 and #4A7C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ABE94 shade: #09BC33, #09BC63, #09BC93, #09B6BC and #0987BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ABE94 shade: #056E56, #079574, #09BC93, #0CE4B1 and #25F3C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ABE94 shade: #0ABE94, #090FBC and #BC4B09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ABE94 shade: #0ABE94, #9309BC and #BC9309

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ABE94 shade: #0ABE94, #090FBC, #BC0933 and #BCB609

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ABE94 shade: #0ABE94, #3909BC, #BC0933 and #8DBC09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 22 / 25

HEX #0ABE94

RGB 10 190 148

HSL 166, 0.9%, 0.39%

LAB 68.77, -49.88, 10.09

 

Complementary color

CMYK 0 / 73 / 56 / 4

HEX #F5416B

RGB 245 65 107

HSL 346, 0.9%, 0.61%

LAB 56.34, 69.62, 18.39

 

CMYK 92 / 0 / 25 / 25

HEX #0FBE8F

RGB 15 190 143

HSL 163.89, 0.85%, 0.4%

LAB 68.69, -50.91, 12.69

 

CMYK 85 / 0 / 22 / 18

HEX #20D0A2

RGB 32 208 162

HSL 164.32, 0.73%, 0.47%

LAB 74.84, -52.37, 11.16

 

CMYK 78 / 0 / 20 / 11

HEX #31E2B5

RGB 49 226 181

HSL 164.75, 0.75%, 0.54%

LAB 80.95, -53.46, 9.79

 

CMYK 73 / 0 / 18 / 4

HEX #42F4C8

RGB 66 244 200

HSL 165.17, 0.89%, 0.61%

LAB 87.01, -54.25, 8.53

 

CMYK 67 / 0 / 14 / 0

HEX #53FFDB

RGB 83 255 219

HSL 167.44, 1%, 0.66%

LAB 91, -51.95, 4.44

 

CMYK 95 / 0 / 22 / 25

HEX #0ABE94

RGB 10 190 148

HSL 166, 0.9%, 0.39%

LAB 68.77, -49.88, 10.09

 

CMYK 100 / 0 / 25 / 33

HEX #00AC81

RGB 0 172 129

HSL 165, 1%, 0.34%

LAB 62.58, -47.84, 11.75

 

CMYK 100 / 0 / 29 / 40

HEX #009A6E

RGB 0 154 110

HSL 162.86, 1%, 0.3%

LAB 56.32, -45.38, 13.58

 

CMYK 100 / 0 / 33 / 47

HEX #00885B

RGB 0 136 91

HSL 160.15, 1%, 0.27%

LAB 49.93, -42.83, 15.51

 

CMYK 100 / 0 / 39 / 54

HEX #007648

RGB 0 118 72

HSL 156.61, 1%, 0.23%

LAB 43.4, -40.16, 17.54

 

CMYK 95 / 0 / 22 / 26

HEX #09BC93

RGB 9 188 147

HSL 166.26, 0.91%, 0.39%

LAB 68.12, -49.37, 9.7

 

CMYK 95 / 0 / 48 / 26

HEX #09BC62

RGB 9 188 98

HSL 149.83, 0.91%, 0.39%

LAB 67.21, -59.77, 34.49

 

CMYK 95 / 0 / 73 / 26

HEX #09BC32

RGB 9 188 50

HSL 133.74, 0.91%, 0.39%

LAB 66.71, -65.87, 55.39

 

CMYK 91 / 0 / 95 / 26

HEX #11BC09

RGB 17 188 9

HSL 117.32, 0.91%, 0.39%

LAB 66.6, -67.51, 65.2

 

CMYK 65 / 0 / 95 / 26

HEX #41BC09

RGB 65 188 9

HSL 101.23, 0.91%, 0.39%

LAB 67.36, -60.86, 66.14

 

CMYK 95 / 0 / 22 / 26

HEX #09BC93

RGB 9 188 147

HSL 166.26, 0.91%, 0.39%

LAB 68.12, -49.37, 9.7

 

CMYK 95 / 3 / 0 / 26

HEX #09B6BC

RGB 9 182 188

HSL 182.01, 0.91%, 0.39%

LAB 67.39, -35.19, -13.93

 

CMYK 95 / 29 / 0 / 26

HEX #0986BC

RGB 9 134 188

HSL 198.1, 0.91%, 0.39%

LAB 52.66, -10.35, -36.58

 

CMYK 95 / 55 / 0 / 26

HEX #0955BC

RGB 9 85 188

HSL 214.53, 0.91%, 0.39%

LAB 38.17, 20.34, -59.74

 

CMYK 95 / 80 / 0 / 26

HEX #0925BC

RGB 9 37 188

HSL 230.61, 0.91%, 0.39%

LAB 26.77, 50.52, -78.5

 

CMYK 95 / 0 / 22 / 26

HEX #09BC93

RGB 9 188 147

HSL 166.26, 0.91%, 0.39%

LAB 68.12, -49.37, 9.7

 

CMYK 95 / 0 / 22 / 26

HEX #09BC93

RGB 9 188 147

HSL 166.26, 0.91%, 0.39%

LAB 68.12, -49.37, 9.7

 

CMYK 85 / 0 / 20 / 33

HEX #1AAC8A

RGB 26 172 138

HSL 166.03, 0.74%, 0.39%

LAB 62.98, -44.19, 7.35

 

