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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AF9A5 it is the complementary color #F5065A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AF9A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AF9A5 shade: #0FF9A0, #20FFB3, #31FFC6, #42FFD9 and #53FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AF9A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AF9A5 shade: #0AF9A5, #00E792, #00D57F, #00C36C and #00B159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AF9A5 shade: #0BF8A5, #0BF865, #0BF825, #31F80B and #71F80B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AF9A5 shade: #0BF8A5, #0BF8E5, #0BCCF8, #0B8CF8 and #0B4CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AF9A5 shade matches the following richer shades: #0BF8A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AF9A5 shade: #0BF8A5, #1FE49F, #33D099, #47BC93 and #5CA78D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AF9A5 shade: #0BF823, #0BF862, #0BF8A1, #0BF8E1 and #0BD1F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AF9A5 shade: #04AD71, #05D58C, #0BF8A5, #33F9B4 and #5BFAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AF9A5 shade: #0AF9A5, #0B32F8 and #F8420B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AF9A5 shade: #0AF9A5, #A10BF8 and #F8A10B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AF9A5 shade: #0AF9A5, #0B32F8, #F80B62 and #F8D10B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AF9A5 shade: #0AF9A5, #2B0BF8, #F80B62 and #D9F80B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 34 / 2

HEX #0AF9A5

RGB 10 249 165

HSL 158.91, 0.95%, 0.51%

LAB 87.26, -67.92, 26.81

 

Complementary color

CMYK 0 / 98 / 63 / 4

HEX #F5065A

RGB 245 6 90

HSL 338.91, 0.95%, 0.49%

LAB 52.15, 79.57, 22.96

 

CMYK 94 / 0 / 36 / 2

HEX #0FF9A0

RGB 15 249 160

HSL 157.18, 0.95%, 0.52%

LAB 87.19, -68.78, 29.25

 

CMYK 87 / 0 / 30 / 0

HEX #20FFB3

RGB 32 255 179

HSL 159.55, 1%, 0.56%

LAB 89.43, -66.22, 22.7

 

CMYK 81 / 0 / 22 / 0

HEX #31FFC6

RGB 49 255 198

HSL 163.4, 1%, 0.6%

LAB 89.98, -60.79, 13.75

 

CMYK 74 / 0 / 15 / 0

HEX #42FFD9

RGB 66 255 217

HSL 167.94, 1%, 0.63%

LAB 90.64, -54.59, 4.92

 

CMYK 67 / 0 / 7 / 0

HEX #53FFEC

RGB 83 255 236

HSL 173.37, 1%, 0.66%

LAB 91.42, -47.72, -3.74

 

CMYK 96 / 0 / 34 / 2

HEX #0AF9A5

RGB 10 249 165

HSL 158.91, 0.95%, 0.51%

LAB 87.26, -67.92, 26.81

 

CMYK 100 / 0 / 37 / 9

HEX #00E792

RGB 0 231 146

HSL 157.92, 1%, 0.45%

LAB 81.42, -65.78, 28.59

 

CMYK 100 / 0 / 40 / 16

HEX #00D57F

RGB 0 213 127

HSL 155.77, 1%, 0.42%

LAB 75.53, -63.31, 30.46

 

CMYK 100 / 0 / 45 / 24

HEX #00C36C

RGB 0 195 108

HSL 153.23, 1%, 0.38%

LAB 69.55, -60.73, 32.39

 

CMYK 100 / 0 / 50 / 31

HEX #00B159

RGB 0 177 89

HSL 150.17, 1%, 0.35%

LAB 63.48, -58, 34.35

 

CMYK 96 / 0 / 33 / 3

HEX #0BF8A5

RGB 11 248 165

HSL 158.99, 0.94%, 0.51%

LAB 86.96, -67.55, 26.41

 

CMYK 96 / 0 / 59 / 3

HEX #0BF865

RGB 11 248 101

HSL 142.78, 0.94%, 0.51%

LAB 86.08, -78.05, 55.92

 

