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Color name
HEX #0AF396

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AF396 it is the complementary color #F50C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AF396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AF396 shade: #0FF391, #20FFA4, #31FFB7, #42FFCA and #53FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AF396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AF396 shade: #0AF396, #00E183, #00CF70, #00BD5D and #00AB4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AF396 shade: #0AF497, #0AF457, #0AF418, #3BF40A and #7AF40A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AF396 shade: #0AF497, #0AF4D6, #0AD3F4, #0A94F4 and #0A55F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AF396 shade matches the following richer shades: #0AF497

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AF396 shade: #0AF497, #1EE092, #33CB8E, #48B68A and #5CA286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AF396 shade: #0AF419, #0AF458, #0AF496, #0AF4D5 and #0AD5F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AF396 shade: #06A566, #08CD7E, #0AF497, #31F6A7 and #59F8B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AF396 shade: #0AF396, #0A39F4 and #F4390A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AF396 shade: #0AF396, #960AF4 and #F4960A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AF396 shade: #0AF396, #0A39F4, #F40A68 and #F4C50A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AF396 shade: #0AF396, #210AF4, #F40A68 and #DDF40A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 38 / 5

HEX #0AF396

RGB 10 243 150

HSL 156.05, 0.92%, 0.5%

LAB 85.18, -68.83, 31.6

 

Complementary color

CMYK 0 / 95 / 57 / 4

HEX #F50C69

RGB 245 12 105

HSL 336.05, 0.92%, 0.5%

LAB 52.61, 79.99, 14.47

 

CMYK 94 / 0 / 40 / 5

HEX #0FF391

RGB 15 243 145

HSL 154.21, 0.9%, 0.51%

LAB 85.12, -69.61, 34.03

 

CMYK 87 / 0 / 36 / 0

HEX #20FFA4

RGB 32 255 164

HSL 155.52, 1%, 0.56%

LAB 89.16, -69.28, 29.91

 

CMYK 81 / 0 / 28 / 0

HEX #31FFB7

RGB 49 255 183

HSL 159.03, 1%, 0.6%

LAB 89.67, -64.12, 21.01

 

CMYK 74 / 0 / 21 / 0

HEX #42FFCA

RGB 66 255 202

HSL 163.17, 1%, 0.63%

LAB 90.3, -58.16, 12.18

 

CMYK 67 / 0 / 13 / 0

HEX #53FFDD

RGB 83 255 221

HSL 168.14, 1%, 0.66%

LAB 91.04, -51.47, 3.48

 

CMYK 96 / 0 / 38 / 5

HEX #0AF396

RGB 10 243 150

HSL 156.05, 0.92%, 0.5%

LAB 85.18, -68.83, 31.6

 

CMYK 100 / 0 / 42 / 12

HEX #00E183

RGB 0 225 131

HSL 154.93, 1%, 0.44%

LAB 79.32, -66.62, 33.42

 

CMYK 100 / 0 / 46 / 19

HEX #00CF70

RGB 0 207 112

HSL 152.46, 1%, 0.41%

LAB 73.41, -64.03, 35.33

 

CMYK 100 / 0 / 51 / 26

HEX #00BD5D

RGB 0 189 93

HSL 149.52, 1%, 0.37%

LAB 67.42, -61.3, 37.26

 

CMYK 100 / 0 / 57 / 33

HEX #00AB4A

RGB 0 171 74

HSL 145.96, 1%, 0.34%

LAB 61.33, -58.38, 39.16

 

CMYK 96 / 0 / 38 / 4

HEX #0AF497

RGB 10 244 151

HSL 156.15, 0.92%, 0.5%

LAB 85.5, -68.98, 31.52

 

CMYK 96 / 0 / 64 / 4

HEX #0AF457

RGB 10 244 87

HSL 139.74, 0.92%, 0.5%

LAB 84.72, -78.51, 60.25

 

CMYK 96 / 0 / 90 / 4

HEX #0AF418

RGB 10 244 24

HSL 123.59, 0.92%, 0.5%

LAB 84.4, -82.6, 78.13

 

CMYK 76 / 0 / 96 / 4

HEX #3BF40A

RGB 59 244 10

HSL 107.44, 0.92%, 0.5%

LAB 84.82, -78.9, 80.24

 

CMYK 50 / 0 / 96 / 4

HEX #7AF40A

RGB 122 244 10

HSL 91.28, 0.92%, 0.5%

LAB 86.44, -65.49, 82.22

 

CMYK 96 / 0 / 38 / 4

HEX #0AF497

RGB 10 244 151

HSL 156.15, 0.92%, 0.5%

LAB 85.5, -68.98, 31.52

 

CMYK 96 / 0 / 12 / 4

HEX #0AF4D6

RGB 10 244 214

HSL 172.31, 0.92%, 0.5%

LAB 86.81, -54.57, 0.86

 

CMYK 96 / 14 / 0 / 4

HEX #0AD3F4

RGB 10 211 244

HSL 188.46, 0.92%, 0.5%

LAB 77.98, -31.2, -28.23

 

CMYK 96 / 39 / 0 / 4

HEX #0A94F4

RGB 10 148 244

HSL 204.62, 0.92%, 0.5%

LAB 59.69, 2.63, -56.87

 

CMYK 96 / 65 / 0 / 4

HEX #0A55F4

RGB 10 85 244

HSL 220.77, 0.92%, 0.5%

LAB 42.9, 42.02, -84.09

 

CMYK 96 / 0 / 38 / 4

HEX #0AF497

RGB 10 244 151

HSL 156.15, 0.92%, 0.5%

LAB 85.5, -68.98, 31.52

 