CMYK 73 / 0 / 17 / 39

HEX #2A9C82

RGB 42 156 130

HSL 166.32, 0.58%, 0.39%

LAB 57.92, -37.63, 4.62

 

CMYK 59 / 0 / 14 / 45

HEX #3A8C79

RGB 58 140 121

HSL 166.1, 0.41%, 0.39%

LAB 52.99, -29.75, 2.7

 

CMYK 40 / 0 / 10 / 51

HEX #4A7C70

RGB 74 124 112

HSL 165.6, 0.25%, 0.39%

LAB 48.31, -19.88, 1.25

 

CMYK 95 / 0 / 73 / 26

HEX #09BC33

RGB 9 188 51

HSL 134.08, 0.91%, 0.39%

LAB 66.72, -65.78, 55.03

 

CMYK 95 / 0 / 47 / 26

HEX #09BC63

RGB 9 188 99

HSL 150.17, 0.91%, 0.39%

LAB 67.22, -59.6, 34.01

 

CMYK 95 / 0 / 22 / 26

HEX #09BC93

RGB 9 188 147

HSL 166.26, 0.91%, 0.39%

LAB 68.12, -49.37, 9.7

 

CMYK 95 / 3 / 0 / 26

HEX #09B6BC

RGB 9 182 188

HSL 182.01, 0.91%, 0.39%

LAB 67.39, -35.19, -13.93

 

CMYK 95 / 28 / 0 / 26

HEX #0987BC

RGB 9 135 188

HSL 197.77, 0.91%, 0.39%

LAB 52.97, -10.92, -36.1

 

CMYK 95 / 0 / 22 / 57

HEX #056E56

RGB 5 110 86

HSL 166.29, 0.91%, 0.23%

LAB 40.99, -32.92, 5.94

 

CMYK 95 / 0 / 22 / 42

HEX #079574

RGB 7 149 116

HSL 166.06, 0.91%, 0.31%

LAB 54.87, -41.48, 8.14

 

CMYK 95 / 0 / 22 / 26

HEX #09BC93

RGB 9 188 147

HSL 166.26, 0.91%, 0.39%

LAB 68.12, -49.37, 9.7

 

CMYK 95 / 0 / 22 / 11

HEX #0CE4B1

RGB 12 228 177

HSL 165.83, 0.9%, 0.47%

LAB 81.15, -57.55, 12.13

 

CMYK 85 / 0 / 20 / 5

HEX #25F3C3

RGB 37 243 195

HSL 166.02, 0.9%, 0.55%

LAB 86.22, -57.78, 9.95

 

CMYK 95 / 0 / 22 / 25

HEX #0ABE94

RGB 10 190 148

HSL 166, 0.9%, 0.39%

LAB 68.77, -49.88, 10.09

 

CMYK 95 / 92 / 0 / 26

HEX #090FBC

RGB 9 15 188

HSL 237.99, 0.91%, 0.39%

LAB 23.77, 59.47, -83.5

 

CMYK 0 / 60 / 95 / 26

HEX #BC4B09

RGB 188 75 9

HSL 22.12, 0.91%, 0.39%

LAB 46.64, 42.96, 54.62

 

CMYK 95 / 0 / 22 / 25

HEX #0ABE94

RGB 10 190 148

HSL 166, 0.9%, 0.39%

LAB 68.77, -49.88, 10.09

 

CMYK 22 / 95 / 0 / 26

HEX #9309BC

RGB 147 9 188

HSL 286.26, 0.91%, 0.39%

LAB 37.89, 70.96, -59.71

 

CMYK 0 / 22 / 95 / 26

HEX #BC9309

RGB 188 147 9

HSL 46.26, 0.91%, 0.39%

LAB 62.99, 4.51, 66

 

CMYK 95 / 0 / 22 / 25

HEX #0ABE94

RGB 10 190 148

HSL 166, 0.9%, 0.39%

LAB 68.77, -49.88, 10.09

 

CMYK 95 / 92 / 0 / 26

HEX #090FBC

RGB 9 15 188

HSL 237.99, 0.91%, 0.39%

LAB 23.77, 59.47, -83.5

 

CMYK 0 / 95 / 73 / 26

HEX #BC0933

RGB 188 9 51

HSL 345.92, 0.91%, 0.39%

LAB 39.79, 63.86, 28.89

 

CMYK 0 / 3 / 95 / 26

HEX #BCB609

RGB 188 182 9

HSL 57.99, 0.91%, 0.39%

LAB 72.34, -14, 72.94

 

CMYK 95 / 0 / 22 / 25

HEX #0ABE94

RGB 10 190 148

HSL 166, 0.9%, 0.39%

LAB 68.77, -49.88, 10.09

 

CMYK 70 / 95 / 0 / 26

HEX #3909BC

RGB 57 9 188

HSL 256.09, 0.91%, 0.39%

LAB 25.85, 62.25, -79.96

 

CMYK 0 / 95 / 73 / 26

HEX #BC0933

RGB 188 9 51

HSL 345.92, 0.91%, 0.39%

LAB 39.79, 63.86, 28.89

 

CMYK 25 / 0 / 95 / 26

HEX #8DBC09

RGB 141 188 9

HSL 75.75, 0.91%, 0.39%

LAB 70.63, -36.72, 70.13

 

Description

Color code: HEX #0ABE94 | qconv.com Color code: HEX #0ABE94 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 190 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 190 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 22 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 22% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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