CMYK 96 / 0 / 85 / 3

HEX #0BF825

RGB 11 248 37

HSL 126.58, 0.94%, 0.51%

LAB 85.68, -83.18, 76.94

 

CMYK 80 / 0 / 96 / 3

HEX #31F80B

RGB 49 248 11

HSL 110.38, 0.94%, 0.51%

LAB 85.91, -81.26, 80.99

 

CMYK 54 / 0 / 96 / 3

HEX #71F80B

RGB 113 248 11

HSL 94.18, 0.94%, 0.51%

LAB 87.32, -69.31, 82.72

 

CMYK 96 / 0 / 33 / 3

HEX #0BF8A5

RGB 11 248 165

HSL 158.99, 0.94%, 0.51%

LAB 86.96, -67.55, 26.41

 

CMYK 96 / 0 / 8 / 3

HEX #0BF8E5

RGB 11 248 229

HSL 175.19, 0.94%, 0.51%

LAB 88.38, -52.17, -4.67

 

CMYK 96 / 18 / 0 / 3

HEX #0BCCF8

RGB 11 204 248

HSL 191.14, 0.94%, 0.51%

LAB 76.09, -26.43, -33.29

 

CMYK 96 / 44 / 0 / 3

HEX #0B8CF8

RGB 11 140 248

HSL 207.34, 0.94%, 0.51%

LAB 57.66, 8.98, -62.32

 

CMYK 96 / 69 / 0 / 3

HEX #0B4CF8

RGB 11 76 248

HSL 223.54, 0.94%, 0.51%

LAB 41.24, 48.99, -89.06

 

CMYK 96 / 0 / 33 / 3

HEX #0BF8A5

RGB 11 248 165

HSL 158.99, 0.94%, 0.51%

LAB 86.96, -67.55, 26.41

 

CMYK 96 / 0 / 33 / 3

HEX #0BF8A5

RGB 11 248 165

HSL 158.99, 0.94%, 0.51%

LAB 86.96, -67.55, 26.41

 

CMYK 86 / 0 / 30 / 11

HEX #1FE49F

RGB 31 228 159

HSL 158.98, 0.78%, 0.51%

LAB 80.89, -60.75, 21.21

 

CMYK 75 / 0 / 26 / 18

HEX #33D099

RGB 51 208 153

HSL 158.98, 0.63%, 0.51%

LAB 74.9, -52.62, 16.08

 

CMYK 62 / 0 / 22 / 26

HEX #47BC93

RGB 71 188 147

HSL 158.97, 0.47%, 0.51%

LAB 69.05, -42.65, 11.15

 

CMYK 45 / 0 / 16 / 35

HEX #5CA78D

RGB 92 167 141

HSL 159.2, 0.3%, 0.51%

LAB 63.21, -29.65, 6.23

 

CMYK 96 / 0 / 86 / 3

HEX #0BF823

RGB 11 248 35

HSL 126.08, 0.94%, 0.51%

LAB 85.67, -83.26, 77.33

 

CMYK 96 / 0 / 60 / 3

HEX #0BF862

RGB 11 248 98

HSL 142.03, 0.94%, 0.51%

LAB 86.05, -78.41, 57.18

 

CMYK 96 / 0 / 35 / 3

HEX #0BF8A1

RGB 11 248 161

HSL 157.97, 0.94%, 0.51%

LAB 86.89, -68.36, 28.34

 

CMYK 96 / 0 / 9 / 3

HEX #0BF8E1

RGB 11 248 225

HSL 174.18, 0.94%, 0.51%

LAB 88.28, -53.25, -2.74

 

CMYK 96 / 16 / 0 / 3

HEX #0BD1F8

RGB 11 209 248

HSL 189.87, 0.94%, 0.51%

LAB 77.55, -28.9, -31.04

 