CMYK 96 / 0 / 38 / 4

HEX #0AF497

RGB 10 244 151

HSL 156.15, 0.92%, 0.5%

LAB 85.5, -68.98, 31.52

 

CMYK 87 / 0 / 35 / 12

HEX #1EE092

RGB 30 224 146

HSL 155.88, 0.76%, 0.5%

LAB 79.42, -62.09, 25.93

 

CMYK 75 / 0 / 30 / 20

HEX #33CB8E

RGB 51 203 142

HSL 155.92, 0.6%, 0.5%

LAB 73.13, -53.08, 19.48

 

CMYK 60 / 0 / 24 / 29

HEX #48B68A

RGB 72 182 138

HSL 156, 0.43%, 0.5%

LAB 67.03, -41.9, 13.21

 

CMYK 43 / 0 / 17 / 36

HEX #5CA286

RGB 92 162 134

HSL 156, 0.28%, 0.5%

LAB 61.51, -28.81, 7.73

 

CMYK 96 / 0 / 90 / 4

HEX #0AF419

RGB 10 244 25

HSL 123.85, 0.92%, 0.5%

LAB 84.4, -82.58, 77.98

 

CMYK 96 / 0 / 64 / 4

HEX #0AF458

RGB 10 244 88

HSL 140, 0.92%, 0.5%

LAB 84.73, -78.4, 59.85

 

CMYK 96 / 0 / 39 / 4

HEX #0AF496

RGB 10 244 150

HSL 155.9, 0.92%, 0.5%

LAB 85.49, -69.17, 32

 

CMYK 96 / 0 / 13 / 4

HEX #0AF4D5

RGB 10 244 213

HSL 172.05, 0.92%, 0.5%

LAB 86.79, -54.83, 1.35

 

CMYK 96 / 13 / 0 / 4

HEX #0AD5F4

RGB 10 213 244

HSL 187.95, 0.92%, 0.5%

LAB 78.57, -32.16, -27.34

 

CMYK 96 / 0 / 38 / 35

HEX #06A566

RGB 6 165 102

HSL 156.23, 0.93%, 0.34%

LAB 59.81, -51.08, 22.76

 

CMYK 96 / 0 / 39 / 20

HEX #08CD7E

RGB 8 205 126

HSL 155.94, 0.92%, 0.42%

LAB 73.04, -60.47, 27.69

 

CMYK 96 / 0 / 38 / 4

HEX #0AF497

RGB 10 244 151

HSL 156.15, 0.92%, 0.5%

LAB 85.5, -68.98, 31.52

 

CMYK 80 / 0 / 32 / 4

HEX #31F6A7

RGB 49 246 167

HSL 155.94, 0.92%, 0.58%

LAB 86.68, -64.19, 25.06

 

CMYK 64 / 0 / 26 / 3

HEX #59F8B8

RGB 89 248 184

HSL 155.85, 0.92%, 0.66%

LAB 88.31, -56.1, 18.72

 

CMYK 96 / 0 / 38 / 5

HEX #0AF396

RGB 10 243 150

HSL 156.05, 0.92%, 0.5%

LAB 85.18, -68.83, 31.6

 

CMYK 96 / 77 / 0 / 4

HEX #0A39F4

RGB 10 57 244

HSL 227.95, 0.92%, 0.5%

LAB 36.97, 58.37, -93.89

 

CMYK 0 / 77 / 96 / 4

HEX #F4390A

RGB 244 57 10

HSL 12.05, 0.92%, 0.5%

LAB 54.22, 68.33, 64.05

 

CMYK 96 / 0 / 38 / 5

HEX #0AF396

RGB 10 243 150

HSL 156.05, 0.92%, 0.5%

LAB 85.18, -68.83, 31.6

 

CMYK 39 / 96 / 0 / 4

HEX #960AF4

RGB 150 10 244

HSL 275.9, 0.92%, 0.5%

LAB 43.11, 81.87, -83.4

 

CMYK 0 / 39 / 96 / 4

HEX #F4960A

RGB 244 150 10

HSL 35.9, 0.92%, 0.5%

LAB 70.22, 27.26, 73.98

 

CMYK 96 / 0 / 38 / 5

HEX #0AF396

RGB 10 243 150

HSL 156.05, 0.92%, 0.5%

LAB 85.18, -68.83, 31.6

 

CMYK 96 / 77 / 0 / 4

HEX #0A39F4

RGB 10 57 244

HSL 227.95, 0.92%, 0.5%

LAB 36.97, 58.37, -93.89

 

CMYK 0 / 96 / 57 / 4

HEX #F40A68

RGB 244 10 104

HSL 335.9, 0.92%, 0.5%

LAB 52.34, 79.85, 14.67

 

CMYK 0 / 19 / 96 / 4

HEX #F4C50A

RGB 244 197 10

HSL 47.95, 0.92%, 0.5%

LAB 81.39, 2.65, 81.81

 

CMYK 96 / 0 / 38 / 5

HEX #0AF396

RGB 10 243 150

HSL 156.05, 0.92%, 0.5%

LAB 85.18, -68.83, 31.6

 

CMYK 86 / 96 / 0 / 4

HEX #210AF4

RGB 33 10 244

HSL 245.9, 0.92%, 0.5%

LAB 31.97, 75.3, -102.2

 

CMYK 0 / 96 / 57 / 4

HEX #F40A68

RGB 244 10 104

HSL 335.9, 0.92%, 0.5%

LAB 52.34, 79.85, 14.67

 

CMYK 9 / 0 / 96 / 4

HEX #DDF40A

RGB 221 244 10

HSL 65.9, 0.92%, 0.5%

LAB 91.73, -30.19, 88.62

 

Description

Color code: HEX #0AF396 | qconv.com Color code: HEX #0AF396 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 243 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 243 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 38 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 38% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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