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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AE40D it is the complementary color #F51BF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AE40D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AE40D shade: #0FE408, #20F61B, #31FF2E, #42FF41 and #53FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AE40D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AE40D shade: #0AE40D, #00D200, #00C000, #00AE00 and #009C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AE40D shade: #09E60C, #42E609, #7DE609, #B8E609 and #E6D709

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AE40D shade: #09E60C, #09E648, #09E683, #09E6BF and #09D1E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AE40D shade matches the following richer shades: #09E60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AE40D shade: #09E60C, #1CD21F, #30BF32, #43AB45 and #579858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AE40D shade: #7FE609, #44E609, #09E609, #09E644 and #09E67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AE40D shade: #069608, #07BE0A, #09E60C, #23F526 and #4AF74D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AE40D shade: #0AE40D, #09BAE6 and #E60961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AE40D shade: #0AE40D, #0909E6 and #E60909

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AE40D shade: #0AE40D, #09BAE6, #E609E6 and #E63509

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AE40D shade: #0AE40D, #0977E6, #E609E6 and #E67709

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 94 / 11

HEX #0AE40D

RGB 10 228 13

HSL 120.83, 0.92%, 0.47%

LAB 79.37, -78.64, 75.31

 

Complementary color

CMYK 0 / 89 / 1 / 4

HEX #F51BF2

RGB 245 27 242

HSL 300.83, 0.92%, 0.53%

LAB 58.61, 92.72, -56.45

 

CMYK 93 / 0 / 96 / 11

HEX #0FE408

RGB 15 228 8

HSL 118.09, 0.93%, 0.46%

LAB 79.39, -78.53, 75.8

 

CMYK 87 / 0 / 89 / 4

HEX #20F61B

RGB 32 246 27

HSL 118.63, 0.92%, 0.54%

LAB 85.15, -81.92, 78.36

 

CMYK 81 / 0 / 82 / 0

HEX #31FF2E

RGB 49 255 46

HSL 119.14, 1%, 0.59%

LAB 88.15, -82.12, 77.25

 

CMYK 74 / 0 / 75 / 0

HEX #42FF41

RGB 66 255 65

HSL 119.68, 1%, 0.63%

LAB 88.48, -78.91, 72.33

 

CMYK 67 / 0 / 67 / 0

HEX #53FF54

RGB 83 255 84

HSL 120.35, 1%, 0.66%

LAB 88.92, -74.68, 66.25

 

CMYK 96 / 0 / 94 / 11

HEX #0AE40D

RGB 10 228 13

HSL 120.83, 0.92%, 0.47%

LAB 79.37, -78.64, 75.31

 

CMYK 100 / 0 / 100 / 18

HEX #00D200

RGB 0 210 0

HSL 120, 1%, 0.41%

LAB 73.61, -74.44, 71.85

 

CMYK 100 / 0 / 100 / 25

HEX #00C000

RGB 0 192 0

HSL 120, 1%, 0.38%

LAB 67.8, -69.62, 67.19

 

CMYK 100 / 0 / 100 / 32

HEX #00AE00

RGB 0 174 0

HSL 120, 1%, 0.34%

LAB 61.89, -64.71, 62.45

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 96 / 0 / 95 / 10

HEX #09E60C

RGB 9 230 12

HSL 120.81, 0.92%, 0.47%

LAB 80, -79.22, 75.92

 

CMYK 71 / 0 / 96 / 10

HEX #42E609

RGB 66 230 9

HSL 104.52, 0.92%, 0.47%

LAB 80.61, -73.77, 76.95

 

CMYK 46 / 0 / 96 / 10

HEX #7DE609

RGB 125 230 9

HSL 88.51, 0.92%, 0.47%

LAB 82.36, -59.55, 79.1

 

CMYK 20 / 0 / 96 / 10

HEX #B8E609

RGB 184 230 9

HSL 72.49, 0.92%, 0.47%

LAB 85.4, -38.6, 82.78

 

CMYK 0 / 7 / 96 / 10

HEX #E6D709

RGB 230 215 9

HSL 55.93, 0.92%, 0.47%

LAB 84.71, -12.5, 83.75

 

CMYK 96 / 0 / 95 / 10

HEX #09E60C

RGB 9 230 12

HSL 120.81, 0.92%, 0.47%

LAB 80, -79.22, 75.92

 

CMYK 96 / 0 / 69 / 10

HEX #09E648

RGB 9 230 72

HSL 137.1, 0.92%, 0.47%

LAB 80.25, -76.02, 61.3

 

CMYK 96 / 0 / 43 / 10

HEX #09E683

RGB 9 230 131

HSL 153.12, 0.92%, 0.47%

LAB 80.9, -68.01, 35.48

 

CMYK 96 / 0 / 17 / 10

HEX #09E6BF

RGB 9 230 191

HSL 169.41, 0.92%, 0.47%

LAB 82.06, -54.94, 6.06

 

CMYK 96 / 9 / 0 / 10

HEX #09D1E6

RGB 9 209 230

HSL 185.7, 0.92%, 0.47%

LAB 76.9, -34.72, -22.39

 

CMYK 96 / 0 / 95 / 10

HEX #09E60C

RGB 9 230 12

HSL 120.81, 0.92%, 0.47%

LAB 80, -79.22, 75.92

 

CMYK 96 / 0 / 95 / 10

HEX #09E60C

RGB 9 230 12

HSL 120.81, 0.92%, 0.47%

LAB 80, -79.22, 75.92

 