CMYK 98 / 0 / 35 / 32

HEX #04AD71

RGB 4 173 113

HSL 158.7, 0.95%, 0.35%

LAB 62.6, -51.78, 20.55

 

CMYK 98 / 0 / 34 / 16

HEX #05D58C

RGB 5 213 140

HSL 158.94, 0.95%, 0.43%

LAB 75.77, -60.55, 24.07

 

CMYK 96 / 0 / 33 / 3

HEX #0BF8A5

RGB 11 248 165

HSL 158.99, 0.94%, 0.51%

LAB 86.96, -67.55, 26.41

 

CMYK 80 / 0 / 28 / 2

HEX #33F9B4

RGB 51 249 180

HSL 159.09, 0.94%, 0.59%

LAB 87.85, -62.36, 20.02

 

CMYK 64 / 0 / 22 / 2

HEX #5BFAC2

RGB 91 250 194

HSL 158.87, 0.94%, 0.67%

LAB 89.15, -54.42, 14.75

 

CMYK 96 / 0 / 34 / 2

HEX #0AF9A5

RGB 10 249 165

HSL 158.91, 0.95%, 0.51%

LAB 87.26, -67.92, 26.81

 

CMYK 96 / 80 / 0 / 3

HEX #0B32F8

RGB 11 50 248

HSL 230.13, 0.94%, 0.51%

LAB 36.23, 63.17, -97.37

 

CMYK 0 / 73 / 96 / 3

HEX #F8420B

RGB 248 66 11

HSL 13.92, 0.94%, 0.51%

LAB 55.96, 66.74, 65.19

 

CMYK 96 / 0 / 34 / 2

HEX #0AF9A5

RGB 10 249 165

HSL 158.91, 0.95%, 0.51%

LAB 87.26, -67.92, 26.81

 

CMYK 35 / 96 / 0 / 3

HEX #A10BF8

RGB 161 11 248

HSL 277.97, 0.94%, 0.51%

LAB 45.07, 83.72, -82.36

 

CMYK 0 / 35 / 96 / 3

HEX #F8A10B

RGB 248 161 11

HSL 37.97, 0.94%, 0.51%

LAB 73.2, 23.18, 76.12

 

CMYK 96 / 0 / 34 / 2

HEX #0AF9A5

RGB 10 249 165

HSL 158.91, 0.95%, 0.51%

LAB 87.26, -67.92, 26.81

 

CMYK 96 / 80 / 0 / 3

HEX #0B32F8

RGB 11 50 248

HSL 230.13, 0.94%, 0.51%

LAB 36.23, 63.17, -97.37

 

CMYK 0 / 96 / 60 / 3

HEX #F80B62

RGB 248 11 98

HSL 337.97, 0.94%, 0.51%

LAB 53.03, 80.34, 19.39

 

CMYK 0 / 16 / 96 / 3

HEX #F8D10B

RGB 248 209 11

HSL 50.13, 0.94%, 0.51%

LAB 84.78, -1.78, 84.35

 

CMYK 96 / 0 / 34 / 2

HEX #0AF9A5

RGB 10 249 165

HSL 158.91, 0.95%, 0.51%

LAB 87.26, -67.92, 26.81

 

CMYK 83 / 96 / 0 / 3

HEX #2B0BF8

RGB 43 11 248

HSL 248.1, 0.94%, 0.51%

LAB 32.98, 76.31, -102.76

 

CMYK 0 / 96 / 60 / 3

HEX #F80B62

RGB 248 11 98

HSL 337.97, 0.94%, 0.51%

LAB 53.03, 80.34, 19.39

 

CMYK 13 / 0 / 96 / 3

HEX #D9F80B

RGB 217 248 11

HSL 67.85, 0.94%, 0.51%

LAB 92.54, -33.63, 89.04

 

Description

Color code: HEX #0AF9A5 | qconv.com Color code: HEX #0AF9A5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 249 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 249 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 34 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 34% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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