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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AF45B it is the complementary color #F50BA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AF45B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AF45B shade: #0FF456, #20FF69, #31FF7C, #42FF8F and #53FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AF45B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AF45B shade: #0AF45B, #00E248, #00D035, #00BE22 and #00AC0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AF45B shade: #0AF45B, #0AF41C, #37F40A, #76F40A and #B6F40A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AF45B shade: #0AF45B, #0AF49A, #0AF4D9, #0AD0F4 and #0A91F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AF45B shade matches the following richer shades: #0AF45B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AF45B shade: #0AF45B, #1EE061, #33CB68, #48B66E and #5CA274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AF45B shade: #39F40A, #0AF419, #0AF458, #0AF496 and #0AF4D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AF45B shade: #06A53D, #08CD4C, #0AF45B, #31F675 and #59F890

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AF45B shade: #0AF45B, #0A77F4 and #F40A19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AF45B shade: #0AF45B, #580AF4 and #F4580A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AF45B shade: #0AF45B, #0A77F4, #F40AA6 and #F4870A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AF45B shade: #0AF45B, #0A31F4, #F40AA6 and #F4CD0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

Complementary color

CMYK 0 / 96 / 33 / 4

HEX #F50BA4

RGB 245 11 164

HSL 320.77, 0.92%, 0.5%

LAB 54.38, 84.83, -18.34

 

CMYK 94 / 0 / 65 / 4

HEX #0FF456

RGB 15 244 86

HSL 138.6, 0.91%, 0.51%

LAB 84.73, -78.45, 60.67

 

CMYK 87 / 0 / 59 / 0

HEX #20FF69

RGB 32 255 105

HSL 139.64, 1%, 0.56%

LAB 88.37, -78.65, 56.88

 

CMYK 81 / 0 / 51 / 0

HEX #31FF7C

RGB 49 255 124

HSL 141.84, 1%, 0.6%

LAB 88.75, -74.73, 48.83

 

CMYK 74 / 0 / 44 / 0

HEX #42FF8F

RGB 66 255 143

HSL 144.44, 1%, 0.63%

LAB 89.23, -69.86, 40.46

 

CMYK 67 / 0 / 36 / 0

HEX #53FFA2

RGB 83 255 162

HSL 147.56, 1%, 0.66%

LAB 89.84, -64.09, 31.95

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 100 / 0 / 68 / 11

HEX #00E248

RGB 0 226 72

HSL 139.12, 1%, 0.44%

LAB 78.96, -75.18, 59.92

 

CMYK 100 / 0 / 75 / 18

HEX #00D035

RGB 0 208 53

HSL 135.29, 1%, 0.41%

LAB 73.13, -71.73, 60.81

 

CMYK 100 / 0 / 82 / 25

HEX #00BE22

RGB 0 190 34

HSL 130.74, 1%, 0.37%

LAB 67.23, -67.95, 60.95

 

CMYK 100 / 0 / 91 / 33

HEX #00AC0F

RGB 0 172 15

HSL 125.23, 1%, 0.34%

LAB 61.25, -63.77, 59.85

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 96 / 0 / 89 / 4

HEX #0AF41C

RGB 10 244 28

HSL 124.62, 0.92%, 0.5%

LAB 84.41, -82.48, 77.51

 

CMYK 77 / 0 / 96 / 4

HEX #37F40A

RGB 55 244 10

HSL 108.46, 0.92%, 0.5%

LAB 84.76, -79.44, 80.16

 

CMYK 52 / 0 / 96 / 4

HEX #76F40A

RGB 118 244 10

HSL 92.31, 0.92%, 0.5%

LAB 86.29, -66.61, 82.04

 

CMYK 25 / 0 / 96 / 4

HEX #B6F40A

RGB 182 244 10

HSL 75.9, 0.92%, 0.5%

LAB 89.24, -45.47, 85.62

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 96 / 0 / 37 / 4

HEX #0AF49A

RGB 10 244 154

HSL 156.92, 0.92%, 0.5%

LAB 85.55, -68.4, 30.08

 

CMYK 96 / 0 / 11 / 4

HEX #0AF4D9

RGB 10 244 217

HSL 173.08, 0.92%, 0.5%

LAB 86.89, -53.78, -0.6

 

CMYK 96 / 15 / 0 / 4

HEX #0AD0F4

RGB 10 208 244

HSL 189.23, 0.92%, 0.5%

LAB 77.11, -29.74, -29.58

 

CMYK 96 / 41 / 0 / 4

HEX #0A91F4

RGB 10 145 244

HSL 205.38, 0.92%, 0.5%

LAB 58.83, 4.42, -58.24

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 87 / 0 / 57 / 12

HEX #1EE061

RGB 30 224 97

HSL 140.72, 0.76%, 0.5%

LAB 78.72, -70.34, 49.11

 