CMYK 87 / 0 / 85 / 18

HEX #1CD21F

RGB 28 210 31

HSL 120.99, 0.76%, 0.47%

LAB 73.83, -72.17, 67.73

 

CMYK 75 / 0 / 74 / 25

HEX #30BF32

RGB 48 191 50

HSL 120.84, 0.6%, 0.47%

LAB 68.11, -63.05, 56.94

 

CMYK 61 / 0 / 60 / 33

HEX #43AB45

RGB 67 171 69

HSL 121.15, 0.44%, 0.47%

LAB 62.29, -50.6, 42.93

 

CMYK 43 / 0 / 42 / 40

HEX #579858

RGB 87 152 88

HSL 120.92, 0.27%, 0.47%

LAB 57.26, -34.49, 27.32

 

CMYK 45 / 0 / 96 / 10

HEX #7FE609

RGB 127 230 9

HSL 87.96, 0.92%, 0.47%

LAB 82.45, -58.93, 79.19

 

CMYK 70 / 0 / 96 / 10

HEX #44E609

RGB 68 230 9

HSL 103.98, 0.92%, 0.47%

LAB 80.65, -73.43, 77

 

CMYK 96 / 0 / 96 / 10

HEX #09E609

RGB 9 230 9

HSL 120, 0.92%, 0.47%

LAB 79.99, -79.27, 76.19

 

CMYK 96 / 0 / 70 / 10

HEX #09E644

RGB 9 230 68

HSL 136.02, 0.92%, 0.47%

LAB 80.22, -76.38, 62.76

 

CMYK 96 / 0 / 45 / 10

HEX #09E67F

RGB 9 230 127

HSL 152.04, 0.92%, 0.47%

LAB 80.84, -68.71, 37.39

 

CMYK 96 / 0 / 95 / 41

HEX #069608

RGB 6 150 8

HSL 120.83, 0.92%, 0.31%

LAB 53.89, -57.39, 54.74

 

CMYK 96 / 0 / 95 / 25

HEX #07BE0A

RGB 7 190 10

HSL 120.98, 0.93%, 0.39%

LAB 67.2, -68.55, 65.56

 

CMYK 96 / 0 / 95 / 10

HEX #09E60C

RGB 9 230 12

HSL 120.81, 0.92%, 0.47%

LAB 80, -79.22, 75.92

 

CMYK 86 / 0 / 84 / 4

HEX #23F526

RGB 35 245 38

HSL 120.86, 0.91%, 0.55%

LAB 84.9, -81.02, 76.09

 

CMYK 70 / 0 / 69 / 3

HEX #4AF74D

RGB 74 247 77

HSL 121.04, 0.92%, 0.63%

LAB 86.26, -74.31, 66

 

CMYK 96 / 0 / 94 / 11

HEX #0AE40D

RGB 10 228 13

HSL 120.83, 0.92%, 0.47%

LAB 79.37, -78.64, 75.31

 

CMYK 96 / 19 / 0 / 10

HEX #09BAE6

RGB 9 186 230

HSL 191.95, 0.92%, 0.47%

LAB 70.1, -23.44, -32.83

 

CMYK 0 / 96 / 58 / 10

HEX #E60961

RGB 230 9 97

HSL 336.11, 0.92%, 0.47%

LAB 49.35, 76.31, 14.39

 

CMYK 96 / 0 / 94 / 11

HEX #0AE40D

RGB 10 228 13

HSL 120.83, 0.92%, 0.47%

LAB 79.37, -78.64, 75.31

 

CMYK 96 / 96 / 0 / 10

HEX #0909E6

RGB 9 9 230

HSL 240, 0.92%, 0.47%

LAB 29.33, 71.74, -98.67

 

CMYK 0 / 96 / 96 / 10

HEX #E60909

RGB 230 9 9

HSL 0, 0.92%, 0.47%

LAB 48.31, 73.45, 59.74

 

CMYK 96 / 0 / 94 / 11

HEX #0AE40D

RGB 10 228 13

HSL 120.83, 0.92%, 0.47%

LAB 79.37, -78.64, 75.31

 

CMYK 96 / 19 / 0 / 10

HEX #09BAE6

RGB 9 186 230

HSL 191.95, 0.92%, 0.47%

LAB 70.1, -23.44, -32.83

 

CMYK 0 / 96 / 0 / 10

HEX #E609E6

RGB 230 9 230

HSL 300, 0.92%, 0.47%

LAB 54.79, 90.28, -55.95

 

CMYK 0 / 77 / 96 / 10

HEX #E63509

RGB 230 53 9

HSL 11.95, 0.92%, 0.47%

LAB 51.14, 65.39, 61.19

 

CMYK 96 / 0 / 94 / 11

HEX #0AE40D

RGB 10 228 13

HSL 120.83, 0.92%, 0.47%

LAB 79.37, -78.64, 75.31

 

CMYK 96 / 48 / 0 / 10

HEX #0977E6

RGB 9 119 230

HSL 210.14, 0.92%, 0.47%

LAB 50.65, 14.97, -63.6

 

CMYK 0 / 96 / 0 / 10

HEX #E609E6

RGB 230 9 230

HSL 300, 0.92%, 0.47%

LAB 54.79, 90.28, -55.95

 

CMYK 0 / 48 / 96 / 10

HEX #E67709

RGB 230 119 9

HSL 29.86, 0.92%, 0.47%

LAB 61.69, 37.58, 67.53

 

Description

Color code: HEX #0AE40D | qconv.com Color code: HEX #0AE40D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 228 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 228 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 94 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 94% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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