CMYK 75 / 0 / 49 / 20

HEX #33CB68

RGB 51 203 104

HSL 140.92, 0.6%, 0.5%

LAB 72.51, -60.19, 38.26

 

CMYK 60 / 0 / 40 / 29

HEX #48B66E

RGB 72 182 110

HSL 140.73, 0.43%, 0.5%

LAB 66.49, -47.56, 27.55

 

CMYK 43 / 0 / 28 / 36

HEX #5CA274

RGB 92 162 116

HSL 140.57, 0.28%, 0.5%

LAB 61.11, -32.6, 17.19

 

CMYK 77 / 0 / 96 / 4

HEX #39F40A

RGB 57 244 10

HSL 107.95, 0.92%, 0.5%

LAB 84.79, -79.17, 80.2

 

CMYK 96 / 0 / 90 / 4

HEX #0AF419

RGB 10 244 25

HSL 123.85, 0.92%, 0.5%

LAB 84.4, -82.58, 77.98

 

CMYK 96 / 0 / 64 / 4

HEX #0AF458

RGB 10 244 88

HSL 140, 0.92%, 0.5%

LAB 84.73, -78.4, 59.85

 

CMYK 96 / 0 / 39 / 4

HEX #0AF496

RGB 10 244 150

HSL 155.9, 0.92%, 0.5%

LAB 85.49, -69.17, 32

 

CMYK 96 / 0 / 13 / 4

HEX #0AF4D5

RGB 10 244 213

HSL 172.05, 0.92%, 0.5%

LAB 86.79, -54.83, 1.35

 

CMYK 96 / 0 / 63 / 35

HEX #06A53D

RGB 6 165 61

HSL 140.75, 0.93%, 0.34%

LAB 59.24, -57.92, 42.85

 

CMYK 96 / 0 / 63 / 20

HEX #08CD4C

RGB 8 205 76

HSL 140.71, 0.92%, 0.42%

LAB 72.39, -68.33, 51.08

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 80 / 0 / 52 / 4

HEX #31F675

RGB 49 246 117

HSL 140.71, 0.92%, 0.58%

LAB 85.93, -72.85, 48.63

 

CMYK 64 / 0 / 42 / 3

HEX #59F890

RGB 89 248 144

HSL 140.75, 0.92%, 0.66%

LAB 87.62, -63.62, 37.97

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 96 / 51 / 0 / 4

HEX #0A77F4

RGB 10 119 244

HSL 212.05, 0.92%, 0.5%

LAB 51.6, 20.43, -69.88

 

CMYK 0 / 96 / 90 / 4

HEX #F40A19

RGB 244 10 25

HSL 356.15, 0.92%, 0.5%

LAB 51.29, 76.97, 57.65

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 64 / 96 / 0 / 4

HEX #580AF4

RGB 88 10 244

HSL 260, 0.92%, 0.5%

LAB 35.64, 77.07, -95.99

 

CMYK 0 / 64 / 96 / 4

HEX #F4580A

RGB 244 88 10

HSL 20, 0.92%, 0.5%

LAB 58.26, 57.26, 66.33

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 96 / 51 / 0 / 4

HEX #0A77F4

RGB 10 119 244

HSL 212.05, 0.92%, 0.5%

LAB 51.6, 20.43, -69.88

 

CMYK 0 / 96 / 32 / 4

HEX #F40AA6

RGB 244 10 166

HSL 320, 0.92%, 0.5%

LAB 54.24, 84.9, -19.74

 

CMYK 0 / 45 / 96 / 4

HEX #F4870A

RGB 244 135 10

HSL 32.05, 0.92%, 0.5%

LAB 66.96, 35.04, 71.79

 

CMYK 96 / 0 / 63 / 4

HEX #0AF45B

RGB 10 244 91

HSL 140.77, 0.92%, 0.5%

LAB 84.75, -78.08, 58.65

 

CMYK 96 / 80 / 0 / 4

HEX #0A31F4

RGB 10 49 244

HSL 230, 0.92%, 0.5%

LAB 35.58, 62.4, -96.2

 

CMYK 0 / 96 / 32 / 4

HEX #F40AA6

RGB 244 10 166

HSL 320, 0.92%, 0.5%

LAB 54.24, 84.9, -19.74

 

CMYK 0 / 16 / 96 / 4

HEX #F4CD0A

RGB 244 205 10

HSL 50, 0.92%, 0.5%

LAB 83.4, -1.45, 83.26

 

Description

Color code: HEX #0AF45B | qconv.com Color code: HEX #0AF45B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 244 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 244 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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